Category Archives: Review

‘Halal’ highlights the plight of a divorced Muslim Woman

Halal Marathi Film Poster
Movie: Halal
Rating: ★★★
1/2
Genres: Drama
Censor: UA
Duration: 130 min.
Studio / Presenter: Amol Kagne Films
Producer(s): Laxman Eknathrao Kagne, Amol Laxman Kagne
Director: Shivaji Lotan Patil
Writer: Rajan Khan
Cinematography (DOP): Ramani Ranjan Das
Cast:  Pritam Kagne, Chinmay Mandlekar, Priyadarshan Jadhav, Vijay Chavan, Chhaya Kadam, Amol Kagane, Vimal Mhatre, Sanjay Sugavkar
Movie Review by: Ulhas Shirke

We have heard about the cases of divorced women reuniting with the same husband with mutual understanding before or even after the court judgment. But, in Muslim religion, this is not that easy. According to the All India Muslim Personal Law Board, a man cannot remarry a woman after triple talaq, unless she has already consummated her marriage with another man and then that new husband dies or divorces her. In this case, the marriage (Nikah) of the woman with her new husband is called ‘Nikah halala‘.

Incidentally, in a landmark judgment, the Supreme Court of India barred Instant Triple Talaq on 22nd August 2017 and asked the Parliament to make a law on this matter. Latest released Marathi film ‘Halal‘ directed by National award winning film director Shivaji Lotan Patil is based on this controversial talaq.

Marathi movie 'Halal' Still
Chinmay Mandlekar, Priyadarshan Jadhav & Pritam Kagne in Marathi movie ‘Halal’

Film ‘Halal‘ has chosen the subject of sufferings of a divorced Muslim woman. In this film, we find Halim ( Pritam Kagne) a young Muslim woman divorced by her husband Kuddus ( Priyadarshan Jadhav), through triple talaq procedure, only to relive her from the harassment by his mother at home. So, he drops her back to her parents.

Two year’s after the divorce, Kuddus, who otherwise loves his wife Halim, approaches Halim’s parents, after his mother’s death, to take her back home. But, Halim’s father ( Vijay Chavan ) and other villagers in the neighborhood remind him about the procedure in their religion. However, keeping in mind the good intention of his son in law, Halim’s father approaches Maulana of the Village (Chinmay Mandlekar) . Since there is no one coming forward for ‘Nikah halala‘, the Sarpanch ( Sanjay Sugaonkar) suggests the Maulana to be Halim’s second husband and the Maulana agrees for the temporary marriage to reunite Kuddus and Halim. But, Halim has to live with Maulana for three months, to complete the divorce procedure.

While Kuddus is busy preparing to welcome his wife back home, the helpful Maulana who is respected by the village community, also wants to keep his word. However, sudden developments take place in the screenplay and Halim has her say in the climax. The film certainly throws light on the plight of a helpless divorced muslim woman from a poor family. It is a timely subject and has been presented very well by the national award winning director Shivaji Lotan Patil. Some of the scenes involving villagers gossiping about Halim’s second marriage to maulana, don’t look natural. But, one should appreciate the subject , which is based on writer by Rajan Khan’s original story ‘Halala‘ and the efforts of producers Laxman and Amol kagne, who thought of giving cinematic look to this story.

Director Shivaji Lotan Patil has very effectively presented all his characters in the film. Priyadarshan Jadhav in the role of Kuddus does well to display his bold stand. Chinmay Mandlekar has been effective while portraying a respectable Maulana, but, he speaks only Hindi mixed with Urdu, in a Marathi speaking village. Surprisingly, in the entire film, he has not uttered a single Marathi dialogue. But, the surprise performance comes from Pritam Kagne, who has given a memorable performance in the lead role of Halim. She has not only expressed her emotions well in all the scenes, but has done remarkably well in the climax. Good support comes from other artistes like Vijay Chavan, Chhaya Kadam, Vimal Mhatre and others. Screenplay & dialogues by Nishant Dhapse are well presented.

The technical sides of the film are also worth appreciating, which include good cinematography by Ramani Ranjan Das, brilliant art by Santosh Samudre and superb make up for all the artistes by Laxman Jadhav. Music doesn’t have much scope, but Vijay Gatlewar has been able to give that required feel suited to this film through one song in the background. The film has already been screened at various International film festivals and has also won many awards. All in all, ‘Halal‘ is a timely film, which highlights very effectively, the plight of a divorced Muslim Woman.

