Rating: ★★ ½
Genres: Romantic
Censor: U/A
Duration: 125 Min.
Studio/presenter: Tikit Films
Producer: Shyam Singhaniya
Director: Mansing Pawar
Writer: Mansing Pawar
Lyrics:  Mansing Pawar, Baba Chavan, Rajesh Bamugade, Sanjali Rode
Music: Pravin Kunwar, Sachin-Dipesh, Prabhu Bhosale
Cinematographer (DOP): Raja Phadtare
Cast: Mansi Moghe, Kashyap Parulekar, Mohan Joshi, Dipa Chafekar, Ramesh Bhatkar, Ila Bhate, Jagannath Nivangune, Megha Ghadge, Pandurang Kulkarni, VIjaya Palav, Gautami Kalbaag, Prachi Cheulkar, SaniBhushan Mungekar, Jitendra wankhede, Amar Pawar, Pradeep Patil, Manoj Jadhav, Ravindra Tanvar, Sachin Navre, Pavanraj Ahivale, Mansing Pawar
Movie Review by: Ulhas Shirke

Every filmmaker feels that whatever he offers is something remarkable. And, there is nothing wrong in expecting success in return. But today, Marathi films are showing a change, with new subjects dealt in films. Therefore, if the script of the film is outdated and is not able to convince the audience; then the result is known to all. Latest released Marathi film ‘Bugadi Majhi Sandali Ga‘ goes with the formula, adopted in films of 60s and 70s.

Producer Shyam Singhania and director Mansingh Pawar signed Miss India Universe Beauty queen Manasi Moghe, to play the lead role of a beautiful dancing actress and focused their attention on ‘Lavani’ the traditional dance form of Maharashtra, as the base of the film. In order to make it more musical, they engaged three different music directors. But, as they say, ‘Too many cooks spoil the broth ‘. Barring two songs, the other seven songs in this film, have failed to appeal. And, that turned out to be the biggest drawback of the film. Even the screenplay of this film, with limited content, failed to generate much interest, due to predictable happenings, except for the climax. But, that too had left a hint, in the initial scene of the film. So, don’t miss the beginning.

The story of this film revolves around Shubhangi (Manasi Moghe) who is an orphan, and brought up by a Tamasha dancer Chandraprabha Sanglikar( Deepa Chafekar). Chandraprabha who is in live-in-relationship with Raosaheb, since her younger days, lives in Raosaheb Shinde’s big house, 40 kms away from Kolhapur city. Indrajeet, the only son of Appasaheb Mohite and Padmaja Mohite(Ramesh Bhatkar & Ila Bhate) who are rich and run a trust in Kolhapur. He returns from abroad, after studying music and wants to know more about ‘Lavani’ the traditional Indian dance-music form. That’s how he comes across Shubhangi and falls in love with her. She too gives her heart to Indrajeet.

The trouble begins, when Appasaheb comes to know about their relationship. In the meanwhile, Raosaheb also returns after six years. Watching Shubhangi’s beauty, Raosaheb also make his advances towards her, but Chandraprabha warns him. Everything goes on, as predicted, except for the tragic end. Actually, the film fails to capture the attention of the audience in pre interval stage. In every intense love story, there is strong opposition from other characters. That does not happen in this film. The only negative character is seen playing his cruel act towards the end of the film. Even the opposition from Indrajeet’s parents and Chadraprabha is not very convincing.

There are many such incidences in the film, which fail to convince. As far as the performances are concerned, Manasi Moghe makes a sincere attempt on her debut. She looks beautiful in every scene. But, the director and the choreographer should have paid more attention on her body language & visual expressions in close up. Even, not much attention has been paid on her accent, which should have been in typical Kolhapuri style. Kashyap Parulekar has done well, in the role of Indrajeet. But, his real potential hasn’t been exploited by the director, except for the last scene.

A lot of importance has been given to the character of Chandraprabha, so much so that she is also given scope to perform a baithak Lavani, with a full song picturised on her. Ila Bhate finds her share to prove her acting skills, in two important scenes in the post interval session. In comparison Ramesh Bhatkar is just namesake father in the film, with not much scope for an actor of his caliber. Mohan Joshi plays the negative character in his own style, in the concluding part of the film. ‘Lakshya’ serial fame Jagannath Nivangune, has also been wasted in this film. Other character artistes offer the required support. Good cinematography by Raja Fadtare is the plus point of this film. He has picturised one outdoor song very well.

‘Bugadi Majhi Sandali Ga‘ may not appeal the Mumbai audience much; but might invite some response from places like Kolhapur, Nagpur and other small cities in Western Maharashtra, provided it has found theatres at such places.

