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Premachi Goshta (‘प्रेमाची गोष्ट’ )
Studio/presenter: Mirah Entertainment Pvt. Ltd, Citrus Check Inns
Release Year: 2013
Genres: Drama
Rating: na
Censor: U/A
Duration: 120 mins
Producer: Ihita enterprises
Exe-Producer: Umesh Shinde, Bharat Chaturvedi, Amit Bhanushali
Director: Satish Rajwade
Writer: Satish Rajwade
ScreenPlay: Chinmay Kelkar
Dialogues: Chinmay Kelkar
Release Year: 2013
Genres: Drama
Rating: na
Censor: U/A
Duration: 120 mins
Producer: Ihita enterprises
Exe-Producer: Umesh Shinde, Bharat Chaturvedi, Amit Bhanushali
Director: Satish Rajwade
Writer: Satish Rajwade
ScreenPlay: Chinmay Kelkar
Dialogues: Chinmay Kelkar
Cast & Crew
Producer: Ihita enterprises
Exe-Producer: Umesh Shinde, Bharat Chaturvedi, Amit Bhanushali
Director: Satish Rajwade
Writer: Satish Rajwade
ScreenPlay: Chinmay Kelkar
Dialogues: Chinmay Kelkar
Assit. Director: Prathamesh Joshi
Lyrics: Ashwini Shende
Music: Avinash, Vishwajeet
Singers: Swapnil Bandodkar, Hrishikesh Ranade, Vishwajeet Joshi, Bela Shende, Shikha Jain, Kailash Kher, Aashish Sharma (Olya Sanjveli)
Cinematography: Suhas Gujrathi
Assit. Cinematography: C.T. Mehta.
Art: Ajit Dandekar.
Choreographer: Richard Burton
Make Up: Santosh Gayke.
Costumes: Pallavi Rajwade.
Background Score: Avinash-Vishwajeet
Sound Design: Sandeep Raul.
Sound: Ravi Mehata.
Publicity Designs: Sachit Suresh Gurav.
Editor: Rajesh Rao
Cast: Atul Kulkarni, Surekha Talwalkar, Sagarika Ghatage, Satish Rajwade, Rohini Hattangadi, Mira Velankar and Rani Gunaji (Guest Appearance)
Lab: Reliance Media Works Limited
Exe-Producer: Umesh Shinde, Bharat Chaturvedi, Amit Bhanushali
Director: Satish Rajwade
Writer: Satish Rajwade
ScreenPlay: Chinmay Kelkar
Dialogues: Chinmay Kelkar
Assit. Director: Prathamesh Joshi
Lyrics: Ashwini Shende
Music: Avinash, Vishwajeet
Singers: Swapnil Bandodkar, Hrishikesh Ranade, Vishwajeet Joshi, Bela Shende, Shikha Jain, Kailash Kher, Aashish Sharma (Olya Sanjveli)
Cinematography: Suhas Gujrathi
Assit. Cinematography: C.T. Mehta.
Art: Ajit Dandekar.
Choreographer: Richard Burton
Make Up: Santosh Gayke.
Costumes: Pallavi Rajwade.
Background Score: Avinash-Vishwajeet
Sound Design: Sandeep Raul.
Sound: Ravi Mehata.
Publicity Designs: Sachit Suresh Gurav.
Editor: Rajesh Rao
Cast: Atul Kulkarni, Surekha Talwalkar, Sagarika Ghatage, Satish Rajwade, Rohini Hattangadi, Mira Velankar and Rani Gunaji (Guest Appearance)
Lab: Reliance Media Works Limited
Synopsis
Life is uncertain isn’t it…? Sonal has decided never ever to get married again…
Ram loves his wife like crazy and would never want to be called a divorcee. He is willing to wait for her forever…
Sonal hates men and expresses her true feelings about the institution of marriage. She calls it a false institution…
Ram says differences can be solved within four walls…
Sonal says you can either be happy or married there is no such term as happily married…she has decided to be happy.
Ram says life is too long to live alone; you need to hold somebody’s hand to walk in the sunset of life…
Sonal is hurt by past experiences…and Ram is too determined to win his lost love…
Two strangers…Two opinions…
Ram loves his wife like crazy and would never want to be called a divorcee. He is willing to wait for her forever…
Sonal hates men and expresses her true feelings about the institution of marriage. She calls it a false institution…
Ram says differences can be solved within four walls…
Sonal says you can either be happy or married there is no such term as happily married…she has decided to be happy.
Ram says life is too long to live alone; you need to hold somebody’s hand to walk in the sunset of life…
Sonal is hurt by past experiences…and Ram is too determined to win his lost love…
Two strangers…Two opinions…
Videos
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News / Article / Interviews
There are very few actors today, who have successfully managed their Hindi as well as Marathi film careers simultaneously. And, we all are eager to know how Atul has succeeded in doing this perfect balancing act? And, this is what the prolific actor has to say, “Film scripts are more important for me than the language..
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