Movie : Dombivli Return
Director : Mahendra Teredesai
Music : Shailendra Barve
Cast : Sandeep Kulkarni, Rajeshwari Sachdev, Siya Patil, Pooja Kasekar, Amol Parashar, Hrishikesh Joshi, Sunil Joshi

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महाराष्ट्रात उगम होऊनही केवळ महाराष्ट्रापुरता सीमित न रहाता संपूर्ण भारतभर ज्या संप्रदायाचे उपासक आपल्याला आढळतात तो संप्रदाय म्हणजे नाथ संप्रदाय. नाथ संप्रदायाचा हा महिमा आता मराठी रुपेरी पडद्यावर झळकणार आहे. २८ डिसेंबरला प्रदर्शित झालेल्या ‘बोला अलखनिरंजन‘ या चित्रपटाच्या माध्यमातून नाथसंप्रदायाचा महिमा प्रेक्षकांना अनुभवता येणार आहे. मातृपितृ फिल्म्सची प्रस्तुती असलेल्या या चित्रपटाची निर्मिती, लेखन, दिग्दर्शन अशी तिहेरी जबाबदारी घन:श्याम येडे यांनी सांभाळली आहे.
नाथ संप्रदायाचे आद्य गुरु मच्छिंद्रनाथ आणि नवनाथांच्या आयुष्यातल्या चमत्कृतीपूर्ण घटना आणि एका सर्वसामान्य शेतकरी कुटुंबात जन्मलेल्या चैतन्यची नवनाथांवरची भक्ती यांची अध्यात्मिक सांगड ‘बोला अलखनिरंजन‘ या चित्रपटात घालण्यात आली आहे. अमोल कोल्हे, सिया पाटील, नागेश भोसले, दिपक शिर्के, दिपाली सय्यद, गायत्री सोहम, मिलिंद दास्ताने, प्रफुल्ल सामंत, रोहित चव्हाण, भक्ति बर्वे आणि घन:श्याम येडे यांच्या चित्रपटात भूमिका आहेत.

‘बोला अलखनिरंजन‘ या चित्रपटाचे सहनिर्माते सतु कृष्णा केणी (बिजांकुर ग्रुप ऑफ कंपनी), शिवाजी घमाजी दडस (अनमोल निर्मिती सहकार्य) आहेत. अमोल येवले, विष्णुपंत नेवाळे प्रसिद्धी निर्मिती सहाय्यक आहेत. कथा, पटकथा व संवाद घन:श्याम येडे यांनी लिहिले आहेत. संगीत विशाल बोरूळकर तर पार्श्वसंगीत सुरज यांचे आहे. छायांकन सरफराज खान तर संकलन दिपक विरगुट आणि विलास रानडे यांचे आहे. सुरेश वाडकर, रविंद्र साठे, नेहा राजपाल, बेला शेंडे यांनी भक्तीमय गीतांना स्वरसाज दिला आहे.

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• Release Year: 2018 (28 December)
• Rerelease Year: 2019 ( 24 May)
• Genres: Drama
• Rating:  na
• Censor: U
• Duration: 134 min
• Studio/presenter: Matru Pitru Films
• Producer(s): H.Bh.P. Ghanasham Yede
• Executive Producer: Shivaji Dadas, Narayan Malshikare
• Director: H.Bh.P. Ghanasham Yede
• Writer: H.Bh.P. Ghanasham Yede
• ScreenPlay: H.Bh.P. Ghanasham Yede
• Dialogues: H.Bh.P. Ghanasham Yede
• Official Facebook Page I  Twitter

