‘Dr. Prakash Baba Amte – The Real Hero’ is a well presented Biopic
Rating: ★★★ ½
Genre: Drama, Biopic Producers: Samruoddhi Cine World, Golden Globe Director: Adv. Samruoddhi Porey DOP: Mahesh Aney Studio / Presenter: Essel Vision Music: Rahul Ranade, Aniruddha Wankar Cast: Nana Patekar, Sonali Kulkarni, Dr. Mohan Agashe, Tejashri Pradhan, Sushant Kakade, Bharat Ganeshpure, Ashish Chougule, Vinod Raut Movie Review by: Keerti Kadam |
Each one of us have fantasised about superheroes, some time or the other, as a child or as an adult, to tide over our difficulties in life. A selfless person, whom we may call a social worker, actually has been working for the welfare of tribals in Maharashtra, who were living in inhuman conditions. Son of social activist Baba Amte, who throughout his life worked for rehabilitating people, suffering from leprosy, Dr. Prakash Murlidhar Amte, is a living example of Superhero. Advocate Samruoddhi Porey, national award winning director has come out with a biopic on Dr. Prakash Baba Amte.
Baba Amte (Dr. Mohan Aagashe), who set up ‘Aanandvan’ for rehabilitation of leprosy stricken patients/people, who could not afford medical treatment, takes his family for a picnic to ‘Hemalkasa’, and his elder son, Prakash, gets intrigued by seeing the plight of tribals there. Baba Amte wanted to set up facilitation centre there, but Prakash, a medico by profession, volunteers to go to Hemalkasa for the same, knowing fully well, about hardships to be faced and giving up luxuries of comfortable life. Dr. Manda (Sonali Kulkarni), newly married wife of Dr. Prakash Amte ( Nana Patekar), readily agrees to accompany him, in spite of hailing from a well to do family. In dense forest, infested by Naxalites, neglected by government authorities, they set up, with the help of few dependable associates, a medical centre in huts, where they choose to reside too. Difficulties galore like non-communication; due to alien language, age old tribal customs. But, these super human beings, bring these ‘Aadivasis’ to mainstream and even treat wild animals, as part of their family.
A salute to the producers, for presenting this true story in the form of a mainstream cinema. Thanks to Director for handling this sensible subject with sincerity and maturity. The screenplay, with true life incidents is compact and does not keep lingering. Dialogues are the backbone of this script and lift it to another level. They throw light on realities with subtle humour interspersed. Incidentally, each scene says something, to make you think and that’s a plus. The director is successful in maintaining the required pace in storytelling and with some witty dialogues, this serious subject doesn’t become boring. Music (Rahul Ranade, Aniruddha Wankar) has little importance, but is apt and doesn’t halt the pace of the film. Background score is noteworthy, creating required impact. Cinematography (Mahesh Aney) is engrossing with different angles capturing raw forest beauty. Dr. Mohan Aagashe has convincingly portrayed Baba Amte. Sonali Kulkarni has rendered a sterling performance as Dr. Manda, wife of Dr. Prakash Amte. A loving wife, mother, doctor, caretaker, supporter of husband’s every decision, she moves through the frames with utmost ease.
Nana Pateker as Dr. Prakash Baba Amte towers above everyone and is outstanding. His empowering portrayal of Dr Prakash Amte is, as if he is conveying his own story. To act simple is the most difficult thing and Nana does it explicitly. He has fiddled with humour in an expansive way so that seriousness doesn’t overpower the scenes. He is so perfect. This can be termed as one of his best performances.
All superficial superheroes make way, The Real Hero is here, Dr. Prakash Baba Amte.
‘Akalpith’ presents a psycho thriller with a mind game
Rating: ★★★
Studio / Presenter: Nought Creation Producers: Prasad Ugle, Harshal Ushir Writer, Director: Prasad Acharekar Cinematographer: Neeshank Mathure Backgroundscore: Saurabh Bhalerao Cast: Dr. Mohan Agashe, Nirmitee Sawant, Atul Todankar, Renuka Shahane, Abhinay Sawant, Rutul Patil, Ashutosh Patki, Sumedh Gaikwad Movie Review by: Ulhas Shirke |
Psycho thrillers are not new to Marathi film industry; but, a mind twisting psychological thriller with a gripping screenplay is really something new to Marathi cinema. Writer-Director Prasad Achrekar, who is the grandson of legendary art director M. R. Achrekar, has offered his debut film ‘Akalpith’, with the help of young Snehal Pendurkar, who besides writing this riveting screenplay, has also handled the graphic art of this film, during flashbacks very well.
