Salman Society (सलमान सोसायटी)
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Release Year: na
- Genres: Drama, Comedy
- Rating: na
- Censor: na
- Duration: na
- Studio/presenter: Prajakta Enterprises
- Producer(s): Rekha Surendra jagtap, Dasharath/Rajendra Yadhav, Sampatarao patil
- Executive Producer: na
- Director: Kailash Kashinath Pawar
- Writer: Kailash Kashinath Pawar
- ScreenPlay: Kailash Kashinath Pawar
- Dialogues: na
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Cast & Crew
- Producer(s): Rekha Surendra jagtap, Dasharath/Rajendra Yadhav, Sampatarao patil
- Executive Producer: na
- Co-producer: na
- Director: Kailash Kashinath Pawar
- Assistant Director: na
- Writer: Kailash Kashinath Pawar
- ScreenPlay: Kailash Kashinath Pawar
- Dialogues: na
- Lyrics: na
- Music: na
- Playback Singer: na
- Cinematographer (DOP): na
- Editor: na
- Starcast: na
- Art Director: na
- Costumes: na
- Makeup: na
- Sound : na
- Background Score: na
- Choreographer: na
- DI, VFX: na
- D.I. Colourist: na
- Promos: na
- Music Label: na
- Publicity Designs: na
- P.R.O.: na
- Distributor : na
Synopsis :
Videos
News / Article / Interview
First song recorded for the film ‘Salman Society’
Popular child artistes roped in for Marathi film ‘Salman Society’
Sonu Sood gives muhurat clap of Marathi film ‘Salman Society’
Movie Still(s)
Poster(s)
Review
First song recorded for the film ‘Salman Society’
The makers of the forthcoming Marathi film, ‘Salman Society‘ recorded the first song of their film ‘Party Dananali ….‘ composed by Shreyas Angane and crooned by Nagesh Morvekar (Gavthi fame). The song features popular child actors including Pushkar Lonarkar, Vinayak Potdar, Shubham More, Prajakta Jagtap, Devaki Bhondave and Actor Gaurav More. This film is Directed by Kailash Pawar and produced by Dasharath Rajendra Yadav, Rekha Surendra Jagtap, Sampatrao Patil and Shantaram Bhondave under the banner Prajakta Enterprises.
‘Salman Society‘ runs with the tagline ‘Padhega India To Badhega India‘ and focuses on the issue of child education. The makers have planned an extensive shoot schedule of ‘Salman Society‘ in Mumbai. The film which is currently on floors, will be releasing all over Maharashtra sometime in December this year.
Popular child artistes roped in for Marathi film ‘Salman Society’
Many child artistes have played very important role in the success of some of the Marathi films. Popular child artistes comprising of Pushkar Lonarkar, Gaurav More, Shubham More and Vinayak Potdar will be seen in Kaliash Pawar’s forthcoming Marathi film ‘Salman Society’. Produced by Chandrakant Pawar and Rekha Surendra Jagtap under the banner, Prajakta Enterprises, ‘Salman Society’ carries the timely tagline ‘Padhega India to Badhega India’ and focuses on the most important issue of child education.
While Pushkar has been featured in prominent Marathi films including ‘Elizabeth Ekadashi’, ‘Baaji’, ‘Firkee’ and ‘Chi Va Chi Sau Ka’ , Gaurav has some popular Marathi shows and commercials to his credit. Shubham has made his presence felt as an actor not just in Marathi cinema but also Bollywood in films including the Shah Rukh Khan starrer ‘Raees‘. Similarly, Vinayak has been part of films including ‘Tajmahal’, and ‘Yere Yere Paisa’.
The makers of this film have planned an extensive shooting schedule in Mumbai. The will be released in December this year.
‘Baji’ is a well presented film; but, too lengthy
Director Nikhil Mahajan who made his debut as a director through a detective Marathi film ‘Pune 52′, now offers an action & mystery filled film ‘Baji’. The film is also a grand comeback for Shreyas Talpade into Marathi films after 8 years. But, as far as the screenplay of the film is concerned, it seems to be inspired by few Bollywood films like ‘Kaho na pyaar hai’, ‘Sholay’, ‘Ajooba’, ‘Shahenshah’ and ‘Krrish’. Writer- Director Nikhil Mahajan has paid more attention on making this film a technically superior film in Marathi.
The story of this film is set on the backdrop of a small village Shrirangpur in Maharashtra, which is supposed to be created by a king in 11th century. So, it’s all about the ‘hidden treasure’ in the village and a Superhero ‘Baji’, protecting the same from going into the hands of wrong people. Baji also comes to the rescue of villagers, whenever anybody is in trouble. There is a mystery behind this character of ‘Baji’, as he hasn’t appeared in the village for a long time. And that’s how the film begins, raising curiosity of the audience.
Dipu ( Shreyas Talpade) , who runs a grocery shop, keeps hearing the bravery acts of ‘Baji’ from his girlfriend Gouri ( Amruta Khanvilkar), who has been saved from a mishap by Baji. She is the only person from the village, who believes that Baji would return. Another young man from village, Martand ( Jitendra Joshi), turns greedy and tries to secretly search the hidden treasure. When Dipu comes to know about his plans, he opposes him; but, in the process, he is himself beaten up by Martand.
At the stroke of interval, we notice a twist in the screenplay. Post interval, we see a simple looking Dipu turning a brave man, thus coming to the rescue of villagers, who are used as slaves, by Martand to trace the hidden treasure in the village. So, it’s a straight fight between Martand v/s Dipu. But, Dipu’s mother( Ila Bhate) knows some secrets. The screenplay proceeds with action filled suspense, to see the end of wicked Martand, after a thrilling climax, shot on a running goods train.
