Sensible ‘Pitruroon’ is a fine work of art
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Rating: ★★★★
Studio: IME Motion Pictures Producer: Abhay Gadgil, Shrirang Godbole Director: Nitish Bharadwaj Writer: ABased on a novel by Sudha Murthy Editor: Abhijeet Deshpande Cinematographer: Mahesh Ane Cast: Tanuja, Sachin Khedekar, Suhas Joshi, Mrunal Deshpande, Om Bhutkar, Ketaki Vilas, Purvi Bhave and Madhura Jugade, Omkar Kulkarni,Rupesh Bene Movie Review by: Ulhas Shirke |
It is always a pleasure for children to receive love and affection from their parents; but, it is very difficult to digest the facts about their mysterious past. We have seen few such stories in the past by well known authors on big screen. Now, Sudha Murthy’s novel has been brought live in cinematic form by Nitish Bharadwaj, through latest Marathi film ‘Pitruroon’. This is also Nitish’s debut film as a director and he has done a commendable job, to retain the originality of the story.
Set on the backdrop of Pune, the film talks about the tragic story of Bhagirathibai (Tanuja) , an old widow, who lives with her small family comprising of Venkatesh alias Sangeetappa (Sachin Khedekar) and two grandchildren; in a small village off Pune. One day, a Professor from Pune city Venkatesh Kulkarni (double role of Sachin Khedekar), who has just lost his father; arrives in the same village in connection with his archaeology work; along with his daughter (Purvee Bhave) passionate about Photography. When Professor’s daughter tells her father about his look alike noticed by her in the village, initially he ignores it; but out of curiosity he goes in search of his house, along with her, during his free time next day.
Venkatesh not only meets another Venkatesh Kulkarni; but also his family. Kind hearted Bhagirathibai suggests the visiting professor to have lunch, since she and her family are offering prayers in memory of her departed husband in presence of a family priest. During the course of rituals, the professor notices similarity in the names of ancestors and Gotra uttered by Sangeetappa.
Surprised by the similarities noticed about the names of their ancestors, the professor shares the same with rest of his family members, comprising of his wife Mrunal Deshpande and Mother ( Suhas Joshi) on return to his home. However, they don’t pay much attention to his story, after hearing about the death of Bhagirathibai’s husband long ago. The film turns more mysterious, with the sequence of events that follow one after the other. The real mystery unfolds in a very systematic manner during the climax of the film.
Director Nitish Bharadwaj has very cleverly handled every important situation in the film, clearly indicating his skills, to generate more interest in the screenplay from start till the end. It’s almost like reading an interesting novel. He has himself written the screenplay of this film along with Praveen Tarde. The past of Bhagirathibai set on the backdrop of beautiful Konkan is well handled in the flashback, with Ketaki Vilas playing the young Bhagirathibai. Bollywood Cinematographer Mahesh Ane has captured these beautiful outdoor locations very well. Music by Kaushal Inamdar also goes well with the film’s subject. The well suited background music and required sound effects, are worth mentioning plus points of the film.
It’s a lifetime role for veteran actress Tanuja, who has portrayed the character of Bhagirathibai very well. Sachin Khedekar has cleverly managed to present two different characters using his expertise, while delivering the dialogues and through body language. The other characters in the film have limited scope; but Suhas Joshi, Mrunal Deshpande, Purvee Bhave, Ketaki Vilas, Madhavi Soman, Om Bhutkar and others have offered very good support, to give this film a realistic look. Certainly a worth watch for all those, who like a film with a good story and arty presentation.
‘Mangalashtaka’ deserves ‘Once More’
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Rating: ★★★★
Studio: Shree Aadya Films Producer: Renu Desai Writer, Director: Sameer Joshi Music Director:Nilesh Moharir Cinematographer: Sanjay Jadhav Cast: Swapnil Joshi, Mukta Barve, Kadambari Kadam, Vijay Patwardhan, Sai Tamhankar Movie Review by: Ulhas Shirke |
After their first Marathi film ‘Mumbai Pune Mumbai’, the pair of Swapnil Joshi and Mukta Barve had become so popular that their subsequent TV serial ‘Eka Lagnachi Doosari Goshta’ became a super hit on small screen. Still, popularly known as Ghana and Radha with their character names in the serial; they have once again come together in the latest released film ‘Mangalashtaka Once More’ directed by Sameer Joshi.
The film talks about the lifestyle of a young married couple Satyajit Phatak ( Swapnil Joshi) and Aarti ( Mukta Barve). While Satyajit Manages the Sales Department of a popular FM Radio Company, Aarati being an MBA prefers to be a housewife and take extra care of her husband. Already worried about the work pressure, Satyajit vents out his frustration on his over caring wife Aarti, who is always worried about his health. Suddenly reacting one day, Satyajit demands for his space and both of them get separated from each other; much against Aarti’s wish.
