Tag Archives: Siddharth Jadhav

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Razzakar (रझाकार)

Razzakar Marathi Movie Poster
Rating:  ★★ ½
Censor: U
Duration: 130 min.
Genres: Patriotic, Black Comedy
Release Year: 2015 (27 Feb)
Studio/presenter: Karrm Movies
Producer(s):  Satish Pilangwad
Executive Producer: Nitin Vishnu Pawar
Director: Raj Durge
Writer: Raj Durge
ScreenPlay: Raj Durge
Dialogues: Raj Durge
Official Facebook Page I  Twitter

Producer(s): Satish Pilangwad
Executive Producer: Nitin Vishnu Pawar
Director:  Raj Durge
Assistant Director: na
Writer: Raj Durge
ScreenPlay: Raj Durge
Dialogues: Raj Durge
Lyrics: Daasu
Music: Mayuresh Kelkar
Playback Singer:   na
Cinematographer (DOP): Aniket Khandagale
Editor: na
Starcast: Siddharth Jadhav, Jyoti Subhash, Zakir Hussain, Dr.Sharad Bhutadia, Gautam Patil, Piyusha Kolte
Art Director: Narendra Bhagat
Costumes: Milan Desai
Makeup: Vijay Patil
Sound : Manoj Mochemadkar, Sandeep Mochemadkar
Background Score: Salil Amrute
Choreographer: Rajesh Bidve
DI, VFX: na
D.I. Colourist:  na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na

‘Razzakar’ : na

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Razzakar Marathi Movie Poster

Razzakar

‘Razzakar’ – Watch only for Siddharth

Razzakar Marathi Movie Poster
Rating: ★★ ½
Genres: Patriotic, Black Comedy
Censor: U/A
Duration: 125 Min.
Studio/presenter: Karrm Movies
Producer: Satish Pilangwad
Director: Raj Durge
Writer: Raj Durge
Lyrics:  Daasu
Music: Mayuresh Kelkar
Cinematographer (DOP): Aniket Khandagale
Cast: Siddharth Jadhav, Jyoti Subhash, Zakir Hussain, Dr.Sharad Bhutadia, Gautam Patil, Piyusha Kolte
Movie Review by: Ulhas Shirke

Presenting a period story and that too on ‘Hyderabad freedom movement’ is not a bad idea. This historical event had taken place after country’s independence. Not many people today, are aware of this movement and the atrocities of Razzakars’ in Hyderabad region, which was then under the rule of 7th Nizam Mir Usman Ali. Latest released film ‘Razzakar’ takes you to this post independence era of 1947 and 1948, when the Nizam of Hyderabad, refused to be part of Indian states, after India’s independence. He had instead supported the terrorist group of Razzakars’ to form their own army, opposing Hyderbad’s merger into an Indian state.

Razzakar

Set on the backdrop of a small village Khandgaon, in Marathwada region, this new Marathi film ‘Razzakar’ has been presented by producer Satish Pilangwad & director Raj Durge. The film shows, how a youngster Hari ( Siddharth Jadhav) from this village, dared to fight the cruel commander of Razzakar army- Dilawar Khan ( Zakir Hussain) and his people, with the blessings of his mother ( Jyoti Subhash). The screenplay of the film begins with exodus of villagers, with the fear of Razzakars’ attacking their village. But, for next 50 minutes, we only notice the gimmicks of Hari followed by the arrival of a family in the village. Comprising of five people headed by Sadashivrao ( Dr.Sharad Bhutadia), a Gandhian, they try to unite the villagers, to oppose Razakars .

It is only little before the stroke of interval, we actually see the arrival villain Dilawar Khan on the screen, with his cruel methods of killing poor villagers. When, Dilawar and his small army arrive in Hari’s village, Sadashivrao is away to welcome a freedom fighter. So, we notice a dozen of people including village landlord Deshmukh , his son Bali ( Gautam Patil) and Hari taking on the mighty Dilawar. Initially they surrender, with all their gold belongings. But, when Dilawar and his men kill few villagers including Hari’s mother, we notice a brave Hari daring to fight Dilawar and his two men, by first snatching his hen, held by him always in his arms. Finally, we see the Indian army coming to the rescue of Hari, in the concluding scene.

