Well Known writer and Journalist Arun Sadhu is no more. But, the illustrious Marathi writer will always be remembered for the wonderful gift he has offered to the voracious readers through his 26 books. And one of them is his novel ‘Ziprya’, which described very effectively the actual lifestyle of the group of teenaged shoeshine boys in the city of Mumbai. With this interesting story in hand, film maker Kedar Vaidya who has also written the screenplay and dialogues of his new film with the same title, has actually paid tributes to the prolific writer & Journalist.

Keeping all the original characters of the writer intact, Kedar has worked hard on presenting this subject very realistically, by choosing the right locations in Mumbai. And the result on screen has been too good. In short, Kedar has brought every important character of the writer lively on screen and this is his biggest achievement. With the maximum number of scenes shot outdoors, has given a very realistic look to this story. The inter connection of every shoe shine boy with the other and their willingness to come out of their routine and see big dreams, has also been shown very effectively , using the cinematic liberties. What is more appealing is that he has also succeeded in sending across a strong message to the society, through this action filled film with emotional touch.

Kedar has picked up the right artistes to play all those important characters, which is also another plus point of this film. And all these artistes, namely Chinmay Kambli( as Ziprya) , Prathamesh Parab( as Aslam) , Hansraj Jagtap( as Ganju), Amruta Subhash( as Leela), Nachiket Purnapatre( Pinglya), Pravin Tarde( Pakyabhai) ,Deepak karanjikar ( Kirtane Master),and few others, have done full justice to their respective characters. The action scenes of Abbas Ali Mughal , background music of Toufiq Qureshi and fine editing work by Devendra Murdeshwar makes this film more presentable. There are very few drawbacks noticed in this film. But, looking at the efforts of the team in presenting this interesting tale, it is certainly a worth watch film.

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Biography / Profile:

Occupation : Actor

Chinmay Kambli started his work as an actor in marathi film industry. His first film was ‘Jhin Chik Jhing‘, then he did many Marathi film such as ‘72 Miles – Ek Pravas ‘, ‘Kaccha Limboo’, ‘Sunrise‘, he has played leading role in the Marathi film ‘Ziprya‘ .He completed his education at M L Dahanukar College of Commerce, Mumbai.

Filmography:

• Movie(s)
• Ziprya (2018)
• Sunrise (2014)
• 72 Miles – Ek Pravas (2013)
• Kaccha Limboo (2011)
• Jhing Chik Jhing (2009)
• Serial(s)
• Play(s)

Award(s):

Interview(s):

Stay tuned to know more about Chinmay Kambli

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Movie: Ziprya
Director: Kedar Vaidya
Music: Sameer Saptiskar, Troy and Arif
Cast: Amruta Subhash, Prathamesh Parab, Saksham Kulkarni, Chinmay Kambli, Nachiket Purnapatre, Vimal Mhatre, Deepak Karanjikar, Praveen Tarde.

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Based on renowned journalist and writer Arun Sadhu’s novel, Marathi film ‘Ziprya‘ is now all set for release on 22^nd June 2018. Recently, the trailer and music of this Marathi film was launched in Mumbai in presence of artistes and special invitees. There is a lot of curiosity about the film’s subject, since it is based on Late Arun Sadhu’s novel.

The story of ‘Ziprya‘ as many of us know, revolves around young labourers doing boot polish for their survival in big metros like Mumbai. Ziprya the central character of this film is also one of them, who is always hopeful about his better future. When it is time for Ziprya’s sister’s marriage, the film’s story takes a twist which has been the turning point of this film. The film’s screenplay and direction is by Kedar Vaidya and the film is produced by Ranjit Darekar.

The film stars Chinmay kambli along with Prathamesh Parab, Amruta Subhash, Saksham Kulkarni, Aman Attar, Nachiket Purnapatre, Praveen Tarde and others.