‘Zindagi Virat’ offers casual entertainment

Zindagi Virat Marathi Film
Movie: Zindagi Virat
Rating: ★★
1/2
Genres: Drama
Censor: U
Duration: 130 min.
Studio / Presenter: Anjaneya Sathe Entertainment
Producer(s): Anjaneya Sathe
Director: Sumit Sanghamitra
Writer: Sumit Sanghamitra
Cinematography (DOP): Satyajeet Shobha Shriram
Cast:  Bhau Kadam, Om Bhutkar, Atul Parchure, Kishor Kadam, Usha Naik…
Movie Review by: Ulhas Shirke

Presentation of script on the rural backdrop have become common now days in Marathi films. Latest released Marathi film ‘Zindagi Virat’ produced by Anjaneya Sathe (Grandson of Late Amrish Puri) and written and directed by Sumit Sanghamitra is no different than many such rural based films released in the recent past.

The story of this film begins with the death of Dattoba Ahiwale (Kishore Kadam) who is father of film’s young hero Santosh alias Santya ( Om Bhutkar) living in a village. Dattoba who is alcohol addict and working in a factory as night watchman dies in strange circumstances. Santya, who works as a construction worker performs all the rituals as per the tradition, to rest his father’s departed soul in peace. But, the crow doesn’t eat the food offered.

Actor Om Bhutkar, in movie Zindagi Virat
Actor Om Bhutkar, in movie Zindagi Virat

This disturbs Santya, who is reminded by his father’s ghost to fulfil his last wish i.e. of celebrating his birthday, by cutting a cake. This puts Santya in a dilemma, as he does not remember his father’s birthday. So, with the help of his close friend Asif alias Asfya ( Sumit Sanghamitra) from the same village, he goes in search of his father’s birth date. The rest of the film is their search for the same. And, this has been presented with a touch of light humour, with unfolding of the mystery in the climax.

The film could have been more interesting with more humour filled happenings, but the director who is himself a writer, has created more scenes for him, almost equal to the film’s hero, clearly indicating that he plays a parallel role. There is no doubt that both Om and Sumit have performed their respective roles with full commitment, but it is Kishore kadam, who steals the show, with whatever he finds to his share. In other important roles Usha Naik and Bhau Kadam are also impressive. It was not necessary to show the character of Usha Naik smoking Bidi in almost all her scenes in the film, with the caution message for tobacco smoking appearing all the time on the screen. Good support comes from Atul Parchure and others.

The film’s music by Suraj Dhiraj is just fine in few songs incorporated in the screenplay. But, Umakant Jagtap’s sound design and Satyajit Shobha Shriram’s cinematography appeal the most. All in all, ‘Zindagi Virat’ offers casual entertainment.

‘Tula Kalnnaar Nahi’ presents emotions mixed with humour

Tula Kalnnaar Nahi Marathi Film Poster
Movie: Tula Kalnnaar Nahi
Rating: ★★★

Genres: Drama
Censor: U
Duration: 130 min.
Studio / Presenter: Saksham Filmz, Gseams
Producer(s): Shreea Yogesh Kadam, Swwapnil Joshi, Arjun Singh Baran, Kartik Nishandar
Director: Swapna Waghmare Joshi
Writer: Sameer Arora
Cinematography (DOP): Prasad Bhende, Sandeep Dhumal
Cast:  Subodh Bhave, Sonalee Kulkarni, Sushant Shelar, Neetha Shetty Salvi, Anuradha Rajadhyaksha, Uday Tikekar, Siddharth Chandekar, Rasika Sunil
Movie Review by: Ulhas Shirke

Presentation of Love stories of young lovers are favourite subjects of Marathi film makers. Stories of Break ups before and after marriage are also not new to Marathi film lovers. Looking at the latest trend, there are many cases of divorce pending before the court for decision. Latest released Marathi film ‘Tula Kalnnaar Nahi‘ is about a young well to do married couple Rahul and Anjali Mankame, which is on the verge of divorce.

Marathi film 'Tula Kalnnaar Nahi'
Subodh Bhave and Sonalee Kulkarni in Marathi film ‘Tula Kalnnaar Nahi

So, in the beginning of the film, we notice the cold war happening between Rahul and Anjali blaming each other for every small happening, when both of them are at home together. They correspond through notes made on a piece of paper. Both of them are seen busy with their own professions. While Anjali is creative photographer in an ad agency, Rahul works for a real estate company. When both are about to file their divorce, they leave for Goa, for their respective individual work. In a typical Bollywood film style, Rahul leaves in his own car, but on the way, a private car driver requests Rahul to drop his client, due to breakdown of his vehicle. And, the client is none other than Anjali. After, a tussle, Rahul agrees to take Anjali along with him, as Anjali still claims her right, being his wife.