‘Razzakar’ is a sincere attempt by director Raj Durge; but, he has failed to create the required impact of the freedom movement. Instead, he has shown the villagers, most of the time living under fear. The three old men from the village shown gossiping on few occasions, is the best example. The character of Sadashivrao, who is supposed to be a fearless freedom fighter in the initial stages, is seen running away from the scene, after the actual arrival of Razakars in the village.

One fails to understand, why so much of importance was being given to secret love affair between Deshmukh’s son Bali and Sadashivarao’s daughter Iravati( Piyusha Kolte). In most of the scenes, Iravati walks, as if she is walking on the ramp in fashionable white Saree and make up. There is one particular scene, where Deshmukh the landlord collects the Gold ornaments from all the villagers, including those from his wife, but, is seen wearing a thick chain around his neck in the next scene.

However, barring these few errors, the director has tried to present a period story, taking lot of efforts on selection of location and especially presenting the three main characters of Hari, his mother and Dilawar khan. He seemed to have given full freedom to the lead actor Siddharth to go his own way, on many occasions. But, Siddharth has given full justice, to his selection for this role. Jyoti Subhash does well, to express her emotions well. Zakir Hussain is impressive as cruel villain. But, he has nothing different to offer in Marathi , as all his dialogues are in Hindi, in the entire film. It is doubtful, whether such a character can connect with Marathi audience? Actually, the name of the film should have been something different.

Fine photography by Aniket Khandagale, good art work by Narendra Bhagat, suitable background music by Salil Amrute and perfect sound design by Manoj Mochemadkar & Sandeep Madkholkar are the plus points of this film. Not very impressive; but, a must watch film for all Siddharth fans.

Amusing ‘TIME PLEASE – Gosht Lagnanantarchi’ is targeted at young couples

Time Please Marathi Movie
Rating: ★★★
Studio: Everest Entertainment
Producers: Anish Jog, Saurabh Gadgil
Director: Sameer Vidwans
Music: Hrishikesh Kamerkar
Cast: Umesh Kamat, Siddharth Jadhav, Priya Bapat-Kamat, Saie Tamhankar
Movie Review by: Ulhas Shirke

Trust in a relationship is everything. Whether it is a friendly relationship or a marriage. Without respect, love is lost. Without caring, love is boring. Without honesty, love is unhappy. Without trust, love is unstable. And life becomes miserable for those who pass through such a strained relationship. Based on this theme, director Sameer Vidwans and script writer Kshitij Patwardhan first presented a Marathi play ‘Nava Gadee Nave Rajya’, which became a hit. The play still draws a good crowd at auditoriums.

Now, the makers of this play have presented a film ‘Time Please! Love story Lagnanantarchi’ by making suitable changes in the script, to suit the cinematic form. So, we find the same lead stars and real life couple Umesh kamat and Priya Bapat, playing the screen couple- Hrishikesh and Amruta in this film, in the company of Siddharth Jadhav as Himmatrao and Saie Tamhankar as Radhika. In the original play the supporting roles were played by Hemant Dhome and Prajakta Datar respectively.

It may be recalled that though the play had its own limitations, the fine performances of the four artistes, their perfect timing and their spontaneous body language created a hilarious comedy. The play reached popularity heights and perhaps that was the reason for giving it a cinematic look. There is no doubt that the director and script writer have taken cinematic liberties to re write the script and add some more scenes to make the film more interesting; i.e. inclusion of songs, one of them being an item number pictured on Siddharth Jadhav and other artistes, during a Bollywood theme party in a unique style.

The film begins well with introduction of the lead characters Hrishikesh and Amruta and creating an atmosphere conducive for the entry of Himmatrao and Radhika, one after the other. But, the re entry of Radhika in the life of Hrishikesh causes more disturbance to Amruta; than return of Siddharth as a good old friend in the life of Amruta, for Hrishikesh. Being much younger to Hrishikesh ( Six year’s difference) causes more misunderstandings between the couple; with Amruta seriously thinking about separation. When their relationship is on the verge of a break, both Himmatrao and Radhika come to their rescue, calling for an happy end.
 Time Please

In the film, an unexpected arrival of Himmatrao in the house of the young couple and that too staying for few days, with his kiddish behaviour and closeness with the lady of the house, does create humour ;but, a peculiar scene, when Hrishikesh brings Radhika to his own house, knowing that his wife is away, doesn’t go well. In this scene, he consoles her, after listening to her story and later gives her a Mubnnabhai style Jhappi. Radhika takes this as a hint and walks into his bedroom, when Hrishikesh pushes her back . Then he tries to persuade her to leave, when she is once again into the arms of Hrishikesh. It is at this moment, Amruta walks in by opening the door. Seeing them in such a position, she leaves the house, preparing for a divorce. This looks like a typical filmy scene of misunderstandings.

