The much awaited Marathi film ‘Bhirkit’ which has a big team of comedians, is all set to offer the package of entertainment on 17^th June 2022, when this film will be released in theatres all over Maharashtra. Produced by Suresh Oswal and Bhagyavanti Oswal and directed by Anup Jagdale  ‘Bhirkit’ will present Girish Kulkarni along with Hrishikesh Joshi, Kushal Badrike, Sagar Karande, Monalisa Bagal, Tanaji Galgunde, Kailas Waghmare,Usha Naik, Yakub Sayyad, Shrikant Yadav, Meenal Bal, Shilpa Thakre, Deepti Dhotre, Arya Ghare, Seva More, Rohit Chavan, Balkrishna Shinde, Namdev Mirkute, Radha Sagar and Ashwini Bagal in lead roles.

In this film you will find Girish Kulkarni in a different kind of character of ‘Tatya’ who is always there to help the people from his village. Every woman from the village seeks help from Tatya to solve her problem. In short, his character will offer non stop entertainment, according to the makers of this film. Comedy King Sagar Karande is playing another important character of ‘Bunty Dada’. According to director Anup Jagdale, this film has a team of comedians who have already entertained every household of Maharashtra. “Each one of them have different timing for their comedy and I am sure this film will entertain one and all.

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Described as a ‘Cyclone of Comedy’ by makers of this film, ‘Bhirkit (भिरकिट)’ is now all set to release on 17th June all over Maharashtra. Presented by Classic Enterprise, produced by Suresh Oswal & Bhagyavanti Oswal and directed by Anup Jagdale, ‘Bhirkit’ is a story happening in a village and revolves around family relationship, politics, love story and humour arising out of it. Songs of this film have already popularized and now with the release of film’s trailer, this film has raised big expectations.

The film has a big star cast comprising of renowned artistes like Girish Kulkarni, Hrishikesh Joshi, Kushal Badreike,Sagar karande, Monalisa Bagal, Tanaji Galgunde, Kailas Waghmare, Usha Naik, Yakub Sayyed, Shrikant Yadav, Meenal Bal, Shilpa Thakre, Deepti Dhotre, Aarya Ghare, Seva More, Rohit Chavan, Balkrishna Shinde, Namdev Mirkute,Radha Sagar, Ashwini Bagal in lead roles. And their coming together through this film, clearly suggests that it will be comedy film.

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Few days ago poster of forthcoming Marathi film ‘Bhirkit (भिरकीट)’ had raised a lot of curiosity among the film lovers. Presented by Classic Enterprises and produced by Suresh Jamatlal Oswal and Bhagyavanti Suresh Oswal and directed by Anup Jagdale, now the teaser of this film has been released.

This so called comedy film stars versatile artistes like Girish Kulkarni, Hrishikesh Joshi, Monalisa Bagal, Kushal Badrike, Sagar Karande, Tanaji Galgunde, Kailas Waghmare, Usha Naik and Yakub Sayed.

Screenplay and dialogues of this film are written by Pratap Gangavane and music is composed by Shail and Pritesh. According to the director Anup Jagdale, “This film presents the story about all of us. How much of humanity is left in human beings today in this materialistic world and how much we have changed today, is what the film’s story is all about. This is a multi starrer film and therefore all the versatile artistes have been selected for their respective roles. National award winning actor Girish Kulkarni plays the lead role of ‘Tatya’ in this film.” This film will be released all over Maharashtra on 17^th June 2022.

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There have been many films in the past, where we have seen the fight of rape victims against injustice. In most of the films we have seen the revenge taken by rape victims by taking the law into their hands. In some cases, it was like teaching a lesson to the rapists, by adopting other methods. But, in the process, even in metro cities, we have seen that it is the victim who suffers the most. How does this victim overcome this trauma even if the rapists are punished by the law ? Latest released Marathi film ‘Mann Udhaan Vaara’ directed by cinematographer turned debutant director Sanjay Memane has an answer and they have tried to focus on this important aspect.

The story of this film revolves around Sarita Devrukhkar ( Monal Gajjar) a rape victim, who is a Nurse from a middle class family. Instead of focusing on the long procedure for justice, the film presents quick justice . The main focus is on the rape victim and the mental trauma she goes through. Sarita prefers to go to her village and stay with her uncle for a change. It is at this picturesque quiet village in Konkan she discovers many things and comes across people , who are filled with love in their hearts . Watching their way of facing their own problems, she finds a solution to overcome her distress. In short, it is the process of ‘sunshine after tears’ for her.

Director Sanjay Memane has paid more attention on the dialogues which are penned by Sumitra Bhave and Sunil Sukhtankar to clearly portray each and every important character in this film, be it Binda ( Ritwij Vaidya) a young music lover from the village, who lives with his grandmother ( Uttara bavkar) and is helpful to others, Sarita’s kind hearted Uncle Bhau kaka ( Kishore Kadam) who is busy with his social commitments, a handicapped folk singer Vishnu ( Sagar karande) and his ideal house wife Chandra ( Sharvari Lohakare) , Gana Bhau ( Dr. Sharad Bhutadia) an old man, all of them living in the neighborhood of her Uncle’s house.

