Ya Gol Gol Dabyatla ( या गोल गोल डब्यातला )
Release Year: 2012 (20 January)
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Producer(s): Mukesh Gupta, Mitesh Desai, Nissar Khan
Executive Producer: na
Director: Asit Reddyz
Writer: Asit Reddyz
ScreenPlay: Asit Reddyz
Dialogues: Pravin Shantaram, Asit Reddyz
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Cast & Crew
Executive Producer: na
Director: Asit Reddyz
Assistant Director: na
Writer: Asit Reddyz
ScreenPlay: Asit Reddyz
Dialogues: Pravin Shantaram, Asit Reddyz
Lyrics: Baba Chauhan
Music: satish chandra
Playback Singer: na
Cinematographer (DOP): Sameer Athalye
Editor: Rajesh Rao
Starcast: Ashok Saraf, Smita Talwalkar, Santosh Juvekar, Madhav Abhyankar, Smita Shewale, Vijay Chauhan, Papan Patila, Aakansha Thakur, Shailesh Datar, Baal Dhuri, Aashalataa
Costumes: na
Makeup: na
Sound : na
Background Score: na
Choreographer: Deepali Vichare
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na
Synopsis
‘Ya Gol Gol Dabyatla’ : na
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News / Article / Interview
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Movie Still(s)
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Review
‘Ya Gol Gol Dabyatla’ sends a strong message
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Rating: na
Presentor: Riddhi Entertainment Director: Asit Reddyz Story: Asit Reddyz Music: Satish Chandra Camera: Samir Athlye Cast: Ashok Saraf, Smita Talvalkar, Santosh Juvekar, Smita Shewale, Madhav Abhyankar, Akansha Thakur, Ashalata Wabgaonkar, Bal Dhuri, Shailesh Datar, Prafull Samant, Pratibha Goregaonkar, Iravati Lagoo, Rashmi Yesgude & child artistes Papan Patil, Akansha Jagdale Movie Review by: Ulhas Shirke |
Albert Einstein has rightly quoted, “We cannot despair of humanity, since we ourselves are human beings”. But, with changing time, it is observed that some children neglect their parents, when they become old. There are cases, where children, after attaining prosperity, refuse to even recognize their parents, forget about supporting them. Today, law has become very strict against those, who refuse to take care of their older parents. Based on the new provisions in law and taking support of existing Hindu law, Asit Reddyz new film ‘Ya Gol Gol Dabyatla’ reminds the new generation about their duties to parents. And at the same time encourages those neglected parents to knock the doors of court for justice.
The film goes on to narrate the tragic tale of Bajaba Mahipati and his wife, (Ashok Saraf & Smita Talwalkar) who in spite of their poor conditions spend towards the education of their only son- Digambar, who grows up to stand first in the district in the HSc exams. Bajaba moves on his bicycle from village to nearest town showing the Bioscope to school children, to earn for his family, while his wife does the job of nursing newly born babies in the village. When young Digamber (Santosh Juvekar) orders his father to arrange for money amounting to Rs.2.5 lakhs, towards his Engineering admission and hostel fees; the father gets worried. But, the kind hearted mother of Digamber suggests her husband to sell his ancestral land .
After moving to hostel in a town, Digamber even changes his name to Anand and befriends the daughter of a TV serial producer Appasaheb Deshmukh (Smita Shwale). He refuses to meet his parents as he hates his poor background and warns them not to meet him. Soon, he marries Appasaheb’s daughter and lives in the bungalow of Appasaheb (Madhav Abhyankar), who offers him roles, impressed with his talent. Some dramatic incidences take place in the film, where the parents confront their own son with changed attitude. Father decides not to see his son’s face again, but the mother turns emotional when she hears about the birth of her grandson. She even agrees to nurse the new born. But, she faces humiliation there and returns home.
