‘Lalbaug Paral’ – Realistic but Vicious
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Rating: na
Presenter: Dar Motion Pictures Producer: Arun Rangachari Director: Mahesh Manjrekar Screenplay: Jayant Pawar, Mahesh Manjrekar Music: Ajit – Sameer Cast: Satish Kaushik, Siddharth Jadhav, Ankush Choudhary, Veena jamkar, VIneet Kumar, sameer Dharmadhikari, Sachin Khedekar, Kashmera Shah, Ganesh Yadav, Karan Patel, Shashank Shende, Seema Biswas Movie Review by: Ulhas Shirke |
One man’s nightmare is another man’s dream. The closure of Mills in Mumbai was a nightmare to lakhs of workers, but it turned out to be a dream for the owners, who sold their land making crores of rupees out of it in such deals. It was a big game played by Mill owners those days, with the support of government. Not much of attention was paid by the media , which only blamed the adamant Union leader for holding on to his demands.
28 years after this tragic happening in the lives of those lower middle class families, today a film maker dares to describe the inside story and aftermath. ‘Lalbaug Parel (Zhali Mumbai Sonyachi) directed by Mahesh Manjrekar projects various characters, based on the original script of Jayant Pawar, which highlights the consequences of this social issue, totally ignored by the Government. No wonder, after release of this film, the government has started taking steps towards rehabilitation of the mill workers and their families.
The film begins with a scene where a real life script writer (Ankush Chowdhury) showing his old house to his girlfriend from the terrace top of a multi story tower and narrating the tragic story of his family in the flashback. The audience is then taken back to 1982, to show how the shrewd Mill owners with the support of Government played their cruel game to exploit the poor mill workers. Mahesh Manjrekar as a film maker goes into all required details to highlight the after effects of the strike. He has skillfully shown the Politician- Mill worker nexus for the closure of mills; but has failed to define the role of the adamant Union leader, who was equally responsible for this indefinite strike.
The director has paid more attention on the spread of underworld network with the young children of these jobless Mill workers turning towards crime. He has also focused on the simple lifestyle of these Lower middle class people living in chawls those days. As a director, he has done a commendable job to place before the audience the reality, capturing many emotion filled scenes. However, in the process he has shown too much of bloodshed on the screen. At the end of the film, the character of Speed breaker who turns a sharp shooter moves scot- free (in the present time) after killing his own friend in front of his family members at a public place and then shooting point blank the son-in-law of the mill owner along with his security guards, in his plush office.
Looking at the performances of the artistes, Seema Biswas plays the role of Mother with simplicity, paying more attention on her body language. Shashank Shende as Mill worker –father, is a perfect choice. Both Sachin Khedkar and Vinay Apte as Union leaders do well ; but surprisingly the character of the Chief Union leader –Doctor, does not get much of scope, considering the major role played by him in the controversial strike. Satish kaushik as Mama in the neighborhood, borrows the voice of Mahesh Manjrekar for this Marathi version, while Santosh Juvekar dubs his voice for Karan Patel, who plays Naru -the younger son of this mill worker, who later turns a sharp shooter. Actually, Santosh would have been a perfect choice for this character. Siddharth Jadhav as Speed breaker ( His character name), plays the son of a Union leader in his own style.
Actress Veena Jamkar plays an important character of Manju- the daughter of the Mill worker. She plays her part with total commitment . Kashmira Shah plays Mami – wife of Satish kaushik. Her sex appeal has been used for a different reason in this film to create that cheap humour. Sai Tamhankar has been a waste in that small role of a flower vendor. Kishore Pradhan and Sameer Dharmadhikari look very natural as Mill owners. Music does not have much scope in this film backed with a serious theme. In all, ‘Lalbaug Parel’ is a good, realistic and hard hitting film except for the violence part, which has been stretched too much in few sequences.
‘I believe in quality than quantity’ – Veena Jamkar
For the past 15 years she has sincerely devoted herself to Marathi stage, performing in many experimental plays, most of them bagging the awards. Veena Jamkar, after passing out from Mumbai’s D.G. Ruparel College made her mark into films through ‘Bebhaan’ only few years ago. Thereafter, Veena’s talent was exploited in films like ‘Valoo’ and ‘Gabhricha Paus’ which followed. Now, she is making waves through her latest performances in films like ‘Marmabandh’ and ‘ Janm’ which were shown at various film festivals. Besides these two films, her much talked about film ‘Lalbaug Parel’ is due for release in coming week. Having already been declared the most promising upcoming actress by the Maharashtra Government award conferred upon her three years ago, she has proved that every film she acted in, turned out to be not only a hit but an award winning film.
Veena Jamkar shares her experience in Marathi film industry with Marathimovieworld. Excerpts from an interview:
Q: Watching your films released so far, gives an indication that you have only performed in off beat films and not any commercial or comedy films. Your comments.
A: In fact, the films I did had off beat content, but they were all commercial films. Moreover, these films did a good business at ticket counter. Today, the definition of Parallel films and commercial films has changed. If you are presenting a good realistic script with the support of quality technical production, then it will surely be termed as commercial film. Instead of simply doing make-up and singing and dancing in front of the camera, I would always prefer to do memorable roles.
Q: Does it mean that you are choosy about the roles ?
A: Yes, luckily for me, all those roles coming to me turned out to be good. Though some of the roles were small, they remained in the memory of the people. I always believe in studying my character and background of the script in detail, instead of just paying attention on the dialogues provided to me by the director.
Q: You have worked with today’s talented young directors like Umesh Kulkarni, Satish Manvar and Girish Kulkarni. How was your personal experience working with them ?
A: Great! It was a pleasure working with all of them. Umesh is very talented and knows his job well. While working on the sets of ‘Valu I’ was closely observing his work. Satish too has deep knowledge about Dramas and films. Working in ‘Gabhricha Paus’ was a memorable experience. When you work with such people, obviously, there is ample scope for self improvisation. I consider myself lucky that at the beginning of my career, I had an opportunity to work with such people.
Q: You will be soon seen in Mahesh Manjrekar’s much talked about film ‘Lalbaug Parel’. What role are you playing in this film ?
A: This film is based on the lives of mill workers in Mumbai, who had to lose their jobs due to indefinite strike. I am playing the daughter of one such mill worker, whose life changes after the strike. What she does for survival and how she adjusts with her new life is all that this central character of mine would explain. This is the biggest role so far I have received in films. I am also in the Hindi version of this film. The role does have different shades.
Q: Now days, you are only seen in films. How about doing TV serials and stage plays ?
A: I have been receiving offers from TV serials. But, I just don’t want to accept them. I have got few films with limited or small roles and all those roles are good. I believe in quality than quantity. With my long experience of 15 years in theatre I am tempted to take few offers. Frankly speaking, just by doing theatre you cannot survive. Recently, I did perform in Atul Pethe’s experimental play ‘Dalpatsingh Yeti Gava’, which has very good script. I am also doing two more plays, ‘Char Diwas Premache’ and ‘Ek Rikami Bajoo.
Q: It has been observed that all your films have received international acclaim or awards. Is this a coincidence or your calculated move?
A: (Smiles). May be a coincidence. But, I am so happy about it. I am really glad that I was part of these films like ‘Bebhaan ‘ ‘Valu’, ‘Gabhricha Paus’, Janm and ‘Marmabandh’.