‘Irada Pakka’ – One more brainchild of Kedar Shinde
Rating: na
Production: Meghe Entrtainment Pvt. Ltd. Director: Kedar Shinde Screenplay: Nimish datt Dialogues: Iravati Karnik Lyrics: Ashvini Shende Music: Nilesh Moharir Cast: Siddharth Jadhav, Sonalee, Mohan Joshi, Smita Jaikar, Kamlakar Satpute, Shalaka Pawar… Movie Review by: Kashmira Pawaskar |
In today’s busy lifestyle the main problem with most of the married couples is the ‘communication gap’, which creates lot of issues in their life. This is one of the common reasons why divorce rates are increasing day by day. And this is what Kedarh Shinde is trying to explain the audiences through his new light hearted romantic comedy movie ‘Irada Pakka’.
It’s a story about a couple Rohit (Siddharth Jadhav) who owns a Software Company and Aadhya (Sonalee Kulkarni) a pre-school teacher. They are bored of having their married life being very goody -goody with full of love and romance. And so one fine day they decide to fight with each other for a week, so that they could add a little spice into their life. This spice gets too hot after a week’s time, as they get into trouble by fighting continuously. This ultimately leads to a situation, where both of them actually decide to go for divorce. So the story is pushed till the end, to show how they come out of this trouble to be a happy couple.
The beginning of the movie is inspired by the opening scene lifted from a successful Hollywood movie ‘Mr.and Mrs Smith.’ It does create suspense in the minds of viewers who are surprised to see this kind of scene in a comedy flick. Some part of the film even reminds of Kedarh‘s previous film ‘Yenda kartvya Aahe’, which also has a similar story revolving around newly married couple. But, as predicted, it’s totally Kedarh’s movie. The movie can be very well remembered for its amazing cinematography, especially used during the songs.
Siddharth Jadhav has worked very hard and has given full justice to the role with the support of Sonalee Kulkarni, whose character of being a lovely innocent wife, makes a notion. The other characters of the movie have also given their best. They are : Smita Jaykar as Aadhya’s divorced and independent mother , Kamlakar Sathputhe who plays the role of a ‘bhai’and Mohan Joshi as Aadhya’s father.
Music for this film is provided by a young duo Nilesh Moharir & Pankaj Pushkar and their song ‘Bhijun Gela Vara’ leaves behind good impression. The USP of the film is a song at the end of the film, featuring 21 celebrities with Ramdas Padhye, Atmaram Bhende, Shreyas Talpade & others on the Lyrics by Ashwini Shende & Sumati Wankhede. Also the art direction is superior, in comparison to other marathi movies.
‘Kshanbhar Vishranti ’- A friendly romantic film!
Rating: na
Presenter: Shree Autographs Films Producers: Sandeep Shinde, Maulik Bhat Story & Director: Sachit Patil Camera: Sanjay Jadhav Lyrics: Guru Thakur Music: Hrishikesh Kamerkar Cast: Bharat Jadhav, Sachit Patil, Siddharth Jadhav, Sonalee, Maanava Naik, Pooja Sawant, Kadambari Kadam… Movie Review by: Sandeep Hattangadi |
Sachit Patil’s ‘Kshanbhar Vishranti’ is a Marathi version of Farhan Akhtar’s classic ‘Dil Chahta Hai’ based on friends, with the setting changed from Goa to Alibag. Ritwik (Sachit Patil) returns from US due to a job loss, in wake of recession in the IT sector. He reunites his old friends Vishnu (Siddharth Jadhav), Avya and Ravya together for a trip to Alibag, where he owns a bungalow which is on the verge of sell.
The film then takes a cue from Shakti Samanta classic ‘Kashmir Ki Kali’ plot, where the caretaker Appa (Bharat Jadhav) has turned this bungalow into a hotel for tourists.
Appa is very apologetic to Ritwik and Ritwik is kind enough to forgive him. However, Appa is disheartened to know that the bungalow is being sold to a businessman rich enough to turn into a swanky joint. There is a sub-plot of romance between the four friends who woo the bungalows inmates, Neha (Maanava Naik-Appa’s niece), a micro-biology student turned singer (Sonalee ), a fashion designer (Pooja Sawant), and an MBBS student (Kadambari Kadam).
