‘Ashach Eka Betavar’ takes you on a mystery filled journey
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Rating: na
Banner: Srushti Films Producers: Leena Bala Nandgaonkar, Divakar Sawant, Javed Pathan Director: Sanju Hinge Music: Milind Joshi Cinematography: Raju K. G. Cast: Sanjay Narvekar, Ankush Chaudhari, Madhura Velankar-Satam, Sai Tamhankar, Sanjay Mone, Yatin Karyekar, Mangesh Desai, Sharad Ponkshe, Kamalesh Sawant, Punam Jadhav, Sharad Gadgil, Shreya Kadam, Dinesh Salvi, Vaishnavi Naik, Suresh Dol, Ram Budke, Archana Tendulkar, Sangeeta Sane, Hrishikesh Shastri, Sumit Mane, Vedang Patkar Movie Review by: Ulhas Shirke |
So many films have been made in the past, which were inspired by Agatha Christie’s best selling world famous novel- ‘And Then There Were None’, which had sold over 100 million copies. A film was also made with the same name, which was an adaptation of the novel. But, when a stage play was attempted in UK, with the name ‘Ten Little Niggers’; few changes were made in the script. The stage play continued in USA, thereafter, with the title ‘Ten Little Indians’.
In 1965, Raja Nawathe directed a Hindi film ‘Gumnam’, which was also inspired by this English stage play and not the original novel, as in the original novel, all the guests in the bungalow get killed and the man behind the killings, finally ends his life. Now, we find a new Marathi film, also inspired by the English play ‘Ten Little Indians’, which was also based on Agatha Christie’s creation. So, we find eight strangers coming together on an island to find their accommodation in a bungalow, surrounded by dense forest. They are welcomed by a Butler ( Sanjay Narvekar) and his wife ( Poonam Jadhav) who attend to them.
Ankush Choudhari, Ashach Eka BetawarDuring their first dinner itself, a recorded message accuses each one of them of the crimes committed by them. They all question the butler, asking him about the man behind the scene. When all of them are convinced that like them, even the Butler has been invited to serve them; they start suspecting each other. As the mystery remains, two of them are found murdered, one after the other, little before interval. Before that, the director takes time to narrate in brief the lifestyle of Mumbai through the voice of Nana Patekar, since all these people belong to Mumbai. He also takes you quickly into the flashback, showing the background of six of the guests, while they are travelling in an imported motor boat, on their way to the island.
At the stroke of interval, there are six guests left, besides the Butler and his wife. Aakash( Ankush Choudhary) and Ameeta (Madhura Velankar ) being treated as lead pair, come closer during this period; while the bar dancer Shabana( Sai Tamhankar) becomes the favourite of DD (Yatin karyekar). A doctor (Sanjay Mone) and a professional criminal ( Kamlesh Sawant) are looked upon as suspects, in this mysterious drama. As the screenplay progresses, you find at least two twists in the screenplay of this film; only to surprise you in the climax about the man behind the killings.
Chintan Mokashi’s screenplay possesses the required strength, to create the desired impact in this captivating murder mystery, which is new to Marathi cinema. His dialogues with Sanjay Pawar also create the combined effect of fear and humour, according to the changing situation. The character of Sanjay Narvekar has been cleverly used to nullify the continuous effect of terror. Director Sanju Hinge has done a brilliant job in generating anxiety after each murder sequence, for which he deserves compliments.
The background music and sound effects have been well paced in this film to generate curiosity at every stage, especially after interval. The film has only three songs composed by Milind Joshi, out of which two songs in Hindi are picturised on Shabana, during pre interval stage .The third one is played in the background, immediately after interval. Editing work by Kshitij Pavaskar and Abhijit Girulkar is good, compared to the Hindi version ‘Gumnam’ based on the adaptation of same play. The cinematography by Raju K.G. is very effective to create that desired impact, at every moment in the film.
Among the artistes, Ankush Choudhary, Madhura Velankar, Sai Tamhankar , Yatin karyekar, Sanjay Mone and Sanjay Narvekar find better scope to display their acting skills, at different situations. Kamlesh Sawant finds some scope in three scenes; but talented actors like Sharad Ponkshe and Mangesh Desai are treated like guest artistes in this film. The same is the case with Ponam Jadhav .
The plot in the film is gripping, though it has some resemblance to 1965 Bollywood film ‘Gumnam’; which is also inspired by Agatha Christie’s creation. The reason for the assembly of guests is different. By the way, the Bikini scene of Sai hasn’t been there in ‘Gumnam’, as the Bollywood actress Helen was shown in Mini skirt at the beach. One good thing is that, the makers of this film have admitted that they were inspired by Agatha Christie’s work. Now, how you give treatment to this subject in cinematic format, is all that important and makers of ‘Ashach Eka Betavar’ have succeeded in offering their best to Marathi film lovers. It’s a well presented murder mystery. Finally, what Agatha Christie had said, has a point here. “Every murderer is probably somebody’s old friend.”