Actually, there are few flaws in the film, related to unsuitable sequencing of the happenings. But, the timely Dialogues match well with the humour, at appropriate places. All the four artistes in the film have given wonderful performances. Music by Hrishikesh kamerkar is apt at two situations, with one male item number on Siddharth. Even the title song is good. Photography by Abhijit Abdhe is superb. His skilful camera work has captured the close ups and outdoor scenes very well. The last scene at the lighthouse is well taken.

Both Umesh and Priya have worked very hard on their emotional outbursts, besides displaying their happy moments together very naturally. Siddharth Jadhav has proved that his choice was not wrong for the role offered to him. He plays the happy go lucky Himmatrao in his style. In the role of Radhika, Sai Tamhankar is simply superb ! It seems that the film makers have spotted the real talent within her and Radhika is the best suited role for her.

But, why they should show her smoking all the time? Are the film makers not aware of the dangers of smoking among females ? It does pass a wrong message, at a time when Government has imposed anti-tobacco film before the start of such films. Others in the character roles, like Seema Deshmukh, Madhav Abhaynakar and Vandana Gupte have offered good support. This 2 hours 12 minute long film is amusing; but could have been still better, if more convincing outdoor sequences were added into the screenplay, taking the cinematic liberties. The film is timely and does pass a valid message to the young married couples; about the importance of ‘trust’ in each other. It also shows the limitations on involvement of old friends into an individual’s personal life, especially after marriage; unless both the partners know them well.

Siddharth Jadhav

Siddharth Jadhav climbing the ladder of success

At 28, he has achieved a great amount of success in Marathi films today. But, the success hasn’t gone to his head. He is holding his feet firmly on the ground. Siddhu, as he is popularly known in Marathi movie industry, has won many well wishers in this industry in a very short time. His polite nature speaks for himself. Siddharth Jadhav’s latest released film ‘Huppa Huiya!’ has now brought him the much awaited fame as a solo hero. It’s not that he had not done solo hero film before; but then the script of ‘Bakula Namdev Ghotale’ wasn’t tailor made to suit his character. However, ‘Huppa Huiya!’ meets with all those requirements to make him swing , dance and perform action with the help of its fantasy filled script in that role of Hanmya. Happy days are here for Siddharth, whose next release is none other than his favourite director’s film ‘Lalbaug-Parel’.

Siddharth JadhavWatching Siddharth as a comedian in the past few films in the company of Bharat Jadhav, gave an indication that he would be typecast. But, that was not to happen; as many directors knew his potential as an actor. Mahesh Manjrekar is one such director, who has offered me roles which did not have any resemblance with the previous one. And, for ‘Huppa Huiya!’ writer Hemant and director Anil Surve thought that I perfectly fitted into that lead character. Indeed, I enjoyed every moment in this film.’ says Siddharth proudly. He was speaking to MMW , with his heart filled with happiness on the first day of release of ‘Huppa Huiya!’

Having been born and brought up in a middle class Maharashtrian family at Sewree, Mumbai, Siddharth did his schooling from Saraswati High School, Naigaon and later finished his graduation from Mumbai’s top class Ruparel College. It was here at this college, he developed interest in acting and performed in many one act plays. He first came into limelight through Devendra Pem’s play ‘Tumcha Mulga Karto kay?’ Since then, there has been no stopping for him. He was soon flooded with offers from films both in Hindi and Marathi and also from TV serials. He did play lead role in ‘Bakula Namdev Ghotale’ but, for Siddharth every role whether small or big;  was important for him.

“I look at every role with the same sincerity and try to give my best, as after all, it is the director who has shown confidence in me, by offering that particular role to me.” says Siddharth proudly, while praising all those directors, who signed him for their films. Not inspired by any particular actor to name with, Siddharth says that he only decided to become a good artiste first and worked very hard in that direction, giving his full time to this profession. Watching him in the plays ‘Jago Mohan Pyare’, ‘Lochya Jhala Re’ and having won many awards in different categories, clearly indicates that he can do a variety of roles in years to come.