Already suffering from ailment, the mother is admitted to hospital for advancement of tumor and is advised to be operated. With no money in hand, Bajaba takes a drastic step to teach his son a lesson. He files a case in court, taking the support of Hindu law and the new amendment in Law providing defense to neglected parents. The film concludes with climax in the court room; where the Judge( Ashalata Wabgaonkar) delivers justice in favour of neglected parents. But, the father returns the compensation by keeping only the medical expenses of his wife’s operation. The film does succeed in passing a good social message to the society.
With this story very relevant to today’s time, writer director Asit Reddyz has offered a sensible film. He has not elaborated much on the college education and subsequent acting career of Digamber. Leaving the college education half way, he is shown moving from Hostel to Appasaheb’s bungalow. The director seems to have paid more attention on father -son confrontation. However, he has selected the artistes perfectly suited to their characters. Ashok Saraf has portrayed the main character of Bajaba very effectively. Smita Talwalkar supports him well as a kind hearted wife, whose happiness is her son’s happiness. Santosh Juvekar as their son has tried to do his best in that role of a selfish son inclined towards materialistic living. Smita Shewale, who plays his girl friend turned wife, does not have much scope, but she suits well in that role of modern day girl. Vijay Chavan as Bashaba’s neighbor in the village does well in his limited role and so does his daughter, who looks like a perfect village girl, with dark complexion. Others in the cast, like Madhav Abhyankar, Akansha Thakur, Ashalata Wabgaonkar, Bal Dhuri, Shailesh Datar, Prafull Samant, Pratibha Goregaonkar, Iravati Lagoo, Rashmi Yesgude & child artistes Papan Patil, Akansha Jagdale have supported well.
Good photography, excellent performances and perfect editing makes the film more appealing, though it is a tearjerker.
‘Ideachi Kalpana’ offers old wine in a new bottle
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Rating: na
Presenter: Everest Entertainment Pvt Ltd Producer: Sushriya Chitra, Sachin Co Producer: Sanjay Chhabria Direction: Sachin Story, Dialogues: Kshitij Zarapkar . Photography: Rahul Jadhav Music: Awadhoot Gupte, Sachin Pilgaonkar Cast: Sachin , Ashok Saraf, Mahesh Kothare, Bhargavi Chirmule, Nirmiti Sawant Movie Review by: Ulhas Shirke |
Actor- Producer & director Sachin’s much awaited multi-starrer film ‘Ideachi Kalpana’ has finally been released on the last day of the year at many theatres simultaneously, only to witness cancellation of the first show, for want of audience at 12.45 pm in one of the multiplexes, but the booking clerk politely admits that there will be a show in the evening. And, in spite of the new year celebrations, about 30-35 people blessed this film at this theatre on the opening day. It really hurts to find such a poor response for a big banner Marathi film. It is high time that the Marathi film lovers support the Marathi film industry with a good turn out at the theatres and at the same time, Marathi film producers also offer something new and different, besides entertainment. After watching this film, one really doubts, whether we are really short of new ideas? Is sole entertainment only the criteria of Marathi cinema?
Jayram (Sachin Pilgaonkar) is a struggling actor who is looking for a break through his dancing talent. One day, during a dance competition held in memory of Late Laxmikant Berde, he offers his chance to Priti ( Bhargavi Chirmule) who is the sister of Police Commissioner Mahesh Thakur (Mahesh Kothare). Jayram is hit by Priti’s car, after the show and is admitted to the hospital. His sister Jaiwanti (Nirmiti Sawant) gets worried, but his brother -in -law advocate – Manohar Barshinge is struck with an Ideachi kalpana and suggests Jayram to pose as if he is severely injured in the spinal region, where he already has an injury during his childhood. His only motive is to grab compensation.
This so called ‘Ideachi Kalpana’ plot scripted by Kshitij Zarapkar is enough for the film to progress further, as the Commissioner and the advocate face each other in every new situation, forcing Jayram to play foul. But, Jayram sincerely loves Priti and this results in creating further complications for both the advocate and the Commissioner. At the stroke of interval the film takes a twist. Director Sachin has truly remembered late Manmohan Desai in the entire plot, by naming the hospital, (where the entire plot takes place) with his name. He has also paid tributes to his friend late Lakshya Berde by hosting the dance competition in his memory.
