‘Just Gammat’ offers entertainment with a set formula
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Rating: ★★ ½
Studio/presenter: Silver Screen Entertainments Producers: Sharad K Shrivastav, Seema Shrivastav Director: Milind Arun kawade Writer: Milind Arun kawade Dialogues: Prakash Bhagwat Music: Nitin Gupta Cinematographer (DOP): Samla Bhaskar Genres: Drama Censor: U/A Duration: 130 Min. Cast: Sanjay Narvekar, Jitendra Joshi, Aditi Sarangdhar, Smita Gondkar, Deepak Shirke, Vijay Patkar, Aarti Solanki Movie Review by: Ulhas Shirke |
Presenting comedy, through a film’s screenplay is not an easy task. Every director has his or her own ideas, when it comes to entertaining the audience non stop. Milind Arun kawade, is one such director in Marathi, who prefers to play safe, by presenting the ‘set formula’ of comedy films, every time. He tried the same in ‘Yedyanchi Jatra’ and in ‘4 idiots’. Surprisingly, such films are enjoyed by section of audience, who watch them, keeping their logical thinking aside. Now, through his new film ‘Just Gammat’, Milind Arun Kawade presents one such plot, to generate non stop humour.
Mohan (Sanjay Narvekar) and Ashok( Jitendra Joshi) are close childhood friends, who meet after many years, at a Pub. After exchanging pleasantries while consuming drinks, when they finally discuss the topic of their wives, both voice their feelings about the humiliation suffered by them. So, they chalk out a plan to get rid of them. Mohan goes on a mission to kill Ashok’s wife Ashwini( Aditi Sarangdhar) , while Ashok enters Mohan’s house to eliminate Meera( Smita Gondkar).
Both Mohan and Ashok fail in their plan, as the writer director has other plans to introduce more characters to carry forward his film’s screenplay, with some humor filled sequences. So, we notice arrival of a mighty gangster (Deepak Shirke) always surrounded by his ruffians. He in turn deputes his hired assistants ( Vijay Patkar & Aarti Solanki) on the look out for the missing costly ornament. Then ,there is landlord style of Ashwini’s father, who with the help of his servants, is after the blood of Ashok, who according to him, has attempted to kill his daughter. Finally, it’s happy end in the climax, removing all misunderstandings.
In this film, it is only Sanjay Narvekar, who scores, with his natural performance. Unfortunately, he doesn’t get the required support from his co star Jitendra Joshi, who is not up to the mark. One expected Jitendra to do better than his previous wonderful performance in ‘Premasathi Coming Soon’. Was his performance overshadowed by Sanjay’s natural act? Anyway, talking about the two leading ladies in the film, Smita Gondkar finds a role most suited to display her fit and slim looks. Not much was expected from her, as her character was limited to display of glamour only. Even Aditi Sarangdhar doesn’t find much scope in this film, except for representing as Jitendra’s wife in the film.
Required support comes from character artistes like Vijay Patkar, Jaywant Wadkar, Aarti Solanki, Arun Kadam, Atul Todankar, Deepak Shirke and others. Heena Panchal presents one typical item song. The director seems to have given complete freedom to the artistes. But, he should have paid more attention on the dialogues . Anyway, if you are yet to recover from the dismal performance of Indian Cricket team in semi finals of World Cup, this film can help you to recover to a certain extent, provided, you keep aside logical thinking.
‘Bugadi Majhi Sandali Ga’ goes with the formula
 Rating: ★★ ½
Genres: Romantic Censor: U/A Duration: 125 Min. Studio/presenter: Tikit Films Producer: Shyam Singhaniya Director: Mansing Pawar Writer: Mansing Pawar Lyrics: Mansing Pawar, Baba Chavan, Rajesh Bamugade, Sanjali Rode Music: Pravin Kunwar, Sachin-Dipesh, Prabhu Bhosale Cinematographer (DOP): Raja Phadtare Cast: Mansi Moghe, Kashyap Parulekar, Mohan Joshi, Dipa Chafekar, Ramesh Bhatkar, Ila Bhate, Jagannath Nivangune, Megha Ghadge, Pandurang Kulkarni, VIjaya Palav, Gautami Kalbaag, Prachi Cheulkar, SaniBhushan Mungekar, Jitendra wankhede, Amar Pawar, Pradeep Patil, Manoj Jadhav, Ravindra Tanvar, Sachin Navre, Pavanraj Ahivale, Mansing Pawar Movie Review by: Ulhas Shirke |
Every filmmaker feels that whatever he offers is something remarkable. And, there is nothing wrong in expecting success in return. But today, Marathi films are showing a change, with new subjects dealt in films. Therefore, if the script of the film is outdated and is not able to convince the audience; then the result is known to all. Latest released Marathi film ‘Bugadi Majhi Sandali Ga‘ goes with the formula, adopted in films of 60s and 70s.
