Navra Majha Navsacha ( नवरा माझा नवसाचा )
Release Year: November 2004
Genres: Drama, Comedy
Rating: ★★★ ½
Censor: U/A
Duration: 130 min.
Producers: Sachin Pilgaonkar
Executive Producer: na
Director: Sachin Pilgaonkar
Writer: Sachin Pilgaonkar
ScreenPlay: Sachin Pilgaonkar
Dialogues: Santosh Pawar
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Cast & Crew
Executive Producer: na
Director: Sachin Pilgaonkar
Assistant Director: Avinash Thakur
Writer: Sachin Pilgaonkar
ScreenPlay: Sachin Pilgaonkar
Dialogues: Santosh Pawar
Lyrics: Jagdish Khebudkar
Music: Jitendra kulkarni
Playback Singer: Sonu Nigam,Uttara Kelkar,Anuradha Paudwal,Sachin Pilgaonkar
Cinematographer (DOP): Sanjay Memane
Editor: Aasif Khan
Starcast: Sachin Pilgaonkar, Supriya Pilgaonkar, Ashok Saraf, Vijay Patkar, Jaywant Wadkar, Pradeep Patwardhan, Sunil Tawde, Kishori Shahane, Reema Lagoo
Costumes: na
Makeup: Sudhir Baisakhia, Mahadev Dalvi
Sound : Moin Shaikh
Background Score: na
Choreographer: madhav kishan
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: shrikant dhongade
P.R.O.: na
Distributor : na
Synopsis
‘Navara Maza Navsacha’ : na
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News / Article / Interview
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Review
Aamachya Sarkhe Aamhich ( आमच्यासारखे आम्हीच )
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Studio/presenter: Shree Tirupati Balaji
Producer(s): Prakash Patil
Co-Producer: Prabhakar Patil, Gajanan Patil, Surendra Patil
Director: Sachin Pilgaonkar
Writer: Sachin Pilgaonkar
ScreenPlay: Vasant Sabni
Dialogues: Vasant Sabni
Official Facebook Page I Twitter
Cast & Crew
Executive Producer: na
Co-Producer: Prabhakar Patil, Gajanan Patil, Surendra Patil
Director: Sachin Pilgaonkar
Assistant Director: Avinash Thakur
Writer: Sachin Pilgaonkar
ScreenPlay: Vasant Sabni
Dialogues: Vasant Sabni
Lyrics: Pravin Davane
Music: Arun Paudwal
Playback Singer: Anuradha Paudwal, Suresh Wadkar, Shailendra Singh, Sachin Pilgaonkar
Cinematographer (DOP): Charudatta Dukhande
Editor: Chintu Dhawale
Starcast: Sachin Pilgaonkar, Ashok Saraf, Varsh Usgaonkar, Nivedita Joshi, Rekha Rao, Murlidhar Rao Patil, Sudheer Joshi, Jayram Kulkarni, Viju Khote, Bipin Varti
Costumes: Ratnakar Jadhav
Makeup: Mohan Pathare
Sound : Pandurang Boloor
Background Score: na
Choreographer: Vijay, Madhav Kishan
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: Shrikant Dhongade
P.R.O.: na
Distributor : na
Synopsis
‘Aamchya Sarkhe Aamhich’ : na
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Ek Gaadi Baaki Anadi ( एक गाडी बाकी अनाडी )
Release Year: 1989
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Producers: Vikram Mehrotra
Executive Producer: na
Director: Bipin Varti
Writer: Anil Kalelkar, Rajesh Mujumdar
ScreenPlay: Anil Kalelkar, Rajesh Mujumdar
Dialogues: Anil Kalelkar, Rajesh Mujumdar
Official Facebook Page I Twitter
Cast & Crew
Executive Producer: na
Director: Bipin Varti
Assistant Director: sharayu
Writer: Anil Kalelkar, Rajesh Mujumdar
ScreenPlay: Anil Kalelkar, Rajesh Mujumdar
Dialogues: Anil Kalelkar, Rajesh Mujumdar
Lyrics: Pravin Davane, Shantaram Nandgaonkar
Music: Ashok Patki
Playback Singer: Vinay Mandke, Suresh Wadkar, Kavita Krishnamurthy, Dilraj Kaur
Cinematographer (DOP): Vijay Deshmukh
Editor: S. Rao
Starcast: Ashok Saraf, Aruna Irani, Laxmikant Berde, Priya Berde
Costumes: Digambar Jadhav
Makeup: Nityanand, Mohan Pathare
Sound : na
Background Score: na
Choreographer: Madhav Kishan, Kamalnath
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : Lijand Film
Synopsis