‘Akalpith’ begins with the special meeting of the Jury with the judge, where the public prosecutor seeks the help of a renowned female psychologist, to study the past history and the statement of the alleged psycho killer. As their proceedings go on, the film also shows the actual happenings that led to a situation, where the accused pleads ‘not guilty’ and poses himself as a sick person, suffering from a trauma; as argued by the defence lawyer.
Dr. Mohan Agashe, Renuka ShahaneThe actual argument and discussion on the case begins in post interval stage, after the audience witness the entire episode of the actual happening, till the accused is shown with a pistol in his hands, about to fire his shots at his wife and his cousin, who together had planned his murder at the cousin’s bungalow, located at a remote place.
The film begins with the Public prosecutor Ms. Saranjame, seeking the help of a renowned psychologist (Renuka Shahane) to study the case of a young murder accused, who is trying to prove himself innocent, with the help of a defence lawyer, in absence of the evidence. She wants the psychologist to help her to prove the heinous act of the accused; during the meeting of the Jury with the judge. Simultaneously, we witness on the screen, the actual happening of the event, as recorded by the accused Milind (Abhinay Sawant) in his statement. So, we find his wife Shweta (Rutul Patil) making quick phone calls to unknown persons.
When both husband and wife leave for a long drive on a weekend, they come across Milind’s cousin Vishal (Ashutosh Patki), who suggests Milind and his wife to spend the week end at his bungalow at a remote place, which is close to the place they meet . So, it is known to the audience that it’s a planned trap for Milind. A terrible looking watchman guarding the bungalow that night and warning them not to step out of the bungalow suggests the past history of that place with series of unsolved murders taken place around in the past.
As everything gets set as per the plan, a stranger with the name of Raj (Sumedh Gaikwad) walks into the bungalow, for shelter as his car goes out of order. He tries to make a phone call; but doesn’t get his line. Shweta misunderstands him as a hired killer; having arrived a day before and is confused. But, he turns out to be from the same college of Milind. So, both Milind and Raj come closer talking about their good old college days, that night. In the meanwhile, Raj comes to know about the affair between Vishal and Milind’s wife. He is asked to keep quite by Vishal. In the meanwhile, Shweta and Vishal’s plan to kill Milind, is foiled by Milind himself. Next day morning, when the real contract killer arrives, he too is confused about his target, after noticing three men around, instead of one.
Milind with the help of Raj, manages to convince the contract killer, offering more money and Milind acquires the pistol from the contract killer, aiming it at his wife Shweta first; when the film breaks for interval. In his defence, Milind claims that he could not remember anything after that scene; and that he had lost his memory. However, in post interval session, when the judge asks to present him before the jury, Milind is brought with his hands tied on a wheelchair. During this trial,( which is held in house, instead of the courtroom); he reveals the judge two new stories, recollected by him; while he was brought by Raj in a car back to Mumbai. The psychologist is almost close top grill Milind, on the basis of his past and recent paintings, when the judge gives his final verdict. The film ends with an unexpected climax, which is all about the mind game. So, watch each and every scene in this film, with full attention.
In the role of Milind , Abhinay Sawant finds a good lead role, to open his actual innings in Marathi films, though, he had appeared before in a small role through Kedar Shinde’s multi starrer film. Music director Ashok Patki’s son Ashutosh Patki also makes a good debut, in second lead, through the role of Vishal. In the role of Shweta, Rutul Patil makes an impressive debut. Having performed on stage, this Nashik girl looks very confident in every scene that she has to her share. Another newcomer Sumedh Gaikwad has also played his part like a true professional actor, though in real life, he is a still photographer. Among the supporting artistes, Dr. Mohan Agashe, Nirmitee Sawant, Atul Todankar, Renuka Shahane and others, have performed their roles with full conviction, and very naturally. Director Prasad Achrekar has handled the direction of this film very efficiently. It wasn’t an easy job; but having been influenced by the stories of Sherlock Holmes, he has received good support from Snehal Pendurkar in the screenplay.
Those who love to watch psycho thrillers, this film is a real treat for them. Young Cinematographers Amit Suresh Kudoth and Nishank Mathure, offer a visual delight, by generating interest, in every scene. Background score by Saurabh Bhalerao is well suited to this novel plot in Marathi cinema. The film does have few flaws, but looking at the sincere effort of the young team in presenting this psycho thriller, they can be ignored. Good work Prasad; keep it up..
