Title: Sakhi
Singers: Shankar Mahadevan, Avadhut Gupte,
Swapnil Bandodkar, Sadhana Sargam, Vaishali Samant, Madhuri Karmarkar
Music: Ashok Patki
Lyrics: Sudhir Moghe

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Title: Sakhi Songs
Singers: Shankar Mahadevan, Avadhut Gupte,
Swapnil Bandodkar, Sadhana Sargam, Vaishali Samant, Madhuri Karmarkar
Music: Ashok Patki
Lyrics: Sudhir Moghe
Song: Ye Saad Jeevanachi
Singer: Sadhana Sargam
Lyrics: Sudhir Moghe

Ye Saad Jeevanachi bagh aapulyachsathi
geet tujhech gaane phiruni tujhyachsathi

Kalokh to vikhari Smaranatahi na urala
chohikade prakash usale tujhyachsathi

Gane galyat aata majhe na ekatiche
swar jodidar jhale ithuni tujhyachsathi

Dole mituni aata asatos tu samor
nasalas tu tarihi gaate tujhyachsathi

Tu chalalas kothe? sodun sarva mage
vintil sur majhe dhage tujhyachsathi

Majvin tu na aata tujhavin meehi nahi
gane tujhyachsathi jagane tujhyachsathi

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Title: Sakhi Songs
Singers: Shankar Mahadevan, Avadhut Gupte,
Swapnil Bandodkar, Sadhana Sargam, Vaishali Samant, Madhuri Karmarkar
Music: Ashok Patki
Lyrics: Sudhir Moghe

Song: Manavar Ek Anamik Bhool
Singer: Sadhana sargam
Lyrics: Sudhir Moghe
Manavar ek anamik bhool
majhe he pahile paul

Navya jagachya umbarthyavar
thodi atur thodi katar
sur lagata virel sare
udas an malul

Chaitanyane Vishvasane
Gaeen mee jaganyache gane
baghat baghata umalun yeil
madhur yashache phool

Saat suranchya hindolyavar
jhoke nein unch doorvar
vartaman ulgade darvale
bhavishya de chahul

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Title: Sakhi Songs
Singers: Shankar Mahadevan, Avadhut Gupte,
Swapnil Bandodkar, Sadhana Sargam, Vaishali Samant, Madhuri Karmarkar
Music: Ashok Patki
bSudhir Moghe

Song: Jhali Punha Pravahi

Singer: Shankar Mahadevan
Lyrics: Sudhir Moghe

Jhali punha pravahi
bhumi tujhya pathachi
phiruni tujhyachsathi
ye saad jeevanachi

Te visar ghaav sare
te dansh khol dankh
tyatun labhatil
taje navin pankh
hotil asavanchi
swapne navi udhyachi

Thambu nako nako tu
pahu valun mage
pratyek kshan nava ha
vinata navin dhage
jate galun kaat
janar je tayachi

Jaga galyat sur
jhala punha navyane
shwasat gandh taza
kaya…navin gane
bagh kaal daudatahe
ghe sath tya layichi

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Title: Sakhi Songs
Singers: Shankar Mahadevan, Avadhut Gupte,
Swapnil Bandodkar, Sadhana Sargam, Vaishali Samant, Madhuri Karmarkar
Music: Ashok Patki
Lyrics: Sudhir Moghe

Song: Anandachya dharanmadhye

Singer: Swapnil Bandodkar, Avadhut Gupte, Sadhana Sargam.

Lyrics: Sudhir Moghe

Anandachya dharanmadhye
sachail nhate ahe
majhe mann gate ahe
majhe mann gate ahe

Ek anokhi navi bhavana
swarans majhya dei chetana
abodh hurhur navkhe kahur
aat usalate ahe

Sang jeevana nako kahi
kashi tujhi hou utarai
magitalyavin sare majvar
kase barasate ahe

Kay milavale kay haravale
anandala ganit kothale
majhe sukh janu
haarjitichya pail baharat ahe

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Title: Sakhi Songs

Singers: Shankar Mahadevan, AvadhutGupte,Swapnil Bandodkar,Sadhana Sargam, Vaishali Samant, Madhuri Karmarkar

Music: Ashok Patki
Lyrics: Sudhir Moghe

Song: Ain Duparchya Vakhtala
Singer: Vaishali Samant
Lyrics: Sudhir Moghe
Ain duparchya vakhtala
mala herun shiledar ala

Panchkalyani ghodyavar
thatamaatat hyo dildar
bhar unhat talpala bhala

Avatbhavatalaa chitapakharu navhat
tyechya soyich sagalach hot
kava bara hyo jamala tyala

Ala pudhyat murdad neet
bai bai hyo bhalatach dhit
tyen bhidavala dolyala dola

Ragaragan bolnar hotye
vhat bolaya rikame navhate
aan samdach ghottala jhala.