Today, Marathi films are more script based offering diversity of subjects and that make actors like Siddharth happy. But, the passionate actor doesn’t seem to be interested in production or direction at this stage. “I am too small to think that big, at this stage.” he says with a smile. After watching his memorable performance in ‘Huppa Huiya!’ we are all keen to watch him in his forthcoming projects like Mahesh Manjrekar’s ‘Lalbaug Parel’, Kedar Shinde’s ‘Iraada Pakka’ and another much awaited film ‘Kshanbhar Vishranti’

If you are a associate with this Movie / Production house, please share the details of this movie on webmaster[at]marathimovieworld.com

4 Idiots (४ इडियट्स)

4 Idoits Marathi Movie
Release Year: 2012 (21 September)
Genres: Drama
Rating:  na
Censor: U
Duration: 130 min.
Studio/presenter: Madhu Entertainment Media Pvt. Ltd.
Producers: Guru Anand
Co-Producer: Anant Walilkar
Director: Milind Arun Kavade
Writer: Milind Arun Kavade
ScreenPlay: Milind Arun Kavade
Dialogues: Prakash Bhagwat
Official Facebook Page I  Twitter

Producers: Guru Anand
Executive Producer: na
Co-Producer: Anant Walilkar
Director: Milind Arun Kavade
Assistant Director: na
Writer: Milind Arun Kavade
ScreenPlay: Milind Arun Kavade
Dialogues: Prakash Bhagwat
Lyrics: Ajay Jhingran, Ashwini Shende, Prasad Kulkarni
Music: Mayuresh Pai
Playback Singer:  na
Cinematographer (DOP): Raja Phadtare
Editor: Pranav Patel
Starcast: Bharat Jadhav, Siddharth Jadhav, Guru Anand, Swapnil Joshi, Vaibhav Mangle, Vishakha Subhedar, Aananda Karekar
Art Director: Devendra Tawade
Costumes: na
Makeup: na
Sound : na
Background Score: Salil Amrute
Choreographer: Mehul Gadani
DI, VFX: Prisca
D.I. Colourist:  Liju Prabhakar
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na

‘4 Idiots’ : na

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“Now, you will witness ‘4 Idiots’”

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4 Idoits Marathi Movie

‘4 Idiots’ goes the Bollywood way

4 Idiots Poster
Rating: na
Banner: Madhu Entertainment Media Pvt. Ltd.
Producer(s): Mayuresh Films and Entertainment, Guru Anand, Anant Walilkar
Story: Milind Arun Kavade.
Director: Milind Arun Kavade.
Dialogues: Prakash Bhagwat
Music: Mayuresh Pai
Camera: Raja Phadtare
Cast: Bharat Jadhav, Siddharth Jadhav, Guru Anand, Swapnil Joshi
Movie Review by: Ulhas Shirke

We have seen Bollywood inspired by Tollywood or Mollywood and vice versa. But, we have seen some of our Marathi films only inspired by Bollywood. When they saw success of 3 Idiots, they thought of making 4 Idiots. Why can’t our Marathi films have their own originality? And there is already a film titled ‘4 Idiots’ in the making, in Mollywood. However, this Marathi film ‘4 idiots’, has nothing to do with the script of 3 Idiots, but has some relevance to the style of Manmohan Desai and Prakash Mehra, with a touch of David Dhavan. . It is a tale of 4 friends – Bunty( Bharat Jadhav) , Qayuum( Siddharth Jadhav) , Kashi( Newcomer Swapnil Joshi) and Nagya( Guru Anand- the producer of this film) from Mumbai, who help each other in the time of crisis.

Qayuum is not steady with his job and Bunty is a pickpocket. Kashi is an Air conditioner Mechanic and a follower of a Bhondu Baba; while Nagya is a driver, who is dreaming of going to USA. When Qayuum’s mother is seriously ill and is to be operated upon , the other three friends raise money out of their savings and by selling their belongings. Bunty also manages a sizable amount, which he claims to have stolen from a non occupied house. When all of them fail in their attempt to raise enough money for their new lifestyle, Bunty comes up with a plan of bank robbery. Initially, the other three friends are reluctant; but, when they find that it is the best way of earning quick money, without killing anyone, they join Bunty’s plan.
Bharat Jadhav Siddharth JadhavIn the pre interval session, the film simply drags on to explain the background of each one of them and in showing the strong bonding of their friendship. But, in the post interval session, the film actually takes momentum, when we find a group of terrorists also entering the bank premises, almost coinciding with the visit of these four idiots. About 70 people are trapped inside the bank as hostages, including the bank’s staff, visiting customers and the 4 idiots.