‘Premachi Goshta’ defines love beyond relationship
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Rating: na
Banner: Mirah Entertainment Pvt. Ltd, Citrus Check Inns Producers: Ihita enterprises Director: Satish Rajwade Music: Avinash, Vishwajeet Cinematography: Suhas Gujrathi Cast: Atul Kulkarni, Sulekha Talwalkar, Sagarika Ghatage, Satish Rajwade, Rohini Hattangadi, Mira Velankar and Rani Gunaji (Guest Appearance) Movie Review by: Ulhas Shirke |
Steve Martin has rightly said, “Relationships end, but they don’t end your life. But people do often spend more time finding out about failed relationships than finding successful ones.” Perhaps, based on this philosophy, writer Chinmay Kelkar and director Satish Rajwade thought of making this new Marathi film ‘Premachi Goshta’. The rising cases of divorce among young middle class Maharashtrian people are on the rise and hence this subject is timely, to make a film.
The story of the film is about two strangers Ram Subramanyam ( Atul Kuklkarni), and Sonal ( Sagarika Ghatge), who happen to meet in a Family court. They start talking to each other after a misunderstanding and later get to know each other . For Ram, it is almost like understanding a woman, after meeting her in the family court.
Ram already has faced a divorce from Ragini( Sulekha Talwalkar) an aspiring model and stage actress, who is more concerned about her career and space. Though Ram is a good husband, Ragini’s over ambitious attitude, results in their divorce. On the other hand, Sonal has two failed marriages and is depressed. She lives with her single friend Meera( Meera Velankar) and desperately searches for a job. When Sonal faces an interview, to assist a script writer in his works, he happens to be Ram. In short, the world is too small for them, to meet once again.
Ram is born to a Maharashtrian mother and a south Indian father, hence Subramayam. But, in the film, he is shown only with his mother ( Rohini Hattangadi), who is more concerned about her son’s future. But, Sonal’s entry into his office, brings lady luck to Ram. Otherwise, believing in stories based on remakes of old hits with little changes here and there; Ram is encouraged by Sonal to write his original stories and it works. Ram also inspires Sonal to contribute something to his story and later gives her a free hand to proceed with the conclusion.
As the characters in their story take the form of A,B,C & D; the actual happenings in their life also take unusual turns, with the return of Ragini and Samit ( Sonal’s ex- husband). This brings a temporary halt to their work on script, with the difference of opinion between Ram and Sonal over conclusion part in the climax. Ram’s close friend Swaraj ( Satish Rajwade) suggests him not to entertain Ragini once again, no matter it was for professional work. Ram’s mother is also not happy with Ram’s professional relations with Ragini, whom she calls a selfish woman.
Director Satish Rajwade has handled this cinematic form of love story with his own creativity. Scenes of Ram and Sonal together in office and Cafe have been shot very well. “Love remains, though relationship ends” is all that he has tried to explain, through this sensible film. After ‘Mumbai-Pune-Mumbai’ this is another good creation from him. Though ‘Mumbai –Pune-Mumbai’ was targeted at youngsters and about making selection of life partners, ‘Premachi Goshta’ goes one step further to show that falling in love with each other is not enough for marriage; but it is understanding each other well, more important for a successful marriage.
In the role of Ram, Atul Kulkarni has played a simple idealistic hero, in search of happy relationship. He has displayed different shades through his performance, while expressing his emotions and conscience. A wonderful actor that he is, Atul has given full justice to his character. Sagarika Ghatge, plays a depressed and agitated woman in the initial stage; but quickly shows happiness through her emotions, while sharing her thoughts with her friend Meera. Sulekha Talwalkar, who has a long experience of playing a career woman in the recent past, has played her part well. Satish Rajwade , Meera Velankar & Ajay Purkar have offered good support, through their performances in equally important characters in this film. It was nice to see Rohini Hattangadi making a comeback into Marathi films, after a long time.
Lyrics of Ashwini Shende are meaningful in the songs played in the background, according to changing situations; on the music of Avinash Vishwajeet. Photography by Suhas Gujarathi is good, while capturing those required emotions of the main characters, in all those important scenes. Presented by Mirah Entertainment Pvt Ltd, ‘Premachi Goshata’ is not a routine love story; but, offers something different, to define love beyond relationship.
