Fight of a common man against Violent ‘Yeda’
Rating: ★★★
Banner: Maitra Entertainment Producer: Satish More, Sneha Tambe, Girish Salvi, Laxman Salunkhe, Aditya Sharma Director: Kishor Pandurang Belekar Story – Screenplay: Kishor Pandurang Belekar Dialogues: Girish Salwi Cinematography: Raees Ansari Cast: Ashutosh Rana, Reema Lagoo, Kishori Shahane, Satish Pulekar, Aniket Vishwasrao Movie Review by: Ulhas Shirke |
Director kishore Pandurang Belekar known for his debut Marathi horror film ‘Sa Sasucha’ and Asutosh Rana better known for his portrayal of dangerous characters in films like ‘Dushman’ and ‘Sanghrash’ have come together to offer new Marathi film ‘Yeda’, which is also debut film of Ashutosh Rana in Marathi. Therefore, this film had a special significance, knowing the capacity of these two people in their respective departments i.e. direction and acting. Moreover, the film having received ‘A’ certification of Censors, it was certainly expected to be horror filled film.
Set on the backdrop of a small town off Mumbai, the story of the film revolves around a psychic character of Appa Kulkarni ( Ashutosh Rana) who tortures his wife Savitri ( Kishori Shahane Vij) and wants his only young son Unmesh ( Aniket Vishwasrao), who is a Site Engineer, to marry a girl from wealthy family, so that he could recover all the expenses, he spent on his education. But, Unmesh who is in love with Pradnya( Pradnya Shastri) the only daughter of a postmaster from local Post office Mr. Vasant Narvekar( Satish Pulekar).
Knowing the dangerous nature of her husband, Savitri encourages her son to flee with Pradnya, suggesting him to take up another job at a new place. Pradnya gives a shock to her parents, as she flees with Unmesh, without taking them into confidence. Her mother Sadhana ( Reema Lagoo) feels more hurt. But, the psychic father of Unmesh doesn’t take this shock lightly. When Unmesh returns with his wife to seek the blessings of his kind hearted mother; Appa is almost on the verge of killing his own wife; who suggests her son to run away . Both manage to escape, as Appa follows them.
Appa is now after the blood of his own son and his daughter in law who is now pregnant. Violent Appa succeeds in his series of killings, targeting whoever comes in the way. Helpless Pradnya returns to her parents in that condition and finally delivers a baby boy; but breathes her last during delivery. The child is now in the custody of Vasant and Sadhana Narvekar; who are threatened by Appa to hand over the child. The entire post interval session is filled with mystery, as to what would be the next step of Appa and how Vasant Narvekar would face him. After face to face battle, Vasant escapes from the clutches of violent Appa in the climax, due to intervention of Police brought by his wife.
While he is overpowered by Police team, he warns Vasant that he would return soon to take back the child. And courageous Vasant dares to answer him back, stating that between him and his grandson, he would stand like a wall, to accept his challenge. In the climax scene, Vasant could have finished Appa in self defence; but it seems that the director had a sequel of this film in mind. The film which had held its grip over the screenplay for 130 minutes , therefore failed to satisfy the audience in the climax with an expected revenge, which was perhaps differed till part 2 of ‘Yeda’, as indicated through the concluding dialogue.
Technically, ‘Yeda’ is a well presented film by director Kishore Belekar , with good effective sound recording by Sanil P.K. and good support of location sound coming from Anil Nikam. Photography by Raees Ansari is very apt to the screenplay of this film. In the lead role Ashutosh Rana has really worked hard to present his dangerous character. He has received good support from versatile senior artistes like Satish Pulekatr, kishori Shahane and Reema Lagoo, who have performed equally well. In fact, it is a common man’s (Vasant Narvekar’s) courageous fight against violent ‘Yeda’ (Appa).
The young performers Aniket and Pradnya do not find much scope in this film; but, they have played their roles satisfactorily. Barring the violence part and not so convincing climax, ‘Yeda’ is otherwise a good creation.