Soon, you find them sing tuneful songs on the beautiful beaches and other scenic locations shot beautifully with dazzlingly lit frames by cinematographer Sanjay Jadhav.
There is a lot of comic ad-libbing between the friends and their girlfriends and they finally decide to get hitched. But the bungalow situation is finally solved on Appa’s plea to Ritwik, who decides to run the hotel himself with Vishnu and Appa as his partners and turns down the offer of the buyer.
The film is incredibly beautiful at first look at and all the actors especially the girls woo the camera in style with camera friendly looks. Siddharth Jadhav is the pick of the actors providing the much required laughter. Sachit Patil looks handsome and is as good a director besides being an actor. Among the girls Maanava Naik and Sonalee Kulkarni are good. Bharat Jadhav is reliable as ever. Shubhangi Gokhale, Jayraj Nayar ,lend good support. The debutant actors have tried hard to impress.
Late Amit Pawar deserves a special mention for his snip-snap editing. The lyrics by Guru Thakur have been composed well on the music of Hrishikesh Kamerkar, especially the ‘Holiday’ and ‘Bavraa’ songs. Rajesh Bidve’s choreography also deserves a special mention as he has utilized the natural beauty of Alibag and Revdanda very well.
In all, this ‘Autograph Films’ presentation produced by Sandeep Shinde and Maulik Bhat is certainly worth a dekko!
‘Lalbaug Paral’ – Realistic but Vicious
Rating: na
Presenter: Dar Motion Pictures Producer: Arun Rangachari Director: Mahesh Manjrekar Screenplay: Jayant Pawar, Mahesh Manjrekar Music: Ajit – Sameer Cast: Satish Kaushik, Siddharth Jadhav, Ankush Choudhary, Veena jamkar, VIneet Kumar, sameer Dharmadhikari, Sachin Khedekar, Kashmera Shah, Ganesh Yadav, Karan Patel, Shashank Shende, Seema Biswas Movie Review by: Ulhas Shirke |
One man’s nightmare is another man’s dream. The closure of Mills in Mumbai was a nightmare to lakhs of workers, but it turned out to be a dream for the owners, who sold their land making crores of rupees out of it in such deals. It was a big game played by Mill owners those days, with the support of government. Not much of attention was paid by the media , which only blamed the adamant Union leader for holding on to his demands.
28 years after this tragic happening in the lives of those lower middle class families, today a film maker dares to describe the inside story and aftermath. ‘Lalbaug Parel (Zhali Mumbai Sonyachi) directed by Mahesh Manjrekar projects various characters, based on the original script of Jayant Pawar, which highlights the consequences of this social issue, totally ignored by the Government. No wonder, after release of this film, the government has started taking steps towards rehabilitation of the mill workers and their families.
The film begins with a scene where a real life script writer (Ankush Chowdhury) showing his old house to his girlfriend from the terrace top of a multi story tower and narrating the tragic story of his family in the flashback. The audience is then taken back to 1982, to show how the shrewd Mill owners with the support of Government played their cruel game to exploit the poor mill workers. Mahesh Manjrekar as a film maker goes into all required details to highlight the after effects of the strike. He has skillfully shown the Politician- Mill worker nexus for the closure of mills; but has failed to define the role of the adamant Union leader, who was equally responsible for this indefinite strike.
The director has paid more attention on the spread of underworld network with the young children of these jobless Mill workers turning towards crime. He has also focused on the simple lifestyle of these Lower middle class people living in chawls those days. As a director, he has done a commendable job to place before the audience the reality, capturing many emotion filled scenes. However, in the process he has shown too much of bloodshed on the screen. At the end of the film, the character of Speed breaker who turns a sharp shooter moves scot- free (in the present time) after killing his own friend in front of his family members at a public place and then shooting point blank the son-in-law of the mill owner along with his security guards, in his plush office.
