Category Archives: Review

‘What About Savarkar’ is a tribute to greatest freedom fighter

Aside 17 April, 2015 Ullhas Shirke

Rating: ★★★
Genres: Drama
Censor: U
Duration: 125 Min.
Studio/presenter: Retake Unlimited film Production, Aurous Avatar Entertainment, Rohit Shetty
Producer: Atul Parab, Rohit Shetty
Director(s): Rupesh Katare, Nitin Gawde
Writer: Nitin Gawde
Dialogues: Nitin Gawde
Cast: Shrikant Bhide, Sara Shravan, Avinash Narkar, Sharad Ponkshe, Atul Todankar, Vivek lagu, Prasad Oak

Ten years ago, Mr. Mani Shankar Aiyar, then Petroleum Minister of India, created a controversy, by ordering removal of plaque at Cellular Jail in Andamans, containing poem penned by Swatantryaveer Vinayak Damodar Savarkar, who spent 11 years in that jail, during India’s freedom struggle. The order of the Minister drew sharp criticism from BJP and Shiv Sena in Maharashtra, who protested strongly, seeking apology from the Minister. In short, it was made a political issue and there was not much public outrage noticed, on the statement made by the Minister.

But, 10 years later, we find the same issue being raised in latest Marathi film ‘What About Savarkar’ produced by Atul Parab & Rohiit Shetty and directed by Rupesh Katare and Nitin Gawde. Though all films are generally work of fiction, ‘What about Savarkar’ makes you think, as to what would happen today , if a politician makes such a remark against the late freedom Fighter? Thanks to the Social media. It is so active today, that any such remarks made by our politicians, receives spontaneous reaction from the young generation.

The film presents the same topic of a Petroleum Minister (name changed to Ayangar) who makes a remark to insult the late freedom fighter Veer Savarkar. One Abhiman Marathe ( Shrikant Bhide) working in a multinational company spontaneously reacts, by lodging his strong protest against the Minister’s remarks. He writes in his blog on social net working site, stating that he would teach a lesson to the Minister, during his proposed visit to Mumbai, by welcoming him with a garland of foot wears. Watching huge response to his page, with 28,000 likes within a day; the Government decides to arrest him, for this act, which they call anti national act. Abhiman goes underground, to accomplish his mission.

In his mission, Abhiman gets support from his office colleague Suniti Singh (Sara Shravan), Suryakant Pawar( Atul Todankar) , an educated brother of a peon from his office, Kranti kamble( Avinash Narkar) a self styled revolutionary from Alibaug and his own grandfather Namdev Marathe (Sharad Ponkshe). The Police hunt him, as Abhiman keeps changing his hideouts from Mumbai to Alibaug, then from Alibaug to Manipur at Suniti’s native town and from there to Amritsar to a well wisher (Gajendra Singh Chouhan) .His final destination then turns Delhi, as the Minister cancels his Mumbai trip and is all set to give his speech during a book release function. The climax has been shot very cleverly, to show the final public reaction, on this issue; that too in Delhi.

Very cleverly the director has presented this limited story, through an interesting screenplay; taking the audience on a trip to various places. In the process ,he shows the beauty of these places, especially Alibaug, Manipur and Amritsar. Even the locations in Mumbai have been different, covering the heritage buildings and landmarks of South Mumbai at Fort & Ballard Pier. For that one must thank cinematographer A.K. Sebestian for his excellent camera work. But, the timing of the film, seems to be wrong, as we see BJP ruled Governments at Centre and in the State. Moreover, today we find freedom of speech exercised on social networking sites, to lodge protest against anyone . Perhaps, the work on this film, might have started two years ago.

But, the film has succeeded in passing the five elements of Savarkar’s philosophy cleverly, through the screenplay. In fact, this film is a tribute to the greatest freedom fighter of India, who served maximum sentence in cellular jail, during India’s freedom movement. There are many facts in history brought to light, through this film. Not many were aware that Hridaynath Mangeshkar lost his job in Aakashvani, because he composed the lyrics of Savarkar.

Actually, the film has tried to show, how the politicians opposed to Savarkar’s style of functioning, by trying to suppress him. Most of the characters in this film, are shown, inspired by his ideology. Good performances by debutant Shrikant Bhide, Atul Todankar, Avinash Narkar , Sharad Ponkshe ,Sara Shravan and others make this film more appealing. It was nice to see Sharad Ponkshe playing the role of grandfather with a young heart, who is also shown tech savvy. Savarkar’s poem Swatantra-te-Bhagavati’ has been used well in the title track of the film. Background music is also impressive. A must see film for all those who believe in Savarkar’s ideology about ‘Akhand Bharat’ .