Devious ‘Pune52′ is a path breaking Marathi film
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Rating: 2.5
Banner: IME Motion Pictures, Arbhaat Nirmitee Producers: Abhay Gadgil, Shrirang Godbole, Girish Kulkarni, Umesh Kulkarni Director: Nikhil Mahajan Music: Atif Afzal Cinematography: Jeremy Reagen Cast: Girish Kulkarni, Sonali Kulkarni Sr., Saie Tamhankar, Bharti Achrekar, Kiran Karmarkar, Shrikant Yadav, GP Deshpande, Swanand Kirkire Movie Review by: Ulhas Shirke |
Sir Arthur Conan Doyle created his fictional detective in the form of Sherlock Holmes. Now, Australia returned film maker Nikhil Mahajan has dared to create his Amar Apte as private detective in latest Marathi film ‘Pune 52’ in his own style. Moreover, as claimed in the credits, that the film is based on a true story, this film is expected to draw attention.
Set on the backdrop of early 90s, it is the story of a private detective Amar Apte (Girish Kulkarni) from Pune, who operates from his old house, in an adjacent room with a separate entrance. Amar sneaks into the personal lives of others, especially those adulterous wives, as part of his assignment. During one such assignment, he clicks a builder (Kiran Karmarkar)in his private acts ; who sends police to his house to recover the amount from his wife, for interfering into his personal life.
In comes, Neha, who introduces herself as the same Builder’s wife and hires Amar on an assignment. She even pays him advance. However, Amar, who is disturbed by his demanding wife Prachi (Sonali Kulkarni Sr.) gets trapped into Neha’s seductive nature. This has given ample scope to the film maker to show some hot intimate scenes between Amar and Neha. But, for filming these intimate scenes between Girish Kulkarni and Sai Tamhankar , the film has received ‘A’ certification. Obviously, this has invited the attention of Marathi audience; since not many youngsters below 18, are otherwise keen on watching Marathi films. Not a bad idea!
The pre- interval session of the film is bit slow, as the plot of the film doesn’t become clear till interval. It is only in post –interval stage , the film generates interest among the audience. It is a sincere effort by the director to incorporate twists and turns; which only the true film lovers are able to understand. Other wise, watching this film in a theatre, would also invite lewd remarks from a section of audience, on certain scenes; as witnessed by this critic in Movie Time- Hub, on the first day. The film is technically well made, with perfect sound effects & suitable background music by Atif Afzal. Wonderful cinematography by Jeremy Reagen from New Zealand, makes this film more appealing. Watch some of the scenes shot in dark and those in close up. It’s a remarkable work.
Girish Kulkarni finds a totally different kind of role through this film and he has given justice to his charater. Sonali Kulkarni finds a suitable role of his wife, who has cleverly shown quick change of behaviour in her character, as per the requirement of the script. Sai Tamhankar is at her best. She perfectly fits into the role of Neha. It was nice to see Kiran Karmarkar playing that intricate character of a builder, with ease. Bharati Achrekar plays a convincing mother in law of Amar Apte. Though there is a mention about Amar’s father-in-law, his appearance has been cleverly avoided.
To say something about the complex screenplay, few sluggish scenes should have been edited to make the film more interesting in the first part of the film. Otherwise, the film has turned out to be a devious path breaking film in Marathi. The English sub titles are expected to turn in favour of the film.
‘Ajinkya’ defines new meaning of success
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Rating: na
Banner: SK Production Films & Sandesh films International. Producer:Sandeep Kelwani Director:Tejas Deoskar Music:Susmit Limaye Camera:Abhijit Abde Cast: Sandeep Kulkarni, kadambari kadam, Sarika Nilatkar Movie Review by: Ulhas Shirke |
Champions are not made by a Coach. The actual duty of a good Coach is to make a player capable of playing the game to its perfection giving 100% through his performance. The rest is up to the player or a team to use their own skills at any given situation. New Marathi film ‘Ajinkya’ produced by Sandeep Kelwani and director Tejas Deoskar, both Basketball players from Nagpur, is based on the life of a basketball Coach.
The film tries to peep into the life of a couple Anant ( Sandeep Kulkarni) and Saee ( kadambari kadam) who are in their eighth year of married life. While Sandeep, besides working in the office, is also a basketball coach; Saee is an executive in a multinational company. Both love each other, but Sandeep’s passion for the game and his keeping away from home after office hours, disturbs Saee, who feels lonely. One day, the argument hots up and Sandeep declares his involvement, due to which his team wins. “In case his team loses any game, he would quit coaching,” he declares. The team loses and Anant being adamant, decides to take a break. He even goes to the extent of taking a transfer from his office to Aurangabad, so as to keep himself away from his wife.
Sandeep Kulkari, Kadambari KadamAt the new place Aurangabad, Sandeep is unable to sit quiet during the evening hours. One day, when his former basketball colleague Bhavna( Sarika Nilatkar) from Nagpur, visits him in Aurangabad, she expresses pity on his condition and makes fun of his act of stupidity. This makes Anant think seriously over his decision. When he notices few children playing football on the deserted basketball court; he approaches them and suggests to play basketball instead. He agrees to coach them.