Looking at the performances of the artistes, Seema Biswas plays the role of Mother with simplicity, paying more attention on her body language. Shashank Shende as Mill worker –father, is a perfect choice. Both Sachin Khedkar and Vinay Apte as Union leaders do well ; but surprisingly the character of the Chief Union leader –Doctor, does not get much of scope, considering the major role played by him in the controversial strike. Satish kaushik as Mama in the neighborhood, borrows the voice of Mahesh Manjrekar for this Marathi version, while Santosh Juvekar dubs his voice for Karan Patel, who plays Naru -the younger son of this mill worker, who later turns a sharp shooter. Actually, Santosh would have been a perfect choice for this character. Siddharth Jadhav as Speed breaker ( His character name), plays the son of a Union leader in his own style.
Actress Veena Jamkar plays an important character of Manju- the daughter of the Mill worker. She plays her part with total commitment . Kashmira Shah plays Mami – wife of Satish kaushik. Her sex appeal has been used for a different reason in this film to create that cheap humour. Sai Tamhankar has been a waste in that small role of a flower vendor. Kishore Pradhan and Sameer Dharmadhikari look very natural as Mill owners. Music does not have much scope in this film backed with a serious theme. In all, ‘Lalbaug Parel’ is a good, realistic and hard hitting film except for the violence part, which has been stretched too much in few sequences.
Huppa Huiyya ( हुप्पा हुय्या)
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Studio/presenter: Samit Kakkad, Dream View Productions
Producers: Amar Kakkad, Pushpa Kakkad
Executive Producer: Sachin Kakkad
Director: Anil Surve
Writer: Hemant Edlabadkar
ScreenPlay: Hemant Edlabadkar
Dialogues: na
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Cast & Crew
Executive Producer: Sachin Kakkad
Director: Anil Surve
Assistant Director: na
Writer: Hemant Edlabadkar
ScreenPlay: Hemant Edlabadkar
Dialogues: na
Lyrics: Baba Chauman
Music: Ajit Parab
Playback Singer: Vaishali Samant, Swapnil Bandodkar, Nehh
Cinematographer (DOP): A. K. Bir
Editor: Ravi Bhushan
Starcast: Siddharth Jadhav, Mohan Joshi, Girija Oak, Usha Nadkarni, Ganesh Yadav, Vaibhav Mangale, Mangesh Desai, Nilesh Divekar, Mansi Magikar
Costumes: na
Makeup: na
Sound : Anil Nikam
Background Score: na
Choreographer: Umesh Jaadhav
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na
Synopsis
‘Huppa Huiyaa’ : na
Videos
News / Article / Interview
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Review
Fantasy filled ‘Huppa Huiyya!’
Rating: na
Presenter: Akshara Films Division, DreamView Productions Pvt. Ltd Producers: Samit Kakkad, Amar Kakkad, Pushpa Kakkad Director: Anil Surve Camera: A.K. Bir Story & Screenplay: Hemant Edlabadkar Music: Ajit Parab Cast: Mohan Joshi, Siddharth Jadhav, Girija Oak, Mangesh Desai, Vabhav Mangle, Ganesh Yadav Movie Review by: Ulhas Shirke |
Come Hanuman Jayanti and you have a timely offering coming from Marathi film industry in the form of ‘Huppa Huiya!’ to Lord Hanuman. Produced by Amar and Pushpa Kakkad and directed by Anil Surve this author backed fantasy is based on the script of Hemant Edlabadkar.
Hanmya (Siddharth Jadhav)a poor boy from the village is brought up by the Sarpanch of the village ( Mohan Joshi) and his caring wife ( Mansi Magikar). Being a helpful youngster, Hanmya has two friends – a clown in the village who performs shows ( Mangesh Desai) and his beloved (Girija Oak). His daily routine is to help people from the village and to bring to book those involved in illegal activities. He is more into social work and helps the old lady ( Usha Nadkarni) living in the outskirts of the village, by collecting herbs for her medicines from the jungles .
One day, while collecting herbs, Hanmya interacts with a group of monkeys and eats a fruit thrown at him by one of the monkeys. When he returns to Old lady’s house, he finds extra energy within him. Not surprised by this superpower, the old lady realizes this gift coming from God, especially to those who would make use of it only for the right purpose. The script of the film then takes you on fantasy filled journey. Soon, you are taken for the darshan of 11 Hanuman temples created by Swami Samarth Ramdas in the 17th century, through that 8 minute song sequence.
