‘Superstar’ – a formula based film
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Rating: na
Presentor & Producer: Sakshi Entertainment Director: Mahendra Kadam Story: Mahendra Kadam, Sachin Mote Music: Ajit – Sameer Camera: Rahul Jadhav Cast: Siddharth Jadhav, Paddy Kamble, Megha, Rajan Tamhane, Nikhil Ratnaparkhi, Nandkishor Choughale, Prashant Tapasvi, Yogini Chowk Movie Review by: Ulhas Shirke |
Generally, a leading artiste who is also the producer of the film, would want himself or herself to be presented with prominence . The latest Marathi film ‘Superstar’ though speaks about the friendship between two standup clowns (Ranga and Bajya) in a Tamasha party from a village called Parambi, it revolves more around the character of an actress – Megha, played by debutant Megha Dhade, who is also the producer of this film. In the process, she has offered a formula based film. If she were a typical Bollywood producer, she would have said, “Meri film mein action hai, fantasy hain, romance hai, emotion hai aur comedy bhi hai”. In short, as a producer of this Marathi film, she has tried to follow the Bollywood path of 70s and 80s.
In this film, Megha comes across Ranga (Siddharth Jadhav), who is a popular clown from a village Parambi. Ranga along with his dear friend Bajya (Pandharinath Kamble) come to the rescue of a Film unit, in their village, when their main artiste gets delayed and the local crowd gathered in a hall goes out of control. Megha is particularly impressed by the act of Ranga and she along with her unit thereafter get an opportunity to witnesses the rehearsal of his folk art. So impressed is the producer (Rajan Tamhane) that he plans to use their theme for a film. He even agrees to make Ranga the new star opposite Megha and even invites his entire team to join the film.
Bajya is bit hesitant having experienced the tragedy of his mother and aunty in the past but, finally gives his nod. Soon he discovers that his original script is changed for the cinematic presentation and the credit being taken by the director (Nikhil Ratnaparakhi). Not only Bajya but his other group members except Ranga are ill treated by the film’s unit. Ranga being in the good books of Megha and being a hard working ambitious artiste, in fact becomes a darling of the unit.
The film’s director Mangesh Kadam has cleverly used this situation to show the difference when a versatile Tamashaa artiste is made to act in the film. Very cleverly he has shown that the creativity is lost in the process. The film picks up considerably better speed to present the screenplay but the frequent songs added in the film interrupt the process. Music is not bad, but it fails to make an impact after you leave the theatre.
Excluding two songs, the other songs were irrelevant in the film’s Author backed story. Even two of the scenes towards the end have been stretched too long. One can understand about branding of a particular product helping to a certain extent in co-sponsorship; but deliberately asking the leading lady in a scene to go into the vanity van and then displaying the product was almost like shooting an ad film into film; giving an awkward look. As it is there was a feature film titled ‘Parambicha Bapu’ being shot into this film and therefore this ad addition looks like an ad played during a short break. The two and half hour film should have been cut to size two hours instead.
Siddharth Jadhav successfully portrays a crazy village boy who later transforms into a self-assured actor with a pride. But, it is his friend played by Pandharinath( Paddy) kamble, who comes up with a memorable performance. Paddy has different shades in his role and the talented actor has proved that he is not only a good comedian but can be considered for emotion filled serious roles too. Being a debutant, Megha Dhade in the role of an actress has given a satisfying performance. There is no doubt that being a producer herself, she has taken more footage, but in the process there has been injustice to other leading lady Yogini Chouk. In the role of Sukhee, the would be of Ranga and sister of Bajya, she just remains a namesake character serving tea and food to the group. In short, a talented actress of her caliber, who has won the Maharashtrachi Superstar TV award, deserved a better deal. Others in supporting cast, especially the other team members of Ranga-Bajya group have performed very well.
Only other actor who got a better deal in this film is Nikhil Ratnaparakhi. While playing a film director’s role, he has proved that acting makes a big difference while portraying any character. No wonder, today he is the most popular model on television ads. Excellent photography by Rahul Jadhav and wonderful art direction by Mahesh Salgaonkar are the two highlights of the film. Overall, the film is filled with good dialogues by Sachin Mote , but some of them were repeated.
Although Superstar sells dreams to village folks with a captivating plot, a more gripping screenplay and clever editing could have made a big difference.
Realistic ‘Janma’ is absorbing
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Rating: na
Presenters: Kajalkiran Kanakdhara Films Producers: Tapan Acharya, Kajal Kiran Director: Shirish Rane Story : Anand Mhasvekar Screenplay: Anand Mhasvekar Cinematographer: Rahul Jadhav Cast : Veena Jamkar, Reema, Ashok Shinde, Arun Nalawade, Sanjay Mone, Varsha Usgaonkar Movie Review by: Ulhas Shirke |
We all had heard about this Marathi film ‘Janma’ winning many awards at the film festivals and at the Award functions. But, unfortunately, the film was not finding a distributor for a long time. Finally, last week, the film was released and the makers had a sigh of relief while thanking the good Samaritan Sandeep Patil, who came to their rescue.