However, Anant’s training ideas are not easily accepted by the youngsters, as they just prefer playing this game for past time. Realising their personal problems, Sandeep decides to change his approach. When he gets a proposal from a local sports body to send their club’s team for a Competition; he finally agrees to train them but refuses to accompany the team. In the meanwhile, he remains in touch with his wife, by paying a surprise visit.
The team trained by Anant puts up a good performance, much above the expectations of the Coach. When Anant reaches the venue, we see the climax taking place, with Semi finals and final match of his team. This concluding part is not predictable, sending a timely message -‘ It’s not always about winning! to all those into sports field, especially those into coaching. It defines the new meaning of success.
Some of the scenes, related to the problems faced by the players, have been shot well by director Tejas Deoskar, including the passion for the game witnessed in Anant’s behaviour. But, he has shown the Coach as a ring master all the time. It would have been better, if he had shown him actually in some action scenes. Sandeep would have certainly obliged. One can understand about Anant’s colleague Bhavna( Sarika Nilatkar), who is shown returning back to training, few years after marriage. But, to show the lead man in action was possible. The film does not deviate from its theme from start to finish. The director has not made use of humour much through screenplay and dialogues, though there was scope for the same.
Nevertheless, looking at the sincerity in presenting this story and efforts taken to promote the game of basketball, besides delivering a message for sports lovers, ‘Ajinkya’has turned out to be a well made film. It’s almost a ‘one man show’ by actor Sandeep Kulkarni, who seemed to be totally involved into his character. The intensity with which he gets involved into his character, is to be highly appreciated. Kadambari kadam has played her part well, through perfect body language in the role of Saee, where she voices the concern of all such women facing similar situation. Sarika Nilatkar has limited scope; but it was nice to see her, after a long break. The youngsters have played their parts well. Susmit Limaye’s music is just apt for different situations. But, Abhijit Abde’s photography is good. He has shot the match sequences on huge indoor court, very well.
‘Aamhi Chmakte Taare’ – shows the way to shine in darkness
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Rating: ★★ ½
Banner: Sainath Chitra Pictures. Producer:Deepak S Choudhary, Prakash A. Jadhav Director:Prakash jadhav Music:Shreerang Aras Camera:Unmesh Kabare Cast: Bharat Jadhav, Prasad Oak, Nisha Parulekar, Reema Lagoo, Mr. Sachin Pilgaonkar, Manasi Magikar, Anand Abhyankar, Sneha Raikar, Nirmala Kotnis, Sanjay Desai, Satish Pulekar, Yogesh Mahajan and child artiste Indrajeet More. Movie Review by: Ulhas Shirke |
The best way to defeat darkness is to display the brighter side of yourself. Latest released Marathi film ‘Aamhi Chamakte Taare’ deals with one such social issue, which is so relevant today, to create awareness in the society. The film revolves around a 4th standard student Sachin( Indrajeet More) , who is adopted by a well to do couple- Sameer and Sonali ( Prasad Oak & Nisha Parulekar).It so happens that five years after their marriage, the happily married couple come to know that Sonali cannot give birth to a child. So, on the advice of a family friend and neighbor, Dr. Vinay( Yogesh Mahajan) who is a Gynecologist, they adopt a few months old child; whose parents have passed away. When this bright boy Sachin, while studying in 4th standard in a good school from Mumbai, faints on two occasions; he is tested +ve for HIV during investigations. The parents hide this reality from the boy and his old grandparents.
The trouble begins when during the annual medical camp in his school, the parents are called by the school principal( Reema Lagoo) to inform the parents, who are already aware of the ailment of Sachin. Though the principal, the class teacher and the School Peon – Ganpat mama are sympathetic towards the child and prefer to remain silent on this issue; the news leaks through other teaching staff. The parents of other children then object to Sachin’s presence in school.
The little child, who is looking for friends, is then admitted to a special school for such children, where he finds real happiness. Through this school, he takes part in the Inter School Music competition hosted by his previous school; where he wins the hearts of all his old friends, including the Judge of the competition Mr. Sachin Pilgaonkar Mr. Sachin Pilgaonkar. The film’s story which is originally written by Anant Sutar has been expanded by Deepak S Chaudhary on the direction of Editing specialist Prakash Jadhav.
The well presented screenplay of this film, goes on to convey a timely message to the society, to change their outlook towards such HIV affected children. Meaningful lyrics, supported by good music from Shrirang Aras, makes this film musical, besides its thought provoking subject. Child artist Indrajeet More, who plays the role of little Sachin, has played his role remarkably well. Prasad Oak and Nisha Parulekar play perfect understanding parents. Both of them have expressed their emotions clearly, through their spontaneous expressions, with every scene they have faced.