‘Ek Gaadi Baaki Anadi’ : na
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‘Hu Tu Tu’ offers average entertainment
Rating: ★★ ½
Studio / Presenter: Harsh Films, Bhausaheb Bhoir Producer: Harshavardhan Bhoir Director: Kanchan Adhikari Writer: Aashish Pathare Cinematographer: Suresh Deshmane Music: Anand Raj Anand Cast: Ashok Saraf, Varsha Usgaonkar, Jitendra Joshi, Neha Pendse, Hemant Dhome, Manasi Joshi, Anant Jog and Sanjay Khapre, Atul Todankar, Pradeep Patwardhan Movie Review by: Ulhas Shirke |
After making three films with Makarand Anaspure, namely ‘Doghaat Tisra Aata Sagla Visara’ and ‘Baap Re Baap Dokyala Taap’ and ‘Tukya Tukavila Nagya Nachvila’, director Kanchan Adhikari has now directed the King of Comedy Ashok Saraf , in her latest released film ‘Hu Tu Tu’, produced by Harshavardhan Bhoir. For this film, she finds the story of Rajan Agarwal and screenplay & dialogues of Ashish Pathre almost going on the lines of some of the Bollywood comedy films.
So, you get the glimpse of Govinda-Chunkeyy Pandey starrer ‘Aankhen’ (except for the double roles), some of Sajnay Dutt-Govinda starrer films and a similar type of sequence on substitute mother from Ajay Deogan-Abhishek Bachchan film ‘Bol Bachchan’. And, if this borrowed recipe of Bollywood is now served to Marathi audience, it is only their choice, whether to appreciate this film or not. But, in the first half of the film, the plot just fails to pick up, as there are no major happenings in the screenplay. It is only at the stroke of interval that you realise that there is something left in the screenplay.
The post interval session and a twist after the item number has generated some interest for traditional comedy lovers, except for the climax, which again goes the Bollywood style of 80s. Music by Anand Raj Anand is average . It is only through the Hindi style item number, he has generated good music. Suresh Deshmane’s photography is neat and clean. But, the film certainly needed more editing from Anand Diwan , especially in the first half and initial part of second half. At a time when Marathi film lovers are used to watching 2 hour length film, the film’s stretch for 2 hours 25 mins, is felt little lengthy.
There is no point in revealing the story of this film, for obvious reason. But, Ashok Saraf who plays the central character in this film, finds one more meaty role in this film too, just following the success of ‘Aandhali Koshimbir’. And, he has played his character of a Businessman Dhanajay Dhanawade very well. In the roles of his two notorious sons Vaibhav & Aishwary, Jitendra Joshi and Hemant Dhome have genuinely tried to create humour in the company of their two girl friends Neha Pendse and Manasi Naik, who are sisters. But, the two girls find limited scope in this film, as the film belongs to Ashok Saraf. Offering a big surprise, Director Kanchan Adhikari finds herself playing the character of a Mother of these two sisters. And, she has done a good job. Playing Ms. Sadhana-a widow, she is also shown as the first love of Ashok Saraf, who in turn is required to marry another woman under strange circumstances.
The inclusion of characters like Hiral Seth and Ankush- the cunning nephew of Sadhana, are just namesake to represent two villains, played successfully by Anant Jog and Sanjay Khapre. Veteran director N.Chandra makes a surprise guest appearance in the initial scene of the film. But, the two renowned artistes-Varsha Usgaonkar and Atul Todankar have brought some life in the concluding part of this film, with their notable performances.