In ‘Baji’ it is Shreyas & Shreyas all the way. With his variety of acting skills, he is impressive, from beginning till end. Amruta Khanvilkar has supported him well, as his leading lady in the film. In the entire film, she appears without make up, perhaps to meet the requirement of her village girl image. Jitendra Joshi as Martand, commits all heinous acts, in the post interval session. But, his character is shown cruel only through violence filled acts. There isn’t much scope for acting for him. In comparison, his portrayal of villain in recently released ‘Premasathi Coming Soon’ was much better.
The first half an hour of the film fails to take off with the story. A lot of time has been wasted in showing the friendship and intimacy among Shreyas, Amruta and child artiste Pushkar Lonarkar ( ‘Elizabeth Ekadashi’ fame).But, once the film’s story takes off, it keeps the audience engaged, till the end. The new concept of showing the shadow fight has been used well, in one of the action scenes. The climax has been shot well, but for that the credit goes to action director Stunt Silva and the excellent camera work by Vasu Rane. There is one stunt scene performed by Shreyas to rescue a puppy dog from the roof top. He keeps calling him with the name of a top hero of Marathi film. And, this certainly was in a bad taste.
The sound design and background music is appealing enough, to create suitable ambience during important scenes. The fiery dialogues are appropriate; but, they haven’t been used well, to show the conflict between Dipu and Martand. However, the two folk songs are picturised well, with good music composition by Atif Afzal. In special appearance, Shruti Marathe does well, with her sizzling dance performance, in one of the songs. Nagraj Manjule is surprisingly endearing in the role of a Police officer. Good support comes from Priyadarshan Jadhav, Pushakar Lonarkar, Sandesh Kulkarni , Ila Bhate and others.
Produced by a big group of producers, comprising of Arun Rangachari, Vivek Rangachari , Amit Ahirrao, Suhrud Godbole, Deepti Talpade, Hrishikesh Kulkarni, & Nikhil Mahajan, ‘Baji’ is a well presented film, but is too extensive, in its 170 mins length. However, one can still enjoy this film, without any preconceived notion.
‘Elizabeth Ekadashi’ a creative film with a difference
Rating: ★★★ ½
Studio / Presenter: Essel Vision, Mayasabha Productions Producers:Nittin Keni, Nikhil Sane & Madhugandha Kulkarni Director: Paresh Mokashi Writer: M adhugandha Kulkarni Director of Photography: Amol Gole Music Director: Anand Modak Cast: Shrirang Mahajan, Saili Bhandarkavthekar, Pushkar Lonarkar, Nandita Dhuri, Vanmala Kinikar, Chaitanya Badve, Durgesh Badve – Mahajan, Chaitanya Kulkarni, Ashwini Bhalekar, Anil Kamble Movie Review by: Sanskruti Bhatkar |
Director Paresh Mokashi’s first film ‘Harishchandrachi Factory’ was acclaimed nationally as well as internationally and had won many prestigious awards. He has now returned back after a gap of five years, with his second creative film ‘Elizabeth Ekadashi’, which has all the qualities of the world cinema and also has the local feel. This film neither has a regular ‘formula’ of a hero, heroine and villain, nor has a love story between boy and a girl.
The name of the film itself creates curiosity in the minds of the viewers. The three main characters in the film are little children, who are passionate and determined to save their bicycle ‘Elizabeth’. The whole movie has been picturized in Pandhapur, against the backdrop of Ekadashi Vaari, with the real people of Pandharpur and the devotees around.
‘Elizabeth Ekadashi’ , is a story of Dnyanesh (child artist Shrirang Mahajan) and Zendu (Saili Bhandarkavthekar) who are staying in Pandharpur, with their mother (Nandita Dhuri) grandmother (Vanamala Kinikar) and friends Ganya and Kalpit . Dnyanesh is a bright student of his school, who is fascinated with the theories of well-known scientist Isaac Newton and performs ‘Kirtan’s on ‘Saint’ Newton, which is liked by the local people. His family financially struggles a lot after the death of his father. As his mother is not able to pay the loan installments, the bank takes away her Knitting Machine, the source of her earnings; to be returned only after payment of some installments. The family struggles to collect the money for payment to the bank. Dnyanesh who is very fond of ‘Elizabeth’, the bicycle made by his father, strives hard to save her from getting sold, with the help of his sister Zendu and his friends.
Presented by Essel Vision Productions Ltd and Mayasabha, the producers of this film are: Nittin Keni, Nikhil Sane and Madhugandha Kulkarni. The story is written by Madhugandha Kulkarni, who has written the script of TV serial ‘Honar Soon Mi Ya Gharachi’. The screenplay and dialogues are jointly written by Paresh Mokashi and Madhugandha Kulkarni, who happen to be a husband and wife pair. Paresh Mokashi has also written the songs, while the music has been rendered by late Shri Anand Modak. Brilliant Camera work by Amol Gole, suitable costumes designed by Chaitali Dongre, and editing by Abhijit Deshpande have added to the quality of the film.
Best part of this film are the fine performances by all the artistes. For stage artist Nandita Dhuri, it has been a good opportunity, to display her talent, while all the three child artistes Shrirang Mahajan, Saili Bhandarkavthekar, Pushkar Lonarkar have played their roles, remarkably well. The film’s screenplay has universal values, taking into account the struggle of the family, in absence of the head of the family, to keep the fire burning in their house. The film carries a strong message for children of all age group as well as elders. This film is likely to win many awards and is a ‘must watch’ for children and parents alike.