Review

Urmila’s fine performance makes ‘Kaakan’ appealing

Aside 10 April, 2015 Ullhas Shirke

Rating: ★★★
Genres: Romantic
Censor: U
Duration: 122 Min.
Studio/presenter: Mangorange Productions, Krishnaraaj Films
Producer: Hridaya Banerjee
Director: Kranti Redkar
Writer: Kranti Redkar
Dialogues: Kranti Redkar, Omkar Datt
Cast: Urmila Kanetkar-Kothare, Jitendra Joshi, Madhavi Juvekar, Ashok Shinde, Ashutosh Gaikwad, Aakash Banerjee

Urmila Kanitkar Kothare is one such actress, whose real potential is noticed, if she is offered a good emotion filled role. We have already noticed her skills, through an award winning film ‘Mala Aai Vhaychay‘ and popular TV serial ‘Asambhav’, few years ago. Now, she finds a lifetime role, in Kranti Redkar’s film ‘Kaakan‘ And, Urmila has portrayed the lead character of Sudhamati, by pouring her heart into this role. Making her entry in the 24th minute of the film, she holds the attention of the audience till the last scene, so much has been the impact of her role. And the credit goes to Kranti Redkar, who has made her selection for this role, while making her debut as a director, through this film.

Set on the backdrop of a village in Sindhudurg district of Konkan, the film narrates a tragic and intense love story of Kishu (Jitendra Joshi) and Sudhamati (Urmila kanitkar Kothare). The film begins with a little 12 year old boy Gopi (Ashutosh Gaikwad), noticing a lonely and sick old man, near the sea shore of his village. Initially, mistaking him to be lunatic, he tries to tease him along with his friends. But, when he is saved by old Kishu, from drowning, he shows sympathy towards him. Gopi finds out Kishu’s past and discovers that his beloved Sudhamati got married to a businessman Mr. Kamat from Mumbai.

Gopi goes out of his way, to make Kishu happy and runs away from his house, in search of Sudhamati in Mumbai. Things aren’t easy for him. But, he meets a hard working young boy Wasim (Aakash Banerjee) , who has his own story. Wasim who is a helper at a tea stall, offers shelter to Gopi and also helps him to locate the address of Sudhamati. It is the meeting between Gopi and Sudhamati, that brings Sudhamati back to her village, after almost 32 years, for a yearly festival. The climax of the film is very touchy, but predictable.

Kranti Redkar on her debut as a director, has made a good attempt. But, there are few lapses in the film’s screenplay, which are clearly noticed. How can a poor Kishu, who cannot even pay Rs. 5 to a visiting Doctor, can afford to prepare a thick designer Gold bangle for his beloved? Don’t exactly know the reason, to show Sudhamati with her tanned skin after 32 years, when she was shown fair enough, in her early 20s ? Also, the second half of the film has been stretched a little longer, than the first half.

To say something about the direction, Kranti Redkar has expertly narrated the story, with the present happenings, using flashback to show the love story of a girl from rich family and boy from poor family. She has also tried to show the after effect of a train blast by the terrorists, through the character of Wasim, a hard working tea boy, working at a tea stall.

Wonderful performance by Urmila kanitkar Kothare makes ‘Kaakan’ appealing. Very cleverly, she has used the Malavani accent, to suit her character, when she is shown young. She certainly deserves an award for the same. Urmila gets good support from Child actor Ashutosh Gaikwad, who has proved his acting ability through this film. Watch her scene with him, when he comes to meet her in her office in Mumbai. Jitendra Joshi doesn’t have much scope in the film, as most of the time, he is shown in isolation, without any dialogues and with his face covered by long hair and beard.

Excellent camera work ,meaningful lyrics and fine music are the plus points of this film. Good support comes from character artistes Madhavi Juvekar and Ashok Shinde. If you love to watch tragic love stories and good performances, ‘Kaakan‘ is just your choice.

Review

‘Coffee Aani Barach Kahi’ offers refreshing flavor

Aside 3 April, 2015 Ullhas Shirke

Rating: ★★★★
Genres: Romantic
Censor: U
Duration: 120 Min.
Studio/presenter: Everest Entertainment, Ravi Jadhav Films, A White Swan Production
Producer: Prakash Kunte, A Motionspace entertainment
Director: Prakash Kunte
Writer: Aditi Moghe
Dialogues: Aditya Bedekar
Cast: Vaibhav Tatwawadi, Prarthana Behere, Bhooshan Pradhan, Neha Mahajan, Suyash Tilak, Dilip Prabhawalkar, Vidhyadhar Joshi, Ashiwni Ekbote, Sandesh Kulkarni, Suhas Joshi, Ila Bhate

True love never needs the expression of words. But, in certain cases, ‘love‘ does not materialize into ‘marriage’, unless it is expressed both ways. Prakash Kunte’s latest Marathi film ‘Coffee Aani Barach Kahi‘ presented by Everest Entertainment and Ravi Jadhav , has one such refreshing love story to offer, with a different flavor blended with love. Set on the backdrop of Pune city, the hub of IT industry, the film’s love story revolves around beautiful Jaai (Prarthana Behere) and smart and handsome Nishad (Vaibhav Tatwawadi) working in the same office.

Actually, Nishad in the team leader of his department and Jaai, who is a new recruit, joins his team. Soon, they start liking each other. But, both of them are unable to express their love to each other. While Jaai has understanding parents (Vidyadhar Joshi & Ashwini Ekbote) and a naughty but smart thinking younger sister Aabha ( Neha Mahajan), Vaibhav lives with his father ( Avinash Narkar) who is lonely, but always supportive.