Producer Shyam Singhania and director Mansingh Pawar signed Miss India Universe Beauty queen Manasi Moghe, to play the lead role of a beautiful dancing actress and focused their attention on ‘Lavani’ the traditional dance form of Maharashtra, as the base of the film. In order to make it more musical, they engaged three different music directors. But, as they say, ‘Too many cooks spoil the broth ‘. Barring two songs, the other seven songs in this film, have failed to appeal. And, that turned out to be the biggest drawback of the film. Even the screenplay of this film, with limited content, failed to generate much interest, due to predictable happenings, except for the climax. But, that too had left a hint, in the initial scene of the film. So, don’t miss the beginning.
The story of this film revolves around Shubhangi (Manasi Moghe) who is an orphan, and brought up by a Tamasha dancer Chandraprabha Sanglikar( Deepa Chafekar). Chandraprabha who is in live-in-relationship with Raosaheb, since her younger days, lives in Raosaheb Shinde’s big house, 40 kms away from Kolhapur city. Indrajeet, the only son of Appasaheb Mohite and Padmaja Mohite(Ramesh Bhatkar & Ila Bhate) who are rich and run a trust in Kolhapur. He returns from abroad, after studying music and wants to know more about ‘Lavani’ the traditional Indian dance-music form. That’s how he comes across Shubhangi and falls in love with her. She too gives her heart to Indrajeet.
The trouble begins, when Appasaheb comes to know about their relationship. In the meanwhile, Raosaheb also returns after six years. Watching Shubhangi’s beauty, Raosaheb also make his advances towards her, but Chandraprabha warns him. Everything goes on, as predicted, except for the tragic end. Actually, the film fails to capture the attention of the audience in pre interval stage. In every intense love story, there is strong opposition from other characters. That does not happen in this film. The only negative character is seen playing his cruel act towards the end of the film. Even the opposition from Indrajeet’s parents and Chadraprabha is not very convincing.
There are many such incidences in the film, which fail to convince. As far as the performances are concerned, Manasi Moghe makes a sincere attempt on her debut. She looks beautiful in every scene. But, the director and the choreographer should have paid more attention on her body language & visual expressions in close up. Even, not much attention has been paid on her accent, which should have been in typical Kolhapuri style. Kashyap Parulekar has done well, in the role of Indrajeet. But, his real potential hasn’t been exploited by the director, except for the last scene.
A lot of importance has been given to the character of Chandraprabha, so much so that she is also given scope to perform a baithak Lavani, with a full song picturised on her. Ila Bhate finds her share to prove her acting skills, in two important scenes in the post interval session. In comparison Ramesh Bhatkar is just namesake father in the film, with not much scope for an actor of his caliber. Mohan Joshi plays the negative character in his own style, in the concluding part of the film. ‘Lakshya’ serial fame Jagannath Nivangune, has also been wasted in this film. Other character artistes offer the required support. Good cinematography by Raja Fadtare is the plus point of this film. He has picturised one outdoor song very well.
‘Bugadi Majhi Sandali Ga‘ may not appeal the Mumbai audience much; but might invite some response from places like Kolhapur, Nagpur and other small cities in Western Maharashtra, provided it has found theatres at such places.
‘Katti Batti’ sends a message without deep impact
 Rating: ★★ ½
Genres: Drama Censor: U/A Duration: 125 Min. Studio/presenter: Shivam Creation Producer: Yuvraj Pawar Director: Rajendra Pawar Writer: Rajendra Pawar Lyrics: Guru Thakur Music: Pravin Kuwar Cinematographer (DOP): Sujeet Mahto Cast: Prajakta Yadav, Pritam Bhujbalrao, Arun Nalawade, Dr. Vilas Ujavane, Sanjivani Jadhav, Jairaj Nair, Deepjyoti, Prabhakar More, Mahendra Abhang , Deepali Kulkarni. Movie Review by: Ulhas Shirke |
Falling in love during an adolescence stage, is nothing unusual. But, one should decide the limits and attain maturity quickly, to know what is good and bad in this world. To an adolescent, there is nothing as embarrassing, than to face his or her parents, after the secret love is noticed. Till now, so many films have been made on love during teenage, especially during schooldays.
About seven years ago ffilmmakerMilind Ukey made a Hindi film ‘Humne Jeena Sikh Liya’ with Siddharth Chandekar and Mrunmayee Deshpande , on the same subject. Then we saw Sujay Dahake’s ‘Shala’ giving slightly a different look to the subject and last year, we saw Ravi Jadhav’s ‘Time Pass’ handling the same subject, in an entertaining way. Now, we see producer Yuvraj Pawar and director Rajendra Pawar handling the same subject through their film ‘Katti Batti’, cautioning the teenagers and their parents; about the care to be taken in such cases.
