‘Galbat’ Marathi Movie, Actress Tanvie Kishore, Tanvie Parab, Swanand Desai, Sanjay Khapre

Ultra Khakaas OTT Platform have promised special exciting entertainment from 3rd July through new Marathi film ‘Galbat’. The digital premiere of this film will be held on 3rd July 2023. The film’s story is based on the repercussions of greed cheating and bad deeds . It revolves around one such money minded greedy person Kilvar , who wants to turn rich overnight. In the last attempt of dacoity, his son ‘Chava’ gets trapped and is forced to join his father’s path.

The spokesperson of Ultra Jhakaas says that they were happy to present this form of entertainment on their OTT platform. He is confident that the viewers would appreciate this film. “I am sure, the audience would enjoy the exciting screenplay and therefore I expect them enjoy this film,: he said.Story of this film is written by Tanaji Lodhe.

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Avadhoot Chintan Creations Pvt. Ltd. Recently launched their OTT Platform ‘Avadhoot Chintan’ in  the form of mobile app to reach out to all the devotees of Shree Gurudev Dutt scattered all over the world. This platform will present incarnations of this deity through web series to entertain the audience. It may be recalled that the two TV serials on this subject have already become popular and therefore this OTT platform dedicated to Shree Gurudev Dutt is also expected to popularise soon.

Renowned actor and director Asit Redij  , Milind Jadhav and Tejas Aate are behind the production of this ‘Avadhoot Chintan’ OTT platform and they have worked very hard. Mr. Asit Redij will be in charge of Content and Creative department besides directing these two web series along with Deepak Desai. Well Known writer Pravin Shantaram has written the screenplay and dialogues of these two series. Many popular personalities from different parts of Maharashtra have showered their best wishes on this team of Avadhoot Chintan, prominent among them are celebrities like Priya Berde, Jaywant Wadkar and Supriya Pathare.

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The post Ya Gol Gol Dabyatla ( या गोल गोल डब्यातला ) appeared first on .

Albert Einstein has rightly quoted, “We cannot despair of humanity, since we ourselves are human beings”. But, with changing time, it is observed that some children neglect their parents, when they become old. There are cases, where children, after attaining prosperity, refuse to even recognize their parents, forget about supporting them. Today, law has become very strict against those, who refuse to take care of their older parents. Based on the new provisions in law and taking support of existing Hindu law, Asit Reddyz new film ‘Ya Gol Gol Dabyatla’ reminds the new generation about their duties to parents. And at the same time encourages those neglected parents to knock the doors of court for justice.

The film goes on to narrate the tragic tale of Bajaba Mahipati and his wife, (Ashok Saraf & Smita Talwalkar) who in spite of their poor conditions spend towards the education of their only son- Digambar, who grows up to stand first in the district in the HSc exams. Bajaba moves on his bicycle from village to nearest town showing the Bioscope to school children, to earn for his family, while his wife does the job of nursing newly born babies in the village. When young Digamber (Santosh Juvekar) orders his father to arrange for money amounting to Rs.2.5 lakhs, towards his Engineering admission and hostel fees; the father gets worried. But, the kind hearted mother of Digamber suggests her husband to sell his ancestral land .

After moving to hostel in a town, Digamber even changes his name to Anand and befriends the daughter of a TV serial producer Appasaheb Deshmukh (Smita Shwale). He refuses to meet his parents as he hates his poor background and warns them not to meet him. Soon, he marries Appasaheb’s daughter and lives in the bungalow of Appasaheb (Madhav Abhyankar), who offers him roles, impressed with his talent. Some dramatic incidences take place in the film, where the parents confront their own son with changed attitude. Father decides not to see his son’s face again, but the mother turns emotional when she hears about the birth of her grandson. She even agrees to nurse the new born. But, she faces humiliation there and returns home.

Already suffering from ailment, the mother is admitted to hospital for advancement of tumor and is advised to be operated. With no money in hand, Bajaba takes a drastic step to teach his son a lesson. He files a case in court, taking the support of Hindu law and the new amendment in Law providing defense to neglected parents. The film concludes with climax in the court room; where the Judge( Ashalata Wabgaonkar) delivers justice in favour of neglected parents. But, the father returns the compensation by keeping only the medical expenses of his wife’s operation. The film does succeed in passing a good social message to the society.

With this story very relevant to today’s time, writer director Asit Reddyz has offered a sensible film. He has not elaborated much on the college education and subsequent acting career of Digamber. Leaving the college education half way, he is shown moving from Hostel to Appasaheb’s bungalow. The director seems to have paid more attention on father -son confrontation. However, he has selected the artistes perfectly suited to their characters. Ashok Saraf has portrayed the main character of Bajaba very effectively. Smita Talwalkar supports him well as a kind hearted wife, whose happiness is her son’s happiness. Santosh Juvekar as their son has tried to do his best in that role of a selfish son inclined towards materialistic living. Smita Shewale, who plays his girl friend turned wife, does not have much scope, but she suits well in that role of modern day girl. Vijay Chavan as Bashaba’s neighbor in the village does well in his limited role and so does his daughter, who looks like a perfect village girl, with dark complexion. Others in the cast, like Madhav Abhyankar, Akansha Thakur, Ashalata Wabgaonkar, Bal Dhuri, Shailesh Datar, Prafull Samant, Pratibha Goregaonkar, Iravati Lagoo, Rashmi Yesgude & child artistes Papan Patil, Akansha Jagdale have supported well.

Good photography, excellent performances and perfect editing makes the film more appealing, though it is a tearjerker.

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