‘Janma’ presents a realistic tale in the life of a woman – Vandana Sarpotdar (Reema Lagoo) who is a divorcee mother with her only college going daughter – Nisha (Veena Jamkar) struck by leukemia (blood cancer). She struggles to find matching stem cells and bone marrow for her daughter. When a kind hearted doctor (Ashok Shinde) suggests her that only her blood offspring can have matching cells, she seeks help from a Gynaecologist (Smita Talwalkar).
But, things are not that easy for her, as she is 50 years old. Vandana is prepared to take all chances to save the life of her beloved daughter and takes the risk of delivering a baby. She even manages to persuade her ex-husband (Dilip Gujar) who is in relationship with another woman. Through artificial insemination, they produce the desired results but in the process they face another challenge in their life.
Writer Anand Mhasvekar and Director Shirish Rane have succeeded in presenting a realistic tale in an effective manner through an absorbing screenplay.
Paying more attention on the script, instead of unwanted additions required for cinematic format, the film holds the audience to their seats. Every scene has been presented with perfect home work and deep study of advancing medical science. Watch those scenes where the mother is told by her daughter’s attending doctor that the matching stem cells can be possible through her blood offspring and when the Gynecologist reveals the dangers of getting pregnant at 50.
Music does not have much to do with this film, but Mithilesh Patankar has provided a good support to the captivating screenplay. Sachin Natekar’s editing is perfect and so is the camera work by Dhananjay Kulkarni, while capturing all those emotion filled scenes of Mother and daughter. Well suited to his close up shots, all the artistes have performed very well.
This is a film especially for Reema Lagoo and she has given an outstanding performance in that tailor made role. No wonder, she has already won some awards for this role. Veena Jamkar has also played that difficult role of Nisha with confidence. Her body language suggests everything about her ailment. Dilip Gujar has limited role to play, but in two scenes he reacts very well, when he finds two separate rooms booked by his ex-wife and when his wife suggests him for an artificial insemination to serve the purpose. Anand Abhyankar as a well wisher family friend, Ashok Shinde as a doctor at the Cancer Institute and Smita Talwalkar as a Gynecologist, have given a satisfying performance. Others in the college campus are just fine.
The film not only creates that required impact on the audience with its unique attention-grabbing content but also goes on to educate the audience about the progress of medical science.
‘Pangira’ shows the way to Rural sector
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Rating: na
Presentor: IDream Production Producer: Shripal Morakhia Director: Rajeev Patil Story: Vishwas Patil Music: Vijay Narayan Camera: Amalendu Chaudhary Cast: Meeta Sawarkar, Pramod Pawar, Kishor Kadam, Santosh Juwekar, Shashank Shende, Chinmay Mandlekar, Dhananjay Mandrekar, Narayan Jadhav, Smita Tambe, Hemangi Kavi, Sharvani Pillai, Prashant Patil, Nandinee Jog, Madhugandha Kulkarni, Girish Salvi, Ravi Tayade and Upendra Limaye, Sai Tamhankar. Movie Review by: Ulhas Shirke |
In our country, while describing a ‘farmer’, the image that comes to our mind is often that of a hapless, debt ridden face full of despair searching for a pesticide bottle to consume and kill himself. In spite of having nearly 60 per cent of India’s population dependent on the agricultural income for their livelihood, we are yet to find freedom for such people.
The latest five year plan says 78% of India’s farmers are small and marginal. They obviously cannot derive any benefits from economies of scale in their small, fragmented holdings. It is only because they are still unorganized sector. Without institutional access to modern technologies or financial services they cannot make investments to improve productivity of their lands. Poor infrastructure and connectivity to power, telecom and roads further compound their competitive disadvantage.
How can we expect an average Indian farmer to become a successful entrepreneur in such an environment ?. In Maharashtra the situation is no different. In fact, it is the worst in some of the villages. Writer Vishwas Patil has rightly described the tragic tale of one such village, where the politicians exploit the villagers with their divide and rule policy. Sajay Patil who gave a cinematic form to this story by developing it and ‘Jogwa’ fame director Rajiv Patil directed it to convey the message to the society and also open the eyes of our selfish politicians with their latest film ‘Pangira’.
‘Pangira’ is actually the name of this village, where all these catastrophic events take place. A young woman Sumitra ( Meeta Sawarkar) enters this village with the support of a retired teacher Appa ( Pramod Pawar) and starts her studies on the management of water resources and Agricultural growth in that village. She soon discovers that the kind of traditional crop grown in that village needs more water and in the scarcity of water and dependency on rains it becomes difficult for the farmers to grow their crop. The right and left hand (Kishor Kadam & Santosh Juvekar) of the local MLA ( Upendra Limaye ) play their dirty games to capture the local village body with the help of their few supporters. They keep on exploiting the poor families by creating infightings among them leading to division of lands and families.