The terrorists are looking for one Salma and her locker keys. They start searching for the lady and her locker keys. The terrorists then enter a deal with Bunty, to identify Salma.. Surprisingly, the ‘Azad kashmir’ terrorists speak in Marathi and claim to have learned Marathi for the past three years of their presence in Maharashtra. They are led by their leader, who demands the release of their chief from the jail, in return of hostages. With few twists and turns in the climax, we find the 4 idiots taking on the Four terrorists and coming out victorious. Each one of them learn a lesson and after three years, we find them engaged in their work of interest.

‘4 Idiots’ is purely an action comedy with nothing new in the script, except for the plot in the concluding session, dealing with the terrorists. The screenplay is good only in the concluding part. However, the dialogues by Prakash Bhagwat are hard hitting, when they are uttered at Politicians and the terrorists. The happenings in Politics, the pressure on Police by the Home Minister, the helpless attitude of home minister, the arrogance and selfishness of opposition Minister, whose daughter is trapped inside the bank, have been well presented. Music by Mayuresh Pai is just fine. The item number performed by Aarti Siolanki looks very odd. But, the background music by Salil Amrute is impressive. Raja Phadtare’s cinematography is good.

As a director, Milind Arun Kawade shows his strengths in post interval session, when he has tried to hold the audience to their seats. In the pre interval stage, there are unnecessary cheap jokes used as source of entertainment. Bharat and Siddharthg Jadhav play their respective roles almost on the style of Ashok Saraf and Laxmikant Berde. Producer Guru Anand has tried to fulfill his wish as a supporting actor with better scope, in the role of Nagya and has done well. In the role of Kashi, newcomer Swapnil Joshi is just fine in the company of 4 idiots in this film.Siddharth Jadhav Bharat Jadhav

The females in this film have no scope at all. Vishakha Subhedar appears as kashis’s sister for a scene or two, while Siya Patil and Mrunalini Jambhale have been used as show pieces in the group trapped inside the bank. One doesn’t know, why did they accept such roles? Vaibhav Mangale is impressive in his role. He stands a chance to get offers from Bollywood, after this performance. There is a big crowd of supporting cast to create an impact of the sensational event occurring post interval, covered on television as breaking news! The effort of the film maker is good; but, the film does leave few drawbacks.

‘Superstar’ – a formula based film

Superstar
Rating: na
Presentor & Producer: Sakshi Entertainment
Director: Mahendra Kadam
Story: Mahendra Kadam, Sachin Mote
Music: Ajit – Sameer
Camera: Rahul Jadhav
Cast: Siddharth Jadhav, Paddy Kamble, Megha, Rajan Tamhane, Nikhil Ratnaparkhi,
Nandkishor Choughale, Prashant Tapasvi, Yogini Chowk
Movie Review by: Ulhas Shirke

Generally, a leading artiste who is also the producer of the film, would want himself or herself to be presented with prominence . The latest Marathi film ‘Superstar’ though speaks about the friendship between two standup clowns (Ranga and Bajya) in a Tamasha party from a village called Parambi, it revolves more around the character of an actress – Megha, played by debutant Megha Dhade, who is also the producer of this film. In the process, she has offered a formula based film. If she were a typical Bollywood producer, she would have said, “Meri film mein action hai, fantasy hain, romance hai, emotion hai aur comedy bhi hai”. In short, as a producer of this Marathi film, she has tried to follow the Bollywood path of 70s and 80s.

In this film, Megha comes across Ranga (Siddharth Jadhav), who is a popular clown from a village Parambi. Ranga along with his dear friend Bajya (Pandharinath Kamble) come to the rescue of a Film unit, in their village, when their main artiste gets delayed and the local crowd gathered in a hall goes out of control. Megha is particularly impressed by the act of Ranga and she along with her unit thereafter get an opportunity to witnesses the rehearsal of his folk art. So impressed is the producer (Rajan Tamhane) that he plans to use their theme for a film. He even agrees to make Ranga the new star opposite Megha and even invites his entire team to join the film.