There are many scenes in the film which have been unnecessarily planted to offer space to co-sponsors like a tea company, a Mosquito repellent brand and a famous Jeweler and they look very odd in the screenplay. There are many lacunas in the screenplay, which runs a little more than two hours, but it is only because of the fine performances coming from main artistes that the audience tolerate it. Talking about characterization, being a Commissioner of Police, this character behaves more like a senior Inspector who is not only insulted by the advocate but also by a watchman at the hospital. But, being a comedy film and being dedicated openly to late Manmohan Desai, one had to accept such errors. ‘No logical thinking please’, seems to be the message given by the director at the beginning of the film.
The happenings after interval are nothing but a mixture of past Bollywood films and therefore one need not think much about such twists and turns seriously, but only enjoy the performances from the artistes, as if you are watching a reality show on television. Director Sachin has been kind enough to offer equal share to all three leading characters. He has also given a good scope to Bhargavi Chirmule, offering her three songs and dances in the film. Bhargavi too in her only second film, hasn’t let him down and has given a wonderful and confident looking performance. Sachin himself entertains with variety, but it is the face to face interaction between Ashok Saraf and Mahesh Kothare that creates laughter in the theatre. Sachin as a director has exploited Mahesh to deliver his acting skills. He has however retained his favourite words ‘Damn it’ on few occasions.
At a particular point it seemed as if the director had shown exit to Nirmiti Sawant, but she makes her reappearance in the climax with a different look sporting a typical Bhojpuri costume with the Jounpuri accent. She has played that part so well that there are chances of her getting offers from Bollywood. Music score by Avadhoot Gupte and Sachin is good and that is the plus point of the film. Photography is good and so is the background sound effect. If you are really looking for a time pass Marathi film leaving aside logical thinking, ‘Ideachi Kalpana’ is not a bad choice.
Two new serials on E-TV Marathi
In spite of the recession period in other sectors, the Marathi film industry stood firm with good business during the year 2009. Even the fear of swine flu did not deter the enthusiastic audience from watching the films in theatres in places like Pune and surroundings which generally attract a good crowd for Marathi films. In fact, the strike observed by producers and distributors of Hindi films, indirectly helped a Marathi film like ‘Mee Shivajiraje Bhosale Boltoy’, which was released around that period. The multiplex owners in Maharashtra welcomed this film, which made a good business for them too.
Year 2009 also saw the arrival of big wigs like Eros entertainment, Zee talkies and Sanjay Ghodavat Group entering the business and offering a good distribution network and required publicity that was very much required to popularise Marathi films. To name a few, films like ‘Ek Daav Dhobi Pachaad’, ‘Gaiir’, ‘Jogwa’ and ‘Rita’ did a good business. At the same time, a sensible films like ‘Gabhricha Paus’ invited the attention of foreigners during various Film festivals abroad. Both ‘Harischandrachi Factory’ and ‘Jogwa’ staked their claim for India’s entry for Oscars with their universal subject and finest presentation; but ‘Harischandrachi Factory’ which had an edge over ‘Jogwa’ for being the film made on the life of the Grand old man of Indian cinema, was finally selected.
It looked like that the new cinema had almost taken over from the traditional comedy films of 80’s and 90’s which remained dominated by Ashok saraf and Laxmikant Berde. Today, we find lots of new faces displaying their talents through new subjects. Renuka Shahane tried a new experiment with her own production through ‘Rita’ by making Pallavi Joshi to play lead opposite an ageing hero of Hindi films Jackie Shroff. She was more confident of her script. And, her experiment did work well . ‘Sukhaant’ directed by Sanjay Surkar and ‘Samaantar’ directed by Amol Palekar offered the audience totally different subjects, which were so necessary to change the taste of audience.