The film is a tribute to Anand Abhyankar, who passed away recently, in an unfortunate car accident. In the role of a concerned and caring grandfather, he has clearly displayed that the Marathi film industry has lost a talented actor. In fact, the very first scene of the film, opens with him. Manasi Magikar supports well as his wife. In the role of Principal, Reema Lagoo does well, while Sneha Raikar, the popular kind hearted Mother and Mother in law of Marathi small screen, plays the role of an encouraging class teacher with ease. In the character of Ganpat mama, the school peon, Bharat Jadhav impresses in all those emotion filled scenes. Others in the supporting cast, including a big team of children, have given natural performances.
Director himself being an editor, the film’s climax has been restricted to minimum time to avoid this otherwise time consuming competition. He has rather focused his attention more on the main subject. The only drawback is one song picturised on the family doctor- friend and his wife in the beginning of the film, which looks inappropriate. Otherwise, the film has succeeded in educating the masses through its sensible subject.
‘Vijay Aso’ shows the way to eliminate Bad Politicians
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Rating: na
Banner: Artha Motion Pictures, Nirmit Nirmitee Producer:Chandresh Bhanushali, Shashank Kotiyan, M. K. Sundaram, Gurunath Mithbavkar Director: Rahul Jadhav. Music:Debutant Amitraj Cinematography:Rahul Jadhav Cast: Chinmay Mandlekar, Namrata Gaikwad, Ganesh Yadav, Amita Khopkar, Kedar Shinde, Janardan Parab, Priyadarshan Jadhav, Rohan Gujar, Mangesh Kawade, Vishnu Kokane. Movie Review by: Ulhas Shirke |
Many Marathi films have shown in the past, how the shrewd politicians exploit their loyal party workers and when time comes, they expect them to sacrifice even their lives for themselves. In the past, film like ‘Zenda’ showed such characters. Through many Bollywood films, we have seen the politicians finishing off their own loyal workers, after they achieve what they desired for.
New Marathi film ‘Vijay Aso’ shows the loyalty of one such young loyalist party worker Shankar Gawade (Chinmay Mandlekar), who with the help of his supporters is ready to even sacrifice his life for his Boss- the Forest Minister of Maharashtra – Mr. Prakashdada Jadhav (Murali Sharma). Prakashdada is into all illegal trade and is also involved in a scam. The media is exposing him from time to time; but Prakashdada manages to cover up the issues using his influence in ruling party.
When TV Journalist Shrikant Pathak (Ganesh Yadav) exposes Prakashdada, through a sting operation carried out on his Forest department secretary, Shankar dares to slap Shrikant in his office after damaging his office furniture, with the help of his team. In fact, Shankar plays an agent to supply people for different public rallies organized by Politicians. Journalist Shrikant is well aware of that and he also gets a clue about the dirty game planned by Prakashdada , using Shankar’s people to teach a lesson to his party chief , when he gets the news about his removal from the Ministry.
When Shankar’s people are killed in the police firing; during a rally, as per Prakashdada’s plan, Shankar boils in revenge against Prakashdada. At this moment, Shrikant comes to his rescue and saves Shankar’s life. He educates Shankar and advises him to take his revenge in a different manner. The climax of the film is not predictable, as Shankar succeeds in his mission in a different way. The film not only shows the way to eliminate bad politicians; but also makes the loyal workers aware of the moves of their leaders. It also highlights the present situation in the state of Maharashtra, which is full of scams and the dirty games played by politicians to retain their Ministry.
Script of the film is nothing new; but it sends a strong message to the unemployed youngsters; especially the young party workers, who are used by the Politicians. It also shows how a shrewd politician eliminates his own blood relation, when it comes to gaining sympathy to retain his position. Screenplay by Chinmay Mandlekar & Vivek gore is filled with action packed scenes, besides few emotion filled sequences.
In the role of Shankar Gawde, Chinmay Mandlekar perfectly fits into that character, which is developed by himself, through the script. He is the new angry young man of Marathi films, walking on the footsteps of Nana Patekar. Watch him taking the revenge in the climax and you will start believing his ability. Murali Sharma poses a challenge to all those villains in Marathi film industry. After his appearance in ‘Ajintha’ and ‘ Hello Jai Hind!’, he seems to have worked very hard on his diction in marathi. He plays a cunning politician in his own style to impress one and all. Don’t be surprised, if he is nominated as an actor in negative role in forthcoming popular awards.
Namrata Gaikwad has limited scope; but she has played her part well, especially in emotion filled sequences. Ganesh Yadav in the role of a TV journalist does a fine job. Among the supporting cast, Veteran Janardan Parab, versatile Amita Khopkar, Kedar Shinde and other young artistes have played their parts very well. Debutant Amitraj has offered good music on meaningful lyrics by team of Guru Thakur, Sachin Darekar, Rupesh and Ashish. Imran and Faisal Mahadik have done a skillful editing work. Last but not the least, Cinematographer and director Rahul Jadhav in his dual role, has used his creativity in presenting some of the sequences, creating the desired impact. Though this film is based on same old Political theme, the presentation part is good.
