‘Swami Tinhi Jagacha … Bhikari’ goes South way to offer entertainment formula
Movie: Bhikari
Rating: ★★★ Genres: Drama Censor: UA Duration: 130 min. Studio / Presenter: Mi Maratha Film Productions Producer(s): Sharad Devram Shelar, Ganesh Acharya Director: Ganesh Acharya Writer: Sasi Cinematography (DOP): Mahesh Limaye Cast: Swwapnil Joshi, Rucha Inamdar, Sayaji Shinde, Manoj Joshi, Milind Shinde, Guru Thakur, Kirti Adarkar, Sunil Pal, Pradeep kabra Movie Review by: Ulhas Shirke |
Mother gives birth to a child and does everything for his proper upbringing. There is lot of sacrifice from her side. But, what this child does for his mother, when he grows up ? He may have everything in this world, which is acquired because of his mother, but unless his mother is there to witness his success, his condition is like a beggar. Based on this philosophy, is latest released Marathi film with a suitable title ‘Swami Tinhi Jagacha Aai Vina Bhikari‘. This film is a remake of a popular Tamil film ‘Pichaikkaran‘, and does not deviate from its original style and goes exactly the South way to offer a typical entertainment formula for the lovers of such action films with emotional touch.
On completing his higher education in London, besides singing and dancing with his colleagues over there, Samrat Jaikar( Swwapnil Joshi) , a rich but sensible young man returns to India to join his beloved mother and industrialist Sharda Devi( Kirti Adarkar). The mother hands over the entire business in her son’s name and takes him to the industrial unit, to introduce him to the workers. But, unfortunately she meets with an accident in factory and is moved to the hospital, only to be declared in Coma. Samrat does all types of treatments for the next few months including Ayurveda. But, the mother fails to respond. One day, he comes across a Swami ( Madhav Abhaynakr) who after understanding his problem, questions him, as to what he could do for his mother? On his suggestion, Samrat agrees to turn a beggar for 48 days, by strictly hiding his identity. He takes his close associate (Guru Thakur) into confidence and leaves home under the pretext of business tour.
After Samrat joins a group of beggars around a temple, he experiences a different life. However, in the process, we find him falling in love with a girl Madhu who is into Pizza business. He also encounters all those bad guys one after the other and performs unbelievable fight scenes which match the standard of fight scenes performed by Akshay Kumar, Salman Khan & Ajay Devgn. Thanks to Abbas Ali Mogul for making our Marathi film hero look like a real superman. He has reduced a lot of field work of debutant director Ganesh Acharya. Even two songs in this film have been choreographed very well by Rahul & Sanjeev the choreography assistants of Ganesh Acharya. Mahesh Limaye’s camera work has also captured some action and emotion filled moments very well. So, what is left for director Ganesh Acharya? The audience will have to decide. However, after the end of the film, he performs a dance on Ganapati song, perhaps for the film’s promotion.
The film ‘Bhikari‘ entirely belongs to Marathi’s first superhero Swwapnil Joshi, who has performed his character very sincerely with total commitment. Hindi TV actress Rucha Inamdar offers good support . In the limited but important role of Mother Shardadevi, theatre and TV actress Kirti Adarkar is impressive. Among the character artistes Guru Thakur, Milind Shinde, Sayaji Shinde and many other theatre and television artistes have also done well through their respective roles. Though this film’s story has an emotional touch, the director has used the original South formula to offer an entertainment package for lovers of such type of action films. If you like those action filled south films dubbed in Hindi and shown on various television channels, this film is just for you. But, certainly not for others, who love sensible out of the box Marathi films.