Being helpless, Aarti takes shelter at her younger sister- Reva’s ( Kadambari kadam) place, only to be reminded by her to be an independent woman. But, Aarti being a typical Bharatiya Naari, is not able to forget Satyajit, though she takes up a job. She tries to contact him and wants his friend Nikhil( Hemant Dhome) to help them bring them together. But, that doesn’t work, as Satyajit is shown more busy with his office work, only to create misunderstandings about his close relationship with his senior office colleague Shalini ( Sai Tamhankar) , who wants him to focus his attention on achieving business target. All is well at the end, to make everyone happy.
‘Mangalashtaka Once More’ offers quality entertainment through a subject, which is so relevant to today’s busy lifestyle. It describes the frustration of youngsters, while handling the work pressure in office and goes on to show how it affects their personal life. The film also shows how a happy marriage could turn into a disturbed married life for want of space, with unfolding of events, causing disturbance. Through the character of Reva, the film shows the other way of handling such situations and through the character of Shalini, it is shown how a woman gives importance to her career, sacrificing her personal life.
Best part of the film is its story written by the director himself, who knew his job very well, while directing all those important scenes. Be it the parting time between the couple, their reunion during the meeting in a coffee shop, Aaart’s communication with Reva while defending her husband and finally coming together of the couple in climax scene , after removing all the misunderstandings, between them.
Cinematographer Sanjay Jadhav has done a very good job once again after ‘Duniyadari’ with his wonderful camera work. Director Sameer Joshi makes a fine debut with his notable work. He seems to have received good support from producer Renu Desai, who has paid more attention on making this film technically perfect with selection of suitable locations, besides using well known playback singers and good music from Nilesh Mohrir.
Looking at the performances, Swapnil Joshi is at his best, displaying sudden change of his behaviour on different occasions with spontaneity. Mukta Barve has also shown her wonderful acting skills while expressing her emotions. Their chemistry has worked very well this time too, clearly indicating that they deserve to be together ‘Once More’, in another film in near future. Kadambari kadam has got a better role , though she plays Aarti’s younger sister. She seemed to be at ease while performing that role. Though the name of Saie Tamhankar appeared as friendly appearance, she has a sizable role and she perfectly fits into that character of career minded Sahlini. However, Hemant Dhome has very limited scope, though he has done his job well. Vijay Patwardhan is a waste in this film. But, others in the supporting cast have done a good job.
The film is very well presented in the first half and continues with the same pace immediately after interval. But, few scenes consume little more time than required. The final scene of their coming together has been wound up little hurriedly in a predictable manner. Barring this, the film is a pleasure to watch. It’s a neat and clean entertaining film for the entire family. The young couples shouldn’t miss it.
‘Asa Mee Ashi Tee’ – A Man’s fight against destiny
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Rating: ★★★ ½
Studio: Shree Swami Samarth Pictures Producer: Usha Satish Salvi Director: Atul Kale Writer: Sachit Patil, Atul Kale, Ashish Raikar Dialogues: Sachin Darekar Cinematographer: Kedar Gaikwad Cast: Sachit Patil, Pallavi Subhash, Mansi Salvi, Bharat Dabholkar, Atul Kale, Anuja Sathe-Gokhale, Athasha Tendulkar, Shoma Anand, Atharva Bedekar, Sayuri Haralkar Movie Review by: Ulhas Shirke |
Faith must have acceptable evidence, else it is mere superstition. The power to fight against destiny is in our own hands, provided we are able to conquer the negative thoughts coming into our own minds. There are numerous books written on this philosophy of human life, be it revelation of the mysterious aspects of the understated science of spirituality or consciousness.
Latest Marathi film ‘Asa Mee Ashi Tee’ is based on this philosophy, which intelligently deals with a Man’s fight against destiny. Produced by Usha Satish Salvi and directed by Atul kale, the film’s script written by actor Sachit Patil has been developed by him in cinematic form, with the help of director Atul kale and Ashish Raikar. Supported by suitable dialogues penned by Sachin Darekar, the film has achieved, what it exactly wanted to convey to the sensible audience.
Siddharth kamat (Sachit Patil) is a widower with a little child- Mihir (Atharva Bedekar), having lost his wife Ria (Manasi Salvi) only a year ago. Being a well known architect , he is deputed by a big builder (Viju Khote) to develop his huge Lonavla project. He comes across a young interior decorator Akshara ( Pallavi Subhash) who along with her partner is keen on getting the job of Lonavla project, designed by Sidharth. The builder also sends his divorcee daughter Prajakta (Anuja Sathe) with her little daughter to help Siddharth in the project.
Asa Mee Ashi Tee, MovieSidharth already feeling lonely, becomes happy in the company of Akshara and also lends his support to Prajakta, to overcome her personal problem. Mihir gets attached to Akshara and finds his mother’s love in her. A time comes when Akshara expresses her love to Sidharth, who also reciprocates and agrees to meet her mother in Mumbai. But, there is some force that prevents him from meeting Akshara. Very cleverly the director has presented this situation before the audience, which is something new attempted in a Marathi film. The screenplay has generated a lot of curiosity at every situation, with non predictable outcome. Finally, all is well at the end; but the manner in which the film unfolds every situation, does create a strong impact.