Shyamche Vadil- stands up for suffering fathers
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Rating: na
Banner: 459 Entertainment Producer: Ajay Pathak Director: R. Viraj Music: Soham, Aditya and Nikhil Cinematography: Sandy Cast: Mohan Agashe, Tushar Dalvi, Vinay Apte, Sulekha Talwalkar, Rima Lagoo, Vidyadhar Joshi, Chinmay Udgirkar, Smita Talwalkar and Shekhar Navre. Movie Review by: Ulhas Shirke |
Gone are the days, when housewives used to wait for their husbands to return home, to serve them dinner and then eat their food in the kitchen. Today, women are working shoulder to shoulder with men. At home front, we find both husband and wife working and returning home late hours in the evening, depriving time for their children.
The cases of wife working and husband sitting at home jobless and taking care of the children are not unheard. In such cases, generally we find clashes at home between husband and wife over money matters, which finally results into divorce.
However, the latest film ‘Shyamche Vadil- Ek Nave Parva’ produced by Ajay Pathak and directed by R. Viraj, present one couple, where the husband –Madhav( Tushar Dalvi) becomes jobless, soon after marriage; as he suffers in his business, due to cancellation of huge export order. Luckily for him, his wife( Sulekha Talwalkar) gets a job in a multinational bank. The selfish wife however warns her husband to earn for their living so as to buy day to day grocery and pay electricity bill. She however takes care of her child and spends towards his education.
The wife doesn’t leave a single opportunity to humiliate her husband in front of her son. This keeps on going till the son Shyam attains 22 years of age and turns a Rock Singer. The humiliation of his father forces Shyam to approach his lawyer aunty ( Reema Lagoo) to secure divorce for his father. But, he comes to know the hurdle of section 498(B), as he is well aware that his father would not like to wash the dirty linen in Public. So, he takes help of social networking site and opens a page in the name of ‘Suffering fathers’ and gathers good support from hundreds of young children who show willingness to support him in the appeal.
What transpires has been clearly suggested in the surprise climax of this film. The film has attempted a new theme to go with the changing time. Very cleverly the director has used the sufferings of the son coming out through his emotions in the songs delivered by him. Instead of turning to bad habits, the youngster opts for music to relieve his stress, is the best example he has placed before such youths sailing in the same boat.
Some of the scenes in the film, like the wife driving away her husband and son from home during late evening hours and the wife raising her hand on her husband look unrealistic. However, the request for amending the section 498(b), to secure hassle free divorce, seems a good suggestion coming through this film. The sincere effort of the film maker to present this thought provoking theme combined with Rock music as its base, is to be appreciated. It has therefore become an universal appeal. The music by the trio comprising of Soham, Aditya and Nikhil is impressive.
Looking at the performances, Tushar Dalvi plays an ideal and patient husband who sacrifices his life for proper upbringing of his son. Sulekha Talwalkar fits into the character of a shrewd and self centred mother. Both have played their roles according to the demand of the script. Chinmay Udgirkar who makes his film debut through this film, gives a satisfying performance. In the supporting roles Reema Lagoo, Dr. Mohan Agashe, Vinay Apte, Vidydhar Joshi have offered good support while Smita Talwalkar and Shekhar Navare appear in two scenes in guest appearance. The Music director trio have themselves played the friends of Shyam, which was a good thinking.
To describe the film in short, ‘Shyamche Vadil’ stands up for suffering fathers in the society and also sends a strong message to the Judiciary to rethink over seeking amendment to a particular section, which would prevent the aggrieved couples from washing the dirty linen in Public.
‘Mokala Shwaas’ – A path breaking film
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Rating: na
Banner: Manasi Movies Producer: Bhausahe Bhoer, Rajesh Kumar Sakala Director: Kanchan Adhikari Music: Milind Ingale Cammera: Shekhar Anna Ayar Cast: Sharad Pokshe, Prateeksha Lonkar, Mohan Joshi, Sushant Shelar, Mrunmayee Deshpande, Neha Gadre, Aishwarya Tupe, Joti Subhash. Movie Review by: Ulhas Shirke |
Foetal sex determination and sex selective abortion by some medical professionals is a major social problem in India. Time has changed, but still in our country a section of the society don’t prefer a girl child in the family. Social discrimination against women and a preference for sons have been promoted by such people, who unfortunately belong to middle class and upper middle class in India. The state of Maharashtra is nowhere behind, when it comes to such social discrimination. The recent TV programme ‘Satyamev Jayate’ presented by Aamir Khan, brought to light such inhuman issues.
Now, film maker Kanchan Adhikari has thrown light on this sensitive issue which goes beyond to also highlight sexual harassment to women. Based on Anuradha Vaidya’s novel ‘Chaufula’, the dynamic director ,who had given us a sensible film ‘Manini’ in the past; this time becomes more serious to expose the attitude of some families towards girl child.