Time comes, when Jaai’s parents think seriously about her marriage. They ask Jaai, whether she is already in relationship with anyone. Confused about her love, Jaai denies any such relationship; which encourages her father to invite his old family friend to their house along with their only son Anish ( Bhooshan Pradhan) . He suggests Jaai to check whether Anish would be a suitable match for her. Jaai, who doesn’t believe in arranged marriage , does confess to Anish, about her ideas of love and marriage. While she narrates all the recent happenings to Anish, the director goes on to show all her interactions with Nishad, Aabha and her parents.

At the same time, the director shows Nishad’s interactions with his close friend (Suyash Tilak), Abhyankar , the Coffee shop owner( Sandesh Kulkarni) and his dear father. He also shows, how Nishad tactfully avoids a girl suggested by his friend’s mother. Later, he shows the same girl, meeting Nishad in coffee shop with her ‘would be’ found through arranged marriage. In one more scene, he shows an old couple celebrating their Golden Jubilee marriage anniversary, in the same coffee shop, where Nishad is a silent observer.

Though some of the sequences are bit confusing; the creativity of the director is to be highly appreciated, while presenting this delightful love story. Generally, all love stories, need good music. But, in this film, the director has paid more attention on beautiful background music, to create an ambiance, required for this story . Coffee shops being the favourite spots of the young generation, the director has selected one such garden coffee house, to add that special flavor to this well presented love story. The costumes of Prarthana and Neha are just apt, to indicate their family’s higher middle class status.

‘Coffee Aani Barach Kahi’ scores on account of its neat and clean appearance, with natural brilliant performances by four youngsters namely Vaibhav Tatwawadi, Prarthana Behere, Bhooshan Pradhan and Neha Mahajan. They have received good support from character artistes Suyash Tilak, Anita Date, Anuja Sathe, Vidyadhar Joshi, Ashwini Ekbote, Ila Bhate, Avinash Narkar, Sandesh Kulkarni, Dilip Prabhavalkar and Suhas Joshi. Well suited dialogues help add that special flavor to this coffee, which is simply fabulous. Good photography by Arjun Sorte is another plus point of the film.

Most of the youngsters will correlate themselves with different characters in this film. Those understanding and liberal Parents would also connect well with the characters played by Vidyadhar Joshi, Ashwini Ekbote , Avinash Narkar and Ila Bhate. In short, this ‘Coffee’ offers a refreshing flavor, which will surely be appreciated by all Marathi film lovers.

Review

‘Just Gammat’ offers entertainment with a set formula

27 March, 2015 Ullhas Shirke

Rating: ★★ ½
Studio/presenter: Silver Screen Entertainments
Producers: Sharad K Shrivastav, Seema Shrivastav
Director: Milind Arun kawade
Writer: Milind Arun kawade
Dialogues: Prakash Bhagwat
Music: Nitin Gupta
Cinematographer (DOP): Samla Bhaskar
Genres: Drama
Censor: U/A
Duration: 130 Min.
Cast: Sanjay Narvekar, Jitendra Joshi, Aditi Sarangdhar, Smita Gondkar, Deepak Shirke, Vijay Patkar, Aarti Solanki
Movie Review by: Ulhas Shirke

Presenting comedy, through a film’s screenplay is not an easy task. Every director has his or her own ideas, when it comes to entertaining the audience non stop. Milind Arun kawade, is one such director in Marathi, who prefers to play safe, by presenting the ‘set formula’ of comedy films, every time. He tried the same in ‘Yedyanchi Jatra’ and in ‘4 idiots’. Surprisingly, such films are enjoyed by section of audience, who watch them, keeping their logical thinking aside. Now, through his new film ‘Just Gammat’, Milind Arun Kawade presents one such plot, to generate non stop humour.

Mohan (Sanjay Narvekar) and Ashok( Jitendra Joshi) are close childhood friends, who meet after many years, at a Pub. After exchanging pleasantries while consuming drinks, when they finally discuss the topic of their wives, both voice their feelings about the humiliation suffered by them. So, they chalk out a plan to get rid of them. Mohan goes on a mission to kill Ashok’s wife Ashwini( Aditi Sarangdhar) , while Ashok enters Mohan’s house to eliminate Meera( Smita Gondkar).

Both Mohan and Ashok fail in their plan, as the writer director has other plans to introduce more characters to carry forward his film’s screenplay, with some humor filled sequences. So, we notice arrival of a mighty gangster (Deepak Shirke) always surrounded by his ruffians. He in turn deputes his hired assistants ( Vijay Patkar & Aarti Solanki) on the look out for the missing costly ornament. Then ,there is landlord style of Ashwini’s father, who with the help of his servants, is after the blood of Ashok, who according to him, has attempted to kill his daughter. Finally, it’s happy end in the climax, removing all misunderstandings.

In this film, it is only Sanjay Narvekar, who scores, with his natural performance. Unfortunately, he doesn’t get the required support from his co star Jitendra Joshi, who is not up to the mark. One expected Jitendra to do better than his previous wonderful performance in ‘Premasathi Coming Soon’. Was his performance overshadowed by Sanjay’s natural act? Anyway, talking about the two leading ladies in the film, Smita Gondkar finds a role most suited to display her fit and slim looks. Not much was expected from her, as her character was limited to display of glamour only. Even Aditi Sarangdhar doesn’t find much scope in this film, except for representing as Jitendra’s wife in the film.