Having done two sensible films like ‘Manini’ and ‘Mokala Shwaas’, there were big hopes from Kanchan Adhikari; but, ‘Hu Tu Tu’ has turned out to be just an average comedy film. Through this film, she has just tried her best to create situation based comedy, with the available script. After all, this is not her own banner film.
Aandhali Koshimbir ( आंधळी कोशिंबीर )
Genres: Drama
Rating: ★★★ ½
Censor: U
Duration: 130 min.
Studio/presenter: Sudha Productions
Producers: Anuya Mhaiskar
Executive Producer: Nitin Prakash Vaidya
Director: Aditya Ingle
Writer: Pratap Deshmukh
ScreenPlay: Aditya Ingle, Pratap Deshmukh
Dialogues: Aditya Ingle, Pratap Deshmukh
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Cast & Crew
co-Producer: Sachin Awasthi
Executive Producer: Nitin Prakash Vaidya
Director: Aditya Ingle
Assistant Director: na
Writer: Pratap Deshmukh
ScreenPlay: Aditya Ingle, Pratap Deshmukh
Dialogues: Aditya Ingle, Pratap Deshmukh
Lyrics: Vaibhav Joshi
Music: Narendra Bhide, Avinash Vishwajeet
Playback Singer: na
Cinematographer (DOP): Pushpank Gawade
Editor: Pravin jahagirdar
Starcast: Ashok Saraf, Vandana Gupte, Anand Ingle, Hrishikesh Joshi, Aniket Vishwasrao, Hemant Dhome, Mrunmayee Deshpande, Priya Bapat- Kamat
Costumes: Soniya Sahastrabudhhe
Makeup: Mahesh Barate
Sound : Manoj Mochemadkar, Sandeep Madkholkar
Background Score: na
Choreographer: na
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na
Synopsis
‘Aandhali Koshimbir’ : na
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‘Aandhali Koshimbir’ offers Sitcom, with a variety
Rating: ★★★ ½
Studio / Presenter: Sudha Productions Producer: Anuya Mhaiskar Director: Aditya Ingle Writer: Pratap Deshmukh Cinematographer: Pushpank Gawade Music: Narendra Bhide Cast: Ashok Saraf, Vandana Gupte, Anand Ingle, Hrishikesh Joshi, Aniket Vishwasrao, Hemant Dhome, Mrunmayee Deshpande, Priya Bapat- Kamat Movie Review by: Ulhas Shirke |
Finally, a neat and clean comedy is back to Marathi cinema with the release of ‘Aandhali Koshimbir’. Set on the backdrop of Pune city, the film revolves around Bapu Sadavarte (Ashok Saraf) , a retired widower, living in his bungalow, in the company of his only young son Shrirang (Aniket Vishwasrao) ,who is yet to settle down in his life. Shrirang with his friend Vasant ( Hemant Dhome) who manages his family photo studio; attempts different businesses; but, does not succeed. He is indebted to Goraksha, a Don in all bad business.
In order to repay the loan of Goraksha, Shrirang on the advice of his friend Vasant, agrees to mortgage his father’s house to Goraksha; with the help of a cunning lawyer Dushyant Marne (Anand Ingale), who wants to marry a widow Shantibai( Vandana Gupte) , living as his tenant with her abnormal daughter Radhika (Mrunmayee Deshpande). With Goraksha himself failing to threaten Bapu Sadavarte, Shrirang and Vasant decide plan no. 2. In the meanwhile, Shrirang falls in love with Goraksha’s sister Manju ( Priya Bapat), who also joins their plan. They try to bring Shantibai and Bapu together, since both of them always open up fights with others, on small issues. But, Bapu and Shanti instead of fighting with each other; turn good friends and that spoils the plan of Shrirang and Vasant; which also angers Marne. With this drama, enough for the screenplay of the film, it takes you to an amusing climax, to show a happy end.