The story of this film is set on the backdrop of a village somewhere off Kolhapur region. Paresh ( Pritam Bhujbalrao)who is studying in 9thstandard in a village school, is in love with his classmate Janhavi ( Prajakta Ydav). Encouraged by his close friend Lalya( Ketan Pawar) Paresh dares to express his love to Janhavi. Not taking him seriously at initial stage, Janhavi then all of a sudden reciprocates. And, then both start dating, only to be noticed by a drunkard Babnya( Arun Nalawade).The news spreads across the village and the trouble begins for Paresh and Janhavi. Paresh’s mother( Sanjivani Jadhav ) is very annoyed; but Janhavi’s father takes a different approach. Being a headmaster of the school, he finds a solution to the problem in his own way. The film does conclude with a message, delivered by Babnya, an irritating, but important character of the film.
‘Katti Batti’ has nothing new to offer , except for the message. The film lacks skilful presentation. However, the director has worked hard to convey his thoughts, through some emotion filled scenes in the film. Watch the reaction of Paresh’s mother, after knowing her son’s love affair and at the same time the approach of Janhavi’s educated father. There is lot to convey through these scenes. Similarly, the stand taken by Paresh’s friend Lalya on two occasions, is also well presented. There is no doubt about the sincere efforts put in by the two debutants Pritam and Prajakta, to express their emotions; but Pritam hasn’t maintained the continuity through his dialogue delivery. It differs on many occasions. In comparison, ketan Pawar steals the show, though in the post interval session, he has very limited scope.
Among the the supporting artistes Dr.Vilas Ujavane, Arun Nalawade and Jairaj Nair have proved their versatility, through their important characters. Sanjivani Jadhav is a waste in this film. Except for feeding her son and shouting at him, she has nothing much to do. Film has limited scope for music, which is also not very impressive. Photography and background music is good. The film has therefore turned out to be an average entertainer .
‘Razzakar’ – Watch only for Siddharth
 Rating: ★★ ½
Genres: Patriotic, Black Comedy Censor: U/A Duration: 125 Min. Studio/presenter: Karrm Movies Producer: Satish Pilangwad Director: Raj Durge Writer: Raj Durge Lyrics: Daasu Music: Mayuresh Kelkar Cinematographer (DOP): Aniket Khandagale Cast: Siddharth Jadhav, Jyoti Subhash, Zakir Hussain, Dr.Sharad Bhutadia, Gautam Patil, Piyusha Kolte Movie Review by: Ulhas Shirke |
Presenting a period story and that too on ‘Hyderabad freedom movement’ is not a bad idea. This historical event had taken place after country’s independence. Not many people today, are aware of this movement and the atrocities of Razzakars’ in Hyderabad region, which was then under the rule of 7th Nizam Mir Usman Ali. Latest released film ‘Razzakar’ takes you to this post independence era of 1947 and 1948, when the Nizam of Hyderabad, refused to be part of Indian states, after India’s independence. He had instead supported the terrorist group of Razzakars’ to form their own army, opposing Hyderbad’s merger into an Indian state.
Set on the backdrop of a small village Khandgaon, in Marathwada region, this new Marathi film ‘Razzakar’ has been presented by producer Satish Pilangwad & director Raj Durge. The film shows, how a youngster Hari ( Siddharth Jadhav) from this village, dared to fight the cruel commander of Razzakar army- Dilawar Khan ( Zakir Hussain) and his people, with the blessings of his mother ( Jyoti Subhash). The screenplay of the film begins with exodus of villagers, with the fear of Razzakars’ attacking their village. But, for next 50 minutes, we only notice the gimmicks of Hari followed by the arrival of a family in the village. Comprising of five people headed by Sadashivrao ( Dr.Sharad Bhutadia), a Gandhian, they try to unite the villagers, to oppose Razakars .
It is only little before the stroke of interval, we actually see the arrival villain Dilawar Khan on the screen, with his cruel methods of killing poor villagers. When, Dilawar and his small army arrive in Hari’s village, Sadashivrao is away to welcome a freedom fighter. So, we notice a dozen of people including village landlord Deshmukh , his son Bali ( Gautam Patil) and Hari taking on the mighty Dilawar. Initially they surrender, with all their gold belongings. But, when Dilawar and his men kill few villagers including Hari’s mother, we notice a brave Hari daring to fight Dilawar and his two men, by first snatching his hen, held by him always in his arms. Finally, we see the Indian army coming to the rescue of Hari, in the concluding scene.
‘Razzakar’ is a sincere attempt by director Raj Durge; but, he has failed to create the required impact of the freedom movement. Instead, he has shown the villagers, most of the time living under fear. The three old men from the village shown gossiping on few occasions, is the best example. The character of Sadashivrao, who is supposed to be a fearless freedom fighter in the initial stages, is seen running away from the scene, after the actual arrival of Razakars in the village.
One fails to understand, why so much of importance was being given to secret love affair between Deshmukh’s son Bali and Sadashivarao’s daughter Iravati( Piyusha Kolte). In most of the scenes, Iravati walks, as if she is walking on the ramp in fashionable white Saree and make up. There is one particular scene, where Deshmukh the landlord collects the Gold ornaments from all the villagers, including those from his wife, but, is seen wearing a thick chain around his neck in the next scene.