Now, when there are good things happening, the evil power is sure to block the way. So, in comes the villain Rangrao ( Ganesh Yadav). He first gets Hanmya’s clown friend killed and also succeeds in giving an electric shock to Hanmya’s beloved. In the climax of the film, the old lady comes to remind Hanmya about the secret about the superpower that he possesses. Hanmya opts for the ‘three-in-one’ prayer to first get the water for the village. With that valid message, director Anil Surve concludes his film with happy ending.
‘Huppa Huiya!’ is a total entertaining film with a social message. In that two hour length film, the director has however wasted first thirty minutes to describe all the characters and their attitude. But, once it takes off with that fantasy filled plot, it runs smoothly, holding the audience to their seats. Cinematography by national award winning cameraman A.K. Bir is the biggest asset of the film. He has captured all those outdoor scenes very effectively. Siddharth Jadhav has proved that a tailor made role can make him a solo hero, shouldering the responsibility of film’s success. Girija Oak as his co-star is the right choice. She has played her part very well. One wonders as to why an actress of her calibre hasn’t been offered better roles. Mohan Joshi, Mansi Magikar, Mangesh Desai support well as character artistes. Usha Nadkarni is impressive playing the old woman, but it is Ganesh Yadav in his negative role invites the attention. He has performed small roles in many Bollywood films, but now gets his chance to prove his acting skills, through this film. Kashmira Shah makes her brief appearance in one item number. Music by Ajit Parab is okay. The film has not paid much attention on its ad campaign. Looking at the fantasy filled script, they could have used other methods of publicity.
In all, ‘Huppa Huiya!’ is an entertaining film.
Kedar Promotes ‘Iraada Pakka’ in his own style
Marathi Cinema is also moving in a professional manner, as far as the film’s promotion is concerned. Right from ‘Mi Shivajiraje Bhosale Boltoy‘ we found this difference, when the powada based song was used in the film’s promotion. Now, film maker Kedar Shinde has used a new approach for promotion of his film ‘Irradaa Pakka’, staring Sonali Kulkarni and Siddharth Jadhav.
Recently, he picturised a song for the film’s promotion, where he had involved about 20 popular artistes along with their spouses. This experiment is first of its kind in Marathi cinema. “The film lovers will be happy to see their favourite artistes with their real life partners together in this song,” feels Kedar. When this song was picturised for two days, Kedar and his wife paid personal attention on all these special invitees, to see that they were comfortable for that event.
Some of the artistes who took part in this special promotional song were veteran Atmaram Bhende, Kishore Pradhan, Ramdas Padhye, Alka Kubal, Bharat Jadhav,Sandeep Kulkarni, Ashok Shinde, Ankush Choudhary, Sumeet Raghavan, Prasad Oak, Vijay Patkar & Shreyas Talpade. The film will be due for release soon .
Siddharth Jadhav sings Marathi tunes
For versatile actors, nothing is impossible. So be it production, direction, choreography or even singing! Showing his multi-talents is actor Siddharth Jadhav for whom all the stages of performance be it television, Theatre or the big screen are a cake walk. This time the comedian has turned a playback singer. He has sung his number in Gajendra Ahire’s Sixer.
The hip-hop song is written by Ahire and Vidhyadhar Bhave. While the production was on, there was a discussion on whom to give the song to sing. This was when Ahire directly went to Siddharth and offered him to sing it. Siddharth, too, decided to try take up the challenge and try his hand out in this field. “I feel happy to tell that Siddharth has sung the song very easily and methodically. It is fun to hear him sing.”says Ahire.
