Mee Sindhutai Sapkal (मी सिंधुताई सपकाळ)
Genres: Biopic, Drama
Rating: **** (4/5)
Censor: U/A
Duration: 120 mins
Producer: Bindiya Khanolkar
Exe-Producer: Asita Narvekar
Director: Ananth Narayan Mahadevan
Writer: Base on the Book ” Mee Vanvasi” by Sindutai Sapkal
ScreenPlay: Ananth Narayan Mahadevan, Sanjay Pawar
Dialogues: Sanjay Pawar
Cast & Crew
Exe-Producer: Asita Narvekar
Director: Ananth Narayan Mahadevan
Writer: Base on the Book ” Mee Vanvasi” by Sindutai Sapkal
ScreenPlay: Ananth Narayan Mahadevan, Sanjay Pawar
Dialogues: Sanjay Pawar
Music: Ashok Patki
Cinematography: K Raj kuamr
Cast: Tejaswini Pandit, Upendra Limaye, Jyoti Chandekar, Neena Kulkarni,
Suhas Palshikar, Charushila Sable, Ganesh Yadav, Jaywant Wadkar,
Pranjal shetye
Synopsis
Videos
News / Article / Interviews
7 Marathi films find place at prestigious Film festivals
Big ‘B’ launches music of ‘Mee Sindhutai Sapkal’
Movie Still(s)
Poster(s)
Review
Remarkable Biopic on Sindhutai Sapkal
The film clearly hits out at the exploitation of women in the male dominant society, especially in the rural sector. It is for the first time that Mother and daughter combination of Jyoti Chandekar and Tejaswini Pandit have played the role of older and younger Sindhutai and it gave an impression that both of them had totally devoted themselves to this character… read full review
Remarkable Biopic on Sindhutai Sapkal
The film which has been creating waves at various film festivals in India and abroad, has been welcomed in Maharashtra on the first day of its release. Its universal theme is not only appealing but also touching the hearts of those who admire self-sacrificing service to the society.What more can one say about a film, which got standing ovation after its screening at the National theatre, London ? In fact, this film had a three show premiere at this festival recently. “Mee Sindutai Sapkal (मी सिंधुताई सपकाळ)” based on the autobiography of well-known social worker Sindhutai Sapkal, is a biopic directed by Anant Narayan Mahadevan, a Journalist turned Bollywoood actor and film maker.
The film’s story begins with present times, with Ms. Sindhutai Sapkal traveling for the first time by an airplane on her way to US on an invitation from a Maharashtra Sahitya Mandal based there. Sitting next to her as a co -passenger on the long journey is the director of the film. During the first half of the film, Ms. Sindhutai recollects her past with strange experiences with every small moment during the journey, while in the second half, she narrates her fight for survival, while addressing the elite audience in US.
“Mee Sindhutai Sapkal” is a sensible film, strictly following the worst incidences in the life of the noble social worker and at the same time highlights her fight for survival. There is a lot to learn from this biopic, especially at a time when we all are living in a materialistic world. Here is an example of a woman, who has seen the worst poverty, yet feeds the other deserted children out of what she has gathered for her own child. It also reminds one and all about the sacrifice a mother has to make when she lifts the responsibility of all the deserted children around, as if they were her own children.
Very efficiently the director has captured every delicate moment in this film, that relates to the actual happenings in the life of the selfless social worker. The well structured Tejaswini Pandit, Sindhutai Sapkal dialogues strike timely in that well presented screenplay. Watch that mother and daughter relationship during the childhood of Sindhutai, when she is known as Chindhi . The father visiting his daughter’s place after her marriage and admitting the guilt of not offering her further education and the husband returning to Sindhutai, during old age, realising his mistake. They are all master pieces.
The film clearly hits out at the exploitation of women in the male dominant society, especially in the rural sector. “Education, is the key to progress,’ is all that the film goes on to say. No matter, you have limited education, but making an effort to see that other deserving get the same at the most appropriate time in their life, is the biggest need of the society. And, you need strong mothers like Sindhutai. Well suited music to every situation and good cinematography gives a more respectable look to the film.
It is for the first time that Mother and daughter combination of Jyoti Chandekar and Tejaswini Pandit have played the role of older and younger Sindhutai and it gave an impression that both of them had totally devoted themselves to this character. Upendra Limaye asyoung Sindhutai’s husband is very special and so is Suhas Palshikar, who plays her father. Neena Kulkarni in her small but effective role does a good job. Rest of the cast has supported well. The film will certainly take Marathi cinema to a greater heights.
Ananth Mahadevan to make a film on Sindhutai Sapkal
Sindhutai Sapkal, well known social worker from Maharashtra has done a commendable job by offering shelter to hundreds of homeless children and providing them food twice a day. No wonder she has been conferred with 170 awards so far, for her selfless service to the society. Having herself experienced the worst treatment from husband and her society, for giving birth to a girl child, Sindhutai literally faced the circumstances with hard work. So impressed was Mr. Ananth Mahadevan, the Bollywood actor and director with her contribution to the society that he decided to make a marathi film on her life.
The time being right for the realistic marathi cinema, Mr. Mahadevan has already started his work on this ambitious project using Sindhutai’s own autobiography as the main source for his film’s script. The screenplay will present the happenings that have occurred in last 50 years of her life with more emphasis on stunning events like having to abandon the education on account of her marriage, warming herself near a burning funeral pyre while being frozen during a cold wave, and feeding herself on the holy rice kept near the dead body. In the later half, the story of her life soars to a commendable honour of being able to express herself from the dais of an international forum in America, which can also be seen in this film. Given the fact that the central theme of the film being so full of appeal, it is expected to appeal international audience.