However, barring these few errors, the director has tried to present a period story, taking lot of efforts on selection of location and especially presenting the three main characters of Hari, his mother and Dilawar khan. He seemed to have given full freedom to the lead actor Siddharth to go his own way, on many occasions. But, Siddharth has given full justice, to his selection for this role. Jyoti Subhash does well, to express her emotions well. Zakir Hussain is impressive as cruel villain. But, he has nothing different to offer in Marathi , as all his dialogues are in Hindi, in the entire film. It is doubtful, whether such a character can connect with Marathi audience? Actually, the name of the film should have been something different.
Fine photography by Aniket Khandagale, good art work by Narendra Bhagat, suitable background music by Salil Amrute and perfect sound design by Manoj Mochemadkar & Sandeep Madkholkar are the plus points of this film. Not very impressive; but, a must watch film for all Siddharth fans.
‘Chitrafit’ – Will the bold hold good in Marathi?
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Rating: ★★ ½
Studio / Presenter: Jafraan Films Producer: Rahul Borse, Abdul Aarasi Writer, Director: Diwakar Vishwanath Ghodke Music Composers: Yug Bhusal Cinematographer: Sachin Kabir Cast: Ashish Pathode, Seema Azmi, Vipul Patil, Ravi Patwardhan, Gauri Shankar, Shefali Maydeo, Dansing Rajput, Meenal Chirankar, Nerav Soni, Mahesh Rale, Sachin Kabir Movie Review by: Ulhas Shirke |
Marilyn Monroe once said, “Sex is a part of nature. I go along with nature.” Based on this philosophy, producers Rahul Borse, Abdul R.C., Somnath Devkar and Jeevan Patil, perhaps thought of producing this Marathi film ‘Chitrafit- 3.0 Megapixel’ and with the help of writer, director and editor Diwakar Vishwanath Ghodke, they gave a cinematic form to this subject. But, care was taken to pass a social message, by cautioning the young girls, about the hidden cameras, which could capture their private life, even in the mountain forest , during a trek.
Set on the backdrop of a picturesque hilly area called Parini , the film literally takes you on a trek to a adivasi village housed on a mountain and in search of ancient caves located on the top of the mountain . So, you feel, as if you are also travelling along with Shavla (Seema Azmi) a visiting young anthropology student and Sandesh (Ashish Pathode) a fine arts student, who is her guide cum escort. In between their journey, the director gives a hint that every movement of Shavla is being captured, through a hidden camera.
Then we notice Sandesh and Shavla reaching their first destination, for a brief halt at a adivasi village. Here, we notice a typical Hindi film scene of 60s and 70s film, with Shavla dressing up as an adivasi girl and enjoying their group dance and even a drink. The film’s screenplay proceeds further, with Shavla and Sandesh reaching their final destination i.e. the ancient cave with stone carvings and paintings. It is at this place, we come to know the real game plan of sandesh. Perhaps, the use of ‘date rape drug’ (DRD) , mixed with her drink, makes it easy for him.
It is only after few days , while working on her laptop, Shavla discovers her own nude film on a social networking site. Though Sandesh happens to be her distant relative and a friend on social networking site, she informs the police and gets him arrested, for this heinous crime. But, the question that remains in our mind, is whether any young girl would dare to spend a night at an isolated place, in the company of a boy, whom she doesn’t know well ?
‘Chitrafit- 3.0 Megapixel’ is actually a short film, with a message. And, with the above mentioned story of Sandesh and Shavla, it would have ended in 60 to 70 minutes. But, the director perhaps thought of adding few porno film scenes into it, to indicate the ‘blue film’ business of Sandesh and his modus operandi, trapping new girls, to make such films and sell them to overseas buyers at a big price. It is in the concluding part, the film looks like a typical Porn film. No wonder, it has received ‘A’ certification.
There was enough scope for the director to pay attention on Shavla taking revenge in a different way. But, that did not happen. The arrest of Sandesh by Special branch Police, is shown in just one short concluding scene, in this 84 minute length film. Both Ashish Pathode and Seema Azmi have performed their roles convincingly. Ashish is recently seen in Zee Marathi’s serial ‘Ka Re Durava’ in a character role. Hence, a familiar face, while we have seen Seema as one of the girls in the hockey team of ‘Chak De India!’. She is basically from NSD and a stage artist. This was her bold debut in Marathi films. Her voice has been dubbed in Marathi by some one else.
Wonderful camera work, Excellent sound design and superb back ground music add value to this film. This is a first bold attempt in Marathi on this subject. So, it remains to be seen, whether the ‘bold will hold good’ in Marathi?