Required support comes from character artistes like Vijay Patkar, Jaywant Wadkar, Aarti Solanki, Arun Kadam, Atul Todankar, Deepak Shirke and others. Heena Panchal presents one typical item song. The director seems to have given complete freedom to the artistes. But, he should have paid more attention on the dialogues . Anyway, if you are yet to recover from the dismal performance of Indian Cricket team in semi finals of World Cup, this film can help you to recover to a certain extent, provided, you keep aside logical thinking.

Review

‘Bugadi Majhi Sandali Ga’ goes with the formula

Aside 13 March, 2015 Ullhas Shirke

Rating: ★★ ½
Genres: Romantic
Censor: U/A
Duration: 125 Min.
Studio/presenter: Tikit Films
Producer: Shyam Singhaniya
Director: Mansing Pawar
Writer: Mansing Pawar
Lyrics: Mansing Pawar, Baba Chavan, Rajesh Bamugade, Sanjali Rode
Music: Pravin Kunwar, Sachin-Dipesh, Prabhu Bhosale
Cinematographer (DOP): Raja Phadtare
Cast: Mansi Moghe, Kashyap Parulekar, Mohan Joshi, Dipa Chafekar, Ramesh Bhatkar, Ila Bhate, Jagannath Nivangune, Megha Ghadge, Pandurang Kulkarni, VIjaya Palav, Gautami Kalbaag, Prachi Cheulkar, SaniBhushan Mungekar, Jitendra wankhede, Amar Pawar, Pradeep Patil, Manoj Jadhav, Ravindra Tanvar, Sachin Navre, Pavanraj Ahivale, Mansing Pawar
Movie Review by: Ulhas Shirke

Every filmmaker feels that whatever he offers is something remarkable. And, there is nothing wrong in expecting success in return. But today, Marathi films are showing a change, with new subjects dealt in films. Therefore, if the script of the film is outdated and is not able to convince the audience; then the result is known to all. Latest released Marathi film ‘Bugadi Majhi Sandali Ga‘ goes with the formula, adopted in films of 60s and 70s.

Producer Shyam Singhania and director Mansingh Pawar signed Miss India Universe Beauty queen Manasi Moghe, to play the lead role of a beautiful dancing actress and focused their attention on ‘Lavani’ the traditional dance form of Maharashtra, as the base of the film. In order to make it more musical, they engaged three different music directors. But, as they say, ‘Too many cooks spoil the broth ‘. Barring two songs, the other seven songs in this film, have failed to appeal. And, that turned out to be the biggest drawback of the film. Even the screenplay of this film, with limited content, failed to generate much interest, due to predictable happenings, except for the climax. But, that too had left a hint, in the initial scene of the film. So, don’t miss the beginning.

The story of this film revolves around Shubhangi (Manasi Moghe) who is an orphan, and brought up by a Tamasha dancer Chandraprabha Sanglikar( Deepa Chafekar). Chandraprabha who is in live-in-relationship with Raosaheb, since her younger days, lives in Raosaheb Shinde’s big house, 40 kms away from Kolhapur city. Indrajeet, the only son of Appasaheb Mohite and Padmaja Mohite(Ramesh Bhatkar & Ila Bhate) who are rich and run a trust in Kolhapur. He returns from abroad, after studying music and wants to know more about ‘Lavani’ the traditional Indian dance-music form. That’s how he comes across Shubhangi and falls in love with her. She too gives her heart to Indrajeet.

The trouble begins, when Appasaheb comes to know about their relationship. In the meanwhile, Raosaheb also returns after six years. Watching Shubhangi’s beauty, Raosaheb also make his advances towards her, but Chandraprabha warns him. Everything goes on, as predicted, except for the tragic end. Actually, the film fails to capture the attention of the audience in pre interval stage. In every intense love story, there is strong opposition from other characters. That does not happen in this film. The only negative character is seen playing his cruel act towards the end of the film. Even the opposition from Indrajeet’s parents and Chadraprabha is not very convincing.

There are many such incidences in the film, which fail to convince. As far as the performances are concerned, Manasi Moghe makes a sincere attempt on her debut. She looks beautiful in every scene. But, the director and the choreographer should have paid more attention on her body language & visual expressions in close up. Even, not much attention has been paid on her accent, which should have been in typical Kolhapuri style. Kashyap Parulekar has done well, in the role of Indrajeet. But, his real potential hasn’t been exploited by the director, except for the last scene.

A lot of importance has been given to the character of Chandraprabha, so much so that she is also given scope to perform a baithak Lavani, with a full song picturised on her. Ila Bhate finds her share to prove her acting skills, in two important scenes in the post interval session. In comparison Ramesh Bhatkar is just namesake father in the film, with not much scope for an actor of his caliber. Mohan Joshi plays the negative character in his own style, in the concluding part of the film. ‘Lakshya’ serial fame Jagannath Nivangune, has also been wasted in this film. Other character artistes offer the required support. Good cinematography by Raja Fadtare is the plus point of this film. He has picturised one outdoor song very well.

‘Bugadi Majhi Sandali Ga‘ may not appeal the Mumbai audience much; but might invite some response from places like Kolhapur, Nagpur and other small cities in Western Maharashtra, provided it has found theatres at such places.