‘Shentimental’ – Entertainment… Police style
Movie: Shentimental
Rating: ★★★ Genres: Comedy, Drama Censor: U/A Duration: 130 min. Studio / Presenter: RRP Corp, Bunny Dalmia Producer(s): Abhay Jahirabadkar, Sameer Patil, Santosh Bodke, Manjusha Bodke Director: Samir Patil Writer: Samir Patil Cinematography (DOP): Mahesh Limye Cast: Ashok Saraf, Upendra Limaye, Vikas Patil, Pallavi Patil, Suyog Gorhe, Devyani Raghuveer Yadav, Ramesh Wani, Madhav Abhyankar, Uma Sardeshmukh, Pushkar Shrotri, Rajan Bhise, Vidyadhar Joshi Movie Review by: Ulhas Shirke |
In the past there were few Marathi films highlighting the pathetic conditions in which our Maharashtra Police live and the extended duty hours affecting their health and mental condition. However, latest released Marathi film ‘Shentimental’ written and directed by ‘Poster Boyz’ and ‘Poshter Girl’ fame Samir Patil presents the same situation in a humorous way. The film revolves around Three Police inspectors Pralhad Ghodke (Ashok Saraf) , Dilip Thaur (Upendra Limaye) & Subhash Jadhav (Vikas Patil) attached to a Police Station in Mumbai, who while investigating a case are required to visit a village in Bihar along with a well educated arrested Thief Manoj Pande (Sujog Gorhe) to get back the ornaments stolen by him and hidden in his house in that village.
The film does take time to take off with its humor filled plot and hence it is only little before the interval the audience really enjoy the humor filled incidences, especially during the journey of the Police team along with the thief and later after arriving at his house in Bihar. As a writer director Samir Patil has cleverly developed some of the scenes, to tickle the funny bone of the audience. Ashok Saraf in particular suits very well in his role, well supported by Upendra Limaye, Suyog Gorhe, Ramesh Wani and Vikas Patil to match well with their perfect timing for comedy. When they are joined by veteran Bollywood actor Raghuvir Yadav, the screenplay turns more hilarious for some time. Even the entry of Pushkar Shrotri in special appearance is well timed, to show how the trains come to halt using muscle power in between stations in Bihar.
Throughout the film the writer director has used his skills to generate humor, except for the first 45 minutes of the film, which are wasted in unwanted happenings. ‘Classmate’ fame Pallavi Patil has however been wasted in a limited role of a young lady Police Inspector, just to indicate the love story between her and her colleague Subhash Jadhav. In other supporting roles, Madhav Abhyankar, Vidyadhar Joshi, Rajan Bhise, Uma Sardeshmukh have also done well. Music by Milind Joshi is good for the two songs in this film and so is the brilliant cinematography by Mahesh Limaye .
All in all, ‘Shentimental’ offers Police style entertainment to offer some humor with a message to people to understand the problems faced by Police.
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Horror filled ‘Lapachhapi’ is a game of illusions
Movie: Lapachhapi
Rating: ★★★ Genres: Horror Censor: A Duration: 130 min. Studio: Wild Elephants Motion Pictures, A Midas Touch Movies Producer(s): Jitendra Patil, Aroona B. Bhat Director: Vishal Furia Writer: Vishal Furia, Vishal Kapoor Cinematography (DOP): Chandan Kowli Cast: : Pooja Sawant, Usha Naik, Vikram Gaikwad, Anil Gawas, Hridaynath Rane, Aparna Ambawane, Dhanashree Khandkar Movie Review by: Ulhas Shirke |
Inspired by Foreign and Bollywood films, many Marathi film makers have attempted horror filled films in the past. During the past few years there were horror based Marathi films like ‘Aik‘, ‘Yeda‘, ‘702 Dixits‘, ‘Dhyanimani‘ & ‘Kanika‘ to name a few. But, none of them received the desired response from the audience. However, writer director Vishal Furia thought it the other way. Through his latest released debut Marathi film as a director, he has presented one such relevant social subject, set on the backdrop of horror taking place at a deserted place in a village.
So, from the very beginning of the film, the audience is hammered with the horror filled happenings, giving a clear indication to them, about what will be the next surprise . But, the bold and beautiful Neha( Pooja Sawant) who is 8 months pregnant, arrives in this village along with her insolvent husband( Vikram Gaikwad) to take shelter in the old house vacated by a older couple Bhaurao( Anil Gavas) and Tulsabai( Usha Naik) known to her husband.
