Soyare Sakal ( सोयरे सकळ )
- Genres: Drama
- Rating: na
- Opening Date: 2018 (22 December)
- Production House: Bhadrakali Productions
- Producer(s): Kavita Machindra Kambli
- Presenter: Prasad Kambli
- Writer: Dr. Sameer Kulkarni
- Director: Aditya Ingale
- Official Facebook Page I Twitter
Credit List
- Producer(s): Kavita Machhindra Kambli
- Co-producer(s): na
- Director: Aditya Ingale
- Writer: Dr. Sameer Kulkarni
- Dialogues: na
- Artist: Aishwarya Narkar, Avinash Narkar, Aashutosh Gokhale, Ashwini Kasar, Aditya Ingale, Anuya Kalaskar Baiche, Sunil Tambat
- Set Design: Pradeep Mulye
- Lights: Pradeep Mulye
- Costume: Geeta Godbole
- Background Music: na
- Makeup: na
- Costume Designer: Geeta Godbole
- Hair Style: na
- Art: na
- Lyrics: na
- Music: Ajit Parab
- Playback singers: na
- Choreographer : na
- Publicity Designs: na
Synopsis
News / Article / Interviews
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Aishwarya Narkar
Biography / Profile:
Born : 10 May
Place: Nashik
Occupation : Actress
Aishwarya Narkar Is Popular Marathi and Hindi actress. Aishwarya Narkar started her career with Marathi Film Industry. She is completed her education in Dombivili at Swami Vivekanand High school. She is Married with popular actor Avinash Narkar
Filmography:
- Marathi Movie(s)
- Babanchi Shala (2016)
- Yellow (2014)
- Are Avaaj Konacha (2013)
- Hou De Jarasa Ushir (2013)
- Champions (2012)
- Pratisaad (2010)
- Swatantryachi Aishi Taishi (2009)
- Samaantar (2009)
- Ankaganit Anandach (2009)
- Bandh Premache (2007)
- Saubhagyakankshini
- Hindi Movie(s)
- Dhadak (2018)
- Serial(s)
- lek majhi ladki (Star Pravah)
- Majhe Mann Tujhe Zhale (Colors Marathi)
- Ya Sukhano Ya (Zee Marathi)
- Tum Hi Ho Bandhu Sakha Tumhi (Zee TV)
- Ghar Ki Laxmi Betiyaan (Zee Tv)
- chitrakathi (Sahyadri)
- Play(s)
- Aamhi Sau Kumud Prabhakar Apte
- Sobat Sangat
Award(s):
Interview(s):
Real life couple celebrate ‘Padwa’ on small screen
There are many occasions, where the real life couple are required to perform traditional ceremonies on screen, as the script of the serial or film demands it. In the past, real life couples like Ramesh Deo- Seema, Umesh Kamat & Priya Bapat, Adinath Kothare and Urmila Kanetkar have played couples on screen and they have done full justice to their respective characters.
But, there is another real life couple in the form of Avinash Narkar and Aishwarya Narkar , who are also performing their husband and wife roles on small screen very convincingly. Both Avinash and Aishwarya are part of the ongoing serial ‘Lek Majhi Ladaki‘ very convincingly. Recently, on the sets of this serial, they also performed Padwa, to celebrate their on screen Diwali and they just looked ‘made for each other‘. Even otherwise, both Avinash and Aishwarya are doing very well, in all the three mediums of Marathi entertainment and have also produced a film. Wishing both of them a very happy Padwa and prosperous Diwali.
Babanchi Shala ( बाबांची शाळा )
Release Year: 2016 (26 February)
Genres: Drama
Censor: U
Duration: 130 min.