Music plays a very important part in this otherwise mystery filled film. All the songs have been picturised very well. Best part of the film is the fitting background music and good sound effects during mystery filled scenes. The spirit of Shambhu (Bharat Dabholkar) and his team has been used well to create that required creepy effect, in the film. Thanks to Kedar Gaikwad’s excellent cinematography. Good art direction of Shailesh Mahadik and clever editing by Apoorva Motiwale and Ashish Mhatre has made this film technically sound.
Fine performances come from all the artistes, to make this 150 minute long film more convincing. Sachit Patil is at his best. He has ample scope to express his emotions at different situations. Watch his reaction, when he finds his wife breathing her last in his arms. In the role of Ria, it was nice to see Manasi Salvi making a comeback, after ‘Sadrakshanay’. She has one emotion filled long scene, besides those flashback scenes, used in the interaction of Sidharth with Bhaoji ( Aadesh Bandekar) in a reality show, which is part of the screenplay. In his limited role, even Aadesh Bandekar has expressed his emotions very well.
Pallavi Subhash finds a good role of Akshara in this film and she has performed the same with total conviction. It’s a difficult role; but Pallavi has made it look easy in this film. Her quick change of expressions are well presented with a perfect body language. Child actor Atharva Bedekar is impressive. Bharat Dabholkar is the right selection of the director to play the spirit of Shambhu. His strong personality and body language suits well in that role. Atul Kale, besides directing this film, has also an important role to play in this film and he has done his part well. He has also rendered one song in his own voice. Shoma Anand who plays Akshara’s Punjabi mother, has been used well, for a change. Anuja Sathe doesn’t find much scope, but she has played her role, understanding every situation well. Others in the supporting cast have done good job.
‘Asa Mee Ashi Tee’ is a worth watch, for its unusual theme, which has something different, to convey. It’s a film for young and old, for its fine presentation. It will not be surprising to find more young audience turning up to watch this film.
Don’t mistake ‘Tendulkar Out’ as a tribute to the Master blaster
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Rating: ★★ ½
Studio: Sudha Productions, Zee Talkies Producer: Anaya Mhaiskar Director: Swapnaneel Jaykar Writer: Yogesh Vinayak Joshi Cinematographer: Amalendu Choudhary Cast: Sayaji Shinde, Aniket Vishwasrao, Santosh Juvekar, Vijay Maurya, Neelam Shirke, Atul Parchure, Sai Tamhankar Movie Review by: Ulhas Shirke |
Three years ago Director Nitin Kamble had used his creativity to present a sensitive subject showing the contrast between two generations and passing a social message of understanding true human relations through his film ‘Dho Dho Pavsatli One day match’ In that film, he had cleverly used the clean image of master blaster Sachin Tendulkar, to connect with his screenplay, on the backdrop of cricket commentary during crucial scenes.
Now, director Swapnil Jaykar presents his film ‘Tendulkar Out’ once again on the backdrop of cricket commentary; but, choosing a story of one night, about three men engaged in a deal to kill a film producer with the name of Sunil Tendulkar. And that is the big difference between these two films.
In the film ‘Tendulkar Out’, the character Mr. Tendulkar(Sayaji Shinde) , who is a producer of C grade films, has himself planned the delivery of his pregnant wife( Neelam Shirke) to coincide with the birthday of Master Blaster Sachin Tendulkar, so that his son could become like Sachin. Like her flamboyant husband, who flirts with his artiste Velvet Manisha ( Sai Tamhankar), Ms. Tendulkar too has her boyfriend Dhanu ( Atul Parchure) who is always dressed up in blue shirt with No.10.
As Sunil Tendulkar dances with his Velvet in a night club, the trio comprising of Lefty ( Aniket Vishwasrao), Sharpshooter Nayar( Santosh Juvekar) and Abbas ( Vijay Maurya) also follow him. While Lefty tries to flirt with the girls around , the other two spend their maximum time in the fresh room., playing pranks and testing the patience of the audience. While Ms. Tendulkar is trapped in her own house in the company of her boyfriend with her labour pains, the trio fail in their attempts to finish off Sunil Tendulkar. And during one of the scenes in the screenplay, you come to know, who has hired the contract killers.
Every time an important happening takes place in the film, we hear the cricket commentary in the background, resembling the action filled situation. And that is the only best part of humour noticed in this film. The film has been dragged for almost 1 hour 15 minutes before interval, without creating any interesting situation. It is only in post interval stage, the screenplay takes some momentum, to conclude in a farcical form.