Cast & Crew

• Producer(s): H.Bh.P. Ghanasham Vishnupant Yede
• Executive Producer: Shivaji Dadas, Narayan Malshikare
• Co-producer: H.Bh.P. Satu Krushna Keni
• Director: H.Bh.P. Ghanasham Vishnupant Yede
• Assistant Director: na
• Writer: H.Bh.P. Ghanasham Vishnupant Yede
• ScreenPlay: H.Bh.P. Ghanasham Vishnupant Yede
• Dialogues: H.Bh.P. Ghanasham Vishnupant Yede
• Lyrics: na
• Music: Vishal Borulkar
• Playback Singer:   Suresh Wadkar, Ravindra Sathe, Bela Shende, Neha Rajpal
• Cinematographer (DOP): Sarfaraz Khan
• Editor: Deepak Virgut, Vilas Ranade
• Starcast:  Dr. Amol Kolhe, Siya Patil, Nagesh Bhosale, Deepak Shirke, Deepali Sayyad, Gayatri Soham, Milind Dastane, Prafull Samant, Rohit Chavan, Bhakti Barve, Ghanasham Vishnupant Yede
• Art Director: Devdas Bhandare, Deepak Salunkhe
• Costumes: Chaitrali Dongare
• Makeup: Kiran Sawant
• Sound : Anil Nikam, Kailas Pawar
• Background Score: Suraj
• Choreographer: na
• DI, VFX: Ritesh Daptari
• D.I. Colourist: na
• Promos: na
• Music Label: na
• Publicity Designs: na
• P.R.O.: na
• Distributor : na

Synopsis :

‘Bola Alakh Niranjan’ : na

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‘Shubham Karoti Kalyanam‘ is a Sanskrik Shloka, which begins with salutation to the Light of the Lamp. It is a traditional practice to utter this shloka in Marathi schools, as a prayer before beginning their school classes. Now, set on the backdrop of little children, a new Marathi film with this name being produced by Deepa Bhalerao and directed by Shailendrasingh Rajput will be released soon.

The story of ‘Shubham Karoti Kalyanam‘ film revolves around a boy who has set his goal in life, attempting something different to fulfil his dream. He works hard for the same. Luckily, he finds good company and therefore the film will be offering a timely message to inspire the new generation.

The film stars Ashwini Ekbote, Siya Patil, Naresh Bidkar, Arvind Koli, Harinder Singh Rana along with child artistes Tejal Bhalerao, Siddhesh Lingayat, Vinay Shirsat, Tanmay Mhatre, Saniya Patil, Shravani Medhekar, Rahul Mulik, Marnovi Oak, Sujal Gaikwad and Aakash Shirsat.

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Having gained a lot of experience in film distribution, Girish Wankhede has now launched his own Marathi film ‘Jhala Anant Hanumant’ under the banner of Entity One Pictures. The muhurat of this film was held in Kolhapur in presence of renowned personalities connected with Marathi film industry and the unit members of his film. The film presents the story based on Late Vijay Tendulkar’s play ‘Jhala Anant Hanumant’ which hits out at people opposing superstition. So, when this character of ordinary person suddenly attains divine power, what is the reaction of people around, will be presented through this black comedy.

The screenplay of this film has been written by Munavar Bhagat, who will be also directing  ‘Jhala Anant Hanumant’ film. The director had earlier directed a film ‘Nivdung’ for Hridaynath Mangeshkar had received critical acclaims from press, besides good response from the audience. The lead artistes of this film are, Nandu Madhav, Mangesh Desai, Siya Patil, Shanta Tambe, Pooja Pawar & Sonakshi More.

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There is always good response to Marathi plays which offer suspense filled plots. The latest offering by writer Suresh Jayram is ‘Shadayantra‘, which is directed by Arun Nalawade. The play deals with an interesting plot, where we find a rich young couple Vikas and Shubhada Inamdar( Suchit Jadhav and Siya Patil) having some differences over their construction business. Actually, Vikas runs the family business of Shubhada’s father, after his death, as Shubhada’s brother is more keen on becoming a music director. Shubhada does not like the unethical deals of Vikas and always opposes him.

When Shubhada’s brother comes to know about Vikas’s dealings, he questions him and asks for important contract papers of a controversial deal. But, Vikas murders him the same night, when Shubhada is away with her friend and the servant Asha also away from home. Vikas manages to show this murder as suicide, due to frustration. Soon, Vikas also plans the murder of Shubhada, with the help of his girl friend. But, on the same night Vikas himself is found murdered and his body found in swimming pool of their bungalow. With this happening, Just at the stroke of interval, arrives a Smart and intelligent Police Inspector Manohar Nagarkar( Ramesh Bhatkar), who has a good record of solving many murder cases.