Bajya is bit hesitant having experienced the tragedy of his mother and aunty in the past but, finally gives his nod. Soon he discovers that his original script is changed for the cinematic presentation and the credit being taken by the director (Nikhil Ratnaparakhi). Not only Bajya but his other group members except Ranga are ill treated by the film’s unit. Ranga being in the good books of Megha and being a hard working ambitious artiste, in fact becomes a darling of the unit.

The film’s director Mangesh Kadam has cleverly used this situation to show the difference when a versatile Tamashaa artiste is made to act in the film. Very cleverly he has shown that the creativity is lost in the process. The film picks up considerably better speed to present the screenplay but the frequent songs added in the film interrupt the process. Music is not bad, but it fails to make an impact after you leave the theatre.

Excluding two songs, the other songs were irrelevant in the film’s Author backed story. Even two of the scenes towards the end have been stretched too long. One can understand about branding of a particular product helping to a certain extent in co-sponsorship; but deliberately asking the leading lady in a scene to go into the vanity van and then displaying the product was almost like shooting an ad film into film; giving an awkward look. As it is there was a feature film titled ‘Parambicha Bapu’ being shot into this film and therefore this ad addition looks like an ad played during a short break. The two and half hour film should have been cut to size two hours instead.

Paddy Kamble

Siddharth Jadhav successfully portrays a crazy village boy who later transforms into a self-assured actor with a pride. But, it is his friend played by Pandharinath( Paddy) kamble, who comes up with a memorable performance. Paddy has different shades in his role and the talented actor has proved that he is not only a good comedian but can be considered for emotion filled serious roles too. Being a debutant, Megha Dhade in the role of an actress has given a satisfying performance. There is no doubt that being a producer herself, she has taken more footage, but in the process there has been injustice to other leading lady Yogini Chouk. In the role of Sukhee, the would be of Ranga and sister of Bajya, she just remains a namesake character serving tea and food to the group. In short, a talented actress of her caliber, who has won the Maharashtrachi Superstar TV award, deserved a better deal. Others in supporting cast, especially the other team members of Ranga-Bajya group have performed very well.

Only other actor who got a better deal in this film is Nikhil Ratnaparakhi. While playing a film director’s role, he has proved that acting makes a big difference while portraying any character. No wonder, today he is the most popular model on television ads. Excellent photography by Rahul Jadhav and wonderful art direction by Mahesh Salgaonkar are the two highlights of the film. Overall, the film is filled with good dialogues by Sachin Mote , but some of them were repeated.

Although Superstar sells dreams to village folks with a captivating plot, a more gripping screenplay and clever editing could have made a big difference.

‘Shahanpan Dega Deva’ – performance oriented film

Shahanpan Dega Deva
Rating: na
Presenter: Great Maratha Entertainment Company Pvt. Ltd.
Producer: Twinkel Group & Mirah Entertainmetn Pvt. Ltd.
Direction: Sudesh Manjrekar, Atul Kale
Screenplay: Abhijeet Deshpande, Mahesh Manjrekar
Camera: Ajit Reddy
Music: Ajit- Sameer
Cast: Bharat Jadhav, Ankush Choudhary, Sanjay Narvekar, Vaibhav Mangale,
Siddharth Jadhav, Kishore Kadam, Santosh Juvekar, Kamlakar Satpute,
Manva Naik, Kranti Redkar and Mahesh Manjrekar.
Movie Review by: Ulhas Shirke

Known for his Police detection stories, writer Shrikant Sinker had also written in the past a play ‘Aaliya Bhogasi’ based on a team of mentally unstable people in a mental asylum, who only think of their past profession and enact their skills all the time. Producer Mahesh Manjrekar, perhaps got inspired with that play, while projecting his characters through his new film ‘Shahanpan Dega Deva’, which also revolves around 5 such mentally unstable characters( Bharat Jadhav, Siddharth Jadhav, Ankush Choudhary, Vaibhav Mangale & Sanjay Narvekar), who are being treated in his own way at a private Mental asylum by Dr. Subodh ( played by Mahesh himself) , attached to that asylum.

Mr. Manjrekar known for his offerings on sensational subjects, this time thought of moving into comedy and hence selected this performance oriented film with the sole motive of entertaining the audience. Directed jointly by Atul kale and Sudesh Manjrekar, the producer has himself got involved into the screenplay and dialogues in the company of Abhijeet Deshpande and Sanjay Pawar. There is nothing much seriously happening into the screenplay, except for theose mischievous acts by the five characters , which only encourage competition among themselves. It only looked like that the directors had during the pre-interval stage had given complete freedom to them, resulting into overacting by atleast two characters.