The ultimate motive behind making this film is just to present an action filled entertainment, using the surname of Sachin to generate curiosity. Luckily for the film maker, the master Blaster played his last innings on the day of its release and became out on the same day, with a respectable score. By the way, don’t mistake ‘Tendulkar Out’ as a tribute to the Master blaster. The film has just used his name and its release time, to coincide with his retirement from Cricket.
Talking about the performances, all the artistes have done a good job, including those in supporting cast,. Aniket, Santosh and Vijay make a good team. The director has made them behave differently, exposing the attitude of their characters at different situations. But, Sayaji simply rocks with his flamboyant looks. Neelam and Atul support well. However, Sai Tamhankar is a waste in the film. She doesn’t find any scope in this film, except for shaking her legs during one of the songs while flirting with Sayaji and Aniket for a while. Amalendu Chaudhary’s photography is good. Art direction is good. But, Music by Amar Mohile is just average, as this is not a musical film. The screenplay lacks grip, as there is less content and more farce.
Be prepared to watch the ‘Dangers of Smoking’ documentary giving statutory warning twice during this film, first in the beginning and then before the post interval session. This is only because of the characters in this film especially Lefty shown a frequent smoker. Being an ‘adults’ film, it is not a film for the family, as it has been targeted at a section of audience, with the kind of language used in the dialogues of this film. Thankfully, there are many whistles blown, for blocking some words. In short, ‘Tendulkar Out’ is just an average entertaining film, with nothing very special about it. While we saw Wankhede stadium filling to its capacity, on Friday to watch Tendulkar, only 35 people mustered their attendance on the first day 3 pm show of ‘Tendulkar Out’ at PVR Goregaon.
‘Vanshavel’ sends across a timely social message to the society
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Rating: ★★★ ½
Studio: Archit films Producer: Sunil D Mankar Director: Rajeev Patil Story: Damodar N Mankar Screenplay: Rajeev Patil, Datta Patil Music: Amit Raj Camera: Amalendu Chaudhary Cast: Ankush Chaudhary, Kishor Kadam, Sushant Shelar, Shantanu Gangane, Namrata Gaikwad, Manisha Kelkar, Vidya Karandikar, Niwas More Movie Review by: Ulhas Shirke |
The issue of Female feticide has been discussed in few Marathi films in the recent past. The most recent was through the film ‘Mokala Shwaas’. But, now late Rajiv Patil has presented the same issue in his own way, to send across a strong message to the society. It is very unfortunate that the talented film maker, who gave some sensible films like ‘Sanai Choughade’, ‘Jogwa’ and ‘Pangira'; passed away little before the release of this last offering in the form of ‘Vanshavel’.
The film revolves around a powerful person from a village Mr. Dadasaheb Deshmukh ( Kishore kadam) who is very dominant . His word is always final. Dadasaheb runs his own hospital, besides involving himself with other social activities. His elder son Nilesh ( Sushant Shelar) who is a doctor, manages the hospital and is married to Priyanka-a housewife( Manisha kelkar).His second son Anil ( Shantanu Gangane) who is into farming business, is newly married to a Gynaecologist Sayali ( Namrata Gaikwad). Dadasaheb, being male dominant, expects to have a grandson in the family, as early as possible .
The problem begins when his first daughter in law- Priyanka, refuses to abort her child; when she comes to know that she is going to deliver girl child. The second daughter in law – Sayali also joins the family hospital to take up some responsibilities; but, that only brings trouble for Dadasaheb and his elder son Dr.Nilesh, who is into unlawful activity. The family faces more problems, after Priyanka leaves the house, leaving Nilesh to repent on some of his past acts. With the arrival of new Police Inspector ( Ankush Chaudhary) in his area, invites more trouble for Dadasaheb.
In spite of all these problems, Dadadsaheb tries to manage everything. But, time comes, when his entire family desert him , including his wife Savitri ( Vidya karanjikar),leaving him in the company of his most trusted attendant- Maauli. The director gives few twists to the screenplay, only to teach a lesson to Dadasaheb, who finally reunites with his family, with a changed heart.
As a director, late Rajiv Patil has shown his strength in presenting the subject very effectively, using the hospital as backdrop of the script. Using the two doctors as important characters from the same family, he has clearly shown the reason with difference of opinion. Very cleverly he has shown, how a dominant head of the family becomes helpless, when all the three women from his own family dare to oppose his ideology.
In the role of Dadasaheb, Kishore kadam stands tall among all the characters. He plays a prominent role in this film, where he has plenty of scope to display his acting skills. And, he has done a wonderful job. The director has exploited his full potential, looking at his ability. In the role of Dr.Nilesh, Sushant Shelar plays his part very well, clearly displaying his diplomacy while following the footsteps of his father. He has also been able to show the quick change through his emotions, after his wife leaves him. In the role of Anil, Shantanu Gangne, a stage and TV actor, finds a better scope in this film. And, he does make his presence felt.