Pooja experiences strange happenings in the so called haunted house located within the wide spread sugarcane fields. But, being a bold woman, she takes up the challenge and turns a protagonist, to understand the real reasons behind all such happenings. She not only fights injustice on women but also the blind faith practiced by the old couple. Her illusions show her the way, which helps her to uncover the mystery. Certain scenes in this film are beyond convincing and have no logical thinking, but the presentation part of the film is good, to keep the audience guessing till the horror filled climax.
Writer director Vishal Furia, himself being a VFX expert, could plan the sequences very well, so as to create the desired horror impact cleverly, on many occasions. The selection of artistes for the five important characters and few others has been perfect. Pooja Sawant gets an opportunity to display her real acting talent and she has performed very well. This performance will surely find her better offers from other Marathi film makers. Another female artist Usha Naik is highly impressive through her superb performance. Excellent support comes from Vikram Gaikwad and Anil Gavas, though they don’t have much to offer.
Wonderful sound design, background music, besides splendid cinematography Chandan Kowli and superb art direction Satish Bidkar are the other plus points of ‘Lapachhapi‘ film. Technically, it is a well made film and will surely impress horror film lovers. In short, it is a horror filled film with the game of illusions. However, pregnant women and people with weak heart should stay away from this film, as there are few violence filled scenes, besides some terrifying shots with creepy music.
‘Hrudayantar’ presents a serious subject in an artistic way
Movie: Hrudayantar
Rating: ★★★1/2 Genres: Family Drama Censor: U Duration: 130 min. Studio: T Series, Young Berry Entertainment, TOAH Entertainment Producer(s): Imtiaz Khatri, Vikram Phadnis, Purvesh Sarnaik Writer, Director: Vikram Phadnis Cinematography (DOP): Dilshad V.A. (Pipi) Cast: : Mukta Barve, Subodh Bhave, Trushnika Shinde, Nishtha Vaidya, Sonali Khare Anand, Meena Naik, Mehera Acharia, Amit Khedekar, Maniesh Paul, Hrithik Roshan Movie Review by: Ulhas Shirke |
Marathi films are bringing in the desired change, as far the presentation of serious and thought provoking subjects are concerned. It all began with ‘Shwaas‘ and recently we saw a film ‘Braveheart‘ handling a serious subject with a timely message. Latest released Marathi film which is a debut film for Bollywood fashion designer turned director Vikram Phadnis, offers one more serious subject in an artistic way.
‘Hrudayantar‘ is actually an emotional drama, which revolves around a well off couple Shekhar and Samaira Joshi( Subodh Bhave & Mukta Barve) married for over 12 years and now preparing for separation. The reason is simple, as workaholic Shekhar a successful hotelier, cannot find time for his wife Samaira, who in spite of being a working woman, also manages household matters skillfully. She also gives much required time and affection to her two little daughters Nitya and Nysha (Trushnika Shinde & Nishtha Vaidya). Dancing becomes a passion for 10 year old Nitya, while Nysha excels in athletics. The girls get all luxuries in life, but are witness to the verbal fights between their parents most of the time.
As the couple is all set for a break up, their elder daughter Nitya is diagnosed with a serious ailment and this puts her near and dear ones into turmoil. But, through this period, the family learns the importance of real family bonding. ‘Hrudayantar‘ is certainly not an entertaining film, but is a serious story very well given a cinematic form, to give a realistic look. Both Subodh Bhave and Mukta Barve are at their best, as expected. Interestingly, Mukta also plays the narrator of this film. But, talented child artiste Trushnika Shinde, steals the show with her spontaneous expressions in all important scenes especially in the post interval session.
Good support comes from another child artiste Nishtha Vaidya, apart from other senior artistes like Meena Naik, Sonali Khare & Ameet Khedekar. Other Popular artistes like Atul Parchure, Vishakha Subhedar, Amol Bavdekar, Shiamak Davar , Manish Paul and above all popular Bollywood star Hrithik Roshan are seen in cameo roles. Dr. Namjoshi, in whose CritiCare Hospital in Juhu, the film has been shot, also makes a special appearance.