‘Aandhali Koshimbir’ is solely a director’s film and hence at every situation, you notice Aditya Ingale. By the way, he has also written the screenplay and dialogues of this film along with Pratap Deshmukh. His idea of using the three different age groups together in the film’s story, has worked very well. With the help of Ashok Saraf and Vandana Gupte, he has managed their chemistry very well. At the same time, using the characters of Hrishikesh Joshi and Anand Ingale, he has tried to generate the desired momentum into the screenplay.
And finally, using the two young pairs Aniket- Priya and Hemant-Mrunmayee, he has managed to keep the young audience happy, with their different approach to their respective characters. While Aniket and Hemat have timed their humour filled scenes very well, Priya comes with a good support. For the first time, Mrunmayee has attempted something different through her abnormal character. The film is not a non stop laughter film; but certainly enjoyable. The best thing about this film is that, it does not turn vulgar at any moment.
The entire film however belongs to Ashok Saraf, who has been so natural throughout the film. His real acting talent is however noticed in the climax scene, when he reacts, turning emotional. Vandana Gupte has offered a very good support and it was nice to see these two veteran artistes together, after a long time. Anand Ingale finds a good meaty role, and he has lived up to his expectations. Anand has proved that he can fit into any character role; be it a comedy or a villain. In this film, he gets a chance to play both together.
Another actor, who has impressed through his perfect body language in the film, is Hrishikesh Joshi. He has performed the role of Goraksha, very convincingly. Excellent support comes from the young team comprising of Aniket, Hemant , Priya and Mrunmayee. But, the surprise pack comes from late Shrikant Moghe, who is the role of a Judge, makes his presence felt, in the concluding part of the film. Just watch his expressions and a variety while delivering his dialogues. This film is certainly a tribute to him.
There are very few songs in this film; but Vaibhav Joshi’s lyrics, Narendra Bhide’s music, Avinash -Vishwajeet’s title music and Pushpank Gawde’s cinematography, certainly add to film’s good presentation. Above all, the film displays a good team work. Do not watch this film with very high expectations; and then, you will really enjoy it. One thing is sure, that it has offered a situation based comedy with a variety. ‘Aandhali koshimbir’ is certainly a good ‘Time Pass’ film for the entire family.
rating: 3.5
‘Khara Saangu Khota khota’ offers customary musical entertainment
Rating: ★★★
Studio: Abhiruchi Films Producer: Sarav production Director: Sanjeev Naik Writer: Ramchandra Sadekar Dialogues: na Cinematographer: Manjunath Nayka Cast: Analesh Desai, Trishala Shah, Ashok Saraf, Nirmiti Sawant, Sayaji Shinde. Movie Review by: Ulhas Shirke |
At a time, when we are finding innovative themes taken up by Marathi films; Some of our Marathi film makers seem to be still believing in the traditional track of comedy, to play safe. They don’t dare to attempt something out of the box. Latest Marathi film ‘Khara Saangu Khota khota’ falls into this category. So, we have a young boy and a young girl Dushyant and Yashashree from the same village; and studying in the same college in a town. To present this traditional love story, it is needless to say that their parents are traditional political rivals, living in the neighborhood and always trying to prove their supremacy over each other, during every important event in the village.
Dushyant and Yashashree come closer during their journey back home, with a halt at Nani Saranjame’s house; when they find their accommodation by posing themselves as married couple. Actual fun begins, when they return home . Director Sanjeev Naik has chosen this humour filled plot, based on Ramchandra Sadekar’s novel ‘Tuza Majha Zamena’ to find suitable artistes to play the important characters in this film. So, besides presenting the new pair of dashing Analesh Desai and Pretty Trishala Shah in this musical entertainer, he has opted for versatile artistes like Ashok Saraf and Sayaji Shinde to play the traditional rivals- Dhadalgaonkar & Dhandle Patil respectively. To add further flavour of comedy, he has rightly chosen Nirmiti Sawant to play the commanding role of Nani Saranjame, a spinster, who runs a match making enterprise.
The sole purpose of this film has been to offer non stop entertainment, with the limited characters, providing good support with their performances. The film has good music as its plus point, for which Shrirang Aras deserves a pat. One more plus point is good photography bt Manjunath B Nayaka, who has captured some songs at outdoor locations and the fun filled climax scene very well.