‘Aghor’ – a timely theme without a grip
Rating: na
Banner: Pratibha Films, Quality Cards Producer: Raju Jogeshwarji Ghivdhonde, Mangesh Pitale, Adv. Raman Senaad Story, Director: Salim Shaikh Dialogues: Salim Shaikh, Parag Ghonge Music: Nandu Honap Cast: Santosh Juvekar, Aniket Vishwasrao, Sai Tamhankar, Manasi Kulkarni, Kishori Shahane, Vinod raut, Tejaswi Patil and Shadab. Movie Review by: Ulhas Shirke |
Corruption has become part of every field of profession and medical profession is no exception. As there are good committed doctors, there are doctors, who are not only involved in unethical practices, but also involved in frauds and cheating business. In the name of Multi- speciality clinics, there are many malpractices noticed at many places in the state. This has come to light, through regular media expose. Recently, we also saw one such episode of Aamir Khan’s reality show, where such unethical practices were brought to light.
Latest released Marathi film ‘Aghor’, produced by a team of producers from Nagpur comprising of Raju Jageshwar Dhivdonde, Mangesh Madhukarrao Pitale and Ad. Raman Laxmanrao Senad and directed by their colleague Salim Shaikh, has exposed few such acts by a selfish doctor, who owns one such Multi speciality clinic. For Dr. Batra( Dr. Vilas Ujawane), profit is considered as a driving force in his business. The film shows all his ways to grab money from the patient, initially in the form of advance by getting first the details of his income in the admission form.
Though the main theme of this film is based on day to day newspaper and TV reports of corruption cases in medical profession, it is backed by frustration among unemployed youth and those in sports, who have been denied their dues. Dr. Sathe ( Ad. Raman Laxmanrao Senad) a principled and committed doctor, who runs his clinic with the help of his wife ( Kishori Shanae), regularly encounters three youths namely Prakash ( Aniket Vishwasrao), Sam ( Santosh Juvekar) and Lucky ( Shadab); and is well aware of their problems.
Sai Tamhankar, Santosh JuvekarOne day, Dr. Sathe in an attempt to save a little girl, is knocked down by a speeding vehicle. He is admitted to Dr. Batra’s hospital, who suggests an emergency operation and asks Ms. Sathe to deposit Rs 4 lakh immediately. The three youngsters raise the amount in their own ways and them begins the fight against Dr. Batra and his team. Luckily for them in a typical filmi style Dr. Batra’s close friend’s daughter( Manasi Kulkarni) and Dr. Batra’s own son join hands with them to teach a lesson to Dr. Batra, in his own way.
‘Aghor’ does have a good theme, but lacks grip in the screenplay . The efforts of the Nagpur based team to make a film on a social issue is highly appreciated; but, to create an impact, the screenplay and the order of sequences should have been handled more skillfully. The director, who is himself a story and screenplay writer, hasn’t paid much attention on this aspect. The first half of the film just goes on understanding the background of the three youngsters, besides knowing about the past love of Sam. The two songs in pre interval stage are okay; but the one picturised on Santosh Juvekar and Manasi Kulkarni hasn’t been timed well. At a time, when the film should have taken a firm grip on revenge, after noticing a serious case of crime, the break for a song only diverts the attention of the audience.
Some of the incidences, such as Sam’s first girlfriend( Tejaswi Patil) killing herself, Dr. Sathe trying to save the girl Kishori Shahane VIjon the road, Dr. Sathe shown too generous in treating his poor patients and the happenings in the climax; don’t give a realistic look. But, few events like a Medical representative of the company offering attractive packages to the Doctor for prescribing costly medicines in place of generic medicines; a Municipal contractor exploiting a senior old female worker, keeping the already dead patient on ventilator, forcing the husband to undergo test after he threatens to divorce his wife for not conceiving for eight years, the honest doctor understanding the psychology behind the attitude of youngsters; have been included in the film, to send across a message to the society.