Wonderful cinematography by Dilshad V.A and superb background music by Praful Karlekar give a polished look to this film. Well written dialogues by Rohini Ninawe for every situation catch the attention of the audience. Vikram Phadnis direction on debut is also worth appreciating, though he could have made ‘Hrudayantar‘ film more interesting. He has however shot the most important emotion filled scenes very cleverly, including that of Hrithik Roshan, without making the actor utter a singles dialogue.
Sensitive audience is sure to shed tears during most of the scenes, in the concluding part of this film. All in all, ‘Hrudayantar‘ is an artistically presented film, which needs sensible audience to appreciate. The film is surely in the race to win popular awards for the year 2017.
‘Ringan’ shows the way to helpless farmers
Movie: Ringan
Rating: ★★★1/2 Genres: Drama Censor: U/A Duration: 130 min. Studio: A Landmarc Films Presentation, My Role Motion Pictures Producer(s): Vitthal Patil, Ganesh Phuke, Mahesh Yewale, Yogesh Nikam, Makarand Mane, Vidhi Kasliwal Writer, Director: Makarand Mane Cinematography (DOP): Abhijit D. Abde Cast: : Shashank Shende, Sahil Joshi, Suhas Sirsat, Kalyani Mulay, Vijay Salve, Umesh Jagtap, Ketan Pawar, Shantanu Gangane, Abhay Mahajan, Vitthal Patil Movie Review by: Ulhas Shirke |
There have been many Marathi films during the past 10-15 years, set on the backdrop of farmers’ suicides in Maharashtra. And, most of these films have only shown the helplessness of farmers, which forced them to commit suicides and thereafter the difficult time faced by their family members, waiting for the government compensation. Through most of these films, we only saw the film makers blaming the Government. But, the latest released Marathi film ‘Ringan‘ instead of highlighting the routine problems, shows the way to all such helpless farmers, through the story of a typical modern day farmer Arjun Magar ( Shashank Shende) who is a widower and his only little son Abhimanyu( Sahil Joshi).
What writer director Makarand Mane has tried to show through his lead character Arjun is that though on the verge of losing his land due to heavy debt amounting to Rs. 1 lakh, he decides to repay the loan amount to the sensible money lender, who not only waives one year’s interest, but gives him one year’s time period. With his little beloved son, he proceeds to nearby holy town of Pandharpur. He really works hard there to make his little son happy, but cannot meet his regular demand of bringing back his departed mother.
In the first session, the film ‘Ringan‘ moves very slow, with not many interesting happenings, except for the struggle of father and son to settle down in the new township. But, in the post interval session, we find many well wishers coming forward to understand their difficulty. Very skilfully, the director has incorporated some humour filled happenings, as well as emotion filled scenes to give a different look to this film. No wonder, the film has won national award for best Marathi film in 2015. Luckily, the film has also found a distributor, which has enabled the film makers to reach out their subject to the masses with their timely message.
Through his excellent cinematography Abhijit Abde was able to give proper visual impression to the sensible tale of a farmer and his son. The sound design is also impressive and the audience get the initial feel of it in the opening scene of the film. In the lead role of Arjun, Shashank Shende is at his best, displaying the perfect body language and expressions throughout the film, in every important situation. His acting in the most important scene of confession, speaks a lot about his potential. In the role of Abhimanyu , debutant Sahil Joshi has been handled very well by the director. Good support comes from character artistes like Suhas Shirsat, Umesh Jagtap, Ketan Pawar and others.
Overall, the film ‘Ringan‘ is good, but should have been made more interesting in the first half. Certainly a worth watch, for those love to watch sensible artistic films and inspiring for all those helpless farmers and their families.