The film revolves around the head of the family Eknath Jagtap( Sharad Ponkshe) , who has three grown up daughters- Kusum ( Mrunmayee Deshpande), Anju (Neha Gadre) and the youngest, who is just into her teens ( Aishwarya Tupe). He is an experienced salesman in a reputed Saree shop and is very much desperate to have a son. His wife ( Pratiksha Lonkar) has already undergone the act of aborting a fetus after her husband comes to know that about her giving birth to another female child. All the three girls receive ill treatment from their adamant father. The eldest daughter Kusum, who is studying in the final year of college, tries to stabilize the tension arising out of her father’s erratic behaviour, but Anju who is smarter among the three, turns a protagonist and dares to openly question her father.
It is Anju, who dares to complain against her father in the initial part of the film and plays the narrator throughout the film, till the climax, which finally turns into happy ending. The film does have some hard hitting dialogues to send across a strong message to the society. But, some of the scenes like reading long letters have consumed more time than required. However, the sincerity of the film maker in presenting the attitudes of different characters is to be appreciated. An arrogant father, a selfish Grandmother, a helpless housewife and three daughters with different nature, yet loving each other; have been well presented.
Sharad Ponkshe is at his best, in that role of a cruel father. Pratiksha finds a role, which literally tests her own patience, till she reacts in the final scene. She has done a good job. Jyoti Subhash perfectly fits into the character of an orthodox old woman. Among the girls, both Mrunmayee and Neha are at their best, with wonderful performances. Neha in particular finds an opportunity to play a real angry young girl, who shows her guts to leave the house, to be an independent girl. Aishwarya has less scope in this film; but she has played her part very well. The director does go on to show the casting couch mentality in media, when an ad and film maker ( Chinmay Mandlekar) promotes Anju in the glamour world. Sushant Shelar in that limited role of a college professor looks natural.Mohan Joshi is just namesake in this film.
Music does not have much scope in this film, but Vaishali Samant’s two songs in the background penned by Saumitra on the music of Milind Ingale are thought provoking.
‘Mokala Shwaas’ is certainly not an entertaining film, but a path breaking film, with a message. Watch this film to witness the wonderful performances of all the artistes. Almost sure to be nominated for awards, in different categories.
Dance based ‘Aayna Ka Bayana’ is a Dream seller
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Rating: na
Banner: LFS Media & Entertainment Pvt. Ltd., Im Shanti Universal Producer: Akshara Film Division Director: Sameet Kakkad Music: Ajit Sameer Choreography: Umesh Jadhav Cast: Sachin Khedekar, Amruta Khanvilkar, Rakesh Bapat, Ganesh Yadav, Siddhesh Pai, Sanket Farad, Praveen Nair, Rahul Kulkarni, Dinesh Kamble, Amit Rokade Movie Review by: Ulhas Shirke |
Dance and Music based reality shows on small screen have created an opportunity for many talented youngsters including kids. Watching the popularity of such dance based reality shows, film maker Sameet kakkad has this time offered a dream seller in the form of ‘Aayna Ka Bayana’ a rock Music based Marathi film. The film targets all those young dance lovers, who have dream in their eyes to turn pop star one day. No wonder, the film is a tribute to Pop star Michael Jackson, who has been clearly mentioned, besides playing his dance video in one of the most important scenes in this film.
Aayna Ka Bayna, Dance‘Aaynaa Ka Bayana’ with a tagline ‘Ghetlyashivay Jayana’ clearly speaks about the struggle of 9 young boys from a remand home, who show keen interest in dance, when their Counselor cum dance teacher( Amruta Khanvilkar) turns them into experts in all forms of western dances. But, the warden of the Remand home Mr. Sathe( Sachin Khedekar) is very much opposed to such a practice inside his campus. For him, all inmates are criminals and not entitled for such liberties. But, Amruta who plays a protagonist in this film, dares to challenge the warden, who is a former Police Officer.
With the help of her choreographer friend ( Rakesh Vashishta) she offers these boys a platform, after they escape from the remand home, experiencing mayhem at that place. But, their participation at the competition is full of hurdles, as the warden with the help of police is after their arrest. In the meanwhile, the audience is shown the past life of few boys in the group, to give an idea under what circumstances they had committed a crime and landed at the remand home. ‘If there’s a will, there’s a way’. And, the group of these young dancers, finally succeed in achieving their goals, with happy ending.
The film does have a story to narrate, besides offering western style music composed by Ajit Sameer, to suit the theme of the film. But, the story part is not much, as the director is clever enough to narrate the scenes of few youngsters in quick flashbacks, focusing his attention more on dance and music. In the initial stages, he has picturised the dance based songs at different famous locations of Mumbai, on the choreography of Umesh Jadhav. But, it is the superb cinematography of Sanjay Jadhav, which make all such moments more appealing. The dances in the concluding part, including the climax have been over stretched in a typical melodramatic style; in this nearing 100 minute long film.