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On Sunday 22^nd March ‘Mayboli’ channel offered two sensible movies ‘Khel Mandala’ in the afternoon and ‘ Ankaganit  Anandache’ in the evening. For home viewers, it was a great satisfaction of watching these two films. Thanks to Viju Mane and Girish Kolapkar for offering  variety, through these films. Hope to see many more such films, on this channel.

In  ‘Jayostute’on Star Pravah, we are watching all those happenings in this serial, which we notice in all those Hindi serials, on the style of Yash Chopra film weddings. For the past four –five episodes, there is nothing but, preparations and celebrations going on, for lead character Pragati’s marriage, like Sangeet(Music )programme, offering  enough scope to Priya Marathe to dance on the tunes of popular songs with her ‘would be‘and also former Boss, in a dream sequence. It was so much of time wasting in this serial;  which otherwise offered some interesting stories of court cases, fought by the leading lady in the court. It is almost like saying ‘goodbye‘  to give justice to deserving people. Anyway, it seems that this serial  is now deprived of  more interesting stories to offer.

Last week, during the week end, there  was a talk going on among few ladies at a Public place, as to why Janhavi was taking so much of time, to inform her husband, that she was pregnant. And, one of them quickly  said, “The makers of this serial wanted to just drag on this issue, till world cup cricket was over, as they very well knew that even those who follow this serial, were not going to watch it, during this period. And, this comment was certainly worth taking note of, as many other serials did the same, during the past one month”. So, don’t be surprised, if you notice the leading stars of some of these serials, singing or dancing on popular songs, for next 5 days.

The post ‘Colors’ begins new chapter in Marathi from 23rd March appeared first on .

Studio/presenter: Shree Chintamani Vision
Release Year: 2008
Genres: Emotional
Rating: 
Censor: U/A
Duration: 120 mins
Producer: Lata Narvekar, Bharati Acharekar
Director: Sanjay Surkar
Writer: Gautam Rajadhyaksha, Yogesh Khadilkar
ScreenPlay: Gautam Rajadhyaksha, Yogesh Khadilkar
Dialogues: Sanjay Pawar

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Review

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Far of from the usual storylines of commercial movies where two people meet, develop romantic love for each other and then live a happy life every after, Sanjay Surkar’s Sakhi is a movie which is unusual in all respects and aspects. It moves away from typical comedy forcibly included in movies to deviate the audience’s attention from a weak script and keep the movie going. Sakhi is a story of a relationship that develops between two strangers brought together by fate.

The two strangers, Suryakant Jagdale(Ashok Saraf) and Nishi ( Sonali Kulkarni ) find each other at a such a time in their life when both need support and a mentor to guide them. Suryakant, an accountant returns to his village Jatgaon, where he is born and brought up by his godmother Kunda Tai (Usha Nadkarni). He hides the fact from her and his friends that he is actually been fired from his job. He decides to spend his time by doing something for the villagers. But his all efforts end in vain. Restless, frustrated and tired, Suryakant contemplates on what is to be done next when he hears a woman’s cry for help.

Soaked in blood and badly bruised, he sees Nishi (Sonali Kulkarni) being chased by two men. He saves her and takes her to his house. Nishi narrates the tale of how she was married of by her brothers into a rich Inamdar family. She comes to know on her wedding night itself that her husband is not loyal to her. Her brother-in-law eyes her every time with bad intension and her mother -in-law turns a blind eye to all this and reminds her that she should actually be obliged to them for taking her into their family and not complain.
Sonali Kulkarni gives her best performance ever as a woman suppressed by the conditions, trying her best to adjust to her cursed fate. Unable to bear the brunt any longer, she runs away from the house. When is refused an entry into her brother’s house, she admits herself into a women’s ashram but there too she does not find solace. She escapes from the ashram only to be chased by two men and finally being saved by Suryakant.

Ashok Saraf gives a strong performance after a long time by playing a role of a mere understanding friend who strives to give a new meaning to his Sakhi’s life, a woman who needs support, care and security. A relationship which is beyond friendship develops between the two. Sonali’s voice gives her an advantage in playing out well her role of a tortured wife and of innocent village lass.

The movie drags too much with in the second half. The ego clashes shown between Subodh Bhave and Saraf are unnecessary. Some scenes are too obvious in the movie. The end of the movie is seems to have well thought about but was also dragged a lot. Though the movie loses its touch in the here and there, it is brought back by effective dialogues and strong performances by Saraf and Usha Nadkarni, who plays an understanding and supportive character. Certainly a bold subject to make a movie on but would have been effective if the script was more intense.

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