‘TTMM – Tujha Tu Majha Mi’ – Making youngsters understand the value of marriage
Movie: TTMM – Tujh Tu Majha Mi
Rating: ★★★ Genres: Drama Censor: U/A Duration: 124 min. Producer(s): Dr. Santosh Uttam Sawane Director: Kuldip Jadhav Cinematography (DOP): Mayur Hardas Story / Screenplay: Tejpal Wagh Music: Pankanj Padghan Cast: : Lalit Prabhakar, Neha Mahajan, Vidyadhar Joshi, Savita Prabhune, Satish Pulekar, Seema Deshmukh, Sagar Karande, Bharat Ganeshpure Movie Review by: Ulhas Shirke |
It seems that now a days modern Marathi film makers have set a new trend of ‘youngsters getting confused, when it actually comes to marriage’. In short, it is all about their mindset in understanding marriage. So, after ‘Chi Va Sou Ka‘ and ‘Muramba‘, we find another Marathi film ‘Tujha Tu Majha Mi’ (TTMM) presenting a young couple, confused about the term ‘marriage’. While Jay (Lalit Prabhakar) a young man from a rich family runs away from his house, because his parents feel that it is right time for their son to marry a girl known to him and his family, Rajashri (Neha Mahajan) a girl from a middle class family also runs away from her house, as her demanding mother wants her to marry a boy, whom she feels is suitable to her daughter, who is already overdue for marriage.
So, the destination for all such youngsters being Goa, both of them coincidentally board the same bus bound for Goa. They occupy seats next to each other only to fight over petty things and finally start liking each other, following the traditional formula of films based on love stories. Only difference is that this couple agree with mutual consent to marry each other, to escape their arrest by a Police Officer ( Bharat Ganeshpure). Being convinced that they are true lovers and treating Rajashri has his sister, the Police Officer being more than generous, offers the couple four day honeymoon package, inclusive of an escort. Both spend good time with each other, only to be traced by their parents. Having come to know about their marriage, Jay’s parents welcome Rajashri to their house. But, the film’s story takes a new twist, to show their separation. Finally, the film concludes with a predictable climax.
Good thing about this film is its music by Pankaj Padghan provided for few songs played in the background. Also, wonderful cinematography by Mayur Hardas adds that extra flavor to this film. But, in the role of editor of this film, he has created some confusion, with sudden shift of scenes, taxing the audience. Also, inclusion of the character of Sagar ( a small time cable operator and an eve teaser) played by Sagar karande fails to convince, as Rajashri is shown cheating him with a promise for marriage first and later agreeing to marry him, after separating from Jay. This certainly does not send a good message. The director has however presented some emotion filled scenes very well, particularly the one with Vidyadhar Joshi and Lalit Prabhakar in the second half of the film.
Nevertheless, the performances by lead pair are good. Neha Mahajan in particular , is very impressive. Good support comes from Vidyadhar Joshi, Savita Prabhune, Satish Pulekar, Seema Deshmukh, Bharat Ganeshpure and others. Among them, Bharat Ganeshpure through his limited role of a Police Officer offers some humour. Kadambari Kadam is seen after a long time in guest appearance.
All in all, ‘TMM – Tujha Tu Majha Mi’ offers light entertainment and is targeted at youngsters. The film does send across a message for youngsters, i.e. to understand the value of marriage. However, it could have been still better, if it was presented with convincing theme.
‘Muramba’ – A Sweet and sour recipe of a good creation
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Movie: Muramba
Rating: ★★★1/2 Genres: Drama Censor: U Duration: 130 min. Studio/presenter: Dashami Studioz, HUGE Productions, Pratisaad Productions Producer(s): Nitin Vaidya, Ninad Vaidya, Aparna Padgaonkar, Anish Joag, Ranjit Gugle Director: Varun Narvekar Cinematography (DOP): Milind Jog Screenplay: Varun Narvekar Music: Hrishikesh, Saurabh, Jasraj Cast: Sachin Khedekar, Chinmayee Sumit, Amey Wagh, Mithila Palkar Movie Review by: Ulhas Shirke |
Break ups are very common these days, among youngsters in the age group of 18 and 26 years. With the rise in cases of break ups, the habits of smoking and drinking in this age group has also gone up. Dashmi Studios,Huge Productions and Pratisad Productions’ latest released Marathi film ‘Muramba‘ presents one such break up case between young lovers Alok ( Amey Wagh) and Indrayani alias Indu( Mithila Palkar). Both are from well to do families and know each other since their childhood days. While Indu is a hard working career focussed young girl working in an ad agency, Alok is exactly opposite to her, without any focus on his career. Though a Gold medalist MBA, Alok leaves his internship in USA half way and instead prefers a Accounts Professor’s job at a Coaching Institute.