On reaching Goa, the film ‘Tula Kalnnaar Nahi  takes a new turn, with a new girl Meneka joining Rahul on return journey, at the request of his Mumbai friend Sachin, who suggests him to try his new formula of ‘One Night Stand’. On seeing the new girl in Rahul’s life, Anjali also joins Rahul on return journey, claiming her right once again. But, this time Rahul has to reach Mumbai via Nagpur, where he wants to finish his work. So, the audience is taken for a ride with their road journey Goa to Mumbai via Nagpur. At this stage of screenplay, we find director Swapna Waghmare Joshi turning the film filled with emotions, with a new twist in the story, with addition of few more artistes in special appearance. And, we wonder why the film’s name was not ‘Mumbai- Goa-Mumbai via Nagpur’. Finally, it is happy end towards the climax of the film.

Marathi movie 'Tula Kalnnaar Nahi'
Subodh Bhave and Sonalee Kulkarni in Marathi movie ‘Tula Kalnnaar Nahi‘ still

Presentation part of ‘Tula Kalnnaar Nahi‘ film till interval is interesting with humor filled happenings. But, in post interval session, we find the director using a typical Bollywood formula of combining emotions mixed with humour. Both Subodh Bhave and Sonalee Kulkarni have performed their roles convincingly doing full justice to their respective characters. Fine support comes from Neetha Shetty Salvi through her glamorous role and Sushant Shelar as Rahul’s close friend Sachin. There are few other artistes in the form of Anuradha Rajadhyaksha, Uday Tikekar, Siddharth Chandekar, Rasika Sunil and others , who offer good support through their small roles. Music by Nilesh Moharir, Amitraj is satisfactory and goes well with the film’s story and so is the fine camera work by Prasad Bhende & Sandeep Dhumal, capturing especially the outdoor locations very artistically. Young lovers and adults will surely enjoy this film. No wonder, Mumbai’s PVR- Growell witnessed a full house show on Sunday. And, this is certainly a good news for Marathi film makers.

‘Swami Tinhi Jagacha … Bhikari’ goes South way to offer entertainment formula

Bhikari Marathi Film Poster
Movie: Bhikari
Rating: ★★★

Genres: Drama
Censor: UA
Duration: 130 min.
Studio / Presenter: Mi Maratha Film Productions
Producer(s): Sharad Devram Shelar, Ganesh Acharya
Director: Ganesh Acharya
Writer: Sasi
Cinematography (DOP): Mahesh Limaye
Cast:  Swwapnil Joshi, Rucha Inamdar, Sayaji Shinde, Manoj Joshi, Milind Shinde, Guru Thakur, Kirti Adarkar, Sunil Pal, Pradeep kabra
Movie Review by: Ulhas Shirke

Mother gives birth to a child and does everything for his proper upbringing. There is lot of sacrifice from her side. But, what this child does for his mother, when he grows up ? He may have everything in this world, which is acquired because of his mother, but unless his mother is there to witness his success, his condition is like a beggar. Based on this philosophy, is latest released Marathi film with a suitable title ‘Swami Tinhi Jagacha Aai Vina Bhikari‘. This film is a remake of a popular Tamil film ‘Pichaikkaran‘, and does not deviate from its original style and goes exactly the South way to offer a typical entertainment formula for the lovers of such action films with emotional touch.

Swwapnil Joshi in Marathi movie 'Bhikari'
Swwapnil Joshi in Marathi movie ‘Bhikari

On completing his higher education in London, besides singing and dancing with his colleagues over there, Samrat Jaikar( Swwapnil Joshi) , a rich but sensible young man returns to India to join his beloved mother and industrialist Sharda Devi( Kirti Adarkar). The mother hands over the entire business in her son’s name and takes him to the industrial unit, to introduce him to the workers. But, unfortunately she meets with an accident in factory and is moved to the hospital, only to be declared in Coma. Samrat does all types of treatments for the next few months including Ayurveda. But, the mother fails to respond. One day, he comes across a Swami ( Madhav Abhaynakr) who after understanding his problem, questions him, as to what he could do for his mother? On his suggestion, Samrat agrees to turn a beggar for 48 days, by strictly hiding his identity. He takes his close associate (Guru Thakur) into confidence and leaves home under the pretext of business tour.