There were films like ‘Gandha’ ,‘Made in China’ and ‘Lonavala Bypass’ which were also based on new subjects, succeeded in inviting the attention of new audience particularly in multiplexes. While the traditional comedy films continued during 2009 with the focus on big screens, but except for ‘Ek Daav Dhobi Pachhad’ no other film could pull the crowds. Among the new directors, Satish Rajwade invited the attention of one and all for offering two hits.
What is more appreciated about today’s Marathi films is that there are more technically perfect films with better cinematic presentation. We also saw Ajay- Atul offering best of music in many films. At the same time we should also appreciate the efforts put in by all those cinematographers, sound & editing experts and choreographers. With 2009 now coming to an end, all eyes on 2010 which welcomes a bunch of Marathi films with new subjects lined up during the month of January, to offer some more variety. But, we are eagerly waiting for that most prestigious Oscar award to be won by a marathi film. Will ‘Harischandrachi Factory’ succeed in doing so ?
Chhote Champions set to offer big Entertainment
Vodafone ‘Eka-peksha Ek – Chhote Champions’ are all set to entertain in a big way on Zee Marathi from 30 October 2009. This dance competition for children will be telecast every Friday and Saturday at 9.30 pm. You may call it a Dhamaka after Diwali. This is the fourth series of competition, which will have 25 children in the age group of 6-14 years presenting variety of dances ranging from classical to western. The best choreographers have been selected for the job to extract the best out of these talented children.
Popular actor- director Sachin Pilgaonkar will be judging their performances in the capacity of the Chief Judge, while every episode will have a guest judge to assess the performance of the participants. For the inaugural show, popular actor Mr. Ashok Saraf will be the special guest.
Review of Marathi Film Anolkhi He Ghar Majhe
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Rating: 3/5
Presenter: Nomad Films, Akshar Films Producer: Juned Menon, Shekhar More Director: Sachin Deo Story: Mahesh Manjrekar Music: Ashish Rego, K.C. Loy Cast: Ashok Saraf, Tushar Dalvi, Kavita Laad-Medhekar, Sushant Shelar, Pushkar Shrotri Movie Review by: Ulhas Shirke |
In the year 1987, T. Rama Rao made a family social with the name of ‘Sansaar’ in Hindi, starring Anupam Kher, Seema Deo, Raj Babbar, Rekha, Archana Joglekar, Shekhar Suman and Ajinkya Deo in important roles. Now, exactly 22 years later Director Sachin Deo comes up with its Marathi version in the name of ‘Anolkhi He Ghar Majhe’. So, how do you call this Ghar Anolkhe, when it is just a new ‘Sansaar’? One can understand about the situation then and now, but the human tendency hasn’t changed. Whether it is father’s ego with the progression of age or son’s selfishness, when it comes to living in a joint family system. Nothing seems to have changed. In fact, with the prevailing nuclear family system, we hardly find joint family system existing now. But, film makers Junaid Memon and Shekhar More thought that this was the right time to strike with the old formula to spread awareness among the new generation. .
So, Din Dayal Sharma is replaced by Jagannath Deshmukh( Ashok Saraf) who takes retirement from his job and pays off the debt that has multiplied over the years for bringing up his three sons and making two of them capable of shouldering their responsibilities. He thinks that his elder son (Tushar Dalvi) who is having a good job and his second son ( Pushkar Shroti) who is a motor mechanic; would be able to support the family. The youngest son ( Sushant Shelar) is in the final year of Engineering. With the eldest son already married to Shubhada( Kavita Laad Medhekar), the senior Deshmukh looks a happy man wanting to relax rest of his life. Kavita Laad in Anolkhi he ghar majhe
But, sensing the burden of expenditure falling upon him after his father’s retirement and with the marriage of his brother followed by the return of his married sister back home after dispute with her husband ; Shekhar opens up a fight with his parents, over expenditure sharing at home. This happens when his wife goes for delivery to her parent’s place. This sudden outburst by the eldest son also hurts old man’s ego and he draws a line in their big house earmarking two parts. He swears to teach his elder son a lesson. With the moral support of his second son who earns extra doing night shifts, he himself takes up a job in a library.