There is not much scope for music in this film, but two songs by popular singers have been picturised well on new locations in Nagpur. The angry young man of Marathi films Santosh Juvekar has limited scope in this film. But, he has played his role with ease. Aniket Vishwasrao too, plays his part well. Newcomer Shadab has very little to do with acting, except for being with the two friends and punching rivals, whenever required. The three young girls have very little to their share. Sai Tamhankar as a lawyer, is just namesake girlfriend of Aniket Vishwasrao, with just few scenes. Manasi Kulkarni ( TV serial Mission.com fame) looks confident on her debut through few scenes, besides a song sequence. Tejasvi Patil is in the film almost like a guest performer. Producer Raman Senad gives a satisfying performance in the role of Dr. Sathe, on his debut. Dr. Vilas Ujavane plays the antagonist effectively. But, it is Kishori Shahane, playing Ms. Sathe, finds a better role. ‘Aghor’ is no doubt a sincere effort to expose corruption in medical profession; but it lacks the desired sensational cinematic approach to create an impact through its screenplay.
‘Hello Pappa’ takes writer Ashok Patole to direction.
Entering the film industry under the banner of Datta Davjekar is the movie “ I want to say ‘Hello Pappa'”. The movie has been made in the remembrance if famous musician Datta Davjekar by his son Vinay Davjekar. Vinay has taken the help of writer and playwright Ashok Patole.
After writing plays like ‘Shyamchi Mummy‘ and Aai Retire Hote, serials like‘Shriman- Shrimati’, ‘Hasarate’, ‘Campus’ and movies like Aatmvishwas, Shejari Shejari, Chaukat Raja, Majha Chhakula, Chingi Ashok Patole has entered the direction foray.
The story of ‘Hello Pappa’ is written by Rupesh Patole, the plot, lyrics and dialogues are by Ashok Patole. The story is based on a 7-8 year old girl. She is deprived of her father’s love after divorce between her parents. The only aim in her life now is to find her dad, for which she is always throwing tantrums to her mother. Her mom would make her understand that it is not possible for her to meet her father by telling things such as that her father is far away in a foreign land and cannot come because he does not get holidays. What more does her mother do to make her understand? Does the girl succeed in meeting her father? Does her mother take her to meet her father? Such questions are answered in a very subtle manner in the movie.
Making his mark on the small screen and the theater is Rupesh Patole, who will be making his mark on the big screen for the first time through this movie. The other actors in the movie are Kishori Shahane, Teja Devkar, Ninad Kamat, Kasturi Sarang, Shanta Tambe, Dr. Sharad Bhutadiya. Nutan Jayant, K Vrushali and child actor Shamika Kadam.
Maza Pati Karodpati
Release Year: 1988 (20 January)
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Producers: Chelaram Bhatiya, Lalachand Bhatiya
Executive Producer: na
Director: Sachin
Writer: Ashok Patole
ScreenPlay: Sachin
Dialogues: Ashok Patole
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Cast & Crew
Co-producer: Ela Bhate, Avinash Thakur
Executive Producer: na
Director: Sachin
Assistant Director: Avinash Thakur
Writer: Ashok Patole
ScreenPlay: Sachin
Dialogues: Ashok Patole
Lyrics: Shantaram Nandgaonkar
Music: Arun Puidval
Playback Singer: Kishor Kumar, Anuradha Paudval, Sachin
Cinematographer (DOP): Suryakant Lavande,
Editor: Chintu Dhavale, S. Rav
Starcast: Sachin Pilgaonkar, Supriya, Ashok Saraf, Kishori Shahane, Shobha Khote, Nilu Fule
Costumes: Damodar Jadhav
Makeup: Mohan Pathare, Vijaya Kamat
Sound : Pandurang Bolur
Background Score: na
Choreographer: na
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: Arun Paudval
Publicity Designs: Shreekant Khongade, Dyansagar Ofset Works
P.R.O.: na
Distributor : na
Synopsis
‘Maza Pati Karodpati’ : na
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