All the three senior artistes, who are well versed with comedy, have tried their best to generate instant humour with their perfect understanding, during all those scenes of confrontation in the screenplay. But, still they had to satisfy themselves, with the space extended to their characters. The chemistry of new pair of Analesh and Trishala has worked well, considering the comedy setting of the film. There are no scenes to really exploit their acting talents. Hemangi Velankar and Deepjyoti offer good support; but the other few character artistes in the film, fail to impress. They look very artificial. Even the tourist bus scene looks very outdated. The director should have tried something new, to bring the young couple together.
The screenplay of ‘Khara Saangu Khota khota’ could have been more interesting, had there been more interesting happenings, like the one noticed in the climax. It is a simple plot, to generate humour, without any vulgarity noticed. The pace of the film is also properly maintained by editing experts. Songs and music are timed well, in the screenplay. But, still you feel that there should have been more fun, in the company of the three veteran artistes. And hence, ‘Khara Saangu Khota khota’ has turned out to be just a customary musical entertainer for the entire family.
‘Ekulti Ek’ turns too emotional
Rating: ★★★
Screenplay: Khitij Zarapkar Producer: Sachin Pilgaonkar Director: Sachin Pilgaonkar Music: Jitendra Kulkarni Cast: Sachin Pilgaonkar, Shriya Pilgaonkar, Ashok Saraf, Koshori Shahane, Sidharth Memon, Nirmiti Sawant. Movie Review by: Ulhas Shirke |
Every film maker has his own style of presenting the film, especially when it is his own story. Actor- Producer-Director Sachin Pilgaonkar must have written this story to present his daughter Shriya in her debut film. Making it as his family affair, besides his good friends around, his new film ‘Ekulti Ek’ is also being offered on the day of golden day of completion of 50 years, for winning his first award as a child artiste.
For the past few days, Sachin was campaigning for this film, by becoming part of almost all popular Marathi Television programmes, raising expectations of the film lovers. But, the film has turned out to be more of a serious emotional drama between father and his daughter, rather than entertaining the audience, which his previous films did. Though there is good exchange of dialogues between father and daughter, contrary to the expectation, the screenplay of the film is not very impressive. The story of the film with limited contents, revolves around a popular singer Arun Deshpande, played by Sachin himself. Suffering from Insomnia, in spite of the name and fame; one fine day, he comes across his grown up daughter Swara (Shriya Pilgaonkar) , who visits him after 18 years, since he deserted her mother, when she was just 4 years old. The father pursues his singing career, but, is not willing for changing his singing style to suit the taste of new generation. It is at this time, his daughter arrives to remind him about the desired change in his attitude.
Knowing well about her father’s ego problems, the daughter tries her best to change him, with the help of his secretary Mehta( Ashok Saraf) and her boyfriend. In the meanwhile, Arun Deshpande encounters his wife Nandini( Supriya Pilgaonkar), who happens to be the person interviewing him for a Radio Channel. The discussion becomes too personal and Arun leaves the Radion station in a disturbed state of mind. Back home, he however, tries to help his daughter, to find a role in films; as per her wish. But now, the daughter has plans to marry her boyfriend. She says Good bye to her father, to return to her mother, who is preparing for her wedding. The film concludes with happy ending, as predicted. Only surprise given at the end is revealing the daughter’s real profession.
Only good part of the film are the dialogues and performances by the artistes. Both Sachin and his daughter Shriya have performed very well. Shriya in particular has worked very hard, to present herself in all the scenes. But, it is Supriya Pilgaonkar in those limited scenes to her share, invites all the attention. She is simply superb, in the Radio interview session. Surprisingly, humour finds very limited space in this film. It is only the presence of Ashok Saraf in few scenes, helps to generate spontaneous laughter. Only other humour filled scene is the Police station scene.
Kishori Shahane Vij has limited scope in the film, playing as Sachin’s close friend in the music industry. Siddharth Menon is just fine. Swapnil Joshi and Nirmiti Sawant have just one scene each for them in guest appearance. Same is the case with Vinay Yedekar. Music by Jitendra Kulkarni has limited scope in the film. Sonu Nigam’s promotional title song appears after the end of the film, when people walk out of the cinema hall. But, the cinematography by Rahul Jadhav is fine.