Review

‘Katti Batti’ sends a message without deep impact

Aside 7 March, 2015 Ullhas Shirke

Rating: ★★ ½
Genres: Drama
Censor: U/A
Duration: 125 Min.
Studio/presenter: Shivam Creation
Producer: Yuvraj Pawar
Director: Rajendra Pawar
Writer: Rajendra Pawar
Lyrics: Guru Thakur
Music: Pravin Kuwar
Cinematographer (DOP): Sujeet Mahto
Cast: Prajakta Yadav, Pritam Bhujbalrao, Arun Nalawade, Dr. Vilas Ujavane, Sanjivani Jadhav, Jairaj Nair, Deepjyoti, Prabhakar More, Mahendra Abhang , Deepali Kulkarni.
Movie Review by: Ulhas Shirke

Falling in love during an adolescence stage, is nothing unusual. But, one should decide the limits and attain maturity quickly, to know what is good and bad in this world. To an adolescent, there is nothing as embarrassing, than to face his or her parents, after the secret love is noticed. Till now, so many films have been made on love during teenage, especially during schooldays.

About seven years ago ffilmmakerMilind Ukey made a Hindi film ‘Humne Jeena Sikh Liya’ with Siddharth Chandekar and Mrunmayee Deshpande , on the same subject. Then we saw Sujay Dahake’s ‘Shala’ giving slightly a different look to the subject and last year, we saw Ravi Jadhav’s ‘Time Pass’ handling the same subject, in an entertaining way. Now, we see producer Yuvraj Pawar and director Rajendra Pawar handling the same subject through their film ‘Katti Batti’, cautioning the teenagers and their parents; about the care to be taken in such cases.

The story of this film is set on the backdrop of a village somewhere off Kolhapur region. Paresh ( Pritam Bhujbalrao)who is studying in 9^thstandard in a village school, is in love with his classmate Janhavi ( Prajakta Ydav). Encouraged by his close friend Lalya( Ketan Pawar) Paresh dares to express his love to Janhavi. Not taking him seriously at initial stage, Janhavi then all of a sudden reciprocates. And, then both start dating, only to be noticed by a drunkard Babnya( Arun Nalawade).The news spreads across the village and the trouble begins for Paresh and Janhavi. Paresh’s mother( Sanjivani Jadhav ) is very annoyed; but Janhavi’s father takes a different approach. Being a headmaster of the school, he finds a solution to the problem in his own way. The film does conclude with a message, delivered by Babnya, an irritating, but important character of the film.

‘Katti Batti’ has nothing new to offer , except for the message. The film lacks skilful presentation. However, the director has worked hard to convey his thoughts, through some emotion filled scenes in the film. Watch the reaction of Paresh’s mother, after knowing her son’s love affair and at the same time the approach of Janhavi’s educated father. There is lot to convey through these scenes. Similarly, the stand taken by Paresh’s friend Lalya on two occasions, is also well presented. There is no doubt about the sincere efforts put in by the two debutants Pritam and Prajakta, to express their emotions; but Pritam hasn’t maintained the continuity through his dialogue delivery. It differs on many occasions. In comparison, ketan Pawar steals the show, though in the post interval session, he has very limited scope.

Among the the supporting artistes Dr.Vilas Ujavane, Arun Nalawade and Jairaj Nair have proved their versatility, through their important characters. Sanjivani Jadhav is a waste in this film. Except for feeding her son and shouting at him, she has nothing much to do. Film has limited scope for music, which is also not very impressive. Photography and background music is good. The film has therefore turned out to be an average entertainer .

Review

‘Razzakar’ – Watch only for Siddharth

Aside 27 February, 2015 Ullhas Shirke

Rating: ★★ ½
Genres: Patriotic, Black Comedy
Censor: U/A
Duration: 125 Min.
Studio/presenter: Karrm Movies
Producer: Satish Pilangwad
Director: Raj Durge
Writer: Raj Durge
Lyrics: Daasu
Music: Mayuresh Kelkar
Cinematographer (DOP): Aniket Khandagale
Cast: Siddharth Jadhav, Jyoti Subhash, Zakir Hussain, Dr.Sharad Bhutadia, Gautam Patil, Piyusha Kolte
Movie Review by: Ulhas Shirke

Presenting a period story and that too on ‘Hyderabad freedom movement’ is not a bad idea. This historical event had taken place after country’s independence. Not many people today, are aware of this movement and the atrocities of Razzakars’ in Hyderabad region, which was then under the rule of 7th Nizam Mir Usman Ali. Latest released film ‘Razzakar’ takes you to this post independence era of 1947 and 1948, when the Nizam of Hyderabad, refused to be part of Indian states, after India’s independence. He had instead supported the terrorist group of Razzakars’ to form their own army, opposing Hyderbad’s merger into an Indian state.