Sixer is the first movie of Vidhyadhar Bhave. I am Tansen, but I never thought that I would get an opportunity to sing, said Siddharth adding that I always sung in my college’s gathering but had never thought that I would get the opportunity to sing professionally. While singing I did not take any tension. I am satisfied that I sung very well
‘ULADHAAL’ REVIEW
Rating: ★★1/2
Producer: Vishwas Films Director: Aditya Sarpotdar Script, Screenplay, Dialogues: Rajesh Kolan,Vijay Patwardhan, Aditya Sarpotdar Camera: Sanjay Nair Music: Ajay-Atul Cast: Makarand Anaspure, Bharat Jadhav, Ankush Chaudhari, Siddharth Jadhav, Lokesh Gupte, Subodh Bhave, Madhura Movie Review by: Jitendra More |
Have you ever watched a Marathi movie with a perfect blend of all the genres of cinema? Well, veteran actors and directors concerned with the future of the industry do not have to worry anymore when there are directors like Aditya Sarpotdar coming up with debut movies like Ulaadhal.
The plot might look simple on paper but the way in which Sarpotdar connects the actors with the storyline is something that shapes up the movie.
Sayajirao’s (Makarand Anaspure) 250-year-old dhaal (shield), which has been safeguarded by generations is stolen by Guru (Subodh Bhave). Guru is helped by Sayajirao’s men after they are promised a share in the money that would come after selling off the dhaal. Guru, however, has other plans. He kills Sayajirao’s men but Baban (Lokesh Gupte) manages to save himself. He chases Guru, who is on his way to Goa to sell the dhaal.
When Sayajirao finds out the betrayal by his men, he determines to kill those who have been disloyal to him.
In Goa, Baban hires small thieves Vickey (Ankush Chaudhary), Bharat Jadhav and their partners in crime, Neha and Preeti (Aditi Sarangdhar and Madhura Velankar) to steal the dhal from Guru. While Sayajirao and his men get hold of Baban, Vickey and his partners fight out their nerves against the brutal Guru. Unable to find Baban, they decide to sell the dhal themselves. They ask Sikandar (Siddharth Jadhav), a dealer in selling stolen items to find a prospect buyer for the dhal. Sikandar ends up narrowing down on Guru. This is where the entire Ulaadhal or commotion begins.
The elements of a commercial cinema like the designer clothes and exotic locations of Goa and Mauritius take the movie a step ahead of the everyday movies. Scriptwriter Rajesh Kolan has maintained the seriousness, humour, and thrill that keep the logical element of the movie in place.
The lead actors Makarand Anaspure, Subodh Bhave, Bharat Jadhav and Ankush Chaudhary have given strong performances. Anaspure has moved nicely from his usual comic roles to a serious man-of-honour, who is proud of his family heritage and is ready to give his life to save the dhal. Bharat Jadhav and Siddharth Jadhav, as a Hydrabadi Kabadiwala add to the comedy element in the story. The appearances of Mahesh Manjrekar as an ‘item number’ and Nirmal Pandey as Tony are unnecessary but add to the glamour. What scores is the music by Ajay- Atul, the lyrics that have a fusion of Marathi, Hindi, and English words and the direction of Sarpotdar. All kudos to the Ulaadhal team.
Baap Re Baap Dokyala Taap
Genres: Drama, comedy
Rating: na
Censor: U
Duration: 130 min.