Sumitra with the support of few sensible people living on the upper side of the village dares to challenge the local body and their decisions, when she sees the situation going out of control. She suggests the farmers from the village to grow the crop requiring less water. She also arranges distribution of free saplings with the help of district collector. But, when the entire village take the onions for sale to the market, there is another scene created by the bulk buyers. It comes to the notice that the local MLA has played his hand-n-glove game with bulk buyers; where even Police cannot do anything. The situation again goes out of control, due to the aggressive farmers turning desperate for their rights and police firing is ordered. The sacrifice by some of the villagers finally help achieve peace and prosperity.
‘Pangira’ is a realistic truth of what is happening today in the state of Maharashtra. The film clearly exposes the corrupt system and at the same time educates the farmers, suggesting them to remain united and be self sufficient; learning more and more about latest technologies, rather than becoming dependent on local politicians. Very cleverly the film has shown how the ruling and opposition party people gain their advantages at their cost. It is a social film with a clear timely message, throwing light on today’s burning situation in the state.
Meeta Sawarkar has played the central character with total commitment. She gets very good support from Pramod Pawar, Chinmay Mandlekar, Smita Tambe, Shashank Shende Shravani Pillay and others. Chinmay and Smita playing the helpless husband and wife are simply superb. Smita in particular displayed her real skills through not only emotions but also through her natural body language of a village woman. The way she sits in total squat position anxiously waiting for the result of the bore well drilling, is one of the best scenes in the film. The climax scene showing the agitation of the farmers in the market yard has also been captured well through the lenses of Amalendu Chaudhary. Music by Vijay Narayan goes well in the background for this kind of a film. Rajeev Patil has excelled once again with his skillful direction.
‘Aata Ga Baya’- Comedy of Errors
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Rating: na
Presenter: Katha Productions Producer: Sanjay Narvekar Director: Sanjay Narvekar Story: Yogesh Soman Music: Ajay – Atul, Pankaj – Pushkar Cinematographer: Sandeep Patil Cast: Sanjay Narvekar, Pooja Sawant, Jeetendra Joshi, Atul Parchure, Kamalakar Satpute, Arun Nalawade, Nivedita Saraf, VIju Khote, Pandharinath Kamble Movie Review by: Ulhas Shirke |
Now a days, Marathi films seem to be going on the lines of Drama style comedy. We have just seen it happening inZee Talkies film ‘Mast Chalalay Aamcha’. Now, Sanjay Narvekar’s own film ‘Aata Ga Baya’ copies the same style of comedy, but with a subject that has been witnessed in many Marathi films in the past. Luckily for Marathi Cinema, we have plenty of talented artistes to support each other in any comedy sequence and that becomes easy to set the timing for any scene to create the required laughter.
‘Aata Ga Baya’ written by Yogesh Soman and directed by Sameer deals with the topic of a happy go lucky boy Manya (Sanjay Narvekar) not taking interest in his family business but more keen on marrying the girl -Manee (Puja Sawant) who is the only daughter of Mr. Ghorpade (Arun Nalawde) from a royal family. Finally, they get married with the support of girl’s aunt- Akka (Nivedita Saraf) and boy’s father (Satish Pulekar) besides the blessings of boy’s late Nanee (Sanjivani Jadhav)who speaks only to her family members live from her Portrait.
When the young duo seek her blessings after marriage, she unites them together with her special powers (given by the director) in such a way that their souls enters each other to tackle the situation arising out of the opposition to their marriage and to provide both of them safety from their opponents. This gives enough of scope in the remaining film for a fantasy. Manya’s two friends – Kamlakar Satpute and Pandharinath Kambli join the couple in their fight against their opposition comprising of Mr. Ghorpade, the Police Inspector (Jeetendra Joshi), the girl’s new would be Atul Parchure and his father Mr. Mone (Viju Khote). Manya’s father-in-law does not recognize his marriage and is in a hurry to get his daughter married to Mr. Mone’s son. This hide and seek show goes on till the end of the film creating that required humour, but not enough to make audience laugh spontaneously, as most of the scenes are predictable except the climax.
Looking at the other areas of the film, the music provided by two different pairs doesn’t impress much, except for one of the three songs, where no instruments have been used for creating music of that honeymoon song. The producers claim that the song has received recognition from Guinness Book of World Records. Editing is not to the satisfaction. Even the screenplay is weak. The films drags on till the interval with the screenplay going off track. The 16 reels film should have been sized to 14 reels instead. Looking at the presentation, such a film can only entertain those who love to watch similar type of action comedy on stage.