Set on the backdrop of a small village Khandgaon, in Marathwada region, this new Marathi film ‘Razzakar’ has been presented by producer Satish Pilangwad & director Raj Durge. The film shows, how a youngster Hari ( Siddharth Jadhav) from this village, dared to fight the cruel commander of Razzakar army- Dilawar Khan ( Zakir Hussain) and his people, with the blessings of his mother ( Jyoti Subhash). The screenplay of the film begins with exodus of villagers, with the fear of Razzakars’ attacking their village. But, for next 50 minutes, we only notice the gimmicks of Hari followed by the arrival of a family in the village. Comprising of five people headed by Sadashivrao ( Dr.Sharad Bhutadia), a Gandhian, they try to unite the villagers, to oppose Razakars .

It is only little before the stroke of interval, we actually see the arrival villain Dilawar Khan on the screen, with his cruel methods of killing poor villagers. When, Dilawar and his small army arrive in Hari’s village, Sadashivrao is away to welcome a freedom fighter. So, we notice a dozen of people including village landlord Deshmukh , his son Bali ( Gautam Patil) and Hari taking on the mighty Dilawar. Initially they surrender, with all their gold belongings. But, when Dilawar and his men kill few villagers including Hari’s mother, we notice a brave Hari daring to fight Dilawar and his two men, by first snatching his hen, held by him always in his arms. Finally, we see the Indian army coming to the rescue of Hari, in the concluding scene.

‘Razzakar’ is a sincere attempt by director Raj Durge; but, he has failed to create the required impact of the freedom movement. Instead, he has shown the villagers, most of the time living under fear. The three old men from the village shown gossiping on few occasions, is the best example. The character of Sadashivrao, who is supposed to be a fearless freedom fighter in the initial stages, is seen running away from the scene, after the actual arrival of Razakars in the village.

One fails to understand, why so much of importance was being given to secret love affair between Deshmukh’s son Bali and Sadashivarao’s daughter Iravati( Piyusha Kolte). In most of the scenes, Iravati walks, as if she is walking on the ramp in fashionable white Saree and make up. There is one particular scene, where Deshmukh the landlord collects the Gold ornaments from all the villagers, including those from his wife, but, is seen wearing a thick chain around his neck in the next scene.

However, barring these few errors, the director has tried to present a period story, taking lot of efforts on selection of location and especially presenting the three main characters of Hari, his mother and Dilawar khan. He seemed to have given full freedom to the lead actor Siddharth to go his own way, on many occasions. But, Siddharth has given full justice, to his selection for this role. Jyoti Subhash does well, to express her emotions well. Zakir Hussain is impressive as cruel villain. But, he has nothing different to offer in Marathi , as all his dialogues are in Hindi, in the entire film. It is doubtful, whether such a character can connect with Marathi audience? Actually, the name of the film should have been something different.

Fine photography by Aniket Khandagale, good art work by Narendra Bhagat, suitable background music by Salil Amrute and perfect sound design by Manoj Mochemadkar & Sandeep Madkholkar are the plus points of this film. Not very impressive; but, a must watch film for all Siddharth fans.

Review

‘Chitrafit’ – Will the bold hold good in Marathi?

20 February, 2015 Ullhas Shirke

Rating: ★★ ½
Studio / Presenter: Jafraan Films
Producer: Rahul Borse, Abdul Aarasi
Writer, Director: Diwakar Vishwanath Ghodke
Music Composers: Yug Bhusal
Cinematographer: Sachin Kabir
Cast: Ashish Pathode, Seema Azmi, Vipul Patil, Ravi Patwardhan, Gauri Shankar, Shefali Maydeo, Dansing Rajput, Meenal Chirankar, Nerav Soni, Mahesh Rale, Sachin Kabir
Movie Review by: Ulhas Shirke

Marilyn Monroe once said, “Sex is a part of nature. I go along with nature.” Based on this philosophy, producers Rahul Borse, Abdul R.C., Somnath Devkar and Jeevan Patil, perhaps thought of producing this Marathi film ‘Chitrafit- 3.0 Megapixel’ and with the help of writer, director and editor Diwakar Vishwanath Ghodke, they gave a cinematic form to this subject. But, care was taken to pass a social message, by cautioning the young girls, about the hidden cameras, which could capture their private life, even in the mountain forest , during a trek.
Set on the backdrop of a picturesque hilly area called Parini , the film literally takes you on a trek to a adivasi village housed on a mountain and in search of ancient caves located on the top of the mountain . So, you feel, as if you are also travelling along with Shavla (Seema Azmi) a visiting young anthropology student and Sandesh (Ashish Pathode) a fine arts student, who is her guide cum escort. In between their journey, the director gives a hint that every movement of Shavla is being captured, through a hidden camera.

Then we notice Sandesh and Shavla reaching their first destination, for a brief halt at a adivasi village. Here, we notice a typical Hindi film scene of 60s and 70s film, with Shavla dressing up as an adivasi girl and enjoying their group dance and even a drink. The film’s screenplay proceeds further, with Shavla and Sandesh reaching their final destination i.e. the ancient cave with stone carvings and paintings. It is at this place, we come to know the real game plan of sandesh. Perhaps, the use of ‘date rape drug’ (DRD) , mixed with her drink, makes it easy for him.