Studio/presenter: Idea Entertainment
Producer(s): Vilas Mane, Umesh Nathani
Co producer(s): Hinsaraj Patel, Navin Patel
Executive Producer: Mangesh Ramchandra Jagtap
Director: R. Viraj
Writer: Neela Satyanarayan
ScreenPlay: Parag Kulkarni
Dialogues: Parag Kulkarni
Official Facebook Page I Twitter
Cast & Crew
Co producer(s): Hinsaraj Patel, Navin Patel
Executive Producer: Mangesh Ramchandra Jagtap
Director: R. Viraj
Assistant Director: na
Writer: Neela Satyanarayan
ScreenPlay: Parag Kulkarni
Dialogues: Parag Kulkarni
Lyrics: Shrirang Godbole, Satyanarayan
Music: Soham Pathak, Kamlesh Bhadkamkar, Neela Satyanarayan
Playback Singer: Suresh Wadkar, Vishwajeet Borwankar
Cinematographer (DOP): Ankush Birajdar
Editor: Nilesh Navnath Gavand
Starcast: Sayaji Shinde, Aishwarya Narkar, Shashank Shende, Kamlesh Sawant, Chhaya Kadam, Arti More, Umesh Bolake, Milind Adhikari, Kartik Chavan, Manjula Khetri, Kavita Chavan, Shreyas Raje
Costumes: Sampada Mahadik
Makeup: Santosh Gayke
Sound : Ajit Sinh
Background Score: Baapi, Tutul
Choreographer: na
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na
Synopsis
‘Babanchi Shala’ : na
Videos
News / Article / Interview
na
Movie Still(s)
na
Poster(s)
Review
‘Babanchi Shala’ artistically deals with a distinct social issue
Rating: ★★★ ½
Genres: Drama Censor: U/A Duration: 130 min Studio/presenter: Idea Entertainment Producer(s): Vilas Mane, Umesh Nathani Director: R. Viraj Writer: Neela Satyanarayan Music: Soham Pathak, Kamlesh Bhadkamkar, Neela Satyanarayan Cinematographer (DOP): Ankush Birajdar Cast: Sayaji Shinde, Aishwarya Narkar, Shashank Shende, Kamlesh Sawant, Chhaya Kadam, Arti More, Umesh Bolake, Milind Adhikari, Kartik Chavan, Manjula Khetri, Kavita Chavan, Shreyas Raje Movie Review by: Ulhas Shirke |
Known for their strong levelheaded subjects, Marathi films have gone worldwide, through screening at various international film festivals. Our progressing country is in urgent need of thoughtful democratic reforms. And, our feature films can play this important role, of passing a social message. New Marathi film ‘Babanchi Shala‘, presents the story written by Neela Satyanarayan, a former IAS officer from Maharashtra. Directed by R.Viraj, who gave us variety of films like ‘Shyamche Vadil ‘, ‘Sangharsh‘ and ‘Vajlach Pahije Game …’ the film is inspired by V.Shantaram’s memorable film ‘Do Ankhen Barah Haath‘ made in 1957. The only difference is that in the old film, the Jail warden tries to rehabilitate the dangerous prisoners released on parole, while in the latest film, the Jailer goes out of his way, to rehabilitate those prisoners, who are not hardened criminals, but have committed a crime for the first time.
The story of this film revolves around Mahipat Ghorpade (Shashank Shende) who murders his nagging wife, who keeps on abusing him, for spending money on educating their only little daughter Sonali( Gauri Deshpande). One day, when his wife with the support of his mother in law, enter into an argument over the same issue, Mahipat locks his wife inside a room and murders her. He later repents his mistake, as he is taken to custody. After going to Jail, Mahipat has to leave his little daughter behind, at the mercy of others, who ill treat her. Sonali, later undergoes a trauma. But, she timely receives helping hand from a social worker Neeta Satam ( Chhaya Kadam), who persuades Jailer Shrikant Jamkhede(Sayaji Shinde), to arrange a meeting between father and daughter, after almost six years.
Initially, reluctant to accede to such a request, the Jailer and his wife ( Aishwarya Narkar) face a strange happening in their own life too. And, this changes the outlook of the Jailer. He not only tries to understand the trauma that Mahipat undergoes, but also the situation faced by few other prisoners in his jail and their family members. He submits a plan to Home Minister, through social worker Neeta Satam; about his scheme( Babanchi Shala) to rehabilitate such prisoners. But, it gets rejected. Going out of his way, he plans to implement his plan, in his own way. He partly succeeds in it. But, one of the prisoners, foils his plan, resulting into inquiry against Jailer and Neeta Satam .When the jailer is suspended, he continues with his good work with the help of the social worker, in extension of her services.
The film sends across a good message to the society, which in general, is not ready to accept the children and relatives of such prisoners, with any favors. Through different characters and emotion filled sequences in this film, the writer and the director have shown, how the life of family members also gets affected. Good presentation of screenplay, well suited dialogues to all the characters and above all wonderful performances by Sayaji Shinde, Shashank Shende, Chhaya kadam, Kamlesh Sawant and others, make this film a worth watch.
To nullify the effect of seriousness of the film’s subject , the director has cleverly offered some humor filled dialogues to Kamlesh Sawant, who plays one of the jail inmates, Babu Sakpal. Music by Soham Pathak & Neela Satyanarayan is apt, to meet the requirement of the subject. Don’t compare this film with V.Shantaram’s ‘Do Ankhen Barah Haath’, as it has offered something more, to make the audience think, in terms of reforms in the jail. All the prisoners are not terrorists. Majority of them are guilty of crime committed by them, for the first time. And therefore, the rehabilitation of their relatives, during their jail sentence, would help in contributing something to the society.