The nine boys with extra ordinary dance skills, who have been picked up on the basis of their performance in TV reality shows, have also acted well, besides displaying their dance skills. Sachin Khedekar is impressive in the role of a warden. He has also given a surprise through a song picturised on him displaying his flexibility through few dance steps. It was nice to see veteran actress Sulbha Arya, in a small role of a mother of one of the inmates from the remand home. Others in the supporting cast have done their jobs well. But, it is Amruta khanvilkar, who puts up an astounding emotion filled performance in the role of Dance teacher cum counselor. Her concern for the society is clearly noticed through her body language and spontaneous expressions. Santosh Juvekar makes a special appearance as a show anchor, in the concluding part of the film, in his own style.
Director Sameet Kakkad has paid more attention on western dance and music; but, has also passed a social message, through few emotion filled scenes and hard hitting dialogues at appropriate places in the film. Though targeted at youngsters, the film does pass a social message.
‘Night School’ has a message for Government
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Rating: na
Banner: Vanmali Films Producer: Nitin Mavani Director: Mansingh Pawar Music: Vabhru BHosale Cast: Sandeep Kulkarni, Prasad Pandit, Deepa Chaphekar, Shrikant Yadav Movie Review by: Ulhas Shirke |
At a time when Municipal authorities in Mumbai are in the process of closing down Marathi schools for want of attendance and unable to maintain the premises; here comes a film with a timely message to the Government. The new Marathi film ‘Night School’ produced by Nitin Mawani and directed by Mansingh Pawar makes the administration realize the importance of education to the labour and poor class, who are unable to attend day classes. The film stresses the importance about survival of one such night school in Mumbai, which needs Government support and which is the target of builders to acquire the land occupied by school for redevelopment project.
45 years ago there was an English film ‘To Sir, With Love’ by E. R. Braithwaite, starring Sidney Poitier which dealt with social and racial issues in an inner city school. In that film, the teacher takes up the challenge to educate the notorious and elderly students from one secondary school. Now, writer director Mansingh Pawar has taken up a similar type of social issue in his new Marathi film ‘Night School’ which is so relevant to Indian context, where education plays an important role in uplifting the society.
In India, so many youngsters are required to leave their school mid way, due to poor financial conditions. They work during daytime as Courier boys or labourers in Hotels, shops and restaurants; but, there is a desire within them to take education side by side. Inspired by the two former chief ministers of Maharashtra, who attended Night school and reached to this position; the director has taken up this issue of one of the Night Schools in Mumbai. There is a mention about this reality in one of the dialogues uttered by an important character in the film. Shivaji Night School shown in the film located in the populated area of Mumbai, is on the verge of closure. Appasaheb (played by Prasad Pandit) whose father started this 60 year old institution, is managing this school with great difficulty.
During a ceremony to honour best teachers in the city; Appasaheb challenges Mr. Deshpande (Sandeep Kulkarni) who has bagged best teacher’s award for getting 100% results of his 10th std batch. “If you really have to prove your capability as a teacher show 100% results of a school which has working and poor class students?” he questions. Mr. Deshpande does accept Appasaheb’s challenge and joins his Shivaji Night School.
After joining the school, Mr. Deshpande prepares his action plan and ensures 100% attendance in school. He himself approaches families of many students and understands individual problems of each one of them. He also offers shelter to one of the poor students in his own house. Mr. Deshpande’s strategies works wonders, in spite of facing hurdles. He encourages sports and picnics. Finally, it is happy ending with Shivaji Night School scoring 100% results with a topper in Maths in Board Exam from his school.
Director Mansingh Pawar has presented the subject very well, with total sincerity, without adding unnecessary glamour into the screenplay. There are only two songs in the film on the music of Babhu Bhosale, that too before interval. The post interval session has been focused on the struggle for survival of the school. In fact 25 out of the 40 students from this film are real life Night School students, making an impact about the actual situation. However, the scene showing the serious ailment of one of the bright students from the school, has been dragged a little longer, with repeated shots of his vomiting and writing exam paper in ambulance.
Otherwise, the sequences like Mr. Deshpande offering shelter to a deserving student, his subsequent interaction with his wife, his strategies to bring students together and his efforts of creating awareness about importance of education to the family members of the students; and above all the students raising the money to pay electricity bill of the school, have been picturised well.
Sandeep Kulkarni is at his best in the role of Deshpande teacher, showing total commitment to his character. He seemed to be totally involved into this challenging role, offered to him. Deepa Chaphekar, who plays his wife doesn’t have much scope; but she does her job well. In the role of Appasaheb, veteran actor Prasad Pandit is a perfect choice. Shrikant Yadav is impressive in the role of a notorious bar owner, who later reforms, watching the struggle of the students. All others in the supporting cast have done a good job. The film is a timely message to the Government.