Dr. Mohan Agashe and Subodh Bhave speak about their new film
Veteran Dr. Mohan Agashe plays the father of today’s popular star Subodh Bhave in the forthcoming Marathi film ‘Kon Aahe Re Tikade’, which is a story of a stubborn father who inherits a fort from his ancestors, but the same is in the custody of the government. So, the father vows to marry his son, only after the custody of the Fort comes back to their possession. When the son commits a mistake, he tries to hide the facts from his father. In fact, he plays a ‘hide and seek’ game to entertain the audience.
This is what the both of them feel about the scope offered to them in this film and their personal experiences.
Dr. Mohan Agashe, who plays an adamant father, feels that the character of landlord he plays is full of challenge. To play this role, he has used his longtime experience to make it more appealing. Talking about his co-star Subodh Bhave he says, “Though Subodh is the hero of new generation, he is very hard working and sincere. He has a terrific sense of humour and is so perfect in his dialogue delivery.”.
At the same time, offering his reactions on this film, Subodh Bhave feels that it was a great experience working with Dr. Agashe on this project, which is a package of entertainment. “ I am playing a confused character of Malhar, who is trying to do a balancing act to please his father and at the same time keeping his beloved happy”. He further adds, “Nowhere in the film any character has performed deliberate comedy, but the outcome of every sequence will make you burst into laughter. Now that you are already fed up with this burning summer heat, this film will provide you the required cool breeze.”
‘Kon Aahe Re Tikde ’- offers good entertainment
Rating: na
Presenter: Cat n Mouse Entertainment Pvt. Ltd., Abhay Shevade Production: Ambika Pictures, Dipak Bhosale Director: Tanagi Ghadge Story, Screenplay, Dialogues, Lyrics: Arvind Jagtap Music: Chinaar Mahesh Camera: Surendra Sinh Cast: Dr. Mohan Agashe, Subodh Bhave, Sharad Ponkshe, Sunil Godse, Mangesh Saatpute, Smita Tambe, Arun Kadam, Mangesh Desai, Shubhangi Gokhale, Hemangi Kavi, Bharat Ganeshpure… Movie Review by: Sandeep Hattangadi |
Marathi films are known for their comedy content but very few films can be really called total entertainers filled with comedy. However, Cat –N-Mouse Entertainment’s ‘Kon Aahe Re Tikade’ is a zany comedy which can be termed as one in the category of good entertainment.
The story of the film revolves around Shirke family, who still live in the kingly eras of the Maratha history. The chief of the family- Jhunjharrao Shirke (Dr.Mohan Agashe) is one such ‘historical’ monument who is fighting with the authorities and his step brother Balasaheb(Sharad Ponkshe) to regain control of ‘Veergad fort’ which he considers as his family possession. Jhunjararao has already spent a fortune on lawyers and his ancestral property is dwindling and so is their royal lavish lifestyle with only one servant- Kumar (Bharat Ganeshpure) who is paid by the Shirkes with pieces of their land and other princely objects like the royal sword, in return of his services.
Jhunjararao has one son- Malhahrrao(Subodh Bhave), who is an artiste(a painter) and is a happy go lucky person. But, his father has vowed not to arrange his marriage until he gets ‘Veergad’ back.
But, Fate intervenes and Malhararo falls in love with Devaki (Hemangi Kavi) at a marriage ceremony of her brother. They promptly get into bed before marriage and within a month Devaki declares that she is pregnant. What follows thereafter is a roller-coaster of amusement with every character in the film misunderstanding the other. The real pregnant person, however remaining a mystery, which finally turns into a ‘comedy of errors’
Devaki’s father(Mohan Joshi), their maid Savita (Smita Tambe), her politician brother Udayrao (Mangesh Desai) and his wife (Suhas Paranjape) are all part of this drama and most of the comedy part is situation based with funny dialogues .
The film is ably directed by Tanaji Ghadge and is well scripted by Arvind Jagtap. The performances are good from all, with Dr.Mohan Agashe putting in a stellar performance as Jhunjarrao Shirke. The shy but flexible Malharrao Shirke has been portrayed in his own style by Subodh Bhave. Hemangi Kavi looks simple but good and acts well. Mangesh Desai, Mohan Joshi, Smita Tambe,Sharad Ponkshe, Bharat Ganeshpure , Suhas Paranjape, support well. Shubhangi Gokhale as Mrs.Shirke is impressive. Arun Kadam as a watchman and Vijay Patwardan as a doctor, are hilarious cameos.
The title song is sung well by Hrishikesh Kamerkar and composed well by Chinar-Mahesh. The cinematography by Surendra Singh is brightly lit with the interiors of the ‘wada’ and the ‘fort’ captured well. The editing by Rupesh Patole succeeds in the film, to get that required momentum for the film. In all, this film is a good entertainer.