As a director, Sachin Pilgaonkar has made a sincere effort to present his story and has given more importance to father and daughter conflict. However, he has avoided the scenes leading to husband and wife separation. He has also avoided the scenes between mother and daughter, except for the one at the end. This clearly indicated that the director wanted to give more prominence to his daughter, to exploit her potential. But, in the process, these scenes have been stretched too long, making this film little more than two hours in length. There is nothing very special about this film, except for fine performances, suitable background music and fine photography.
“We are on….” is all about cricketainment
Rating: ★★★ ½
Banner: Maitra Entertainment Producer: Sandhya Gokhale Director: Amol Palekar Story – Screenplay: Sandhya Gokhale Dialogues: Sandhya Gokhale Cinematography:Amol Gole Cast: Ashok Saraf, Dilip Prabhavalkar, Ramesh Bhatkar, Manoj Joshi, Pushkar Shrotri, Upendra Limaye, Anand Ingale, Satish Pulekar, Vijay Kenkre, Satish Alekar, Ajit Kelkar, Shreeram Pendse, Sunil Godbole, Goutam Joglekar, Sameer Chougule, Sandeep Pathak, Nivedita Saraf, Vandana Gupte, Shilpa Navalkar, Suhasini Paranjape, Atisha Naik. Movie Review by: Ulhas Shirke |
Cricket has played a very important role in offering entertainment to people in India. And, if you are offering cricket in the form of entertainment through a feature film, it certainly invites the attention of film lovers. Films like ‘Lagaan’ and ‘Iqbal’ are the best examples. Now, at a time when IPL T20 Cricket fever is on, film maker Amol Palekar comes with a timely entertainment, through his new Marathi film ‘We are on, Houn Jau Dya’. Picking up popular veteran and young stars in the cast, Amol has cleverly managed to have two teams of cricket, to offer new form of cricketainment to Marathi film lovers.
Ideally set on the backdrop of Pune, known as the city of pensioners and at the same time the city of sports lovers; he has presented an altercation between the regular morning walkers and young enthusiastic cricket lovers; over the use of ground during the early morning hours. While the group of senior citizens complain about the nuisance caused by the youngsters, during the early morning hours; the youngsters, some of whom are their own family members, claim it as their right to play to relieve their stress, as they are otherwise working people.
The youngsters are keen to participate in the 25 lack prize money tournament at Nashik , as the only team from Pune; but, the seniors call it a craze for the game. To sort out the issue, finally it is decided to have a match between the youngsters and seniors, involving their well wishers, family members and also sponsors to watch the climax; which runs about 30-40 minutes towards the concluding part of the film.
Needless to mention that the seniors realising their limitations, use all the tactics possible, besides challenging the existing rules of the game. As a director Amol Palekar, having been influenced by his mentors Hrishida and Basuda, has sincerely paid tributes to his masters through this film. Through one of his main characters Andalkar (played by Makarand Anaspure) he has used almost the similar tactics during the cricket match, which he himself attempted as an actor, while playing a table tennis match against Asrani on the advice of his Guru Ashok Kumar in the film ‘Chotisi Baat’.
As a film maker, Amol Palekar has received good support from Sandhya Gokhale through screenplay and dialogues, for his own developed concept. In the pre interval session, we find every character and his family being introduced properly, through humour filled scenes. This entire session we find situation based comedy, with good support coming from versatile artistes like Dilip Prabhavalkar, Vandana Gupte, Ashok Saraf, Nivedita Saraf, Ramesh Bhatkar, Satish Alekar, Ajit kelkar, Shriram Pendse, Sameer Chougule, Manoj Joshi, Atisha Naik, Anand Ingale, Upendra Limaye, Pushkar Shrotri, Gautam Joglekar, Satish Pulekar, Sandeep Phatak, Shilpa Navalkar and others. Above all, you find surprise guest appearance by a famous former India Cricketer.