Namrata Gaikwad does get few opportunities to react spontaneously at few emotion filled situations. She too has played her part well, as a responsible gynecologist. Manish Kelkar plays an important character in this film; but she too has limited scope for acting. She, however, finds a song to her share. Vidya karanjikar finds one good scene to counter her dominant husband; but in the role of Police Inspector Ankush Choudhary is impressive, as he does everything in his own style.
The film has two songs, which have been used at right places. Amit Raj’s music is just fine; but, the background music and sound effects have been used very well at right places, to create the desired impact. Amalendu Chaudhary has ample scope to experiment with his camera; be it outdoor song sequence or indoor horror filled scenes, using minimum lights. Produced by Sunil Mankar and directed by Rajiv Patil, ‘Vanshavel’ is certainly a sensible film, delivering a timely social message.
‘Lagna Pahave karun’ – Marriages are made in heaven; but, they survive on mutual understanding
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Rating: ★★★★
Studio: Solariz Internation, Sprint Art Creations Producer: Kiran Deshpande, Mohan Damle Music & Direction: Ajay Naik Screenplay: Kshitij Patwardhan , Sameer Vidawans Cast: Mukta Barve, Umesh Kamat, Siddharth Chandekar, Tejashree Pradhan, Swati Chitnis Movie Review by: Ulhas Shirke |
Time is changing and so is the process of marriages. Love marriages are on the rise; but at the same time; people still have belief in arranged marriages. Now, whether it’s a love marriage or arranged marriage with proper horoscope matching; the cases of divorce are the same in both the cases. Taking up this timely issue, director Ajay Naik has presented his new Marathi film ‘Lagna Pahave Karun'; showing very tactfully, the happenings arising out of one such modern day arranged marriage.
Nishant ( Umesh Kamat) is a US returned youngster, who comes to India for his marriage; arranged by his mother with the help of a Marriage Bureau, run by a Professional lady ( Swati Chitnis), who provides all the help to her clients, right from matching horoscopes and bringing both the parties together. When Nishant meets his ‘would be’ wife, suggested by the marriage bureau, he tells her that he has lost his job and intends to work in India . However, the girl, who is more keen on moving to US, rejects his proposal.
Around the same time, Nishant comes across another smart girl Aditi ( Mukta Barve), who becomes friendly with him and suggests him to join her in a business of new style of Marriage bureau, where they decide to give ample scope to the Boy and girl, to understand each other before marriage. There is no horoscope involved in this procedure, as Umesh himself does not like the idea. But, they offer novel ideas to attract the forward thinking eligible youngsters. They start their office, exactly opposite the well established business of the professional lady.
Their first such pairing of Rahul ( Siddharth Chandekar) and Anandi ( Tejashree Pradhan) turns successful and they get married; bringing more and more clients to Nishant and Aditi. Out of jealousy, their business rival, dares to challenge them about the survival of this marriage; quoting the horoscope facts of the couple. Nishant, who does not believe in horoscope, accepts this challenge; but his partner Aditi gets worried, as her Grandfather( Jayant Savarkar) who knows about horoscope, also cautions her about the hurdles in the life of Rahul and Anandi.
Keeping the track of developments in the married life of Rahul and Anandi, both Nishant and Aditi come more closer to each other and one day Nishant proposes Aditi; who however keeps avoiding the topic, asking for time. With more interesting happenings to follow, the film reaches the stage, where both the couples are required to take a decision with mutual understanding. The remarkable climax has been shot well, keeping the argument open to the audience. Whether, matching of horoscopes is all that important to decide a successful marriage ?
Director Ajay Naik, who makes his debut as a director, through this film, has generated a lot of interest in the screenplay written by Kshitij Patwardhan. We have seen a film ‘Sanai Choughade’ on somewhat similar subject of match making, in the past; but, ‘Lagna Pahave Karun’ offers a variety, through its screenplay. The idea of arranging the first meeting of the couple in a dark room, is something unique. Rahul’s patience in understanding the problem of Anandi, goes on to show the maturity of one of the partners. Above all, the director has succeeded in keeping the audience guessing , till the end. His selection of artistes for the important characters is most appropriate.
Music is another plus point of the film, besides good photography at appropriate locations and perfectly designed costumes provided to all the important characters. The involvement of parents and other elderly characters has been kept minimum, except for the scope given to Jayant Savarkar and Swati Chitnis. Watch the parents of Rahul in 2-3 scenes of the film . Without a dialogue, their body language suggests everything.
In the role of Nishant, Umesh Kamat is very much at ease, giving a very natural performance. Mukta Barve impresses in the role of Aditi, with her spontaneity to different situations in the film. In the role of Anandi, Tejashree Pradhan has done a good job. She is remarkable in that scene, when she is shown communicating with her father over phone. Siddharth Chandkar steals the show in the role of Rahul. In fact, he had a very difficult role to play; but, the young actor has displayed his talent in those two important emotion filled scenes with a lot of commitment. So, it is not only the fine performances and good music( by Ajay Naik himself); but, the proper presentation of sequences, makes this film a worth watch.
