Tag Archives: Sulbha Deshpande

Ekach Ya Janmi Janu’ from 1st August

Tejaswini

Zee Marathi will be presenting their new serial ‘Ekach Ya Janmi Janu’ from 1st August 2011. Based on the struggle of a middle class girl Anjali, the serial goes on to show how this good looking intelligent girl overcomes her handicap with self confidence.

Anjali’s parents are worried about finding a suitable match for her marriage, but Anjali on her own wins the heart of Shrikant, who also loves her for all those qualities she possesses. Produced by Mahesh Tagade and Jitendra Gupta, the serial is directed by Mangesh Kanthale. The title song is penned by Ashwini Shende and Vaishali Samant has rendered her voice for the same on the music of Nilesh Mohrir.

Tejaswini Pandit plays the central role of Anjali while the other artistes are Manasi Salvi, Manasi Kulkarni, Piyush Ranade, Meghana Vaiday, Uday Sabnis, Sulbha Deshpande, Jayant Ghate & Varsha Dandale. This serial will be telecast from Monday to Saturday at 8pm from 1st August 2011 on Zee Marathi.

Lifetime Achievement awards for Sulbha Deshpande and Fayyaz

Sulabha

Two veteran actresses namely Sulbha Deshpande and Fayyaz have been honoured with Lifetime achievement awards for their contribution to Marathi stage and Classical based Marathi plays respectively. While Ms. Deshpande received the Natavarya Prabhakar Panshikar award, Ms. Fayyaz was honored with newly instituted Annasaheb Kirloskar award .

Each award comprised of Rs. 1 lakh besides the citation and were presented by the chief minister Prithviraj Chavan in a specially held function in Mumbai.

New Marathi film with a Unique theme

Urmila

At a time when we are all talking about absence of good quality scripts in Marathi cinema, here comes a film with a sensational subject, based on a real life incident. Advocate Samrruddhi Porey comes forward to offer something new to this world, with a happening that created deep impact on her mind.

A practicing advocate at Mumbai High Court, Samrrudddhi had come across this unique case, where she saw legal implications arising out of Surrogate mother’s issues. She decided to make a film on such an issue, which was new to the world. And, she has finally done it.

”Mala Aai Vhaychay’ ( I want to be a Mother) is the title of her film, which is produced and directed by herself. She has also written the script and lyrics of the film. Using the combination of Indian and foreign artistes and choosing a perfect location in Maharshtra, she has only tried to give a realistic look to this cinematic presentation. The film has already won awards abroad and is all set to release on 11th February 2011 all over Maharashtra.
The film stars Urmila Kanetkar, Stacy Bee, Sulbha Deshpande, Vivek Raut, Matt Ridder, Suchitra Bandekar and Samrruddhi Porey herself in the main cast, while the American wonder boy Aiden Barkley plays the Varhadi speaking kid in this film. Music by Ashok Patki and photography by Rahul Jadhav are other credits.

Tanveer Sanman for Sulabha Deshpande

sulbha-deshpande

Veteran Marathi actress Sulabha Deshpande will be honoured with the prestigious Tanveer Sanman 2010 for her contribution to theatre, films and television. The award, initiated by Roopwedh Pratishthan, will be presented to her at the Yashwantrao Chavan auditorium, Kothrud, between 6.30 pm and 9 pm on December 9. The award comprises Rs 1 lakh, a memento and a certificate. Actor Nana Patekar will be the chief guest of this event.

The Tanveer Natyadharmi Puraskar is a fellowship of the Pratishthan worth Rs 30,000, which will go to theatre artsite Veena Jamkar. Initiated in 2004, Roopwedh Pratishthan felicitates every year theatre personalities who have made rich contributions to theatre, but are no more in the spotlight. Dr. Shreeram Lagoo executive president of Roopwedh Pratishthan, has made this announcement.

Monsoon ‘Haapus’ tastes Sweet and Sour

Haapus Poster
Rating: na
Presenter: Eros Entertainment, Everest Entertainment
Producers: Sanjay Chhabria, Abheejit Satam
Director: Abhijeet Satam
Camera: Rahul Jadhav
Story & Screenplay: Saurabh bhave & Subodh Khanolkar
Lyrics: Sandeep Khare
Music: Dr. Salili Kulkarni
Cast: Shivaji Satam, Madhura Velankar, Makarand Anaspure, Subodh Bhave, Pushkar Shotri
Movie Review by: Ulhas Shirke

Finally, Sanjay Chhabria and Abhijit Satam’s much awaited ‘Haapus’ has arrived in Maharashtra on the day with wet spell of monsoon spread all over the state. But, the aggressive monsoon decided to take rest, at least in the city of Mumbai; so that people could come out and welcome the king of Konkan, in whose honour the film has been made.