It is only after few days , while working on her laptop, Shavla discovers her own nude film on a social networking site. Though Sandesh happens to be her distant relative and a friend on social networking site, she informs the police and gets him arrested, for this heinous crime. But, the question that remains in our mind, is whether any young girl would dare to spend a night at an isolated place, in the company of a boy, whom she doesn’t know well ?
‘Chitrafit- 3.0 Megapixel’ is actually a short film, with a message. And, with the above mentioned story of Sandesh and Shavla, it would have ended in 60 to 70 minutes. But, the director perhaps thought of adding few porno film scenes into it, to indicate the ‘blue film’ business of Sandesh and his modus operandi, trapping new girls, to make such films and sell them to overseas buyers at a big price. It is in the concluding part, the film looks like a typical Porn film. No wonder, it has received ‘A’ certification.

There was enough scope for the director to pay attention on Shavla taking revenge in a different way. But, that did not happen. The arrest of Sandesh by Special branch Police, is shown in just one short concluding scene, in this 84 minute length film. Both Ashish Pathode and Seema Azmi have performed their roles convincingly. Ashish is recently seen in Zee Marathi’s serial ‘Ka Re Durava’ in a character role. Hence, a familiar face, while we have seen Seema as one of the girls in the hockey team of ‘Chak De India!’. She is basically from NSD and a stage artist. This was her bold debut in Marathi films. Her voice has been dubbed in Marathi by some one else.
Wonderful camera work, Excellent sound design and superb back ground music add value to this film. This is a first bold attempt in Marathi on this subject. So, it remains to be seen, whether the ‘bold will hold good’ in Marathi?

Mitwaa Moviestill, Prarthana Behere, Sonalee Kulkarni

Review

‘Mitwaa’ – an intense love story with good music

Aside 13 February, 2015 Ullhas Shirke

Rating: ★★★
Genres: Romantic
Censor: U
Duration: 130 min.
Studio/presenter: Minakshi Sagar Production, Video Palace
Producer(s): Minakshi Sagar, Amrut Sagar, Akash Chopra
Director: Swapna Waghmare-Joshi
Writer: Shirish Latkar
Lyrics: Ashwini Shende, Mandar Cholkar, Mangesh Kangne
Music: Shankar-Ehsaan-Loy, Pankaj Padgan, AmitRaj, Nilesh Moharir
Cinematographer (DOP): Prasad Bhende
Cast: Swapnil Joshi, Sonalee Kullkarni, Prarthana Behere, Ila Bhate, Aruna Irani
Movie Review by: Ulhas Shirke

Presenting good music with a tragic love story, has always been the tradition of Bollywood films since 70s and 80s. So, don’t be surprised, if someone is inspired by them, while making a Marathi film today. New Marathi film ‘Mitwaa’directed by Swapna Waghmare-Joshi, also goes on the lines of few bollywood films of 80s and 90s. But, barring this, the film counts on good music, excellent performances and superior technical support.

The story of ‘Mitwaa’ is set on the backdrop of Goa and revolves around three main characters , Shivam ( Swwapanil Joshi), Awnee (Prarthana Behere) and Nandini (Sonalee Kulkarni). So, in the beginning of the film, we notice Shivam nearing 40, trying to convince his little daughter, for arriving home late. A successful businessman, he has had a past, full of fun, romancing with different girls. But, as we see him meeting his good old friend Awnee, who manages his business affairs, he narrates her his intense love story with Nandini (Sonalee Kulkarni) .

As we are taken into flashback, we notice a flamboyant lifestyle of Shivam, the young businessman and owner of a big resort. Awnee being his close friend, manages his business, besides looking after all his needs, like a good friend. She also loves Shivam through her heart; but unlike typical girlfriends, is never jealous of Shivam’s affairs with other girls. Nandini, who walks into Shivam’s company, she is the first girl, who does not give much importance to Shivam, besides doing her job with sincerity. Shivam , who falls in love with Nandini at first sight, finally expresses his love to Nandini in a style. But, Nandini who has her own mystery filled past, refuses to marry Shivam. After this event, we notice many dramatic developments in the film’s story.

‘Mitwa’ is not the kind of film, with predictable end. It has a substance, which director Swapna Waghmare-Joshi has used well, to make it more emotion filled; but in the process, she has made it little complicated. The character played by Nandini is no doubt a mysterious character, as per the requirement of story; but on few occasions, she is shown in double mind. An intense love scene between Shivam and Nandini in the lobby of the resort, says it all. Actually, Shivam kisses Nandini in a prolonged scene, in presence of other people waiting and watching in the corridor and Awnee, who is witness to this scene, asking the people to mind their own business. But then, why does Nandini try to keep Shivam away? And, this secret is revealed later.

There are few other lapses in this film. The Goan lady’s character played by Aruna Irani, neither speaks Konkani nor Marathi well. Also, don’t exactly know, the reason for using the premises of an Eye Care Hospital in the film, when we see a patient in Coma. Was it only, because they were co sponsors of this film? Another co sponsor, 9x Jhakas have also used their slide, flashing frequently, during one song cum dance sequence in the film. By the way, the director has made good use of all the other finalists from the Lux 9x Jhakaas talent contest, through small character roles in the film’s pre interval stage. It may be recalled that Prarthana’s selection was made through this talent contest.
Swwapnil Joshi is the real star in this film. He captures all the attention, with his flamboyant as well as emotion filled image. He has also done well, in some intense romantic scenes. Sonalee Kulkarni, does well to present a confused, yet duty bound woman very well. Her character itself is mysterious, in the film, which has generated some interest in the screenplay. Prarthana Behere gives a big surprise, with her confident looking portrayal of Awnee, a matured and composed woman. She looks very glamorous, in this film. She will surely have more fan flowing, after this film. There is less scope for the character of Ashwin Desai played by Sangram Samel in this film. But, without his presence, the film’s story is not complete. Good support comes from Ila Bhate and others.