There is wider scope for artistes with spontaneity like the typical button artistes who can quickly change from one form to other. Sanjay Narvekar being a master in this art, ideally suited in that role with his perfect timing for comedy and action together. Being a versatile actor, he shouldered the responsibility on his shoulders; well supported by the entire team comprising of Puja Sawant, Arun Nalwade, Nivedita Saraf, Satish Pulekar, Kamlakar Satpute, Pandhari Kambli, Sanjivani Jadhav, Atul Parchure, Viju Khote, Jitendra Joshi , Pushkar Shrotri and others. Some popular celebrities like Rohini Hattangadi, Shipa Navalkar, Suhas Paranjape, Vishakha Subhedar also join in guest appearance.
With nothing special to offer besides the usual comedy, the film turns out to be an average entertainer.
Larger than life ‘Balgandharva’
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Rating: na
Presenter: Iconic Chandrakant Productions Pvt. Ltd. Producer: Nitin Chandrakant Desai Director: Ravi Jadhav Story: Abhiram Bhadkamkar Music: Kaushal Inamdar Cinematographer: Mahesh Limaye Cast: Subodh Bhave, Suhas Joshi, Madhu Kambikar, Kishor Kadam, Avinash Narkar, Sagar Talashikar, Anand Abhyankar, Vibhavari Deshpande, Prachiti Mhatre… Movie Review by: Ulhas Shirke |
Some films are to be seen, some to be enjoyed, but very few films are to be sensed. Nitin Chandrakant Desai’s Biopic on ‘Balgandharva’ is one such masterpiece which is not only a tribute to the legend but is also an experience to peep into the life of the dedicated artiste of yesteryears. At a time when India was under British rule, sometime in early 19th century no females performed on stage. It was during this period that a talented artiste who was groomed since his childhood by Kirloskar Drama Group, played the roles of females and even entertained the theatre audience with his classical songs in gifted voice. Musical plays were very popular those days and the popularity of actor Narayanrao Rajhans took him to the top.But, as rightly said by Abraham Lincoln, “Avoid popularity if you would have peace.” In the life of Narayanrao, there was not much gain or peace though he touched the height of popularity. He devoted his life only for theatre. Spent lavishly on sets and costumes. Director Ravi Jadhav in his little more than 2 hour long film has tried to show how on his way to success, Narayanrao lost the support of his close associates one by one. In the process, he has depicted his strengths and weaknesses. Not many were aware of his interactions with Lokmanya Bal Gangadhar Tilak, Shahu Maharaj of Kolhapur, The Maharaja of Baroda Sayajirao Gaekwad, Annasaheb Kirloskar , Ram Ganesh Gadkari, Baburao Painter and V. Shantaram. From the beginning till end, the director has tried to include all those important incidences, besides having a glance at all those popular musical plays of which he was a part and the classical songs in each one of them rendered by him.
What makes this movie larger than life is for creating that era of early 19th century on screen, with perfection. Just look at the costumes of every character and the superb art design, supported by suitable sound effects in the background for every important scene. Watch that scene where the businessman Laxmichand Narang a great admirer of Balgandharva, appreciating him after hearing the news that he had even performed the show even on the day of his daughter’s death. Listen to that background sound effect and it gives the feeling that he is really based in Karachi. Watching that outdoor scene when the Moneylender Pathan approaches the team of Balgandharva after the show and you actually sense the sudden arrival of a drizzle.
Marathi theatre is blessed with talented artistes and therefore the film has picked up the right people for the right roles. In the team of Balgandharva’s theatre group, we find promising youngsters like Abhijit Kelkar and Siddharth Chandekar dressed up as females, Vibhavari Deshpande playing that emotion filled role of his distressed wife, Suhas Joshi playing a typical old mother of Balgandharva belonging to that era and Kishore Kadam, Vidyadhar Joshi, Avinash Narkar, Rahul Deshpande and others as his stage associates. Greatness shown by some of the artistes like Manoj Joshi as Seth Laxmichand and Madhav Abhyankar as Pant from Bhor Province is that it did not matter for them how big was their role. Same was the case with Smita Shewale and Vishakha Subhedar . They hardly have one scene but they both were all smiles for being part of this mega film. Surprisingly the producer and art director also played that small but important character of Lokmanya Tilak, as an admirer of Balgandharva.
Three more persons who add luster to the film are Singer Anand Bhate, Music composer kaushal Inamdar and cinematographer Mahesh Limaye.
If one has to find faults, there will be very few; but looking at the sincerity of the producer and director besides the artistes it nullifies them in that effective screenplay of the film.
‘Mast Chalalay Aamcha’- Laughter is the best medicine
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Rating: na
Presenter: Zee Talkies Producer: Atul Maroo, Ketan Maroo Director: Sachin Goswami Story: Sachin Mote Music: Amir Hadkar Cinematographer: Anil Khandekar Cast: Bharat Jadhav, Vijay Patkar, Bhushan Kadu, Vishakha Subhedar, Kamalakar Satpute, Bhalchandra Kadam, Kishori Ambiye Movie Review by: Ulhas Shirke |
New lifestyle has forced today’s common man under tremendous stress. A bank manager is worried about the boy of his daughter’s choice and strange behaviour of his wife. A housewife is worried about her husband’s affair. An auto-rickshaw driver wants a break after a tiring day. A female Vada-Paav vendor is trying to save her money from her alcohol addict husband. A policeman is making all efforts to find a good sound sleep after overworking. Above all, the common man in general is fed up with the happenings around. The news on scams and the violent type of TV serials are already bothering him and his family members. All that he needs is distressing in the form of entertainment. Laughter is the best medicine and very few can offer it at a cost.