After Samrat joins a group of beggars around a temple, he experiences a different life. However, in the process, we find him falling in love with a girl Madhu who is into Pizza business. He also encounters all those bad guys one after the other and performs unbelievable fight scenes which match the standard of fight scenes performed by Akshay Kumar, Salman Khan & Ajay Devgn. Thanks to Abbas Ali Mogul for making our Marathi film hero look like a real superman. He has reduced a lot of field work of debutant director Ganesh Acharya. Even two songs in this film have been choreographed very well by Rahul & Sanjeev the choreography assistants of Ganesh Acharya. Mahesh Limaye’s camera work has also captured some action and emotion filled moments very well. So, what is left for director Ganesh Acharya? The audience will have to decide. However, after the end of the film, he performs a dance on Ganapati song, perhaps for the film’s promotion.

The film ‘Bhikari‘ entirely belongs to Marathi’s first superhero Swwapnil Joshi, who has performed his character very sincerely with total commitment. Hindi TV actress Rucha Inamdar offers good support . In the limited but important role of Mother Shardadevi, theatre and TV actress Kirti Adarkar is impressive. Among the character artistes Guru Thakur, Milind Shinde, Sayaji Shinde and many other theatre and television artistes have also done well through their respective roles. Though this film’s story has an emotional touch, the director has used the original South formula to offer an entertainment package for lovers of such type of action films. If you like those action filled south films dubbed in Hindi and shown on various television channels, this film is just for you. But, certainly not for others, who love sensible out of the box Marathi films.

‘Shentimental’ – Entertainment… Police style

Shentimental Marathi Film Poster
Movie: Shentimental
Rating: ★★★

Genres: Comedy, Drama
Censor: U/A
Duration: 130 min.
Studio / Presenter: RRP Corp, Bunny Dalmia
Producer(s): Abhay Jahirabadkar, Sameer Patil, Santosh Bodke, Manjusha Bodke
Director: Samir Patil
Writer: Samir Patil
Cinematography (DOP): Mahesh Limye
Cast: Ashok Saraf, Upendra Limaye, Vikas Patil, Pallavi Patil, Suyog Gorhe, Devyani Raghuveer Yadav, Ramesh Wani, Madhav Abhyankar, Uma Sardeshmukh, Pushkar Shrotri, Rajan Bhise, Vidyadhar Joshi
Movie Review by: Ulhas Shirke

In the past there were few Marathi films highlighting the pathetic conditions in which our Maharashtra Police live and the extended duty hours affecting their health and mental condition. However, latest released Marathi film ‘Shentimental’ written and directed by ‘Poster Boyz’ and ‘Poshter Girl’ fame Samir Patil presents the same situation in a humorous way.  The film revolves around Three Police inspectors Pralhad Ghodke (Ashok Saraf) , Dilip Thaur (Upendra Limaye) & Subhash Jadhav (Vikas Patil) attached to a Police Station in Mumbai, who while investigating a case are required to visit a village in Bihar along with a  well educated arrested Thief Manoj Pande (Sujog Gorhe)  to get back the ornaments stolen by him and hidden in his house in that village.

The film does take time to take off with its humor filled plot and hence it is only little before the interval the audience really enjoy the humor filled incidences, especially during the journey of the Police team along with the thief and later after arriving at his house in Bihar. As a writer director Samir Patil has cleverly developed some of the scenes, to tickle the funny bone of the audience. Ashok  Saraf in particular suits very well in his role, well supported by Upendra Limaye, Suyog Gorhe, Ramesh Wani and Vikas Patil to match well with their perfect timing for comedy. When they are joined by veteran Bollywood actor Raghuvir Yadav, the screenplay turns more hilarious for some time. Even the entry of Pushkar Shrotri in special appearance is well timed, to show how the trains come to halt using muscle power in between stations in Bihar.

Vikas Patil, Ashok Saraf, Upendra Limye in Marathi FIlm 'Sentimental'movie
Vikas Patil, Ashok Saraf, Upendra Limye in Marathi FIlm ‘Shentimental’movie

Throughout the film the writer director has used his skills to generate humor, except for the first 45 minutes of the film, which are wasted in unwanted happenings. ‘Classmate’ fame Pallavi Patil has however been wasted in a limited role of a young lady Police Inspector, just to indicate the love story between her and her colleague Subhash Jadhav. In other supporting roles, Madhav Abhyankar, Vidyadhar Joshi, Rajan Bhise, Uma Sardeshmukh have also done well. Music by Milind Joshi is good for the two songs in this film and so is the brilliant cinematography by Mahesh Limaye .

All in all, ‘Shentimental’ offers Police style entertainment to offer some humor with a message to people to understand the problems faced by Police.