Alok does apply for jobs, but is not confident about himself to take up higher responsibilities. On the other hand his girlfriend Indu is prepared to even take up an assignment for one year with kerala Tourism department and is even willing to go and live there. Alok who himself doesn’t want to take any risks in life, feels the gap between him and Indu widening on this issue of possessiveness. So, after three years of steady friendship, with all sorts of love and sex games, he decides for a break up and accordingly communicates to Indu about his decision.
‘Muramba‘ is actually the happenings taking place in next 24 hours, after their break up. So, we find Alok returning home in the early hours of morning, after spending the night in dejected state at a friend’s terrace. His clever mother (Chinmayee Sumeet) who reads his face, suggests Alok’s father Satyajit Deshmukh( Sachin Khedekar) to speak to him. So, the father with liberal attitude opens the discussion, during breakfast, after inviting Alok to the dining room. To the surprise of parents, Alok discloses that he had a break up with his girlfriend Indu, who is also a frequent visitor to their place, with good relationship with Alok’s parents. In order to prove his point, he even goes to the extent of revealing the drinking habits of Indu during parties.
Alok’s sensible father tries to persuade Alok giving him his own example of having differences with his mother, when he was small. But, Alok tries to justify his decision, explaining the difference between break up before marriage and after marriage. Finally, how the father uses his own methods to bring Alok and Indu together, has been presented in a humorous way, by writer- director Varun Narvekar very skillfully.
For Varun, this is his debut film as a director, but he seems to have used all his experience as assistant director to reputed film makers Sumitra Bhave and Sunil Sukthankar, very cleverly into this film. Being a writer, screenplay writer and dialogue writer of this film, has come to his advantage, while developing every scene in this film, so realistically. Other good thing about him is the selection of artistes. Amey Wagh perfectly suits in the character of Alok and he finds very good support from newcomer singer turned actress Mithila Palkar, who has also perfectly fitted into the role of Indu, the modern career conscious girl of today. Sachin Khedekar plays his part like a versatile actor and delivers what was expected from him with total commitment to his character. In the role of Alok’s mother Chinmayee Sumeet has displayed her emotions very nicely in all those scenes to her share.
Good thing about ‘Muramba‘ film is the communication part between different characters, which goes on to say everything what the director wanted to convey. Watch the scene, when father is in discussion with his son in the roof top garden of their bungalow, while it’s raining. Then, there is important interaction among Alok and his parents, in their car, while going for lunch outside, followed by humor filled discussion on dining table in the hotel, with addition of Indu and so on. But, the scene where Alok visits Indu’s house and the way he is welcomed warmly by Indu’s parents, says it all. The director has cleverly indicated many things through these few scenes, without explaining much about Indu’s parents. Even the intimate scenes between Alok and Indu have been captured well.
Music directors Hrishikesh, Jasraj and Saurabh have limited scope, but they have done their job well. Milind Jog’s cinematography and Avinash Sonavne’s sound design are worth mentioning assets of this film. All in all, ‘Muramba‘ is a Sweet and sour recipe of a good creation.
Sachin captures attention on silver screen through his emotion filled biographical film
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Movie: Sachin -A Billion Dreams
Rating: ★★★1/2 Genres: Biography Censor: U Duration: 140 min. Studio/presenter: 200 Not Out, Carnival Motion Pictures Producer(s): Ravi Bhagchandka, Shrikant Bhasi Director: James Erskine Cinematography (DOP): Chris Openshaw Screenplay: Sivakumar Ananth Music: A. R. Rahman Cast: Sachin Tendulkar, Arjun Tendulkar, Mayuresh Pem, Ajit Tendulkar, Anjali Tendulkar, Sara Tendulkar Movie Review by: Ulhas Shirke |
‘Cricket is our religion and Sachin is our God.’ We have heard this quote from millions of cricket lovers across our country for more than two decades, when Master Blaster Sachin Tendulkar used to display his master strokes, while facing all the top bowlers from different cricket countries in this world. Indeed, Sachin won the hearts of millions of cricket lovers not only in India, but also abroad. Even today, after his retirement we notice the stadium spectators calling his name ‘Sachinnnn..Sachinnn’ whenever they notice him in stadium, during the IPL matches.