So, you find two families living in the same house, when Shubhda returns with her baby. She is shocked to find this division, being the most sensible person in the family. At this stage, Shubhada takes the lead to reunite the family, taking steps one by one. And then, this family drama of almost two and half hours, concludes with happy ending. Ashok Saraf , plays the family head in his own style, but his wig does not look natural. Meghna Vaidya plays his wife- Malati with ease. Both Tushar and Kavita as husband and wife look very natural in their behaviour, especially while supporting each other very well in all the scenes they have done together. Pushkar Shroti is good as the most obedient son, while Sushant Shelar looks a perfect student, who gets one good scene to express his emotions. The other supporting artistes have done well, with very small role for Arun Tikekar.
‘Anolkhi He Ghar Majhe’ is otherwise a well presented film, but has dragged too long with almost 5 -6 songs picturised in outdated format. Those who have missed Hindi film ‘Sansaar’, shouldn’t miss this film, which a film for entire family.
‘Mastar Eke Mastar’ set to release on June 12
Education today has become a big business. Educationalists are more interested into making money than imparting the right knowledge to the students. Meghraj Rajbhosale’s ‘Mastar Eke Mastar’ is exactly based on this topic.
The movie is Meghraj Rajbhosale’s second production after ‘Jau Tithe Khau‘. It is about the Bappa More, a school teacher who through various means becomes an owner of a huge educational institution. He ends up destroying his own life and career for the greed of money. Ashok Saraf plays the role of Bappa More. Pramod Joshi. Mangesh Desai, Deepali Sayyad, Surekha Kudachi and Vijay Khote are the other actors.
The film is directed by Sanjay Surkar After films like ‘Chaukat Raja‘, ‘Tu Tithe Me‘ and ‘Saatchya Aat Gharat‘.
This is Surakar’s first comedy film. The film was earlier banned by the Censor Board because of its negative message on education and teachers but was later given a clean chit and no scene was edited.
Musician Harshit Abhiraj has composed music for the film. Vaishali Samant, Anand Shinde, Ravindra Sathe and Sanjay Samant have sung the songs. So be ready to catch all the action and your favorite actor Ashok Saraf into his comedy cameo.
Carrying on the tradition of entertaining the audience by tickling their funny bone is the movie ‘Ek Daav dhobi Pachad’
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Rating: ★★
Presenter: Zee Talkies Producer: Shree Mangesh Films Director: Satish Rajwade Story: Girish Joshi Camera: Suresh Deshamane Cast: Ashok Saraf, Subodh Bhave, Prasad Oak, Kishori Shahane-veej, Movie Review by: Jitendra More |
Comedy has been an inevitable element of Marathi Cinema since centuries. Carrying on the tradition of entertaining the audience by tickling their funny bone is the movie ‘Ek Daav dhobi Pachad’
Produced by Ashok Saraf and presented by Zee Talkies, the movie revolves around the life of Dada Dandke (Ashok Saraf), a crook whose business involves controlling and opening new beer bars and casinos. The so-called gunda of the village, he is fondly called as dada by his associates. Dada is notoriously known for capturing polling booths and doing vasooli from people. However, a transformation comes about in his life when he meets his long lost love, Hema (Asawari Joshi-Saraf). Dada puts a marriage proposal which Hema rejects saying that he is not the same person she had met years back. She comments on his language, clothes and way of living.
Unable to face the rejection, Dada decides to change himself and win Hema’s heart again. His attempts to improve make him appoint a Marathi teacher for his language, a fashion designer to stitch international and help all the loved ones in trouble. His journey to be a good man in Hema’s eyes, keeps his enemies wonder that he is planning to come up a new plan this time.