But, Zee Talkies’ new film ‘Mast Chalalay Aamcha’ comes with an ideal prescription for distressing. Produced by Shemaroo and distributed by Zee Talkies, the film offers non-stop entertainment for all age groups. It is not an easy job to keep the audience involved in laughter for more than an hour, but the duo comprising of Sachin Mote, the writer and Sachin Goswami the director with all their stage experience behind, have succeeded in offering something in a cinematic form to the people of Maharashtra, who certainly needed that break to relieve their stress. The film is based on the popular Marathi play ‘Ek Daav Bhatacha’.
Picking up a simple theme dealing with attitude of different persons from the same family, the film tries to link them with few characters in the society to create enough of humour lasting for a little more than two hours. The actual story of the film revolves around Madhav Bhatt (Bharat Jadhav) a branch manager with a bank, who is worried about the presence of his son-in-law (Bhushan Kadu) an auto-rickshaw driver in his house, as his only daughter (Devyani Deshmukh) has married against his wish. His wife (Vishakha Subhedar) is however very much pleased with her son-in-law, as he knows how to please his mother-in-law. Ms. Bhatt is a devotee of one Anna-Baba (Vijay Patkar) who does all his tricks related to superstition, to invite the attention of his devotees.
Now, how the family is linked with a Vadaa Paav vendor Vastlabai Khade (Kishori Ambiye), her alcohol addict husband (Kamlakar Satpute) and a Police constable (Bhalachandra Kadam) is another story. But, the main plot revolves around Madhav Bhatt and his son-in-law Baban Thorat. Very cleverly the writer and director have presented every scene with relevant dialogues to create that spontaneity to produce laughter. A perfect timing maintained by all artistes further makes this film more hilarious. In the recent past, we have seen comedy films, but ‘Mast Chalalay Aamcha’ presents a comedy with a difference. This was possible only due to efforts of the skilled writer and talented director to produce that desired effect.
Marathi films generally don’t require big star-cast, if the script is superior. This film has only one big star in the form of Bharat Jadhav and the others being talented bunch of artistes from stage and TV shows. But, watching their respective performances, certainly makes you think about their tremendous potential. And, if you have to measure their performances, they all had a very good team work. Bharat Jadhav, Vishakha Subhedar, Bhushan Kadu, Kishori Ambiye, Devyani Deshmukh, Kamlakar Satpute and Bhalchandra Kadam all contributed equally towards the neat presentation of this film. None of them over acted and when the time came for the same in the climax, the director concluded the film. Though there are few predictable scenes, the film still manages to entertain frenziedly. The scenes between Bharat Jadhav and Bhalchandra Kadam are more appealing. One wonders as to why the latter has not been offered roles in films? With perfect editing, good photography and limited music, the film does offer a complete entertainment package to all sections of the society.
‘Taryanche Bait’ – reminds about values
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Rating: na
Company: Alt Entertainment Producers: Friday Filmworks, Shobha Kapur, Ekta Kapoor, Sheetal Bhatiya Director: Kiran Yadnyopavit Story : Saurabh Bhave Camera: Sudhir Palsane Music: Nandu Ghanekar Cast: Sachin Khedekar, Ashwini Giri, Ishaan Tambe, Asmita Joglekar, Kishore Kadam, Vinay Apte, Shubhangi Joshi, Sahashank Shende Movie Review by: Ulhas Shirke |
Ancient Greek Philosopher-Socrates said “Contentment is natural wealth, luxury is artificial poverty.” Based on this philosophy, Ektaa Kapoor and Shobha Kapoor’s first Marathi film ‘Taryanche Bait’ touches upon one such sensitive issue of Globalisation and its impact on a simple but happy family living in a small village in Konkan, the coastal part of Maharashtra. Every individual has his own dreams and should be content with whatever comes to his share. At the same time, he has his own limitations, when it comes to giving promises to others; as fulfillment of the same should not become a burden on him.
Time has changed but not the family values and relationships. ‘Taryanche Bait’ penned by Saurabh Bhave of FTII, is a simple tale, yet something special to which every person would relate. And, that’s the reason director Kiran Yadnyopavit and Creative director Neeraj Pande( ‘A Wednesday’ fame) worked hard on the screenplay of this film, to give a sensible message to the society. And that is what Social activist Mr. Anna Hazare through his recent movement has suggested to the society.
