There is a constant change on the graph of Maharahstra state after independence. Mumbai was emerged due to the revolution of united Maharashtra, transforming culture & commercial development resulted in today’s Maharahstra and Mumbai as financial capital . Where can we find a Maharashtrarian’s identity in this capitala city?
Since ages the perception of Maharashtrians is that they can only carry on with their humdrum jobs. Indulgence in business in next to impossible. This is drilled in his brains since childhood. as an adult he tends to behave in the sme manner. As a matter of fact, due to a complex blend of socio-cultural & political hegemony non of the domains have tried to pull an individual out of this maze. While Arjun Pawar was trying to step out of this maze establishing himself in our business world facing obstacles gones on to reach his destination after a painstaking struggle.
Studio/presenter: Neena Raut Films, Emmay Entertainment Release Year: 2014 Genres: Drama Rating: na Censor: U/A Duration: 120 mins Exe-Producer: Deepa Limaye Director: Om Raut Writer: Om Raut, Kaustubh Savarkar
Cast & Crew
Exe-Producer: Deepa Limaye Director: Om Raut Writer: Om Raut, Kaustubh Savarkar
Music Director: Ajit-Sameer
Cinematography ( DOP ): Prasad Bhende
Art Director: Santosh Phutane
Make Up: Vikram Gaikwad
Costumes: Mahesh Sherla
Sound Designer: Pramod Chandorkar
Animation: Jayant Hadke, Famous House of Animation
Editor: Ashish Mhatre, Apurva Motiwale
Cast: Subodh Bhave as Lokmanya
Are Avaaj Konacha …. ?, a slogan best known and said during many political campaigns by several opinion leaders. For years together this slogan have bought everyone together…. One inner voice …one slogan ….’Are avaaj konacha……?’
With the change in time and high exposure the charm of our own ideologies of togetherness is lost. But even in such a lifestyle, there are few people in this society who have kept themselves rooted with utmost sincerity, no selfish motives and with absolute urge to eradicate anti social elements from the society and support everyone for their well-being, these set of people are called KARYAKARTA (Social Worker), people who take an effort to solve the unanswered problems of the common man.
Rajendra Talak Creations, Iris Productions, M. B. Creations
Producer:
Dr. Priyanka Bidaye Talak
Co Producers:
Executive Producer:
Manoj Kadam, Manjiri Pendharkar, Swapnil Shetkar
Director:
Rajendra Talak
Creative Head:
Assistant Director:
Production Manager:
Production Controller:
Writer:
Rajendra Talak
Screenplay:
Rajendra Talak, Abhiram Bhadkamkar
Dialogues:
Abhiram Bhadkamkar
Lyricist:
Saumitra
Music Director:
Ashok Patki
Playback Singer:
Arti Ankalikar Tikekar, Jayashree Shivram
Choreography:
Cinematography ( DOP ):
Sanjay Jadhav
Camera Assustant:
Art Director:
Ajit Dandekar
Creative Assistant:
Make Up:
Hair Style:
Costumes:
Mridul Patwardhan
Background Score:
Making:
Music Arranger:
Recording Studio:
Sound Studio:
Action:
Sound Designer:
Resul Pookotty, Amrit Pritam Dutta
Recording Studio:
Dolby Engineer:
Still Photography:
Publicity Designer:
DI Colourist::
Publicity Strategy :
Special Effects::
Shrikant Jadhav, Ashtavinayak Meida & Entertainment
Public Relation Officer:
Editor:
Vidyadhar Pathare
Cast:
Mrinal Kulkarni, Subodh Bhave, Ajinkya Deo, Kiran Karmakar, Harsh Chhaya, Sulabha Arya, Neha Pendse, Manoj Joshi, Sanjay Mone, Prince Jacob, Dr. Meenacshi Martins, Dr. Shaila Kamat
Synopsis:
It is said that behind every successful man there is a woman. In that case – what about a corrupt man? How far is a woman responsible in the greed of a man? Can a woman stop her husband from being corrupt?
A RAINY DAY is the story of a go-getter, an achiever. Aniket is an upwardly mobile man who wants to get rich quick. He would resort to any means in order to get what he wants – even bribe people, entice them with immoral ‘gifts;’ and if it comes to that- bump off people who get in his way!
Aniket’s wife Mugdha does not approve of his deeds. Aniket is aware of that. It is probably this disapproval which is gnawing at the back of his conscience which gives rise to this story. He has never confided in Mugdha about his deeds directly as he knows how she looks at such things and totally aware of her virtues in life.
When life seems to be going fine, suddenly one morning Aniket discovers that Mugdha has got wind of what he did in his childhood. Aniket wonders how she knows this, but brushes it off, thinking, “Maybe I told her myself some time.”
At this time Mugdha is pregnant and Aniket wonders if this condition has anything to do with her extra sensitivity.
Gradually this phenomenon starts repeating itself. Mugdha tells him each and everything in detail, what he did on various occasions. She seems to know the vivid details of all his deeds.
Media gets wind of her ‘extra-sensory’ powers and Aniket’s story gets splashed in the Press and across channels. Aniket is livid.
Aniket is intrigued at first, then irritated and angry and later terrified. As it happens quite often, he is on the way of becoming a neurotic wreck. Mugdha’s disapproval and anger towards this also goes on mounting and finally she decides to leave him.
Vikram Gokhale, Nina Kulkarni, Rima Lagoo, Subodh Bhave, Sai Tamhankar, Kishor Kadam, Arun Nalawade, Anand Abhyankar, Rohan Mankani, Neha Pendse.
Synopsis:
Madhu is on life support system(ventilator) in the hospital. Ratnakar, her sixty-five year old husband is a retired teacher. Shrikant is their son.
The hospital bills for Madhu’s treatment have totaled to 4 to 5 lakh rupees. Rantakar has used up all his savings for the same. Their son, Shrikant is unwilling to spend any more money on his ailing mother.
He insists that his father sign on the DNR form that would permit the hospital to shut down all artificial life support systems.
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