Babanchi Shala Movie Trailer
Movie: Babanchi Shala
Writer Neela Satyanarayan
Director: R. Viraj (Viraj Raje)
Cast: Sayaji Shinde, Aishwarya Narkar, Shashank Shende, Kamlesh Sawant, Chhaya Kadam, Arti More, Umesh Bolake, Milind Adhikari, Kartik Chavan, Manjula Khetri, Kavita Chavan, Shreyas Raje
‘DD Sahyadri’ gearing up for Prime Time competition
In spite of competition faced from private channels, Doordarshan Sahyadri channel is trying to make its presence felt, among section of people, living in some cities and rural areas of Maharashtra. Till now, Doordarshan had not tapped the prime time slots for their serials, during the past several years. But, now they are all set to introduce nine new serials, on different subjects and with well known artistes, during the prime time 8pm to 10 pm.daily.
Among the new serials, prominent among them will be ‘Maati Kokanchi Naati Janmachi’ which is targeted at youngsters from Konkan. Then, there are other social issues presented through story based serials like ‘Pashanpati’ and period serial ‘Sushilecha Dev’ based on the novel of Waman Malhar Joshi. There will be family serials like ‘Vachanbaddh’, ‘Goshta Umaltya Manachi’ and ‘Sangarsh Milanacha’ to inspire the women. To entertain the children, there will be an interesting serial like ‘Bunty Television.
We also understand that actress Aishwarya Narkar will also be presenting series of stories through her new serial ‘Chitrakathi’, based on the literature of well known writers, under the banner of her new production company ‘Aishwarya Arts’. For those, who love to watch detective serials, DD Sahyadri will be presenting interesting murder mysteries, detected through their serial ‘Anakalniya’. Now, it will be interesting to see, how these serials will compete with other ongoing Marathi serials on private channels ? But, one thing is sure, that DD Sahyadri is ready for it, as the subjects they have picked up, are very interesting .
Now, talking about the new arrivals on private channels, there was big hope from Bharat Jadhav show on Colors channel. But, their initial episodes were not very appealing. They need to focus more on good scripting.
In ‘Majhe Pati Soubhagyavati’ there was a lot of time wasted in preparing Vaibhav Mangale in the make up of an actress, for the photo shoot. The scene, in which Vaibhav hesitating to be free, in presence of actor Ashok Shinde , for the photo shoot, wasn’t very convincing. Being a professional actor, there was no need to show him feeling shy, in front of another male actor. One could understand his awkwardness in presence of the hair dresser, but not the male lead actor. Moreover, it is observed that the exchange of dialogues between Ramesh Bhatkar and Ashok Shinde, are repeated several times, with the same expressions given by both.
What was interesting to watch during the week, was the gripping story split in three episodes, in ‘Asmita’ on Zee Marathi. But, showing the parallel investigation carried out by ‘Asmita’ to prove her ‘father in law guilty’ in the murder of her father, only diverted the interest from the ongoing case of fake Income tax Officers.
‘Yellow’ inspires with ‘You can do it’ message
Rating: ★★★★
Studio / Presenter: Viva In En, Mumbai Film Company Producers: Riteish Deshmukh , Uttung Hitendra Thakur Cinematographer, Director: Mahesh Limaye Story: Ambar Hadap, Ganesh Pandit Music: Kaushal Inamdar Cast: Upendra Limye, Mrunal Kulkarni, Hrishikesh Joshi, Aishwarya Narkar, Usha Nadkarni, Gauri Gadgil Movie Review by: Ulhas Shirke |
Rob Liano, the Rock Star Success Coach & Sales Strategist has rightly said, “Nothing is born into this world without labour.” And, if we can recollect Walt Disney’s strategy, ‘If you can dream it, you can do it'; then, there is nothing impossible in this world. Based on this philosophy, producers Riteish Deshmukh and Uttung Thakur have offered a sensible Marathi film ‘Yellow’, which is directed by renowned cinematographer Mahesh Limaye. By the way, Mahesh also makes his debut as a director with this film.