The film does have a tongue-in-cheek humour, while projecting the harsh realities of life. Today, it is the new generation, which is quite frank about everything. They are bold and clear about their demands. When it comes to preparing for the exams the parents are promising big things, so that their child does it with the temptation of being suitably rewarded. But, many a times, the promise made by parents to their children is beyond their capacity to fulfill, when the time comes. And that may lead to corruption. It is this simple tale of father and son that we witness in ‘Taryanche Bait’.
Sachin Khedekar, who is a gram panchayat clerk and head of the family, lives happily with his mother, wife and two children in a village in Konkan. On one such occasion, while he is required to go for his office work on a weekend, he takes his family along with him to Mumbai, where his 10 year old son Omkar is lured by city life. He insists on visiting a five-star hotel, but the father refuses; as he cannot afford it. Unable to pacify his son, the father promises a night’s stay at the same hotel, if the son stood first in his school exams. Thereafter begins their effort to win the bet, forcing both of them to face some harsh realities in the bargain.
Simultaneously, the director portrays the other three characters played by Shubhangi
Joshi, Ashwini Giri and Asmita Joglekar in the roles of Mother, wife and daughter- Meera , in such a way that it goes on to show the existing culture of the region, where a female plays a very important role in the right upbringing of a child. In one particular scene, the wife dares to slap her son on making unnecessary demands and even questions her husband about the income from unethical practices. “It is the hard earned money that is sufficient for happy living,” she suggests. And therefore, whatever earned through immoral means, goes into the drains in the form of sickness of family members or through other ways. This is clearly suggestive through two important scenes in the film.
Very cleverly, the director has concluded the film’s tale, when the father and son duo almost make up their mind to visit Mumbai and land at the glittering island to fulfill their objective. The climax has been shot well, keeping the audience engaged. The film makes a good impact for the manner in which the emotional part has been mixed so well throughout, with light humour. ‘Taryanche Bait’ has therefore not only succeeded in passing a social message at the most appropriate time, through its sensible content but has also managed to entertain the film lovers. It also reminds one and all of the famous proverb, ‘‘As you sow, so shall you reap,” and also suggests that Time has changed but not the family values and relationships.
Sachin Khedekar, playing the father’s role, is simply superb displaying his natural acting skills with ease. Ashwini Giri has supported well in the role of his wife. Her real test comes when she reacts after seeing the boat missing from their compound. Shubhangi Joshi and Asmita Joglekar, as Sachin’s mother and daughter are also good. But, it is the son played by Ishaan Tambe, is highly impressive. Kishore kadam in the role of an Insurance agent in the village and Vinay Apte as the stock broker, look very realistic and so does Sahashank Shende in the role of a moneylender. There isn’t much scope for music in this film, but the short songs and the background music suit well to the village location. Photography by Sudhir Palsane is superb, both during the day and night. ‘Taryanche Bait’ is a well presented film.
Thanks to Kiran Yadnyopavit, Neeraj Pande and Ektaa kapoor for such a wonderful offering.
‘Sadrakshanaay’ – Realistic and Thrilling ‘
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Rating: na
Company: J. J. Creations Producers: Jayant Gilatkar Director: Vikram Labhe Story – Screenplay : Vikram Labhe Camera: Amit Singh Music: Abhijeet-Suyog Cast: Mansi Salvi, Tushar Dalvi, Bal Dhuri, Suhita Thatte, Master Rahul Phalke, Shishir Sharma, Kamlesh Sawant Movie Review by: Ulhas Shirke |
“Sadrakshanaay Khalanigrahnaay…” That’s the oath taken by our Police officers in Maharashtra, before taking charge of their most responsible post. In short, it means, “We shall be unbiased, transparent and secular and respect democratic values, while delivering services to the society. We are committed to protect women, children as well as senior citizens, while eradicating the anti social elements in the society”. Looking at the present day situation, one really does not know, how many of them are able to exercise their powers to remain committed to their oath. If we take for example present day situation in Maharshtra, we find the Police department constantly under the pressure from Politicians. But, you have to blame the system for that. There are good officers too, who perform their duty with utmost commitment.
The latest Marathi film ‘Sadrakshanaay’ written and directed by Vikram Labhe is not only a timely film but also an inspiring film to boost the morale of all those Police officers, for whom their duty comes first. Vidya, ( Manasi Salvi) who is an orphan turned Police Officer in the rank of ACP, Crime Branch, is married to Pushkar,( Tushar Dalvi) who is into Real Estate business and also a childhood friend of her colleague- Milind ( Sagar Talashikar). They are a happily married couple with few misunderstandings here and there, like any other working couple. They have a cute son-Shubham( Master Rahul Phalke) and they live in a joint family in the company of Pushkar’s parents ( Bal Dhuri and Suhita Thatte).