‘Mitwaa’ – an intense love story with good music
 Rating: ★★★
Genres: Romantic Censor: U Duration: 130 min. Studio/presenter: Minakshi Sagar Production, Video Palace Producer(s): Minakshi Sagar, Amrut Sagar, Akash Chopra Director: Swapna Waghmare-Joshi Writer: Shirish Latkar Lyrics: Ashwini Shende, Mandar Cholkar, Mangesh Kangne Music: Shankar-Ehsaan-Loy, Pankaj Padgan, AmitRaj, Nilesh Moharir Cinematographer (DOP): Prasad Bhende Cast: Swapnil Joshi, Sonalee Kullkarni, Prarthana Behere, Ila Bhate, Aruna Irani Movie Review by: Ulhas Shirke |
Presenting good music with a tragic love story, has always been the tradition of Bollywood films since 70s and 80s. So, don’t be surprised, if someone is inspired by them, while making a Marathi film today. New Marathi film ‘Mitwaa’directed by Swapna Waghmare-Joshi, also goes on the lines of few bollywood films of 80s and 90s. But, barring this, the film counts on good music, excellent performances and superior technical support.
The story of ‘Mitwaa’ is set on the backdrop of Goa and revolves around three main characters , Shivam ( Swwapanil Joshi), Awnee (Prarthana Behere) and Nandini (Sonalee Kulkarni). So, in the beginning of the film, we notice Shivam nearing 40, trying to convince his little daughter, for arriving home late. A successful businessman, he has had a past, full of fun, romancing with different girls. But, as we see him meeting his good old friend Awnee, who manages his business affairs, he narrates her his intense love story with Nandini (Sonalee Kulkarni) .
As we are taken into flashback, we notice a flamboyant lifestyle of Shivam, the young businessman and owner of a big resort. Awnee being his close friend, manages his business, besides looking after all his needs, like a good friend. She also loves Shivam through her heart; but unlike typical girlfriends, is never jealous of Shivam’s affairs with other girls. Nandini, who walks into Shivam’s company, she is the first girl, who does not give much importance to Shivam, besides doing her job with sincerity. Shivam , who falls in love with Nandini at first sight, finally expresses his love to Nandini in a style. But, Nandini who has her own mystery filled past, refuses to marry Shivam. After this event, we notice many dramatic developments in the film’s story.
‘Mitwa’ is not the kind of film, with predictable end. It has a substance, which director Swapna Waghmare-Joshi has used well, to make it more emotion filled; but in the process, she has made it little complicated. The character played by Nandini is no doubt a mysterious character, as per the requirement of story; but on few occasions, she is shown in double mind. An intense love scene between Shivam and Nandini in the lobby of the resort, says it all. Actually, Shivam kisses Nandini in a prolonged scene, in presence of other people waiting and watching in the corridor and Awnee, who is witness to this scene, asking the people to mind their own business. But then, why does Nandini try to keep Shivam away? And, this secret is revealed later.
There are few other lapses in this film. The Goan lady’s character played by Aruna Irani, neither speaks Konkani nor Marathi well. Also, don’t exactly know, the reason for using the premises of an Eye Care Hospital in the film, when we see a patient in Coma. Was it only, because they were co sponsors of this film? Another co sponsor, 9x Jhakas have also used their slide, flashing frequently, during one song cum dance sequence in the film. By the way, the director has made good use of all the other finalists from the Lux 9x Jhakaas talent contest, through small character roles in the film’s pre interval stage. It may be recalled that Prarthana’s selection was made through this talent contest.
Swwapnil Joshi is the real star in this film. He captures all the attention, with his flamboyant as well as emotion filled image. He has also done well, in some intense romantic scenes. Sonalee Kulkarni, does well to present a confused, yet duty bound woman very well. Her character itself is mysterious, in the film, which has generated some interest in the screenplay. Prarthana Behere gives a big surprise, with her confident looking portrayal of Awnee, a matured and composed woman. She looks very glamorous, in this film. She will surely have more fan flowing, after this film. There is less scope for the character of Ashwin Desai played by Sangram Samel in this film. But, without his presence, the film’s story is not complete. Good support comes from Ila Bhate and others.
The film has support of good music. Two songs in this film have been picturised very well. They remain on your lips, even after leaving the cinema hall. The picturesque locations of Goa and wonderful cinematography by Prasad Bhende, add beauty to the film. In fact, the film has a lot of resemblance to 1983 Bollywood film ‘Agar Tum Na Hote’. Similarity is also observed in one of the female characters, who is also brought up in an orphanage.
‘Mitwaa’ produced by Meenakshi Sagar, Amrit Sagar, Akash Chopra and presented by Nanubhai Jaisinghani, is likely to catch up female audience, besides targeting youngsters. Loving couples shouldn’t miss it, on the occasion of Valentines’ Day.