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• Release Year: 2018 (22 June)
• Genres: Drama
• Rating:  na
• Censor: na
• Duration: na
• Studio/presenter: Ashwini Ranjeet Darekar, ARD Entertainments and Deevas Productions
• Producer(s): Ranjeet Darekar
• Executive Producer: na
• Director:Kedar Vaidya
• Writer:Arun Sadhu
• ScreenPlay: Kedar Vaidya
• Dialogues: Kedar Vaidya
• Official Facebook Page I  Twitter

Cast & Crew

• Producer(s): Ranjeet Darekar
• Executive Producer: na
• Co-producer: na
• Director: Kedar Vaidya
• Assistant Director: na
• Writer: Arun Sadhu
• ScreenPlay: Kedar Vaidya
• Dialogues: Kedar Vaidya
• Lyrics: Abhishek, Sameer Samant
• Music: Sameer Saptiskar, Troy and Arif
• Playback Singer:   Divya Kumar, Shekhar Ravjiani
• Cinematographer (DOP): Rajesh Madone
• Editor: Devendra Murdeshwar
• Starcast: Prathamesh Parab, Chinmay Kambli, Saksham Kukarni, Hansraj Jagtap, Aman Attar, Devansh Deshmukh, Amruta Subhash, Nachiket Purnapatre, Vimal Mhatre, Deepak Karnjikar, Praveen Tarde
• Art Director: Vinayak Katkar
• Costumes: na
• Makeup: na
• Sound : Anmol Bhave
• Background Score: Toufiq Qureshi
• Choreographer: Umesh Jadhav
• DI, VFX: na
• D.I. Colourist:  na
• Promos: na
• Music Label: na
• Publicity Designs: Sachin Gurav
• P.R.O.: na
• Distributor : na

Synopsis :

‘Ziprya’ : na

Videos

News / Article / Interview

Movie Still(s)

Poster(s)

Review

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Many films have been made on the pathetic state of farmers in Maharashtra, but Nitin Nandan’s ‘Jhing Chik Jhing’ is a fine piece of cinema that throws light on the burning issue. The film not only highlights the reasons behind farmer’s suicides but also offers a solution to the problem.

Mouli Bhoir(Bharat Jadhav) is a small Vidharba farmer, who has two acres of not so fertile land but tries hard to get out of the debt trap by growing cotton which is not of good quality and which he has to sell to the co-operative sector for a far lesser price, which hardly suffices the daily square meal for him and his family- wife(Madhavi Juvekar) , daughter (Arti More) and son Shyam (Chinmay Kambli).

Shyam is a bright boy, but circumstances and poverty make him a rebel. His teacher (Sanjay Mone) has high hopes from him and encourages him to think positive in life and achieve his ambition to become a big man like a doctor. But his father’s debts land them in dire straits and the creditors make things difficult for them to survive. The mortgage on his house and land forces Mouli to take the drastic step of committing suicide by poisoning the entire family.

But, the children overhear the plan of their parents and like the ‘Children of Heaven (Majid Majidi) style try to gather the Rs.10,000 needed to square the debts off. Shyam enters into the sack race competition at school sports, which promises him a prizes worth Rs.10,000(which is actually Rs.1000 for the event) but Shyam unaware of this, tries hard and wins the race.

His sister too tries to borrow money from a boy who loves her, but fails. Shyam at the prize distribution ceremony refuses to accept his prize of Rs.1000 and demands Rs.10,000 in front of the entire school and the local leader.
The leader kindly lends an ear to Shyam’s parents suicide pact and with the help of the philanthropist (Dilip Prabhavalkar) in the village admonishes Shyam’s parents and promises them to lend money and government support for organic farming, which is the only answer for a good crop.
The film ends on a happy note but making the viewers shed tears at the sad state of the farmer, who is a victim of the vicious circle of the lender and the due interest.
It is a pity that in our country, the farmer, who provides food to the needy people remains hungry himself and is at the mercy of banks, money lenders, marketing co-operatives, and false claims of insecticide providers.

The performances in the film and the direction has been lauded universally, especially the young Chinamay Kambli who is a natural and exceptionally brilliant and Bharat Jadhav, who was earlier known only for his comic antics. His serious portrayal in the film is an eye opener and he rightly deserved the State Best Actor Award. Madhavi Juvekar as his wife Manda is amazing.Aarti More as the daughter gives a good account of herself. Dilip Prabhavalkar as the ‘kavi cum organic farmer’ is effective. Sanjay Mone’s cameo is clap worthy. Uday Sabis is menacing. The other parts in the film fit the bill. Amalendu Chowdhary’s cinematography is rightly subdued without any brightly lit frames or colors or any razzle dazzle angles. The camera follows the protagonists Shyam and Mouli.

The music by Rahul Ranade is in tune with the mood of the film and the lyrics by Shrirang Godbole are in good verse. The editor Raj Surve deserves a mention for the smooth transitions. In all, ‘Jhing Chik Jhing’ is a good film.

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