Saraf, as an authoritarian father and a man of honour suits the role well. However, his unreasonable comedy does not go with his image. Again keeping the image of a good actor intact is Subodh Bhave as the Marathi
teacher. Seeing Bhave into a sober role after the brutal role in Uladhaal is amazing and Bhave has made the transformation well. Pushkar Shrotri as Babya, the right hand man of Dada seems to be wasted and so are the acting talents of Prasad Oak (Trimbak Joshi), an accountant madly in love and Madhura Velankar (Saylee) as his lady love. Mukta Barve as Dada’s daughter in her role as Sulochana gets on the nerves of the audience.
With such a huge star cast, directed by Satish Rajwade has not been able to give justice to even one character. However, even after losing the plot of the movie, he comes out good in the end. Music by the two greats Ajay-Atul suits the theme of the movie, however, the audience would have expected a few more songs to keep with the mood of the movie. Nivedita Joshi-Saraf makes a good screen presence even after so many years.
A good movie overall but certainly not reaching the heights set by movies that have brought about a metamorphosis of Marathi movie industry.
‘SAKHI’ REVIEW
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Rating: na
Company: Shree Chintamani Vision Producers: Lata Narvekar, Bharati Acharekar Director: Sanjay Surkar Story: Gautam Rajadhyaksha, Yogesh Khadikar Music: Ashok Patki Lyricst: Sudhir Moghe Cameraman: Harish Joshi Cast: Ashok Saraf, Sonali Kulkarni, Subodh Bhave, Usha Nadkarni, Raghavendra Kalkol, Pushkar Shotri, Lokesh Gupte, Santosh Juvekar, Jyoti Joshi, Kishor Mahabole… Movie Review by: Nisha Garud |
Far of from the usual storylines of commercial movies where two people meet, develop romantic love for each other and then live a happy life every after, Sanjay Surkar’s Sakhi is a movie which is unusual in all respects and aspects. It moves away from typical comedy forcibly included in movies to deviate the audience’s attention from a weak script and keep the movie going. Sakhi is a story of a relationship that develops between two strangers brought together by fate.
The two strangers, Suryakant Jagdale(Ashok Saraf) and Nishi ( Sonali Kulkarni ) find each other at a such a time in their life when both need support and a mentor to guide them. Suryakant, an accountant returns to his village Jatgaon, where he is born and brought up by his godmother Kunda Tai (Usha Nadkarni). He hides the fact from her and his friends that he is actually been fired from his job. He decides to spend his time by doing something for the villagers. But his all efforts end in vain. Restless, frustrated and tired, Suryakant contemplates on what is to be done next when he hears a woman’s cry for help.
Soaked in blood and badly bruised, he sees Nishi (Sonali Kulkarni) being chased by two men. He saves her and takes her to his house. Nishi narrates the tale of how she was married of by her brothers into a rich Inamdar family. She comes to know on her wedding night itself that her husband is not loyal to her. Her brother-in-law eyes her every time with bad intension and her mother -in-law turns a blind eye to all this and reminds her that she should actually be obliged to them for taking her into their family and not complain.
Sonali Kulkarni gives her best performance ever as a woman suppressed by the conditions, trying her best to adjust to her cursed fate. Unable to bear the brunt any longer, she runs away from the house. When is refused an entry into her brother’s house, she admits herself into a women’s ashram but there too she does not find solace. She escapes from the ashram only to be chased by two men and finally being saved by Suryakant.
Ashok Saraf gives a strong performance after a long time by playing a role of a mere understanding friend who strives to give a new meaning to his Sakhi’s life, a woman who needs support, care and security. A relationship which is beyond friendship develops between the two. Sonali’s voice gives her an advantage in playing out well her role of a tortured wife and of innocent village lass.
The movie drags too much with in the second half. The ego clashes shown between Subodh Bhave and Saraf are unnecessary. Some scenes are too obvious in the movie. The end of the movie is seems to have well thought about but was also dragged a lot. Though the movie loses its touch in the here and there, it is brought back by effective dialogues and strong performances by Saraf and Usha Nadkarni, who plays an understanding and supportive character. Certainly a bold subject to make a movie on but would have been effective if the script was more intense.
