‘Kshanbhar Vishranti ’- A friendly romantic film!
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Rating: na
Presenter: Shree Autographs Films Producers: Sandeep Shinde, Maulik Bhat Story & Director: Sachit Patil Camera: Sanjay Jadhav Lyrics: Guru Thakur Music: Hrishikesh Kamerkar Cast: Bharat Jadhav, Sachit Patil, Siddharth Jadhav, Sonalee, Maanava Naik, Pooja Sawant, Kadambari Kadam… Movie Review by: Sandeep Hattangadi |
Sachit Patil’s ‘Kshanbhar Vishranti’ is a Marathi version of Farhan Akhtar’s classic ‘Dil Chahta Hai’ based on friends, with the setting changed from Goa to Alibag. Ritwik (Sachit Patil) returns from US due to a job loss, in wake of recession in the IT sector. He reunites his old friends Vishnu (Siddharth Jadhav), Avya and Ravya together for a trip to Alibag, where he owns a bungalow which is on the verge of sell.
The film then takes a cue from Shakti Samanta classic ‘Kashmir Ki Kali’ plot, where the caretaker Appa (Bharat Jadhav) has turned this bungalow into a hotel for tourists.
Appa is very apologetic to Ritwik and Ritwik is kind enough to forgive him. However, Appa is disheartened to know that the bungalow is being sold to a businessman rich enough to turn into a swanky joint. There is a sub-plot of romance between the four friends who woo the bungalows inmates, Neha (Maanava Naik-Appa’s niece), a micro-biology student turned singer (Sonalee ), a fashion designer (Pooja Sawant), and an MBBS student (Kadambari Kadam).
Soon, you find them sing tuneful songs on the beautiful beaches and other scenic locations shot beautifully with dazzlingly lit frames by cinematographer Sanjay Jadhav.
There is a lot of comic ad-libbing between the friends and their girlfriends and they finally decide to get hitched. But the bungalow situation is finally solved on Appa’s plea to Ritwik, who decides to run the hotel himself with Vishnu and Appa as his partners and turns down the offer of the buyer.
The film is incredibly beautiful at first look at and all the actors especially the girls woo the camera in style with camera friendly looks. Siddharth Jadhav is the pick of the actors providing the much required laughter. Sachit Patil looks handsome and is as good a director besides being an actor. Among the girls Maanava Naik and Sonalee Kulkarni are good. Bharat Jadhav is reliable as ever. Shubhangi Gokhale, Jayraj Nayar ,lend good support. The debutant actors have tried hard to impress.
Late Amit Pawar deserves a special mention for his snip-snap editing. The lyrics by Guru Thakur have been composed well on the music of Hrishikesh Kamerkar, especially the ‘Holiday’ and ‘Bavraa’ songs. Rajesh Bidve’s choreography also deserves a special mention as he has utilized the natural beauty of Alibag and Revdanda very well.
In all, this ‘Autograph Films’ presentation produced by Sandeep Shinde and Maulik Bhat is certainly worth a dekko!
‘SADE MAADE TEEN’ REVIEW
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Rating: na
Presenter: Zee Talkies Producers: Anubhuti Art Director: Ankush Chaudhari – Sachit Patil Music: Ajit Parabh – Hrishikesh Kamerkar Cast: Ashok Saraf, Makarand Anaspure, Bharat Jadhav, Siddharth Jadhav, Amruta Khanvilkar, Sujata Joshi… Movie Review by: Nayana |
What do u get when you put together 3 brilliant marathi actors and give a Desi Tadka of oldie Chalti ka naam gaadi? Simple…! This makes a new massala movie in marathi. A few years back Mahesh Kothare tried such a Tadka in his “Dhumdhadaka’ which was based on ‘Pyar Kiye jaa’, and marathi movie industry rejuvenated. Else marathi film was stucked in a wicked savkar(money lander)/ jamindar(landowner) and sasurvashin/ saas bahu type, so called ‘bechari bahu’ , and overflowing buckets of tears with sobbing women coming out of the cinema halls. It was Mahesh Kothare (Dhumdhadaka) and Sachin Pilgaonkar’s (Navari mile navryala) efforts, which really dragged marathi film out of such stuff.
When one started speaking about marathi films 2types of reflex actions suddenly blown on – one is with twisting faces ‘We don’t like to watch marathi films’, and another one with a deep sigh ‘Gone those golden days of marathi films’!!
History repeated and aapale Sachit Patil and Ankush Chaudhary along with Zee talkies and Anubhuti Arts entered in film production with ‘Saade Maade Teen’. Na!! It’s not a remake or replica, but it’s a metamorphosis of the same theme bloomed in the marathi mati. Ofcourse, inspired from ‘Chalti ka nam Gadi’ one of Kishor Kumar’s debut film, the film is a rib-tickling comedy set against the backdrop of Garage, filled with ‘Ek ladki bhigi…’ type ‘barasat’ ka gana or may be ‘panch rupaiyya’ type, leading to hilarious situations!
While this film promises to be potential blockbuster this year, it also makes the launch of Zee Talkies brand.
The story is of 3 brothers- the family head ‘Dada’ (Ashok Saraf) and his 2 brothers Madan (Makarand Anaspure) and Chandan (Bharat Jadhav), running their Kurale garage. The younger duo never dares to go against dada’s wish. Dada is a character who hates female because of his first crush. A gal (Sukanya Kulkarni) betrayed him after a marriage proposal.
Obviously, when 2 gals enters in the life of the younger ones, the chaos evoked, and both caught in dilemma of the threat of Dada and emotional attachments. Here enters the Villain to create obstacle between the life of our dupe Chandan, and opulent Madhura. Now guess who help this couple? So after removing all the barricades, the smashing end of the film…
Sachit and Ankush played a safe game. Well, half battle was already won by casting these trios, and afterwards director didn’t allow Makarand and Bharat to rove from the basic storyline. Even they haven’t added their famous accent shown in other films and used them tactfully as never seen before.
A little but most important thing, if they could use the Ashok saraf’s caliber more effectively, as the role offered to him is less challengeable as compare to his capacity, the film would be definitely full 2 dhamal!!!
Else nothing to say about their fantastic tuning, understanding, and coordination. Instead our wise audience won’t accept such a dupe characters. Needless to say Minor mistake like winning applause by repeating same dialogue excusable!!
Dialogues by Sanjay Mone satisfy you. Well, its not a burst of laughter in fact the film doesn’t need it, but more sharp dialogues would keep the film at great height surely.
The directors have taken some kind of support of farcical comedy. The climax fighting comes in the form of farce. Of course no one expects smashing de danadan fighting as it is not an action film, but still…..missing something in this shot only. Otherwise the film takes you from smiling to chuckling and then giggling. Overall a fresh comedy!!!