‘Baji’ is a well presented film; but, too lengthy
Director Nikhil Mahajan who made his debut as a director through a detective Marathi film ‘Pune 52′, now offers an action & mystery filled film ‘Baji’. The film is also a grand comeback for Shreyas Talpade into Marathi films after 8 years. But, as far as the screenplay of the film is concerned, it seems to be inspired by few Bollywood films like ‘Kaho na pyaar hai’, ‘Sholay’, ‘Ajooba’, ‘Shahenshah’ and ‘Krrish’. Writer- Director Nikhil Mahajan has paid more attention on making this film a technically superior film in Marathi.
The story of this film is set on the backdrop of a small village Shrirangpur in Maharashtra, which is supposed to be created by a king in 11th century. So, it’s all about the ‘hidden treasure’ in the village and a Superhero ‘Baji’, protecting the same from going into the hands of wrong people. Baji also comes to the rescue of villagers, whenever anybody is in trouble. There is a mystery behind this character of ‘Baji’, as he hasn’t appeared in the village for a long time. And that’s how the film begins, raising curiosity of the audience.
Dipu ( Shreyas Talpade) , who runs a grocery shop, keeps hearing the bravery acts of ‘Baji’ from his girlfriend Gouri ( Amruta Khanvilkar), who has been saved from a mishap by Baji. She is the only person from the village, who believes that Baji would return. Another young man from village, Martand ( Jitendra Joshi), turns greedy and tries to secretly search the hidden treasure. When Dipu comes to know about his plans, he opposes him; but, in the process, he is himself beaten up by Martand.
At the stroke of interval, we notice a twist in the screenplay. Post interval, we see a simple looking Dipu turning a brave man, thus coming to the rescue of villagers, who are used as slaves, by Martand to trace the hidden treasure in the village. So, it’s a straight fight between Martand v/s Dipu. But, Dipu’s mother( Ila Bhate) knows some secrets. The screenplay proceeds with action filled suspense, to see the end of wicked Martand, after a thrilling climax, shot on a running goods train.
In ‘Baji’ it is Shreyas & Shreyas all the way. With his variety of acting skills, he is impressive, from beginning till end. Amruta Khanvilkar has supported him well, as his leading lady in the film. In the entire film, she appears without make up, perhaps to meet the requirement of her village girl image. Jitendra Joshi as Martand, commits all heinous acts, in the post interval session. But, his character is shown cruel only through violence filled acts. There isn’t much scope for acting for him. In comparison, his portrayal of villain in recently released ‘Premasathi Coming Soon’ was much better.
The first half an hour of the film fails to take off with the story. A lot of time has been wasted in showing the friendship and intimacy among Shreyas, Amruta and child artiste Pushkar Lonarkar ( ‘Elizabeth Ekadashi’ fame).But, once the film’s story takes off, it keeps the audience engaged, till the end. The new concept of showing the shadow fight has been used well, in one of the action scenes. The climax has been shot well, but for that the credit goes to action director Stunt Silva and the excellent camera work by Vasu Rane. There is one stunt scene performed by Shreyas to rescue a puppy dog from the roof top. He keeps calling him with the name of a top hero of Marathi film. And, this certainly was in a bad taste.
The sound design and background music is appealing enough, to create suitable ambience during important scenes. The fiery dialogues are appropriate; but, they haven’t been used well, to show the conflict between Dipu and Martand. However, the two folk songs are picturised well, with good music composition by Atif Afzal. In special appearance, Shruti Marathe does well, with her sizzling dance performance, in one of the songs. Nagraj Manjule is surprisingly endearing in the role of a Police officer. Good support comes from Priyadarshan Jadhav, Pushakar Lonarkar, Sandesh Kulkarni , Ila Bhate and others.
Produced by a big group of producers, comprising of Arun Rangachari, Vivek Rangachari , Amit Ahirrao, Suhrud Godbole, Deepti Talpade, Hrishikesh Kulkarni, & Nikhil Mahajan, ‘Baji’ is a well presented film, but is too extensive, in its 170 mins length. However, one can still enjoy this film, without any preconceived notion.
Except for Good music, ‘Ek Taraa’ disappoints
 Rating: ★★★
Genres: Drama Censor: U/A Duration: 130 min Studio/presenter: Raiees Lashkaria Productions Producer: Raiees Lashkaria Productions Director: Avadhoot Gupte Writer: Avadhoot Gupte, Sachin Darekar Lyrics: Guru Thakur, Avadhoot Gupte Music: Avadhoot Gupte Cinematographer (DOP): Amalendu Chauhdari Cast: Santosh Juvekar, Mangesh Desai, Urmila Nimbalkar, Sagar Karande, Tejaswini Pandit, Abhedya Gupte Movie Review by: Jitendra R More |
Known for his films on social issues like, Politicians exploiting their party workers, the politics behind community festivals and inspiring Marathi youth to start business in other states; Avadhoot Gupte hasn’t offered much , through his latest film ‘Ek Taraa’. As a story writer, lyricist, singer and above all, the director of this film, Avadhoot dosen’t seem to have paid attention on restricting the length of the film. The only plus point of the film is its music, which offers variety.