Only last year, we saw director Manohar Sarwankar’s film ‘Maat’, which was also debut of Eshaa Koppikar in Marathi and which talked about the success story of a ‘deaf-mute’ girl, who turns a Chess Champion, with the support of her mother; who has been deserted by her selfish husband; only because the child is born with a handicap. However, through this film – ‘Yellow’, director Mahesh Limaye presents a real life success story of a girl, born with ‘down syndrome’. And, he has done a commendable job, as presenting a real life character – Gauri Gadgil, who has already won two silver medals in Special Olympics; has made ‘Yellow’ more appealing than ‘Maat’.
Mugdha (Mrunal Kulkarni) and Shekhar (Manoj Joshi) give birth to a girl – Gauri, who is born with ‘down syndrome’. Mugdha , who is already a teacher, wants her daughter to study in the same school, with normal children. But, when she finds her score in IQ as 65, the principal suggests her to admit Gauri to a special school. However, Shekhar is unable to accept Gauri as his daughter and suggests Mugdha to go for second child. One day, Mugdha gets the biggest shock in her life, when she witnesses Shekhar let Gauri drowned in a water tank at a resort, instead of running to help her out. Taking an immediate decision to leave her husband, Mugdha arrives at her brother Shree’s (Hrishikesh Joshi) house, who being a bachelor, offers all the love and affection to Gauri, besides managing his ‘tent house’ business.
When, Mugdha admits Gauri to a school for special children, Prinicipal (Aishwarya Narkar) suggests her to join the school, as a teacher. On the advice of the principal, Mugdha is advised to admit Gauri for swimming, noticing her keen interest and especially for improving her ‘hand and eye’ coordination. It is at this place, Gauri interacts initially with a good elderly coach and later with a strict coach – Pratap Sardeshmukh ( Upendra Limaye), training at advanced level. It is at this stage, the film goes on to describe how such children are to be treated, to extract the best out of them.
Director Mahesh Limaye, has beautifully captured the emotion filled moments through his camera lenses, besides directing the most difficult sequences, in an efficient manner, generating humour at short intervals, through light humour filled scenes. Ambar Hadap and Ganesh Pandit have really worked hard, to present an engaging screenplay with the support of wonderful performances from all the artistes. Mrinal Kulkarni, who has played Gauri’s possessive mother, has been able to display perfect emotions of a worried mother, while Manoj Joshi has cleverly presented a selfish husband through his limited role.
There is no doubt about the brilliant natural performance given by Gauri Gadgil, as this was her own real life success story; but the little girl performing her childhood role, also looks very natural. In fact, Gauri actually appears on the screen only few minutes before interval, when her coach for advance training – Upendra Limaye also arrives on the screen, around that time. Upendra has also given a fantastic performance, understanding very well the given situation and more particularly, the attitude of all such Indian coaches in different games, at competitive level. However, the most impressive performance comes from Hrishikesh Joshi, who looks very natural, in the character of Gauri’s real well wisher and caring uncle. It is because of his presence, there is some humour generated, in this otherwise thought provoking film.
Through this film, the director has also presented the attitude of a typical sports coach, who always demand more from their students, without paying the required attention on sports psychology and the much desired counselling, expected from them. At the same time, he has also shown how the parents interfere with the training methods of the Coach, by showing their regular presence, at the practice venue of the sport. ‘Yellow’ is certainly an inspiring film and a must watch for all. There are very few errors noticed in the film; as it is otherwise a technically well presented film, with good background music provided by kaushal Inamdar.