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Studio/presenter: Tikit Films
Release Year: 2015
Genres: Romantic
Rating: 
Censor: U/A
Duration: 125 Min.
Producer: Shyam Singhaniya
Exe-Producer: Vivek Shah
Director: Mansing Pawar
Writer: Mansing Pawar
ScreenPlay: Mansing Pawar
Dialogues: Mansing Pawar
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‘Bugadi Maazi Sandli Ga’ goes with the formula

‘Bugadi Majhi Sandali Ga’ may not appeal the Mumbai audience much; but might invite some response from places like Kolhapur, Nagpur and other small cities in Western Maharashtra, provided it has found theatres at such places… read full review

Rating:

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Miss India 2013 Manasi Moghe will have to wait for some more time to watch herself on a big screen in theatres. Her debut film ‘Bugadi Mazi Sandali Ga’ is not releasing on 20th Feb. ’15 as announced earlier. The film was ready for release, with promotional activities in full swing, but it is learnt that the makers are rescheduling the release date of BMSG.

The makers did have an advantage, as they have Miss India Manasi Moghe in their project. She too was putting in real hard work, in the form of live performances of laavni and getting appreciation from all quarters. It is given to understand that the real reason for the sudden postponement of release date is that, BMSG has received invitation to participate in a few film festivals.

The makers will announce the fresh release date for BMSG very soon . This seems a good decision, considering invites from film festival for a maiden venture and of course, the schools and colleges are gearing up for the ensuing exam fever, this time around.

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Script plays a very important role in the success of Marathi films. And, when you come to know that the script of a Marathi film is inspired by Ravindranath Tagore’s story; obviously, there will be lot of curiosity about the film. Young film maker Sachin Baliram Nagargoje has dared to present this sensible period story, through his new Marathi film ‘Taptapadi’.

Set on the backdrop of pre independence days period, the film revolves around Meera (Veena Jamkar) who has been brought up by her paternal aunty and her husband (Ashwini Ekbote and Sharad Ponkshe) since her childhood, after the sudden demise of her mother. At her Aunty’s place little Meera becomes friendly with her cousin Madhav (Kashyap Parulekar) who is later sent for his higher studies to Pune. When Madhav returns after a long period, while doing his graduation in medicine; he develops intimate relationship with Meera and the relationship turns into their marriage.

Both live happily, till Meera has a miscarriage. Madhav and Meera shift to Pune, where Madhav is studying in medical college. Not understanding the growth of Glaucoma in Meera’s eyes, Madhav treats her for general irritation. In the process, her trouble aggravates, with poor vision. Finally, when Madhav’s medical college surgeon examines her and suggests immediate operation, it is too late. Meera turns blind. Her aunty, uncle, brother and father suggest Madhav to let her go along with them, so as to take good care of her. But, Madhav feeling the guilt of neglect, wants Meera with him. He takes good care of her.

One fine day, his paternal aunty Durvabai (Neena Kulkarni) arrives at his place, with a plan in her mind. She wants her own well educated niece Sunanda (Shruti Marathe) from Mumbai to marry Madhav. She even invites her to Madhav’s place. And, then begins the real drama. Though, Sunanda becomes friendly with Meera, the negative thoughts running in the mind of Meera makes her more uncomfortable and she displays her anger and frustration., After taking Madhav into confidence for second marriage, Durvabai leaves with her niece. But, destiny has something else to decide. The climax scene of the film, says it all.

Director Sachin Nagargoje has handled this sensitive love story very well. Having written the screenplay himself, he has been able to present the emotion filled scenes very well. Being a period film, he has cleverly avoided outdoor scenes. But, with the support of good cinematography by Santosh Suvarnakar, he has handled the intimate love scenes very well. Considering Ravindranath Tagore’s love for poems and keeping in mind his love for art; both music and art direction have been well executed in the film. The locations and use of bullock cart, horse carriage and the old styled car used by Madhav, clearly remind you about the old period. Singer Savani Shende, lyricist Vaibhav Joshi and music directors Sumeet Bellari & Rohit Nagbhide have done a good job.

However, the director hasn’t paid attention on miniature details of the make up of Meera, especially after she suffers burn injuries. The healing of wounds on her right hand and face, haven’t been followed in continuity properly. But, barring this small error, he has succeeded in presenting this film very well. Wonderful performances by all the artistes, makes the film more realistic. It is almost like listening to the story of Meera, who is also a narrator in this film.

No wonder, Veena Jamkar has put in her heart into the role of Meera. Even otherwise, she has always been a great performer; but, this role is something special for her. In the character of Sunanda, Shruti Marathe does look a perfect choice. She has played this bubbly cheerful Sunanda with complete understanding of the importance of her role. Kashyap Parulekar, has played his most difficult looking character of Madhav very well. He has cleverly displayed the quick change of emotions, at every important situation, be it, his guilt after his wife turns blind or his reaction while confessing the truth before his wife. In short, he too has proved his selection right.

In the role of Durva atya, Neena Kulkarni has once again proved that she is still the best; no matter whatever type of role comes to her share. The selection of Sharad Ponkshe and Ashwini Ekbote for their respective roles, is just namesake. At least Ashwini has two scenes to display her acting; but Sharad Ponkshe has been wasted, just as an onlooker in few scenes to his share. Ambarish Deshpande has done a good job, in the role of Meera’s brother, though he has little to his share. All others in the supporting cast, including the kids in initial part of the film, look very realistic in their respective costumes, suited to the era.

‘Taptapadi’ sets the best example of a good period film in Marathi; and does succeed in leaving an impact of its tale on the audience. It is certainly a worth watch.

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