One day, while Vidya and Pushkar are on their way to Shubham’s school to attend the Parent’s day special programme, Vidya notices a wanted criminal ( Kamlesh Sawant) on a motorcycle at a signal point next to their car. She dares to block him and chases him after informing her Crime branch team. The criminal is then cornered at one residential colony, but he picks up a child as a hostage. After the arrival of the force, Vidya leads the team and saves the life of the child by killing the criminal in an encounter. She is questioned by her senior ( Shishir Sharma), for conducting such a risky operation without his permission and that too when she was off duty. But, he soon realizes his mistake when Vidya reminds him of his own teachings. He then backs Vidya and her team.
In the meanwhile, when Pushkar proceeds to Bangalore for his business work, Vidya realizes her duty to her lonely child and takes him one evening to his favourite fast food outlet. When she receives a call from her colleague that is disconnected; she comes out in the open to call back. Just at that moment, a powerful blast takes place in that food court resulting into several deaths and injuries. Vidya finds Shubham severely injured and rushes him to hospital after informing Pushkar’s parents. Pushkar is not available on his number. At the hospital, she receives an emergency call from her senior, who asks her to report at the hideout of the terrorists, at one housing complex in suburbs of Mumbai.
Viday’s father-in –law understands the situation and suggests her to proceed on her duty. At the place of hide out, the police team led by Vidya are able to nab all the terrorists but, they are taken for surprise with the arrest of an Indian connection. It is at this stage, the film takes a break for interval. In the post interval session till the end ‘Sadrakshanaay’ becomes more gripping through the action sequences and equally absorbing with those emotion filled scenes. It would not be advisable to reveal much about the post interval happenings, as that will take away interest of the viewers. But, the film does send a strong message to the society, as to how a desire of a person to become rich quickly can land him into trouble, falling a prey to underworld link in real estate business, who eventually control terrorist activities. It also goes on to show a clear nexus between Politicians and underworld. Unlike the other films on this subject, ‘Sadrakshanaay’ stands apart, with its emotion filled realistic tale, with a good storyline.
Manasi Salvi, in the role of a firebrand ACP, goes on to prove that she is still in the reckoning of a good actress. It’s a great comeback for her. With her expressive eyes and well suited body language for this role, she certainly invites the attention of one and all. Tushar Dalvi has supported her well through some of his emotion filled scenes. Master Rahul Phalke is just fine but Bharat Ganeshpure plays the corrupt Minister in his own style with a difference. Shishir Sharma as Vidya’s boss is loud on few occasions; but Bal Dhuri and Suhila Thatte are simply remarkable as Pushkar’s parents. The screenplay is well presented without any scope for songs and that makes it more appealing. Photography by Amit Singh is good and so is the editing work. The film certainly gives a realistic and thrilling experience to the viewers. Director Vikram Labhe certainly deserves a pat on his shoulders for offering such a sensible film.
‘Don Ghadicha Daav’ inspired by Bollywood’s ‘Dhund’
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Rating: na
Presenter: Dhruv Film Production House Producers: Abhiraj Films, Screenplay – Director: Amol Shetge Story: Suresh Jayram Camera: Sudesh Deshmane Music: Nitin Hivarkar Cast: Makarand Anspure, Sayaji Shinde, Ajinkya Deo, Saie Tamhankar, Kanchan Adhikari Movie Review by: Ulhas Shirke |
Film maker Kanchan Adhikari’s new Marathi film ‘Don Ghadicha Daav’ has been released at a time when Single screen theatres are on strike besides the World Cup cricket fever going on. This suspense filled film is certainly something new to Marathi cinema and had raised lot of hopes, but unfortunately, it has been inspired by Agatha Christie’s play and 1973 Bollywood film ‘Dhund’.
‘Don Ghadicha Daav’ is the story of a young woman – Vaidehi Sarpotdar (Sai Tamhankar), whose invalid husband – Arjun Sarpotdar (Sayaji Shinde) is murdered. A stranger, whose car breaks down near Sarpotdar’s bungalow walks in and identifies himself as Saumitra (Makarand Anaspure). He comes to the rescue of Vaidehi, who is confused in such a situation and then he draws a plan , taking advantage of the night hour with lightening and heavy rains outside.
The finger of suspicion obviously points at the young widow- Vaidehi, Arjun’s step mother (Kanchan Adhikari), Arjun’s mentally challenged step brother Babul for property reasons and a person called J. P. whose son has been crushed to death under Arjun’s car. There is also one more suspect in the form of family friend Dr. Umesh Sontakke (Ajinkya Dev) , who befriends Vaidehi. Everyone has a different version on how the actual murder took place and that makes Police to go into details of investigation. Finally, the real murderer comes forward with his revelations and surrenders before the police, when they are about to arrest someone else.
Though originally based on Agatha Christie’s play ‘The Unexpected Guest’, the film is almost a remake of B.R. Chopra’s suspense filled film ‘Dhund’ starring Sanjay Khan, Zeenat Aman, Danny Denzongpa, Deven Verma, Madan Puri & Navin Nischol; which was also based on this English play. In short , one can say that ‘Don Ghadicha Daav’ is a scene to scene copy of ‘Dhund’, barring few changes here and there to suit the requirements of some of the characters. How could someone else claim it as his own story? Above all, Director Amol Shetge who is also a screenplay writer besides director, has successfully presented the screenplay on the lines of ‘Dhund’.