Gangubai entertains; but the script fails to convince
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Rating: ★★ ½
Studio: Viacom 18 Motion Pictures Producer: IRIS Productions, Vidyadhar Pathare Writer, Director: Rajesh Deshpande Camera: Sanjay Jadhav Music: Shailendra Barve Cast: Nirmiti Sawant, Pandharinath Kamble (Paddy), Nagesh Bhosale, Anand Ingale, Atul Todankar, Prasad Athaly, Jyoti Joshi Movie Review by: Ulhas Shirke |
Not all the popular stage plays and TV serials which are made in cinematic form, are well accepted. In Marathi, we have totally different audience for Stage, TV and films. Therefore, while adapting such themes for films, one needs to work very hard, to create a gripping screenplay; to hold the audience to their seats, for a little more than 2 hours in cinema hall. Further, when you make a comedy film, the dialogues are also equally important, besides enthralling screenplay.
Latest released Marathi film ‘Kum. Gangubai Non Matric’ produced by Vidyadhar Pathare and written & directed by Rajesh Deshpande presents popular TV serial pair Gangubai ( Nirmiti Sawant and Choo ( Paddy kamble) in a so called political action comedy, in the company of Nagesh Bhosale as opposition MLA from the same district place of Gangubai and Arun Ingale, playing the CM of the state.
In the beginning of the film, we find social activist Gangubai along with her associate Choo staging a demonstration, in front of the vehicle of Opposition MLA ( Nagesh Bhosale).She even dares to lift his Jeep, to indicate her strength. On the advice of his personal secretary Phadavnis ( Atul Todankar),the MLA plans to reveal a plan to Gangubai; which would not only enable her to meet her demands; but also become CM of the state, in due course of time.
So, the audience is subjected to watch the kidnapping of CM’s ( Anand Ingale) wife (who resembles Gangubai). The next moment we find CM’s wife in the custody of Opposition MLA and Gangubai taking over as Ms.CM. Along with her, she brings her associate Choo dressed up as her female attendant. Time comes, when women representation in politics brings CM’s wife into active politics. With the support of CM and the opposition MLA coming together; this is made possible. Once, she takes over the position; she goes on extensive tour of villages, to study the problems of the people. Finally, she achieves, what she desired. And, after exposing the CM and his alliance partner in the climax , hands over the responsibility to his real wife; giving a clear indication that Maharashtra needs first woman CM.
The illogical sequences in the film’s screenplay, make this film an average action comedy. Actually, there was good scope to create comedy through this plot. But, many sequences take place in quick succession, taking the audience for granted. It is only the last 30 minutes of the film, is filled with action plus comedy. But, till that time, the film fails to hold grip on the comedy. There are few scenes which are filled with humour; but actually it is Nirmiti Sawant who entertains with her variety filled double role. Paddy kamble looks weird in the female make over. But, Nagesh Bhosale , Arun Ingale and Atul Todankar impress with their resourceful performance at different situations. However, talented actor kushal Badrike has been wasted in this film.
Music by Shailendra Barve is just okay; but, Sanjay Jadhav’s photography is excellent. He has captured both indoor as well as outdoor action photography very well. ‘Kum Gangubai Non Matric’ has therefore turned out to be just an average entertaining film, just because of the performance of Nirmiti Sawant .
Timely ‘Investment’ is a thought provoking film
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Rating: ★★★★
Studio: Indu Enterprise Producer: Mahadwar Story & Director: Ratnakar Matkari Associate Director: Ganesh Matkari Editor: Sagar Vanjari Cast: Tushar Dalvi, Supriya Vinod, Sulabha Deshpande, Sanjay Mone, Sandeep Pathak, Praharsh Maik, Milind Phatak Movie Review by: Ulhas Shirke |
‘Investment’ written and directed by Ratnakar Matkari, has already won National award before its official release. The film also received critical acclaim at various international film festival, during the past few months. Now, its timely release has brought to the notice of the audience not only a socially relevant and hard-hitting subject; but a timely and thought provoking film.
Actually, ‘Investment’ is an extraordinary film, presenting the story of a typical Upwardly working couple Aashish ( Tushar Dalvi) and Prachi ( Supriya Vinod) and their twelve-year old son, Sohel(Parharsh Naik), who is being pampered with more than required care. The mother has a dream of raising her son to be a successful Politician of the Future, a field, which she believes, is promising, due to its lucrative opportunities of growth, power and finance. But, Sohel who turns a spoilt & self-centered brat, wants to follow his father’s footsteps. Only success formula he believes in is, “Achieve, what you wish”.
One day, he sends a love note to his classmate Deepa Gangan, who hails from a totally different social strata. As a result, her father (Sandeep Pathak) informs Ashish and Prachi to keep their son at bay. Prachi takes it as an insult; but Aashish’s old mother (Sulbha Deshpande) who keeps visiting their house; smells some trouble. Very next day, Deepa goes missing and Sohel who is approached by Deepa’s father, tells that he is unaware of her whereabouts. But, when Deepa’s dead body is found by the police; the suspicion points towards Sohel.