The film has support of good music. Two songs in this film have been picturised very well. They remain on your lips, even after leaving the cinema hall. The picturesque locations of Goa and wonderful cinematography by Prasad Bhende, add beauty to the film. In fact, the film has a lot of resemblance to 1983 Bollywood film ‘Agar Tum Na Hote’. Similarity is also observed in one of the female characters, who is also brought up in an orphanage.

‘Mitwaa’ produced by Meenakshi Sagar, Amrit Sagar, Akash Chopra and presented by Nanubhai Jaisinghani, is likely to catch up female audience, besides targeting youngsters. Loving couples shouldn’t miss it, on the occasion of Valentines’ Day.

Review

‘Baji’ is a well presented film; but, too lengthy

6 February, 2015 Jitendra R More

Director Nikhil Mahajan who made his debut as a director through a detective Marathi film ‘Pune 52′, now offers an action & mystery filled film ‘Baji’. The film is also a grand comeback for Shreyas Talpade into Marathi films after 8 years. But, as far as the screenplay of the film is concerned, it seems to be inspired by few Bollywood films like ‘Kaho na pyaar hai’, ‘Sholay’, ‘Ajooba’, ‘Shahenshah’ and ‘Krrish’. Writer- Director Nikhil Mahajan has paid more attention on making this film a technically superior film in Marathi.
The story of this film is set on the backdrop of a small village Shrirangpur in Maharashtra, which is supposed to be created by a king in 11th century. So, it’s all about the ‘hidden treasure’ in the village and a Superhero ‘Baji’, protecting the same from going into the hands of wrong people. Baji also comes to the rescue of villagers, whenever anybody is in trouble. There is a mystery behind this character of ‘Baji’, as he hasn’t appeared in the village for a long time. And that’s how the film begins, raising curiosity of the audience.
Dipu ( Shreyas Talpade) , who runs a grocery shop, keeps hearing the bravery acts of ‘Baji’ from his girlfriend Gouri ( Amruta Khanvilkar), who has been saved from a mishap by Baji. She is the only person from the village, who believes that Baji would return. Another young man from village, Martand ( Jitendra Joshi), turns greedy and tries to secretly search the hidden treasure. When Dipu comes to know about his plans, he opposes him; but, in the process, he is himself beaten up by Martand.
At the stroke of interval, we notice a twist in the screenplay. Post interval, we see a simple looking Dipu turning a brave man, thus coming to the rescue of villagers, who are used as slaves, by Martand to trace the hidden treasure in the village. So, it’s a straight fight between Martand v/s Dipu. But, Dipu’s mother( Ila Bhate) knows some secrets. The screenplay proceeds with action filled suspense, to see the end of wicked Martand, after a thrilling climax, shot on a running goods train.
In ‘Baji’ it is Shreyas & Shreyas all the way. With his variety of acting skills, he is impressive, from beginning till end. Amruta Khanvilkar has supported him well, as his leading lady in the film. In the entire film, she appears without make up, perhaps to meet the requirement of her village girl image. Jitendra Joshi as Martand, commits all heinous acts, in the post interval session. But, his character is shown cruel only through violence filled acts. There isn’t much scope for acting for him. In comparison, his portrayal of villain in recently released ‘Premasathi Coming Soon’ was much better.
The first half an hour of the film fails to take off with the story. A lot of time has been wasted in showing the friendship and intimacy among Shreyas, Amruta and child artiste Pushkar Lonarkar ( ‘Elizabeth Ekadashi’ fame).But, once the film’s story takes off, it keeps the audience engaged, till the end. The new concept of showing the shadow fight has been used well, in one of the action scenes. The climax has been shot well, but for that the credit goes to action director Stunt Silva and the excellent camera work by Vasu Rane. There is one stunt scene performed by Shreyas to rescue a puppy dog from the roof top. He keeps calling him with the name of a top hero of Marathi film. And, this certainly was in a bad taste.
The sound design and background music is appealing enough, to create suitable ambience during important scenes. The fiery dialogues are appropriate; but, they haven’t been used well, to show the conflict between Dipu and Martand. However, the two folk songs are picturised well, with good music composition by Atif Afzal. In special appearance, Shruti Marathe does well, with her sizzling dance performance, in one of the songs. Nagraj Manjule is surprisingly endearing in the role of a Police officer. Good support comes from Priyadarshan Jadhav, Pushakar Lonarkar, Sandesh Kulkarni , Ila Bhate and others.
Produced by a big group of producers, comprising of Arun Rangachari, Vivek Rangachari , Amit Ahirrao, Suhrud Godbole, Deepti Talpade, Hrishikesh Kulkarni, & Nikhil Mahajan, ‘Baji’ is a well presented film, but is too extensive, in its 170 mins length. However, one can still enjoy this film, without any preconceived notion.

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