***

Horror filled ‘Lapachhapi’ is a game of illusions

Lapachhapi Marathi Film
Movie: Lapachhapi
Rating: ★★★

Genres: Horror
Censor: A
Duration: 130 min.
Studio: Wild Elephants Motion Pictures, A Midas Touch Movies
Producer(s): Jitendra Patil, Aroona B. Bhat
Director: Vishal Furia
Writer: Vishal Furia, Vishal Kapoor
Cinematography (DOP): Chandan Kowli
Cast: : Pooja Sawant, Usha Naik, Vikram Gaikwad, Anil Gawas, Hridaynath Rane, Aparna Ambawane, Dhanashree Khandkar
Movie Review by: Ulhas Shirke

Inspired by Foreign and Bollywood films, many Marathi film makers have attempted horror filled films in the past. During the past few years there were horror based Marathi films like ‘Aik‘, ‘Yeda‘, ‘702 Dixits‘, ‘Dhyanimani‘ & ‘Kanika‘ to name a few. But, none of them received the desired response from the audience. However, writer director Vishal Furia thought it the other way. Through his latest released debut Marathi film as a director, he has presented one such relevant social subject, set on the backdrop of horror taking place at a deserted place in a village.

So, from the very beginning of the film, the audience is hammered with the horror filled happenings, giving a clear indication to them, about what will be the next surprise . But, the bold and beautiful Neha( Pooja Sawant) who is 8 months pregnant, arrives in this village along with her insolvent husband( Vikram Gaikwad) to take shelter in the old house vacated by a older couple Bhaurao( Anil Gavas) and Tulsabai( Usha Naik) known to her husband.

Lapachhapi Marathi Movie
Pooja Sawant and Usha Naik in Marathi movie ‘Lapachhapi

Pooja experiences strange happenings in the so called haunted house located within the wide spread sugarcane fields. But, being a bold woman, she takes up the challenge and turns a protagonist, to understand the real reasons behind all such happenings. She not only fights injustice on women but also the blind faith practiced by the old couple. Her illusions show her the way, which helps her to uncover the mystery. Certain scenes in this film are beyond convincing and have no logical thinking, but the presentation part of the film is good, to keep the audience guessing till the horror filled climax.

Writer director Vishal Furia, himself being a VFX expert, could plan the sequences very well, so as to create the desired horror impact cleverly, on many occasions. The selection of artistes for the five important characters and few others has been perfect. Pooja Sawant gets an opportunity to display her real acting talent and she has performed very well. This performance will surely find her better offers from other Marathi film makers. Another female artist Usha Naik is highly impressive through her superb performance. Excellent support comes from Vikram Gaikwad and Anil Gavas, though they don’t have much to offer.

Wonderful sound design, background music, besides splendid cinematography Chandan Kowli and superb art direction Satish Bidkar are the other plus points of ‘Lapachhapi‘ film. Technically, it is a well made film and will surely impress horror film lovers. In short, it is a horror filled film with the game of illusions. However, pregnant women and people with weak heart should stay away from this film, as there are few violence filled scenes, besides some terrifying shots with creepy music.

‘Hrudayantar’ presents a serious subject in an artistic way

Hrudayantar Marathi Film Poster
Movie: Hrudayantar
Rating: ★★★
1/2
Genres: Family Drama
Censor: U
Duration: 130 min.
Studio: T Series, Young Berry Entertainment, TOAH Entertainment
Producer(s): Imtiaz Khatri, Vikram Phadnis, Purvesh Sarnaik
Writer, Director: Vikram Phadnis
Cinematography (DOP): Dilshad V.A. (Pipi)
Cast: : Mukta Barve, Subodh Bhave, Trushnika Shinde, Nishtha Vaidya, Sonali Khare Anand, Meena Naik, Mehera Acharia, Amit Khedekar, Maniesh Paul, Hrithik Roshan
Movie Review by: Ulhas Shirke

Marathi films are bringing in the desired change, as far the presentation of serious and thought provoking subjects are concerned. It all began with ‘Shwaas‘ and recently we saw a film ‘Braveheart‘ handling a serious subject with a timely message. Latest released Marathi film which is a debut film for Bollywood fashion designer turned director Vikram Phadnis, offers one more serious subject in an artistic way.

Hrudayantar‘ is actually an emotional drama, which revolves around a well off couple Shekhar and Samaira Joshi( Subodh Bhave & Mukta Barve) married for over 12 years and now preparing for separation. The reason is simple, as workaholic Shekhar a successful hotelier, cannot find time for his wife Samaira, who in spite of being a working woman, also manages household matters skillfully. She also gives much required time and affection to her two little daughters Nitya and Nysha (Trushnika Shinde & Nishtha Vaidya). Dancing becomes a passion for 10 year old Nitya, while Nysha excels in athletics. The girls get all luxuries in life, but are witness to the verbal fights between their parents most of the time.