It is at this point, the film takes a break for interval, to generate more interest among the audience. In the post interval session, the issues of morality of different characters come to the fore, with the declaration of the actual crime. The film makes a clever statement on the materialistic point of view, with which today’s generation is ignoring moral values. The outcome of the case, signifies the selfish attitude, besides lack of regret of the educated young middle-class. Such disregard for moral values, concludes with a terrible climax of the film. But, that one last scene goes on to say everything; leaving it to the sensible audience to understand the effects of wrong court judgements.
There is no doubt about the strong impact created by the story of this film written by Ratnakar Matkari; but, as a director that too on debut, he has done a very good job. Through the film’s gripping screenplay, he has not only tried to generate curiosity at every moment; but has also sent a strong social message, through the contrast characters of Grand mother and the Mother of the child. The father does have some conscience; as seen through some cleverly shot scenes, but he too turns materialistic, at important situations.
Through the characters of influential criminal lawyer (Sanjay Mone) ,the school principal, class teacher and Police Inspector, the director has lot to convey, about the corrupt existing system. At the same time, through the characters of Sandeep Pathak, Bhagyashree Pane, Milind Pathak and Soham Kolvankar, he has presented the helpless voice of common man fighting for justice.
Except for the terrible climax, which leaves to the audience to decide the fate of such juvenile criminals; the film does send a clear message ‘As you sow, so shall you reap’. There are no songs in this film and therefore you focus on the series of events; which generate a lot of interest at every stage of the screenplay. Cinematography by Amol Gole and clever editing by Sagar Vanjari are other plus points of the film; besides superb realistic performances from all the artistes. A must see film for all..
‘Popat’ delivers social message in a sweet voice
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Rating: ★★★ ½
Studio: Mirah Entertainment Producer: Citrus Check Inns Director: Satish Rajwade Story: Chinmay Kelkar Music: Avinash Vishwajeet Cast: Atul Kulkarni, Amey Wagh, Siddharth Menon, Ketan Pawar, Anita Date, Neha Shitole, Megha Ghadge Movie Review by: Ulhas Shirke |
Every film maker has a social responsibility to pass on a message through his film, besides offering entertainment. In the past, film makers like Bhalji Pendharkar, V.Shantaram, Raja Paranjape and many others did it in their own style. Now, young film maker Satish Rajwade joins their group, with his latest offering ‘Popat’.
In today’s time, one really need guts to present such a thought provoking subject, with a commitment to the society. But, Satish has done it very skilfully. No wonder, he is considered one of the talented directors in Marathi film industry today. Incidentally, after doing two films on city lifestyle, this is the first film from Satish, with a village backdrop.
The film revolves around three youngsters Raghu ( Amey wagh), Mukund ( Ketan Pawar) & Bala ( Siddharth Menon) who live in a village Kulpe ( off. Kolhapur) and are best friends. Each one of them possess some skill and it is their common interest in doing something different, binds them together. One day, they decide to make a film on a serious social issue. They catch hold of a videographer Janardan ( Atul kulkarni) from a neighbouring village; who posesses a movie camera. Janardan, who is married to Preeti ( Anita Date), is otherwise a fun loving person and flirts with a tamasha artiste Rakhi ( Megha Ghadge).
When four of them decide to make a film, scripted by Mukund, Janardan agrees to be part of their project, provided he is offered the lead role. He tries to involve Rakhi into the team; but, doesn’t succeed. Finally, he persuades his own wife( who is carrying) to play his real life wife in this film; besides playing a flirt with Bala’s girlfriend Darshana( Neha Shitole), who is convinced to be part of this film. The efforts of the team seem to be working well; but, while shooting the climax of the film, Janardan tries to back out, fearing that the film’s script is his own story. Finally, ‘all is well’ at the end.
Writer – Director Satish Rajwade has successfully delivered a social message through sugar coated screenplay and dialogues penned by Chinmay kelkar; which almost give a feeling that his imaginary ‘Popat’ has used his sweet voice, to deliver this sensible message to create awareness about a social issue. Many important scenes which are filled with humour are captured very well by the director.
The selection of artistes for the respective roles, make a big difference, in terms of clever presentation at every important situation in the film; be it hospitalisation of the tamasha artiste, Mukund’s father not happy with his son’s activities, the youngsters seeking opinion of housewives about their safety and above all Janardan’s emotion filled reaction during the climax of the film.
Atul Kulkarni has once again proved that he does full justice to the author backed roles. Though in this film, he is part of the group, he has certainly made his presence felt throughout the film. In the roles of three close friends, Ketan Pawar, Amey Wagh and Siddharth Menon find equal opportunity to display their talent. But, it is Ketan Pawar ( ‘Shala’ fame) who steals the show, with his humour filled dialogues. Neha Shitole ( ‘Tu Tithe Mee’ Serial fame) finds better scope in this film, after her performance in ‘Deool’. She has played her role confidently.