Dilip Prabhavalkar and Vandana Gupte in particular, have matched well as Ponkshe couple, still trying to look younger despite becoming grandparents. Ramesh Bhatkar as Retired Col. and Satish Pulekar as former Ranji Player, play their respective roles with a difference. Makarand Anaspure, finds himself in the company of senior citizens, playing their guiding force. It was nice to find Saraf couple together after a long time, playing so naturally ! Manoj Joshi as a Gujarathi friend in the group, plays the happy go lucky bachelor is style. Atisha Naik with Sameer Chougule succeed in creating laughter in few scenes. Among the youngsters, Anand Ingale and Sandeep Phatak are at their best. Pushkar Shrotri and Gautam Joglekar have almost underplayed their characters. But, it is Sandeep Phatak, who invites all the attention, with his flexible character.
Music does not have much scope in this film, except for one good musical song composed by Avinash Vishwajeet. The background music and sound effects have been used well. Cinematography by Amol Gole captures all the details of the celebrity cricket match very well. “We are on Houn Jau Dya’ is all about cricketainment. But, it’s a well presented timely film.
Ashok Saraf – 40 years of non-stop acting
At 66, he is fit enough to work with the same enthusiasm, as he did in 70s, when he made his debut in Marathi films. He has a terrific sense of timing, when he performs comedy scenes with his co stars. No wonder, his pairing with late Laxmikant Berde turned out to be a hit. He must have done maximum Marathi films with Laxmikant Berde in 80s. But, no one can forget his cunning havaldar in Dada Kondke’s 1975 film ‘Pandu hawaldar’ and a ‘Munimji’ in Rakesh Roshan’s film ‘Karan Arjun’ in 1995. During the past 40 years, he has played a variety of roles in Marathi and Hindi films .But, he was more known for his comedy.
Recently, we watched him play an important role of a sympathetic Police Hawaldar in a hit Hindi film ‘Singham’ and we came to know about his versatility in changing from comedy to serious scenes. Not many Marathi film makers have used his skills in emotion filled roles. Very recently, we saw him play a very good emotion filled lead role in a Marathi film ‘Gol Gol Dabyatla’. But, unfortunately, this sensible film did not do good business.
After a long time, we saw him back to Marathi stage and also in Marathi serials through ‘Nana O Nana’. But, how can we forget his past performances on stage and TV ? ‘Prema Tujha Rang kasa’, ‘Manomilan’ on stage and ‘Hum Panch'(Hindi) on television, found him in his best. In the recent past, he returned to his comedy roles, through ‘Ideachi Kalpana’ in the company of Sachin Pilgaonkar and Mahesh Kothare. And, he stole the show in the role of a shrewd advocate. Even ‘Ek Daav Dhobhi Pachad’, became a hit, only because of his presence in the film.
For the past 28 years, he has been performing range of character roles in Hindi films; be it a crooked lawyer in ‘Pratighat’, kasturi in ‘Bade Ghar Ki Beti’, VCR in ‘Benam Badshah’, Gangaram Lalwani in ‘Naseebwala’, Dhaniram in ‘Aa Gale lag Ja’, Pyare Mohan in ‘Bal Bramhachar’, Mr. Patel in ‘Kya Dil Ne Kaha’ or head Constable Savalkar in ‘Singham’, they were all prominent roles.
Next month, we will see him opposite another experienced Marathi actor Sayaji Shinde, who has been a popular villain in south films. In the film ‘Khara Saangu Khota Khota’ these two actors are playing traditional rivals from the same village, whose children are in love with each other.
Today, he is the most respected actor in Marathi Entertainment and there is lot to learn from him; when he is around. Recently, while attending a function of the first look of one of his recent films, he noticed silence among the media representatives; and spoke himself, to break the silence and create an instant laughter. For any actor, it is very important to communicate with the media; and Ashok Saraf possesses this skill. No wonder, he has been in this industry for little more than four decades. And, he is still ready to deliver, given any role suited to him.
by Ulhas Shirke © MMW | 02 November 2013, Saturday