नेते होऊ पाहणाऱ्या कार्यकर्त्याचा ‘आवाज’
Rating: ★★★
निर्मिती: कॉमनमॅन फिल्मस निर्माते: चिद्विलास क्षीरसागर , हर्शल गरुड , स्वप्नील नाईक दिग्दर्शक: हेमंत देवधर पटकथा, संवाद: प्रताप गंगावणे छायाचित्रण: संजय जाधव संगीत: शैलेन्द्र बर्वे कलाकार: डॉ. अमोल कोल्हे, उदय टिकेकर, तुषार दळवी, मनोज जोशी, ऐश्वर्या नारकर, विशाखा सुभेदार , प्रतीक्षा जाधव, अथर्व कर्वे आणि इतर Movie Review by: श्रीकांत ना. कुलकर्णी |
एकेकाळी सेवाभावी कार्यकर्त्यांची आपल्या देशात कधीच वानवा नव्हती. स्वातंत्र्यापूर्वी तर तन-मन-धन देवून प्रसंगी आपल्या घरादाराचीही कसलीही पर्वा न करता समाजाच्या भल्यासाठी कार्य करणारे कार्यकर्ते होते. स्वातंत्र्यानंतरही काही वर्षे तशीच परिस्थिती होती. परंतु अलीकडच्या काळात सगळे वातावरणच बदलले. अनेक चळवळी थंडावल्या आणि कार्यकर्ता नामक जात हळूहळू नष्ट होत चालली. सामाजिक कार्यात तर आता फारच थोडे कार्यकर्ते शिल्लक राहिले असलेले दिसतात. राजकीय पक्षात कार्यकर्ते आहेत मात्र त्यांच्यातील एकनिष्ठता आणि धीर धरण्याची वृत्ती लोप पावत चालली आहे. थोडेसे जरी कार्य केले तरी त्याचा मोबदला लगेच मिळावा अशी कार्यकर्त्यांची इच्छा असते. निवडणुकीत प्रामाणिक आणि सेवाभावी कार्यकर्त्याला तिकीट मिळणे हे सर्वच पक्षात अडचणीचे होऊन बसले आहे. उलट साम-दाम-दंड-भेद असणाऱ्या कार्यकर्त्याला तिकीट मिळणे सोपे झाले आहे कारण तो निवडणूक लढवू शकतो आणि जिंकू शकतो म्हणून. त्यामुळे साहजिकच प्रामाणिक आणि सेवाभावी कार्यकर्त्यांची संख्या कमी होऊ लागली आहे. ‘अरे आव्वाज कोणाचा’ या नव्या मराठी चित्रपटात अशाच प्रामाणिक कार्यकर्त्यांची व्यथा मांडण्याचा प्रयत्न करण्यात आला आहे. चित्रपटाची कथा आणि मांडणी त्यादृष्टीने प्रभावशाली ठरली आहे. मात्र वास्तवाचा विचार करता मनात कोठेतरी अनुत्तरीत सल राहतेच.
उदय सावंत (अमोल कोल्हे) हा विद्यार्थी दशेपासून अन्याय आणि दादागिरीविरुद्ध आवाज उठविणारा एक कार्यकर्ता म्हणून नावारूपास येतो. त्याची काम करण्याची धडाडी पाहून त्याला आपल्या पक्षात (गटात) ओढण्यासाठी राजकीय नेत्यांमध्ये स्पर्धा लागते. प्रारंभापासून उदय आण्णासाहेबाच्या (उदय टिकेकर) गटात असतो. मात्र अण्णासाहेब त्याचा फार हुशारीने वापर करून घेतात. उदयचे वाढत चाललेले वर्चस्व हे अनेक नेत्यांच्या डोळ्यात खुपते. त्यामुळे त्याला एका जमीन-खरेदी प्रकरणात अडकवले जाते. त्यातून उदयचे नष्टचर्य सुरु होते. मात्र तो या प्रकरणातून तावून-सुलाखून बाहेर पडतो. आणि त्याची अखेर निर्दोष मुक्तता होते.
पुण्यात मध्यंतरी घडलेल्या एका ‘लैंड-माफिया’ प्रकरणाशी या चित्रपटाची कथा तंतोतंत जुळणारी आहे. हे सुजाण प्रेक्षकाला कळल्याशिवाय राहत नाही त्यामुळेच त्यातील वास्तव लक्षात घेता संबधित नेत्याचे उदात्तीकरण करण्याचा हा प्रयत्न नाही ना अशी उगाचच शंका येऊ लागते. चित्रपटाची कथाही त्याच अभिनिवेशाने पुढे सरकत जाते. उदय सावंत विरुद्ध अनेक आरोप असूनही त्याला एकदाही आरोपीच्या पिंजऱ्यात उभे राहिलेले दाखविले नाही. शेवटी तो आरोपीच्या पिंजऱ्यात आहे
तोही स्वत:च्या बचावासाठी नाही तर कार्यकर्त्यांचा ‘आवाज’ बुलंद करण्यासाठी त्यामुळे ती बाब खटकते. परंतु एकूणच विषयाची व्याप्ती आणि त्याचे सादरीकरण पाहता चित्रपटातले ‘राजकारण’ चांगली करमणूक करून जाते. अमोल कोल्हे, उदय टिकेकर, नंदन बाळ, तुषार दळवी, मनोज जोशी, विशाखा सुभेदार, प्रतीक्षा जाधव यांच्यासह नवकलाकारांचीही कामेही चांगली झाली आहेत. संजय जाधव यांचे छायाचित्रण अप्रतिम असून गणपती मिरवणुकीसारखी समूह्दृश्ये खूपच प्रभावशाली ठरली आहेत. थोडक्यात नेते होऊ पाहणाऱ्या कार्यकर्त्याचा हा ‘आवाज’ एकदा पाहायला हरकत नाही.