The later half of this drama is all about investigation and unfolding the suspense step by step. Besides the couple and the inspector, there are many other important characters in this drama, in the form of Asha the full time servant in the house, Divekar( Sudesh Mhashilkar) the most trusted and an old employee of Inamdar’s construction company, A lady family friend who is a regular visitor to Inamdar’s house, Suchit’s Girlfriend Leena, an experienced advocate of Inamdar family and few others. Director Arun Nalawade has skillfully handled the proceedings of this gripping plot, holding the suspense till the end.

Good performances by all these important characters, makes ‘Shadayantra‘ play more presentable. Ramesh Bhatkar in the role of investigating Police Inspector steals the show, with his stylish dialogue delivery and well suited body language, at every important occasion. Even otherwise, in the past he has always been at his best, playing such roles of Police Officer. Both Siya Patil and Suchit Jadhav are very natural . Siya has given some best emotion filled scenes, while Sudesh Mhashilkar in the role of Divekar has brought some humour through his notable performance.

Lights by Rajan Tamhane, set design by Prakash Mayekar, costumes by Poornima Oak are some of the plus points of this play. There are few happenings in this play, which fail to convince. But, all in all, ‘Shadayantra‘ has a good suspense filled plot, supported by equally good performances by the artistes.

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In our Marathi film industry, during 60s and 70s , we have seen many films on women oriented subjects, where male folks were shown dominating the women. Later, in 80s and 90s, we saw women themselves harassing other women and now we are watching through television serials, we see the Saas-Bahu dramas. Now, combining all these different ways of harassments, producer Rajendra Ramchandra Aatol  and director Subhash Ghorpade thought of presenting a family social drama through their latest released Marathi film ‘Garbh’ with a tagline  ‘Kunkawache Astitva’.

In this film, we witness two parallel stories of two couples running simultaneously in the screenplay. One is that of Sanjay Kulkarni( Hemant Thatte)  owner of Kulkarni Group of Companies & his wife Rekha Kulkarni ( Vibhuti Patil Thakur) and the other is that of youngsters Rahul Mhatre (Sushant Shelar) and Kavita (Siya Patil). When Rahul a collegian, finds kavita , his girlfriend form his college, being harassed by her Uncle ( Anant Jog) beyond limits, he takes a quick decision to marry her and brings his newly wed wife to his house, to give a big surprise to his parents. But,   realising the situation, the parents welcome their daughter in law, with a big heart. Rahul works hard and also finds a job of an accountant in Kulkarni Group of Company and that’s how the new link between Mhatre and Kulkarni family is established.

When Rahul meets with an accident, his pregnant wife seeks help from Rahul’s Boss- Sanjay Kulkarni, for huge money required for her husband’s operation. Rekha Kulkarni initially stops her husband from offering help. But, realising her own problem of not conceiving a child for 10 years, finds a good opportunity to force Kavita to enter into a contract against offering her help. Kavita sings on blank stamp paper, which results in a big drama taking place in the second half of this film. In the meanwhile, we notice some dramatic happenings in the story, to show how two different women face the challenges in their lives in different ways. So, it’s all about selfishness v/s sacrifice drama in the film. But, finally, it’s happy end for the audience.

Talking about the performances, both Sushant Shelar and Siya Patil have given satisfying performances. They find good support from Nishigandha Wad, Vandana Waknis,Yatin karyekar, Anant Jog,  Pallavi Vaidya and others.

All in all, ‘Garbh’ presents a typical story of exploitation of a woman, which has two different shades. Those who love to watch social family films on such serious subjects, may like this film; but for others looking for pure entertainment, may not enjoy it. The film does have 2-3 songs for music lovers, but, they disturb the continuity of the story. Arun Kulkarni’s dialogues are just fine, but the screenplay should have been made more gripping. Arun Fasalkar’s photography is good and so is the background music by Amar Desai.

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Siya Patil finds challenging role in ‘Garbh’

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