Makarand Anaspure, who plays the character of a stranger-Saumitra has a different type of role to play in this film and he does justice to his character that was played by late Navin Nischol in the original version. Sai Tamhankar plays the character of helpless Vaidehi with few sparks. Her role cannot be compared with Zeenat Aman’s Rani, as Vaidehi has displayed the real pains of a girl in misery in her own way. Ajinkya Dev plays the role of Umesh Sontakke in his own style but on few occasions he forgets that he is a doctor. Take for example that scene with cigarette smoking in style. Perhaps, he was confused whether he was a doctor or an advocate, as in the original version his character is an advocate played by Sanjay Khan and that is the only change noticed. In the role of a Step mother, Kanchan Adhikari, who has made a comeback into acting after a gap of 23 years, certainly needed some more scenes and she has done justice to her role. Rest of the characters such as the lunatic step brother Babul and the servant Narsu are the same, as we witnessed in Dhund, except for the female maid.
To speak about the presentation part of the film, it has been presented well using latest technology of editing and sound effects to create that required ambience wherever called for. The locations are perfect but the background music turns loud on few occasions, as if it was a horror film. There is only one song in the film and that too an item number picturised on Dipshika and Sayaji Shinde, hence whatever scope the music director had was through background music only.
The film may invite the attention of collegians and fans of Agatha Christie stories, but it would certainly disappoint the real Marathi film lovers who are looking for original and sensational subjects. At a time when Marathi films are acclaimed at the national and international level, there were big expectations from this dynamic lady film maker, who gave us a sensible film like ‘Manini’; but, this time she preferred to go the Bollywood way.
Davpech – a new game plan to invite viewer’s attention
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Presenter: Murli Manohar Creation
Producers: Murli Manohar Borkar, Arjun Manohar Borkar Director: Sanchit Vartak, Bhimrao Mude Story: Bhimrao Mude Camera: Raja Fadtare Music: Rohan Pradhan Cast: Bharat Jadhav, Makarand Anspure, Lokesh Gupte, Kamlesh Sawant, Hemangi Kavi-Dhumal, Priyal Patil, Kushal Badrike Movie Review by Jitendra R. More |
When you have the content, you should focus more on the screenplay rather than drawing the posters of your stars in a different look, to attract the viewers. Looking at the huge poster at one of the theatres in Pune, the tea vendor in a bylane of a Pune theatre did remark, “Oh! What a get up for these two big stars?” So, it’s but natural that people like you and me are tempted to watch this film, to see these popular stars in a new get-up and witness their deeds in the film. But, you are disappointed, as the duo appears in that get-up in just that initial scene and then look normal in the later part. Isn’t that a way of fooling the viewers?
‘Davpech’ the new Marathi film directed by debutant duo Sachit Vartak and Bhimrao Mude does try to offer a different story, but lack of continuity in the screenplay and few flaws during picturization of few scenes takes away the desired impact created through the story. In this film, you have a village backdrop with a fictitious village called Phulgaon, where after 17 years a traditional game of theft, which used to be a yearly feature in the past is proposed. To take part in this game, two expert thieves are hired by Daadu (Kushal Badrike) and these two namely Neelkanth(Makarand Anaspure) and Vyankatesh ( Bharat Jadhav) pose as a schoolmaster and Agri-expert respectively.
Obviously, to fit the requirements of a film, they find their girlfriends in Shewanta( Hemangi Kavi) and Jai ( Priyal Patil) respectively. Initially, they succeed in stealing the sword from the temple and get set for the main game’Punyachi Chori’. There is a folk song suitably picturized on this game plan, rendered by Devdatt Sable and picturized on Shahir played by Girish Oak. Because of usage of DI, the film’s effect on photography with color mixing looks good.
The film has also used better sound effect, but the same does not suit when the horror effect is played when a person is on deathbed. In the climax scene, Neelkanth manages to chase a tempo with the help of a bullock cart and this only suggests some Bollywood attempted gimmicks. Watch that scene where the show anchor of ‘Punyachi Chori’ makes an announcement on loudspeaker heard by the villagers and keep your logical thinking aside. When the stealin
g of Phoolraja award is shown with police investigation; what finally happens is not shown in the film. Overall, the film has a very limited entertainment value.
Makarand Anaspure receives applause from the crowd occasionally, while Bharat Jadhav is in his usual mood. Hemangi has some scope as far as acting is concerned but the other girl Priyal has no scope in this film. The film’s music is just okay but the photography is good capturing some of the best locations outdoors including the night scenes. But, make it look a night scene, is easily noticed. Being debutants, the director duo has done their best. But, there is nothing so special about this game – plan( Davpech), so as to appreciate.