Mukta Barve, Subodh Bhave, Trushnika Shinde, Nishtha Vaidya, Marathi movie 'Hrudayantar'
Mukta Barve, Subodh Bhave, Trushnika Shinde, Nishtha Vaidya, Marathi movie ‘Hrudayantar

As the couple is all set for a break up, their elder daughter Nitya is diagnosed with a serious ailment and this puts her near and dear ones into turmoil. But, through this period, the family learns the importance of real family bonding. ‘Hrudayantar‘ is certainly not an entertaining film, but is a serious story very well given a cinematic form, to give a realistic look. Both Subodh Bhave and Mukta Barve are at their best, as expected. Interestingly, Mukta also plays the narrator of this film. But, talented child artiste Trushnika Shinde, steals the show with her spontaneous expressions in all important scenes especially in the post interval session.

Good support comes from another child artiste Nishtha Vaidya, apart from other senior artistes like Meena Naik, Sonali Khare & Ameet Khedekar. Other Popular artistes like Atul Parchure, Vishakha Subhedar, Amol Bavdekar, Shiamak Davar , Manish Paul and above all popular Bollywood star Hrithik Roshan are seen in cameo roles. Dr. Namjoshi, in whose CritiCare Hospital in Juhu, the film has been shot, also makes a special appearance.

Wonderful cinematography by Dilshad V.A and superb background music by Praful Karlekar give a polished look to this film. Well written dialogues by Rohini Ninawe for every situation catch the attention of the audience. Vikram Phadnis direction on debut is also worth appreciating, though he could have made  ‘Hrudayantar‘ film more interesting. He has however shot the most important emotion filled scenes very cleverly, including that of Hrithik Roshan, without making the actor utter a singles dialogue.

Sensitive audience is sure to shed tears during most of the scenes, in the concluding part of this film. All in all, ‘Hrudayantar‘ is an artistically presented film, which needs sensible audience to appreciate. The film is surely in the race to win popular awards for the year 2017.

‘Ringan’ shows the way to helpless farmers

Ringan The Quest Marathi Film Poster
Movie: Ringan
Rating: ★★★
1/2
Genres: Drama
Censor: U/A
Duration: 130 min.
Studio: A Landmarc Films Presentation, My Role Motion Pictures
Producer(s): Vitthal Patil, Ganesh Phuke, Mahesh Yewale, Yogesh Nikam, Makarand Mane, Vidhi Kasliwal
Writer, Director: Makarand Mane
Cinematography (DOP):  Abhijit D. Abde
Cast: : Shashank Shende, Sahil Joshi, Suhas Sirsat, Kalyani Mulay, Vijay Salve, Umesh Jagtap, Ketan Pawar, Shantanu Gangane, Abhay Mahajan, Vitthal Patil
Movie Review by: Ulhas Shirke

There have been many Marathi films during the past 10-15 years, set on the backdrop of farmers’ suicides in Maharashtra. And, most of these films have only shown the helplessness of farmers, which forced them to commit suicides and thereafter the difficult time faced by their family members, waiting for the government compensation. Through most of these films, we only saw the film makers blaming the Government. But, the latest released Marathi film ‘Ringan‘ instead of highlighting the routine problems, shows the way to all such helpless farmers, through the story of a typical modern day farmer Arjun Magar ( Shashank Shende) who is a widower and his only little son Abhimanyu( Sahil Joshi).

What writer director Makarand Mane has tried to show through his lead character  Arjun is that though on the verge of losing his land due to heavy debt amounting to Rs. 1 lakh, he decides to repay the loan amount to the sensible money lender, who not only waives one year’s interest, but gives him one year’s time period. With his little beloved son, he proceeds to nearby holy town of Pandharpur. He really works hard there to make his little son happy, but cannot meet his regular demand of bringing back his departed mother.
In the first session, the film ‘Ringan‘ moves very slow, with not many interesting happenings, except for the struggle of father and son to settle down in the new township. But, in the post interval session, we find many well wishers coming forward to understand their difficulty.  Very skilfully, the director has incorporated some humour filled happenings, as well as emotion filled scenes to give a different look to this film. No wonder, the film has won national award for best Marathi film in 2015. Luckily, the film has also found a distributor, which has enabled the film makers to reach out their subject to the masses with their timely message.