‘SADE MAADE TEEN’ REVIEW
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Rating: na
Presenter: Zee Talkies Producers: Anubhuti Art Director: Ankush Chaudhari – Sachit Patil Music: Ajit Parabh – Hrishikesh Kamerkar Cast: Ashok Saraf, Makarand Anaspure, Bharat Jadhav, Siddharth Jadhav, Amruta Khanvilkar, Sujata Joshi… Movie Review by: Nayana |
What do u get when you put together 3 brilliant marathi actors and give a Desi Tadka of oldie Chalti ka naam gaadi? Simple…! This makes a new massala movie in marathi. A few years back Mahesh Kothare tried such a Tadka in his “Dhumdhadaka’ which was based on ‘Pyar Kiye jaa’, and marathi movie industry rejuvenated. Else marathi film was stucked in a wicked savkar(money lander)/ jamindar(landowner) and sasurvashin/ saas bahu type, so called ‘bechari bahu’ , and overflowing buckets of tears with sobbing women coming out of the cinema halls. It was Mahesh Kothare (Dhumdhadaka) and Sachin Pilgaonkar’s (Navari mile navryala) efforts, which really dragged marathi film out of such stuff.
When one started speaking about marathi films 2types of reflex actions suddenly blown on – one is with twisting faces ‘We don’t like to watch marathi films’, and another one with a deep sigh ‘Gone those golden days of marathi films’!!
History repeated and aapale Sachit Patil and Ankush Chaudhary along with Zee talkies and Anubhuti Arts entered in film production with ‘Saade Maade Teen’. Na!! It’s not a remake or replica, but it’s a metamorphosis of the same theme bloomed in the marathi mati. Ofcourse, inspired from ‘Chalti ka nam Gadi’ one of Kishor Kumar’s debut film, the film is a rib-tickling comedy set against the backdrop of Garage, filled with ‘Ek ladki bhigi…’ type ‘barasat’ ka gana or may be ‘panch rupaiyya’ type, leading to hilarious situations!
While this film promises to be potential blockbuster this year, it also makes the launch of Zee Talkies brand.
The story is of 3 brothers- the family head ‘Dada’ (Ashok Saraf) and his 2 brothers Madan (Makarand Anaspure) and Chandan (Bharat Jadhav), running their Kurale garage. The younger duo never dares to go against dada’s wish. Dada is a character who hates female because of his first crush. A gal (Sukanya Kulkarni) betrayed him after a marriage proposal.
Obviously, when 2 gals enters in the life of the younger ones, the chaos evoked, and both caught in dilemma of the threat of Dada and emotional attachments. Here enters the Villain to create obstacle between the life of our dupe Chandan, and opulent Madhura. Now guess who help this couple? So after removing all the barricades, the smashing end of the film…
Sachit and Ankush played a safe game. Well, half battle was already won by casting these trios, and afterwards director didn’t allow Makarand and Bharat to rove from the basic storyline. Even they haven’t added their famous accent shown in other films and used them tactfully as never seen before.
A little but most important thing, if they could use the Ashok saraf’s caliber more effectively, as the role offered to him is less challengeable as compare to his capacity, the film would be definitely full 2 dhamal!!!
Else nothing to say about their fantastic tuning, understanding, and coordination. Instead our wise audience won’t accept such a dupe characters. Needless to say Minor mistake like winning applause by repeating same dialogue excusable!!
Dialogues by Sanjay Mone satisfy you. Well, its not a burst of laughter in fact the film doesn’t need it, but more sharp dialogues would keep the film at great height surely.
The directors have taken some kind of support of farcical comedy. The climax fighting comes in the form of farce. Of course no one expects smashing de danadan fighting as it is not an action film, but still…..missing something in this shot only. Otherwise the film takes you from smiling to chuckling and then giggling. Overall a fresh comedy!!!