Now, producers Ravi Bhagchandka and Carnival Motion Pictures under 200 NotOut Productions have offered a Indian Biographical film on Sachin, suitably titled ‘Sachin: A Billion Dreams’, which is directed by James Erskine. The film begins to show the childhood memories of Sachin, his proper upbringing and how he matured early with a disciplined life, because of his love for cricket. Though all these scenes are shot with other artistes, we soon notice Sachin, his wife Anjali and all his family members joining in to recall their memories of the past. The Kind of respect Sachin had for his parents and his elder brothers Nitin and Ajit, is clearly noticed in few emotion filled scenes.
The film’s screenplay then captures the attention of the audience, covering all his memorable innings, including his debut in Test Cricket on Pakistan Tour. What was more interesting were the comments from all those bowlers from rival countries, whom Sachin faced confidently, during his cricketing career. So, you get to see Wasim Akram, Shane Warne and others talking good about his batting skills. In this film, we also notice his ups and downs, including his memorable innings including the World Cup win in 2011 and at the same time the most shameful incidence of abandoning the semi finals match against Sri Lanka in the World Cup, due to unruly crowd behavior, setting the part of stadium on fire, to display their anger on poor performance by Indian team.
In some of the scenes, Sachin is shown speaking through his heart, about being deeply hurt, after removing him as captain, without informing him. Later, after making a comeback, we notice him reacting to lack of team work from senior players. His modesty is noticed when he refuses to comment on match fixers, stating that he didn’t knew anything about it, as he had no proof. Besides watching stalwarts from Cricket like Bradman and others praising his technique, we find Viv Richards calling him at a time, when he was almost on the verge of announcing his retirement. Those encouraging words from his idol, enabled him to make a comeback and create new records. Those few words in praise of Sachin uttered by Yuvraj Singh, after winning 2011 world cup, captures the attention of audience. Many other cricketers, past and present have spoken good not only about his quality batting , but also his humble nature. Prominent among them were, M.S.Dhoni, Virat Kohli, Virender Sehwag, Rahul Dravid, VVS Laxman, Harbhajan Singh and others.
The film has cleverly captured Sachin’s emotion filled farewell speech, after his last match in Mumbai, which makes the audience to shed tears in the concluding part. Background music of this film by A.R.Rehman is superb cinematography by Chris Openshaw are the other plus points of this film. For cricket lovers, this film is a real treat and for Sachin fans it’s a big gift from their idol . It will not be surprising to find youngsters turning up in large numbers at cinema theatres across the country, to watch their hero in this film.
‘Chi Va Chi Sau Ka’ offers casual entertainment
Rating: ★★1/2
Genres: Drama Censor: U Duration: 120 min. Studio/presenter: Zee Studios Producer(s): Nikhil Sane Director: Paresh Mokashi Writer: Madhugandha Kulkarni, Paresh Mokashi Cinematographer (DOP): Sudheer Palsane Cast: Lalit Prabhakar, Mrinmayee Godbole, Bharat Ganeshpure, Supriya Pathare, Pradeep Joshi, Purnima Talwalkar, Sunil Abhyankar, Sharmishtha Raut Movie Review by: Ulhas Shirke |
To keep the audience engaged throughout the film, should be the sole motive of an entertaining film. Especially, when the theme of the film is based on comedy, there are big expectations from the director of the film. Paresh Mokashi, who directed the films like ‘Harishchandrachi Factory‘ and ‘Elizabeth Ekadashi‘ has now presented his latest film ‘Chi Va Chi Sau Ka‘, raising expectations from the Marathi film audience. But, the film has turned out to be a casual entertainer.