Sahil Joshi, Shashank Shende. Marathi FIlm 'Ringan'
Sahil Joshi, Shashank Shende. Marathi FIlm ‘Ringan

 

Through his excellent cinematography Abhijit Abde was able to give proper visual impression to the sensible tale of a farmer and his son. The sound design is also impressive and the audience get the initial feel of it in the opening scene of the film. In the lead  role of Arjun, Shashank Shende is at his best, displaying the perfect body language and expressions throughout the film, in every important situation. His acting in the most important scene of confession, speaks a lot about his potential. In the role of Abhimanyu , debutant Sahil Joshi has been handled very well by the director. Good support comes from  character artistes like Suhas Shirsat, Umesh Jagtap, Ketan Pawar and others.

Overall, the film ‘Ringan is good, but should have been made more interesting in the first half. Certainly a worth watch, for those love to watch sensible artistic films and inspiring for all those helpless farmers and their families.

‘TTMM – Tujha Tu Majha Mi’ – Making youngsters understand the value of marriage

TTMM Marathi Movie Poster
Movie: TTMM – Tujh Tu Majha Mi
Rating: ★★★

Genres: Drama
Censor: U/A
Duration: 124 min.
Producer(s): Dr. Santosh Uttam Sawane
Director: Kuldip Jadhav
Cinematography (DOP):  Mayur Hardas
Story / Screenplay: Tejpal Wagh
Music: Pankanj Padghan
Cast: : Lalit Prabhakar, Neha Mahajan, Vidyadhar Joshi, Savita Prabhune, Satish Pulekar, Seema Deshmukh, Sagar Karande, Bharat Ganeshpure
Movie Review by: Ulhas Shirke

It seems that now a days modern Marathi film makers have set a new trend of ‘youngsters getting confused, when it actually comes to marriage’. In short, it is all about their mindset in understanding marriage.  So, after Chi Va Sou Kaand Muramba, we find another Marathi film ‘Tujha Tu Majha Mi’ (TTMM) presenting a young couple, confused about the term ‘marriage’. While Jay (Lalit Prabhakar) a young man from a rich family runs away from his house, because his parents feel that it is right time for their son to marry a girl known to him and his family, Rajashri (Neha Mahajan)  a girl from a middle class family also runs away from her house, as her demanding mother wants her to marry a boy, whom she feels is suitable to her daughter, who is already overdue for marriage.

Lalit Prabhakar And Neha Mahajan Picture
Lalit Prabhakar And Neha Mahajan in Marathi movie ‘TTMM’

So, the destination for all such youngsters being Goa, both of them coincidentally board the same bus bound for Goa. They occupy seats next to each other only to fight over petty things and finally start liking each other, following the traditional formula of films based on love stories. Only difference is that this couple agree with mutual consent to marry each other, to escape their arrest by a Police Officer ( Bharat Ganeshpure). Being convinced that they are true lovers and treating Rajashri has his sister, the Police Officer being more than generous, offers the couple four day honeymoon package,  inclusive of an escort. Both spend good time with each other, only to be traced by their parents. Having come to know about their marriage, Jay’s parents welcome Rajashri to their house. But, the film’s story takes a new twist, to show their separation. Finally, the film concludes with a predictable climax.

Good thing about this film is its music by Pankaj Padghan provided for few songs played in the background. Also, wonderful cinematography by Mayur Hardas adds that extra flavor to this film. But, in the role of editor of this film, he has created some confusion, with sudden shift of scenes, taxing the audience. Also, inclusion of the character of Sagar ( a small time cable operator and an eve teaser) played by Sagar karande fails to convince, as Rajashri is shown cheating him with a promise for marriage first and later agreeing to marry him, after separating from Jay. This certainly does not send a good message. The director has however presented some emotion filled scenes very well, particularly the one with Vidyadhar Joshi and Lalit Prabhakar in the second half of the film.

Nevertheless, the performances by lead pair are good. Neha Mahajan in particular , is very impressive. Good support comes from Vidyadhar Joshi, Savita Prabhune, Satish Pulekar, Seema Deshmukh, Bharat Ganeshpure and others. Among them, Bharat Ganeshpure through his limited role of a Police Officer offers some humour. Kadambari Kadam is seen after a long time in guest appearance.

All in all, ‘TMM – Tujha Tu Majha Mi’ offers light entertainment and is targeted at youngsters. The film does send across a message for youngsters, i.e. to understand the value of marriage. However, it could have been still better, if it was presented with convincing theme.