Ankush Chaudhari
It was only after interval, it gave an impression that the director duo had taken total control of the film. The happenings in the film clearly indicate that each character had his own share to display talent under a given situation, which was nothing but pose mentally disturbed and perform an act to look more natural in that condition. And, this experiment succeeds only to a certain extent in post interval session comprising of 55 minutes.The film does not pay much attention on the past history of these characters, except for Bharat Jadhav, whose past incidence has been shown for proving him mentally unstable. The total length of film is just nearing two hours, a perfect length, as further extension would have certainly taxed the audience.

‘Shahanpan Dega Deva’ is a male dominated film, as the three girls namely Manva, Kranti and Poorva play just show pieces and have been rightly used in the climax scene as item girls. Manva makes her appearance just at the stroke of interval, while Kranti comes in almost towards the end of the film. Most of the scenes in the film are based on ‘mind act’ done by each character and among them Sanjay Narvekar invites all the attention for his cricket gimmicks that go very well with his body language. His character also springs a surprise in the climax, thus turning him into a real hero.

Watching the performances of other artistes, Bharat Jadhav, Vaibhav Mangale, Ankush Choudhary and Mahesh Manjrekar himself are all within their limits, except for Siddharth, who has been controlled in the second half, avoiding dialogues for him. Kamlakar Satpute, playing the gay Don is just fine; nothing exceptional about his performance, as we have seen such characters on the screen in the past. Since the film has Bollywood flavour, he reminds you of Kulbhushan Kharbanda in ‘Shaan’, but doesn’t look dangerous. Among the three doctors from the asylum playing villains, Kishore Kadam is impressive. Others in the supporting cast have done well, but Santosh Juvekar has been wasted in that ordinary looking side role.

There isn’t much scope for music in the film, except for the so called item number in the climax, where lavani has been performed in a different style. The background music sounded loud pre interval, but has been used well in the later part of the film. Cinematography by Ajit Reddy is good . The film is likely to impress the kind of audience who enjoy watching TV shows like ‘Comedy Circus’ and ‘Fu bai Fu’, as this film is based only on performances to entertain the audience with a given theme.

‘Paaradh’ highlights the socio – political issue

Paaradh Marathi Movie
Rating: na
Presenter: Amogh Cinetones
Producer: Anuradha Talati
Director: Gajendra Ahire
Story: Gajendra Ahire
Camera: Chandrashekar Iyer
Music: Rahul Ranade
Cast: Siddharth Jadhav, Makarand Anaspure, Hemangi Kavi Dhumal, Ravi Kale,
Vrinda Gajendra, Vinay Apte, Amogh Talathi, Vitthal Umap, Milind Shinde
Movie Review by: Ulhas Shirke

Marathi films are back on the traditional track with tales of exploitation of rural poor. Only difference that we find now is the change of characters. The place of shrewd Zamindar or Village Sarpanch has been taken by selfish politicians, who are in search of youngsters to dance on their tunes to meet their personal goals. Gajendra Ahire’s latest film ‘Paaradh’ is no different from all those traditional Marathi films, but it sends out a strong message to today’s directionless youth; who are blindly following their leaders. Through this film, the maverick film maker makes a clear point of exploitation of rural youth by a power hungry politician, who uses them for his political gains and later sidelines them only to be killed by his opponents.

Ambadas (Makarand Anaspure) and his right hand Bappa( Milind Shinde) are involved in all such unethical practices at District level to prove their strength. They don’t miss a single opportunity to blackmail their own party seniors and one such victim is Prataprao(Vinay Apte). They first capture the dairy co-operative business with the help of young jobless youths from the village. Ambadas does not stop here, as his political ambitions are much higher. He dares to challenge even his party chief- Appa (identity not revealed) by exposing him with his wrong deeds with the help of his most trusted party worker Yashwant ( Siddharth Jadhav), whom he calls ‘Wagh (Tiger)’.
Hemangi Kavi Dhumal

Yashwant-a small time party worker, who blindly follows the orders of his boss, suddenly comes into limelight. It is at this time Ambadas ditches him. His right hand Bappa, knowing the weaknesses of his boss, plays all dirty games in his name and even lures Yashwant’s younger sister Indu (Hemangi Kavi Dhumal) . Yashwant who belongs to a Warkari family, is the most notorious character in the family, who neither obeys his old father( Vitthal Omap) nor elder brother(Ravi Kale), who is a farmer.