Studio/presenter: Dhruva Film Production House
Producers: Ganesh Chitra
Executive Producer: na
Director: Kanchan Adhikari
Writer: Kanchan Adhikari, Rajan Agarwal
ScreenPlay: Kanchan Adhikari, Arvind Jagtap
Dialogues: Arvind Jagtap, Santosh Pawar
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Cast & Crew
Executive Producer: na
Director: Kanchan Adhikari
Assistant Director: Monika Dharankar
Writer: Kanchan Adhikari, Rajan Agarwal
ScreenPlay: Kanchan Adhikari, Arvind Jagtap
Dialogues: Arvind Jagtap, Santosh Pawar
Lyrics: Arvind Jagtap
Music: Nitin Hivarkar
Playback Singer: Shaan, Vaishali Samant, Chintamani Sohoni
Cinematographer (DOP): Suresh Suvarna
Editor: Anand Diwan
Starcast: Makrand Anaspure, Tejaswini Lonari , Siddharth Jadhav, Shweta Shinde, Mohan Joshi, Vandana Gupte, Sukrut Khandekar
Costumes: Ratan Khanna
Makeup: Ramesh Dalvi, Mahadev Dalvi
Sound : Ayub shaikh
Background Score: Nitin Hivarkar
Choreographer: Rajesh Bidwe, Dilip Mistrich
DI, VFX: na
D.I. Colourist: na
Promos: Parthasarathy Iyer
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : Rajat Enterprises
Synopsis
‘Laathi’ : na
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News / Article / Interview
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‘SADE MAADE TEEN’ REVIEW
Rating: na
Presenter: Zee Talkies Producers: Anubhuti Art Director: Ankush Chaudhari – Sachit Patil Music: Ajit Parabh – Hrishikesh Kamerkar Cast: Ashok Saraf, Makarand Anaspure, Bharat Jadhav, Siddharth Jadhav, Amruta Khanvilkar, Sujata Joshi… Movie Review by: Nayana |
What do u get when you put together 3 brilliant marathi actors and give a Desi Tadka of oldie Chalti ka naam gaadi? Simple…! This makes a new massala movie in marathi. A few years back Mahesh Kothare tried such a Tadka in his “Dhumdhadaka’ which was based on ‘Pyar Kiye jaa’, and marathi movie industry rejuvenated. Else marathi film was stucked in a wicked savkar(money lander)/ jamindar(landowner) and sasurvashin/ saas bahu type, so called ‘bechari bahu’ , and overflowing buckets of tears with sobbing women coming out of the cinema halls. It was Mahesh Kothare (Dhumdhadaka) and Sachin Pilgaonkar’s (Navari mile navryala) efforts, which really dragged marathi film out of such stuff.
When one started speaking about marathi films 2types of reflex actions suddenly blown on – one is with twisting faces ‘We don’t like to watch marathi films’, and another one with a deep sigh ‘Gone those golden days of marathi films’!!
History repeated and aapale Sachit Patil and Ankush Chaudhary along with Zee talkies and Anubhuti Arts entered in film production with ‘Saade Maade Teen’. Na!! It’s not a remake or replica, but it’s a metamorphosis of the same theme bloomed in the marathi mati. Ofcourse, inspired from ‘Chalti ka nam Gadi’ one of Kishor Kumar’s debut film, the film is a rib-tickling comedy set against the backdrop of Garage, filled with ‘Ek ladki bhigi…’ type ‘barasat’ ka gana or may be ‘panch rupaiyya’ type, leading to hilarious situations!
While this film promises to be potential blockbuster this year, it also makes the launch of Zee Talkies brand.
The story is of 3 brothers- the family head ‘Dada’ (Ashok Saraf) and his 2 brothers Madan (Makarand Anaspure) and Chandan (Bharat Jadhav), running their Kurale garage. The younger duo never dares to go against dada’s wish. Dada is a character who hates female because of his first crush. A gal (Sukanya Kulkarni) betrayed him after a marriage proposal.
Obviously, when 2 gals enters in the life of the younger ones, the chaos evoked, and both caught in dilemma of the threat of Dada and emotional attachments. Here enters the Villain to create obstacle between the life of our dupe Chandan, and opulent Madhura. Now guess who help this couple? So after removing all the barricades, the smashing end of the film…
Sachit and Ankush played a safe game. Well, half battle was already won by casting these trios, and afterwards director didn’t allow Makarand and Bharat to rove from the basic storyline. Even they haven’t added their famous accent shown in other films and used them tactfully as never seen before.
A little but most important thing, if they could use the Ashok saraf’s caliber more effectively, as the role offered to him is less challengeable as compare to his capacity, the film would be definitely full 2 dhamal!!!
Else nothing to say about their fantastic tuning, understanding, and coordination. Instead our wise audience won’t accept such a dupe characters. Needless to say Minor mistake like winning applause by repeating same dialogue excusable!!
Dialogues by Sanjay Mone satisfy you. Well, its not a burst of laughter in fact the film doesn’t need it, but more sharp dialogues would keep the film at great height surely.
The directors have taken some kind of support of farcical comedy. The climax fighting comes in the form of farce. Of course no one expects smashing de danadan fighting as it is not an action film, but still…..missing something in this shot only. Otherwise the film takes you from smiling to chuckling and then giggling. Overall a fresh comedy!!!