 

 

‘Muramba’ – A Sweet and sour recipe of a good creation

Muramba Marathi Film Poster
Movie: Muramba
Rating: ★★★1/2

Genres: Drama
Censor: U
Duration: 130 min.
Studio/presenter: Dashami Studioz, HUGE Productions, Pratisaad Productions
Producer(s): Nitin Vaidya, Ninad Vaidya, Aparna Padgaonkar, Anish Joag, Ranjit Gugle
Director: Varun Narvekar
Cinematography (DOP): Milind Jog
Screenplay: Varun Narvekar
Music: Hrishikesh, Saurabh, Jasraj
Cast: Sachin Khedekar, Chinmayee Sumit, Amey Wagh, Mithila Palkar
Movie Review by: Ulhas Shirke

Break ups are very common these days, among youngsters in the age group of 18 and 26 years. With the rise in cases of break ups, the habits of smoking and drinking in this age group has also gone up. Dashmi Studios,Huge Productions and Pratisad Productions’ latest released Marathi film ‘Muramba‘ presents  one such break up case between young lovers Alok ( Amey Wagh) and Indrayani alias Indu( Mithila Palkar). Both are from well to do families and know each other since their childhood days. While Indu is a hard working career focussed young girl working in an ad agency, Alok is exactly opposite to her, without any focus on his career. Though a Gold medalist MBA, Alok leaves his internship in USA half way and instead prefers a Accounts Professor’s job at a Coaching Institute.

Sachin Khedekar, Chinmayee Sumit, Amey Wagh, Mithila Palkar
Sachin Khedekar, Chinmayee Sumit, Amey Wagh, Mithila Palkar

Alok does apply for jobs, but is not confident about himself to take up higher responsibilities. On the other hand his girlfriend Indu is prepared to even take up an assignment for one year with kerala Tourism department and is even willing to go and live there. Alok who himself doesn’t want to take any risks in life, feels the gap between him and Indu widening on this issue of possessiveness. So, after three years of steady friendship, with all sorts of love and sex games, he decides for a break up and accordingly communicates to Indu about his decision.

Muramba‘ is actually the happenings taking place in next 24 hours, after their break up. So, we find Alok returning home in the early hours of morning, after spending the night in dejected state at a friend’s terrace. His clever mother (Chinmayee Sumeet) who reads his face, suggests Alok’s father Satyajit Deshmukh( Sachin Khedekar) to speak to him. So, the father with liberal attitude opens the discussion, during breakfast, after inviting Alok to the dining room. To the surprise of parents, Alok discloses that he had a break up with his girlfriend Indu, who is also a frequent visitor to their place, with good relationship with Alok’s parents. In order to prove his point, he even goes to the extent of revealing the drinking habits of Indu during parties.

Alok’s sensible father tries to persuade Alok giving him his own example of having differences with his mother, when he was small. But, Alok tries to justify his decision, explaining the difference between break up before marriage and after marriage. Finally, how the father uses his own methods to bring Alok and Indu together, has been presented in a humorous way, by writer- director Varun Narvekar very skillfully.

For Varun, this is his debut film as a director, but he seems to have used all his experience as assistant director to reputed film makers Sumitra Bhave and Sunil Sukthankar, very cleverly  into this film. Being a writer, screenplay writer and dialogue writer of this film, has come to his advantage, while developing every scene in this film, so realistically. Other good thing about him is the selection of artistes. Amey Wagh perfectly suits in the character of Alok and he finds very good support from newcomer singer turned actress Mithila Palkar, who has also perfectly fitted into the role of Indu, the modern career conscious girl of today. Sachin Khedekar plays his part like a versatile actor and delivers what was expected from him with total commitment to his character. In the role of Alok’s mother Chinmayee Sumeet has displayed her emotions very nicely in all those scenes to her share.

Good thing about ‘Muramba‘ film is the communication part between different characters, which goes on to say everything what the director wanted to convey. Watch the scene, when father is in discussion with his son in the roof top garden of their bungalow, while it’s raining. Then, there is important interaction among Alok and his parents, in their car, while going for lunch outside, followed by humor filled discussion on dining table in the hotel, with addition of Indu and so on. But, the scene where Alok visits Indu’s house and the way he is welcomed warmly by Indu’s parents, says it all. The director has cleverly indicated many things through these few scenes, without explaining much about Indu’s parents. Even the intimate scenes between Alok and Indu have been captured well.

Music directors Hrishikesh, Jasraj  and Saurabh have limited scope, but they have done their job well. Milind Jog’s cinematography and Avinash Sonavne’s sound design are worth mentioning assets of this film.  All in all, ‘Muramba‘ is a Sweet and sour recipe of a good creation.