Yashwant’s younger brother Anand (Amogh Talathi) , who is the mute witness to all the events the family faces, is actually the narrator in the film. The entire film is based on the political gimmicks of Ambadas and his link with Yashwant and his family. Finally, it is not only Yashwant who suffers, but his family members too. In the end of the film, Anand as a narrator tells that Siddharth who is undergoing sentence for the murder of Amabadas and Bappa, has one more year left for release and that his elder brother who had gone in search for justice is still missing. His sister-in-law(Vrinda Gajendra) works in the field and his ambitious sister Indu heads the women’s wing of the district. Finally, he concludes saying that he himself is well settled in a district place with his job and his son studying in a good Public school.

‘Paaradh’ begins well with realistic approach but drags in the second half with too many chase scenes, where Yashwant runs for his life, having been ditched by Ambadas. The characters of Ambadas, Yashwant, his elder brother ,his sister-in-law and sister Indu look realistic. The person who invites the attention is Milind Shinde in the role of Bappa. With his perfect visual expressions and body language, he has been able to present a real villain of Marathi films. Vinay Apte has been wasted in that role of Politician. There is no strength in his role, though he plays it with ease. Can’t find the reason for hiding the identity of Party chief. But, looking at the performances from Siddharth Jadhav, Makarand Anaspure, Hemangi Kavi Dhumal, Ravi Kale and Vrinda Gajendra, you tend to forget those few flaws in the film. Camera work by Chandrashekhar Iyer, Background music by Rahul Ranade and editing work by Rahul Bhatankar is pleasing.

‘Target’ designed for youth audience

Target Marathi Movie
Rating: na
Producer: Jagdish Unecha, Rakesh Unech
Presenter: J. K. Movies
Director: Vivek Gore,. Rajesh Kolam
Camera: Sandeep Patil
Choreographer: Umesh Jadhav
Music: Abhijeet Kawthalkar, Jeetendra Kulkarni
Cast: Sanjay Narvekar, Ankush Chaudhari, Siddharth Jadhav, Swapnil Joshi,
Kranti Deddkar,Tejaswini Pandit, Smita Gondkar, Vinay Apate, Sanjay More
Movie Review by: Sandeep

J. K. Movies new marathi film ‘Target’ is an action filled political thriller with a dose of youth angst. The story is about five idle friends Sanjubhai (Sanjay Narvekar) who thinks he is a ‘bhai’, Anky(Ankush Chowdhary) a builder’s son, who is a skirt chaser, Swapnil(Swapnil Joshi) -politician Vishwasrao’s (Vinay Apte’s) son, who is disillusioned with his father, the Home Minister of the state finding no time for his family,Sattar( Siddharth Jadhav)- a meat shop owner’s son with a penchant for the handycam and Paddy (Bhushan Kadu) -a pizza delivery boy.
These boys become friends with three girls played by Kranti Redkar, Tejaswini Pandit and Smita Gondkar after a lot of minor tiffs. Once, they attend a rave party in a farmhouse in a jungle, where a cop (Vivekanand Gore) tries to arrest Swapnil for drugs possession but then all the friends run helter shelter in the jungle and then they see a child sacrifice being performed in the jungle and then chance upon another boy who is kidnapped.
Kranti Redkar

They rescue him but the bad guys are after them and whether they survive in the jungle and get the villains into jail and solve the ‘sacrifice’ mystery is the plot of the film.
The film moves at a brisk speed once the characters are established and the adventures captured in the jungle are really thrilling. Director duo Vivekanand Gore and Rajesh Kolan give the film a kind of ‘LOST’ series look and those umpteen teen campus drive-in movies that were a rage in the US in the 80’S. The political angle is a much repeated track.

The performances by the artistes are good, especially Kranti Redkar and Sanjay Narvekar. Swapnil Joshi plays a serious type of role with conviction. The cinematography by Sandeep Patil is slick, especially the jungle sequences. Cameos by Vinay Apte and Sanjay Mone are impressive. The item number by Manasi Naik was unnecessary.The music by Jeetendra Kulkarni and Abhijeet Kavthalkar is not up-to the mark.

The editor Sarvesh Parab could have used more pace in the first half. In all, the film will appeal to the youth and is good for a lazy evening hangout, when you need the air-conditioned ambience of a multiplex.