Alandi seems to be the new destination for the lead characters of our Marathi films. So, in ‘Ek Taara’ we find another ‘Mauli’, who is not a protagonist, but a singer. The story of ‘Ek Taraa’ revolves around this local singer Dnyaneshwar Lokhande , who is popularly known as ‘Mauli'( Santosh Juvekar). Mauli sings devotional songs in his village, to carry forward the legacy of his father ( Mangesh Desai).
The film begins with an All India Music contest, with Mauli as one of the finalists. From there, the film goes into flashback, where we see Mauli preparing himself to take part in a reality singing contest in Mumbai. During the final round, we find his fiancée Chatura( Urmila Nimbalkar) and close friend Vithu( Sagar Karande) also joining him, to boost his morale. Undoubtedly, Mauli wins this contest and carries home a big booty .
Mauli marries Chatura and comes back to Mumbai. He signs a big contract with a channel, through a foreign returned E.P. of that channel Urja( Tejaswini Pandit). The business tactics of this channel are exposed in the film. Mauli also slips and falls into the trap of ‘wine and woman’. He frequently insults his wife and close friend and dares to share the bed with Urja in his own house. Both Chatura and Vithu after facing humiliation, return to their village.
In the post interval session, we see the film trailing , with Mauli falling into the trap of underworld. The director has not justified the behavior of two important characters of Mauli and Urja. How can a person with proper upbringing, change all of a sudden, to sleep with another woman, by asking his wife to sleep in a guest room ? How can he join the underworld group ? Also, how can a well educated big executive stoop so low, as noticed through some of her acts ? The concluding scenes in the film, are done hurriedly , i.e. to conclude with Mauli’s reunion with his family, after few years and his little son Omkar (Abhedya Gupte ) also acquiring singing talent. At the end of the film, we even see a complete devotional song picturised on him.
Santosh Juvekar has done a good job playing different shades, through his character. He finds good support coming from his co star Tejaswini, but, their chemistry doesn’t work well, as throughout the film, the audience develop a soft corner towards Chatura, who finds a better role this time in Marathi, after her debut through a cameo ‘Dum Dum Diga ..’. few years ago. Popular small screen comedian Sagar karande, finds a good role, to express his emotions well. Others in the cast, like Producer Raees Lashkaria as the channel head, Sunil Tawde as village Sarpanch, Amol Gupte as underworld Don and few others are just fine. Amalendu Chaudhari’s cinematography and Avadhoot Gupte’s music are the only plus points of this film, besides good performances by the artistes.
‘Balkadu’ inspires ‘Marathi Manoos’, to fight injustice
 Rating: ★★★
Genres: Drama Censor: U/A Duration: 124 Min. Studio/presenter: Maratha Entertainment, Sanjay Raut Producers: Swapna Patkar Director: Atul Kale Screenplay: Ganesh Pandit, Ambar Hadap Director of Photography: Ajit Reddy Editor: Ashish Mhatre, Apurva Motiwale Cast: Umesh Kamat, Neha Pendse, Prasad Oak, Anand Ingale, Tiku Talsania, Bhau Kadam , Sharad Ponkshe, Pushkar Shrotri Movie Review by: Keertikumar Kadam |
Presented by Sanjay Raut and produced under the banner Royal Maratha Entertainment the new released Marathi film ‘Balkadu‘ is produced by Swapna Patkar and directed by Atul Kale. This film is inspired from one of the most charismatic socio-political persona of recent times, late Balasaheb Thackeray.
Balkadu’s story is about a simple and straightforward Balkrishna Patil, a young history teacher in a school, possessing special ability to hear voices of great historical figures like Nehru, Shastri, Savarkar, Subhash Chandra Bose and Balasaheb Thackeray. Balakrishna, who originally resided in a Lalbaugh chawl, had to shift his residence to Nalasopara during his childhood. After many years, he meets his close childhood friend Sai Bawdekar (Neha Pendse).
When he shares his thoughts with Sai, she understands him and supports him, in his every action. besides She helps him to do a part time job as a dubbing artist in Marathi, in her history channel, where she works as EP. After seeking help from a psychologist, the voices Balakrishna hears, vanish but one voice clings onto him, i.e. Balasaheb’s voice. How a simpleton, who turns into an angry young man, for betterment of local people, is the story of the film.
In the film, Director has tried to do a sincere job, he has smartly used Balasaheb’s voice-over, to create the impact in certain scenes. Balasaheb’s interactive dialogues with the lead actor, are well crafted and make an interesting watch. The ‘cartoon’ aspect is also creatively used. There is a lot to be desired in screenplay department (Ganesh Pandit, Ambar Hadap) which seems disjointed. In fact, it starts with a promise of a good screenplay, but goes wayward towards the latter half. It has become unnecessarily lengthy and preachy towards the end. Aman Vidhate’s art direction is satisfactory and so is music (Ajit-Samir), though the ‘Powada’ is very good. Avadhoot Gupte’s song is very well used in background. The costumes are satisfactory, but Neha Pendse‘s costumes are more impressive and stand out.