In the supporting roles, Anita Date and Megha Ghadge find limited scope. Urmila kanitkar does special appearance during a song sequence. Avinash Vishwajeet’s music is satisfying for three songs in the film. Bhaskar Samla’s cinematography is good. Length of the film ( about 150 mins) is little longer than required; hence stretching few scenes little before interval. But, considering the sincere effort to handle a very relevant timely social issue successfully, the film maker deserves a pat on his shoulder. The film should find its entry at many forthcoming film festivals. And who knows? It may win awards too. Efforts should be made to show this film at touring talkies in rural areas; to serve the purpose of making this film.
‘Govinda’ entertains with a timely message
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Rating: ★★★ ½
Studio: Vrindavan Films Entertainment Producer: Vilasrao Waghmode Director: Aatmaram Dharne Music: Rohan Pradhan Cinematography: Nandkumar Patil Cast: Swapnil Joshi, Girija Joshi, Arun Nalawade, Vidhyadhar Joashi, Uday Tikekar, Annapurna Movie Review by: Ulhas Shirke |
Govinda and Ganapati are two such festivals in Maharashtra, which are now days becoming more political than cultural festivals. The shrewd politicians are exploiting the sentiments of enthusiastic youth, luring them with their money power to earn political mileage for themselves. Set on the backdrop of this theme, new Marathi film ‘Govinda’ exposes the motives of one such politician who is more keen on making his own progress in political circle at the cost of the lives of thousands of Govindas, who take risks to rise to maximum heights by forming human pyramids , to win the attractive cash prizes.
Rajan Mayekar ( Swapnil Joshi) is one such dynamic youngster, who is the son of a honest but suspended Police officer( Uday Tikekar); who has been fixed by the builder turned politician Hitesh Gosavi ( Vidyadhar Joshi) , popularly known as Mama. Rajan and his group of friends who are taking lead during Govinda and Ganapati festival in their locality; are lured by the cash prize of Rs. 1 Crore offered by Mama to break the dahi handi.
Rajan has a girlfriend Shravani ( Girija Joshi) living in the neighbourhood; but her father (Arun Nalavade) and Rajan’s father are enemies, always fighting over small issues. Instead of preparing for his MPSC exams, as desired by his father and girl friend; Rajan is more keen on event management. He does not believe in following the path of his father, who has suffered because of his honesty. So, to become richer through fast track, he tries to impress Mama, who is also keen on redeveloping his colony.
However, the shrewd politician, has other plans. When Rajan comes to know the truth about Mama using him for his personal gain and having falsely implicated his father; he dares to challenge him. But, Mama plays all his tricks, only to silence his voice. Finally, after recovering from his leg injury, suffered while breaking Mama’s Hundi, Rajan prepares hard for his examination and becomes strong enough to teach a lesson to the Politician.
The film deals with a subject, which is so relevant to make the youngsters understand how these politicians are using them for their personal gain, at the cost of their lives. The film clearly hints at the non availability of safety requirements at the site of such prize Money Govinda competitions. It also clearly shows how the Politicians manage media support for their publicity. In one of the scenes, it is clearly shown as to how big water cannons are used to break the pyramids of the team, which is about to break the Hundi. And last but not the least; where from the money comes during Govinda sponsorship ?
‘Govinda’ certainly delivers a timely message at the most appropriate time when the festival season is just on the way; but, some of the scenes have been wrapped up in the screenplay, e.g. like the sudden cancellation of Shravani’s marriage to a boy from Kuwait, followed by quick understanding between Rajan’s and Shravani’s parents. Even the climax scene showing Rajan achieving a powerful position in a short period and getting Mama arrested with his property raided, looks more like a typical formula film style. But, looking at the sincere effort put in by the film maker, in doing a good study about the commercialisation of this popular festival, the film has turned out to be a fairly good presentation .
Swapnil Joshi is now a popular hero of Marathi films. Through his performance in ‘Govinda’ , he has proved that he can pull the success of a film at his own strength. He is certainly a very good actor, who performs every character he plays through his heart and playing this role of Rajan Mayekar with full commitment, is the best example. Swapnil’s fans shouldn’t miss this film. Girija Joshi looks impressive as his co star and has given good support. Considering her character from a typical Middle class family, the director has not glamorized her character.
For both Swapnil and Girija, the director has used light make up, to make them look more natural. Arun Nalawade and Uday Tikekar offer a good support; but Vidyadhar Joshi impresses more, as the perfect villain in Marathi film industry. All the youngsters in the group of Swapnil, have performed very well. Some of them are new faces. Dialogues of the film by Arwind Jagtap are well written. Music by Rohan Pradhan is fine; but, he has impressed more with his background music. Naddkumar Patil’s cinematography has captured the Dahi handi and action scenes and song sequences very well. In short, ‘Govinda’ entertains with a timely message.