The film presents the story of two youngsters Savitri( Mrinmayee Godbole) and Satya ( Lalit Prabhakar), who are from different fields. While Satya is an Electronics engineer, who is very much concerned about water conservation, Savitri is a Veterinary doctor, who is very much against anyone harming an insect or an animal. Both of them are brought together by their respective family members, with an arranged marriage. But, Savitri, in spite of knowing Satya through her friend, puts a condition that she would marry Satya, provided she is given a chance live with him on a trial basis for few days, to understand him.
In spite of opposition from parents , Satya accepts this condition and both of them live together in a room, only to create misunderstandings among family members from both the sides. There are fights between them. Then, we also notice Savitri fighting like a kid with her elder sister who is pregnant and younger school going brother. Most of the time in this film has been wasted in unnecessary quarrels between different characters, who sound loud.
Actually, what the film maker wanted to show, he could not present in two hours and thirteen minutes, due to poor screenplay and limited content. Initially, through another couple separating after their court marriage, he clearly hinted that all love marriages are not successful, showing the instant break up of a young couple, who could not stay without each other’s company earlier.
However, in the case of Satya and Savitri, he has tried to show that ‘Live in relationship‘ is the only way to understand each other, no matter how much time it takes? Today, in the name of comedy and entertainment, anything is being offered and some our Bollywood films are the best example. This film has tried nothing different from such films. Now, how the audience would accept this idea, remains a big question.
Performances from the artistes are just fine, but all of them are too loud and quarrelling with each other most of the time, which has taken away the interest from the subject of ‘Chi Va Chi Sau Ka‘ film. Music composed by Narendra Bhide is just fine, but the sound recording and the fine photography by Sudhir Palsane, have turned out to be the plus points of ‘Chi Va Chi Sau Ka‘ film.
‘Shivya’ presents casual entertainer
Rating: ★★
Genres: Youth Censor: A Duration: 120 min. Studio/presenter: Sara Motion Pictures, Golden Petals Films, Karma Films, Rangmanch Entertainment Producer(s): Dhwani Sakar Raut, Nilesh Ravindra Zope, MIhir Karkarey, Aashay Palekar Director: Sakar Raut Music: Manoj Tikariya Writer: Sakar Raut, Nilesh Zope Cinematographer (DOP): Amey Ranadive, Harshbir Singh Phool, Sanish Jairaj Cast: Bhushan Pradhan, Sanskruti Balgude, Piyush Ranade, Vidyadhar Joshi, Uday Sabnis, Shubhangi Latkar Movie Review by: Ulhas Shirke |
‘As you sow, so shall you reap’. If the head of the house uses bad words in regular conversation, how can you expect his children to speak without abuses, when they grow older? Based on this theme, writer director Sakar Raut has presented the latest Marathi film ‘Shivya‘, the title of which clearly indicates the intention of making this film. So, in this film, we initially find Mr.Raghunath Sardesai( Vidyadhar Joshi) uttering bad language while speaking over phone with his colleague. In comes his wife ( Shubhangi Latkar), who intervenes and suggests him to stop using bad words and tells him that his son imitates him, using bad words against his teacher.
When the son becomes a young man Raghav ( Bhushan Pradhan) , he is advised by his girlfriend Sharayu ( Sanskruti Balgude) , to desist from using bad language. In short, no woman like men using bad words, no matter under what circumstances. Raghav tries his best, but is not able to control his tongue. And, this lands him into trouble, as he uses bad words, while encountering Sharayu’s father. His close friend suggests him to use alternate words for such bad words. When Raghav is in the process controlling himself, a typical villain in the form of Vikram Sarpotdar( Piyush Ranade) appears in the story, to play predictable gimmicks to come in the way of Raghav and Sharayu.
With about 90 minutes of screenplay pushing this casual entertainer, it’s ‘all is well’ at the end. There is nothing very special in ‘Shivya‘ film, to write about, except for good performances by Bhushan, Sanskruti, Piyush and Shubhangi Latkar. Barring very few scenes, the other scenes have failed to create desired impact, as the makers of ‘Shivya‘ film have taken the liberty to use many bad words openly, as through the tag line of the film they clearly state that everybody uses bad words. But, all will not agree, especially the women folks. Music of the film is not very impressive and that is the biggest weakness of this film.