Very cleverly the director has shown the friendly relations developed between Sarita and Binda, but instead of unnecessarily giving it a love story angle, he has preferred to show a good understanding between them by allowing them to take their own time to take an appropriate decision about their good relationship. There are few drawbacks in the screenplay , but considering the sincere effort of the producer and director to show the way to such victims, is to be applauded.

Gujarathi actress Monal Gajjar who has already performed in some south Indian films, makes a good debut in Marathi. She perfectly fits into her character and has clearly shown distress through her facial expressions. In the role of Binda, Rutwij Vaidya shows promise. Kishore Kadam is at his best in the role of Sarita’s uncle, but it is Sagar karande who surprises the audience with his non comedy type of role, which he has done with conviction . There is no doubt that his character also derives sympathy. There are two devotional songs picturised on him. Being a Sanjay Memane film, he has obviously paid more attention on capturing the beauty of Konkan , through the camera lenses of Milind Jog. Music of the film goes well with the setting of this film.

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Rating: ★★★
Genres: Drama
Censor: U/A
Duration: 130 min
Studio/presenter: Raiees Lashkaria Productions
Producer: Raiees Lashkaria Productions
Director: Avadhoot Gupte
Writer: Avadhoot Gupte, Sachin Darekar
Lyrics:  Guru Thakur, Avadhoot Gupte
Music: Avadhoot Gupte
Cinematographer (DOP): Amalendu Chauhdari
Cast: Santosh Juvekar, Mangesh Desai, Urmila Nimbalkar, Sagar Karande, Tejaswini Pandit, Abhedya Gupte
Movie Review by: Jitendra R More

Known for his films on social issues like, Politicians exploiting their party workers, the politics behind community festivals and inspiring Marathi youth to start business in other states; Avadhoot Gupte hasn’t offered much , through his latest film ‘Ek Taraa’. As a story writer, lyricist, singer and above all, the director of this film, Avadhoot dosen’t seem to have paid attention on restricting the length of the film. The only plus point of the film is its music, which offers variety.
Alandi seems to be the new destination for the lead characters of our Marathi films. So, in ‘Ek Taara’ we find another ‘Mauli’, who is not a protagonist, but a singer. The story of ‘Ek Taraa’ revolves around this local singer Dnyaneshwar Lokhande , who is popularly known as ‘Mauli'( Santosh Juvekar). Mauli sings devotional songs in his village, to carry forward the legacy of his father ( Mangesh Desai).
The film begins with an All India Music contest, with Mauli as one of the finalists. From there, the film goes into flashback, where we see Mauli preparing himself to take part in a reality singing contest in Mumbai. During the final round, we find his fiancée Chatura( Urmila Nimbalkar) and close friend Vithu( Sagar Karande) also joining him, to boost his morale. Undoubtedly, Mauli wins this contest and carries home a big booty .

Mauli marries Chatura and comes back to Mumbai. He signs a big contract with a channel, through a foreign returned E.P. of that channel Urja( Tejaswini Pandit). The business tactics of this channel are exposed in the film. Mauli also slips and falls into the trap of ‘wine and woman’. He frequently insults his wife and close friend and dares to share the bed with Urja in his own house. Both Chatura and Vithu after facing humiliation, return to their village.
In the post interval session, we see the film trailing , with Mauli falling into the trap of underworld. The director has not justified the behavior of two important characters of Mauli and Urja. How can a person with proper upbringing, change all of a sudden, to sleep with another woman, by asking his wife to sleep in a guest room ? How can he join the underworld group ? Also, how can a well educated big executive stoop so low, as noticed through some of her acts ? The concluding scenes in the film, are done hurriedly , i.e. to conclude with Mauli’s reunion with his family, after few years and his little son Omkar (Abhedya Gupte ) also acquiring singing talent. At the end of the film, we even see a complete devotional song picturised on him.
Santosh Juvekar has done a good job playing different shades, through his character. He finds good support coming from his co star Tejaswini, but, their chemistry doesn’t work well, as throughout the film, the audience develop a soft corner towards Chatura, who finds a better role this time in Marathi, after her debut through a cameo ‘Dum Dum Diga ..’. few years ago. Popular small screen comedian Sagar karande, finds a good role, to express his emotions well. Others in the cast, like Producer Raees Lashkaria as the channel head, Sunil Tawde as village Sarpanch, Amol Gupte as underworld Don and few others are just fine. Amalendu Chaudhari’s cinematography and Avadhoot Gupte’s music are the only plus points of this film, besides good performances by the artistes.

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