The saving grace of Balkadu are the dialogues and performances. Especially, the Dialogues are fabulous . They have the required punch and comic punches, which are smartly interlaced. Umesh Kamat has come out of his comfort zone and has essayed the lead role with conviction. He scores points in wittiness and subtle timing. Neha Pendse does what was expected of her and looks ravishingly stunning, on screen. Prasad Oak carries a negative shade reasonably well. Rest of the cast, Anand Ingale, Tiku Talsania, Bhau Kadam , Sharad Ponkshe, Pushkar Shrotri lend good support. Supriya Pathare as mother, steals the show with her comic timing used in simple situations.
‘Balkadu’ is a must watch for Balasaheb’s followers scattered all over Maharashtra. Others may like it watch it, for good performances.
‘Classmates’ displays excellent team work
 Rating: ★★★★
Genres: Drama, Romantic, Musical, Suspense Censor: U/A Duration: 130 min Studio/presenter: Video Palace, S.K. Production Films Producer: Suresh Pai Director: Aditya Ajay Sarpotdar Writer: Kshitij Patwardhan, Sameer Vidwans Lyrics: Guru Thaakur, Kshitij Patwardhan, Manndar Cholkar, Satyajeet Ranade Music: Amitraj, Avinash-Vishwajeet, Troy-Arif, Pankaj Padghan Cinematographer (DOP): K.K. Manoj Cast: Ankush Choudhary, Sonalee Kulkarni, Sai Tamhankar, Sushant Shelar, Sachit Patil, Siddharth Chandekar, Suyash Tilak, Pallavi Patil, Sanjay Mone, Kishori Shahane, Ramesh Dev. Movie Review by: Jitendra R More |
Every parting indicates a big loss; but, every reunion is a reminiscence. Based on this philosophy is ‘Classmates’, the latest offering from Aditya Sarpotdar. No matter, this film is an authorised remake of a South film, with the same name, Aditya has used his past seven years experience, to skilfully captain his team of talented performers. Set on the backdrop of a college life during 90s, the film begins with a scene 20 years later, when the classmates of 1995 batch reunite for a purpose, in their college. So, we witness the seven batch mates comprising of Satya (Ankush Chaudhari), Appu(Sai Tamhankar), Aditi (Sonalee Kulkarni), Rohit Bhosale, now a MLA (Sachit Patil), Pratap, now a Police Inspector( Sushant Shelar), Amit(Suyash Tilak), now husband of Appu and Heena ( Pallavi Patil), a Muslim woman and close friend of Aditi; attending the opening ceremony of the Music section in memory of their departed friend.
They are all welcomed by the lady principal (Kishori Shahane Viz), mother of late Ani (Siddharth Chandekar). As they are about to meet late in the evening, after the function, an unfortunate accident takes place in respect of one of their classmates. This being a biggest twist in the story, the film progresses with the investigation of the accident and at the same time, taking the viewers into flashback, to show the happenings twenty years ago, while they were in the college. So, we witness the acts of ragging, which prevailed those days, the rivalry between two groups, with the entry of politically backed youth wings, dance n music and of course the love affairs. In short, it is all in one contribution of action, saga, friendship, music and revenge.
Best thing about the film, is its well written screenplay by Sameer Vidwans and Kshitij Patwardhan and suitable dialogues by Kshitij, to meet the requirement of the realistic college lifestyle, during that period. But, above all the director Aditya Sarpotdar shows his presence through many important scenes. Watch the scene, where ace swimmer Sachit Patil folding his call letter from foreign university for admission, to support one of the tilting legs of the side table in his house.
This clearly displayed the gravity of the situation, where his father who is in deep trouble in Politics, requiring the support of his son and the son offering the same, through this act. Very cleverly, he has managed to unfold the mystery, in the screenplay. Though he gave a Marathi feel to this film, the two songs have a south Indian flavour. Even otherwise, barring two songs, the music is not very impressive. Perhaps, too many cooks couldn’t match well, with each other. But, the background score is simply fabulous. Good support comes from impressive camera work and sound design.
In the acting department, three actors have shown maturity in their acting, while portraying their respective characters. They are Ankush Choudhary , Sachit Patil and Siddharth Chandekar. All three of them stole the show, displaying diversity . The director has exploited their full potential. Among the females, Sonalee Kukarni has also shown lot of improvisation, in the role of Aditi. Sai Tamhankar suits well in the role of possessive Appu, but her performance is more dependent on the dialogues offered to her. Sushant Shelar and SuyashTilak are convincing, but Pallavi has been wasted in the role of Heena. Not much scope was given to this promising new find actress, who was picked up from the talent hunt programme of 9X Jhakas. Veterans like Kishori Shanane, Ramesh Deo and Sanajy Mone offer good support. But, the ultimate winner is Aditya Sarpotdar. He really stands tall, for his effective presentation style, in this story based and suspense filled film.