‘Haapus’ which truly stands to its name, does sincerely speak about the exploitation of the poor mango growers from Konkan over the years by the money minded traders. But, keeping in mind the commercial success of the film, the film adds few sub plots to create that required humour and apprehension in the screenplay. The film is mainly filled with emotions of different characters and their reactions to every situation.
Anna Gurav (Shivaji Satam) the head of the family of one of the mango growers of a village in Konkan, is also a victim of this exploitation. He has no regrets, but tries to hide a past happening from his children. Like many others, happy with the price they get for their crop every year; he too is a contented person. One day Anna’s own son Ajit (Subodh Bhave) , who does his own research to grow a better crop, turns protagonist and decides to sell the product directly into market, without involving a middle man. He tries to persuade other crop growers, but the shrewd trader Chajed (Vidyadhar Joshi) blocks his plans, by playing the divide and rule policy. In the meanwhile, a school master from Marathwada – Digamber Kale( Makarand Anaspure) walks into the village on his new assignment and finds temporary shelter in Gurav’s house. He comes to the rescue of Ajit and the entire family of Gurav, including the auto rickshaw driver Subhya (Pushkar Shroti) who is in love with one of the twin daughters of Anna, support him in his mission against the trader.
Madhura Velankar Satam In Haapus
Director Abhijit Satam, who makes his debut as a director through this film, has handled the plot with sincerity, trying his best to show how difficult it is to break the traditional middle man business. With ‘United we stand’ policy of the family he shows sensible audience the way of direct marketing. ‘Haapus’ does take the help of humour with the director taking the advantage of the double role of Amruta-Ankita (played by Madhura, his wife) and offering some comedy scenes in ‘Seeta aur Geeta’ style. In fact, he concentrates on the main plot post interval, after entertaining the audience with a social family gathering.

Good thing about ‘Haapus’ is that there is no vulgarity in the screenplay as the film limits every character within a framework, not allowing anyone to overact or over react and offering enough space to one and all. Only unrealistic and predictable part in the film is the hospital scene in the climax, which has been influenced by some recent Bollywood films. In fact, every happening that takes place in the hospital, looks unnatural. Watch, when Pushkar Shroti walks into the hospital to inquire about Grandma’s health. It only creates laughter for no reason, among audience. But, the superb performances by all the artistes and the pace with which the screenplay moves, does help to surpass such scenes. Sunil Barve and Milind Pathak make special appearances at the right places to offer help to Gurav family during their time of crisis.

The picturesque Konkan has been shot well by Rahul Jadhav with his expert camera work. The director has also been more careful for the indoor scenes, to make them more realistic and hence has chosen the real locations in Kudal. The scenes of actual market place in Vashi have been captured well. Music of the film is just fine, with the title song more impressive than other two songs.

Shivaji Satam has given his best performance through this film in that tailor made role of Anna Gurav. Both Subodh Bhave and Makarand Anaspure are perfect choice in their respective roles. Madhura Velankar gets a chance to prove her ability as an actress offering variety. Sulbha Deshpande looks a perfect Grandma and gets due recognition. Mansi Maggikar (Anna Gurav’s wife) and Mrunal Deshpand e (Ajit’s wife) do not have much to their share, but they have done well. Swarsha Jadhav as the youngest member of Gurav family is good; but it is Pushkar Shroti, who outshines other co stars. Except for Shivaji Satam, there isn’t anyone else in the film, who could compete with him for using that typical Konkani dialect throughout the film. Prashant Damle, plays the Narrator with his voice over, to explain the situation at the beginning and end . In all, ‘Haapus’ is a package of straightforward family entertainer.

‘VIHIR’ REVIEW

Vihir Marathi Movie
Rating: na
Presenter: Saraswati Creations, AB Corp Limited
Producers: Ramesh Pulapka, AB Corp Limited
Director: Umesh Kulkarni
Camera: Sudheer Palsane
Story & Screenplay: Girish Kulkarni, Sati Bhave
Music: Mangesh Dhakade
Cast: Girish Kulkarni, Amruta Subhash, Mandar Deodhar, Renuka Daftardar,
Dr. Mohan Agashe, Ashwini Giri, Jyoti Subhash, Sulbha Deshpande
Movie Review by: Sandeep Hattangadi

The much appreciated film which won laurels at many international film festivals like Berlin, Pusan, and MAMI, ‘Vihir’ is indeed a good film to watch for discerning audience.

Sameer (Mandar Deodhar) a city boy comes to meet his country folks and is delighted to meet his cousin Nachiket (Alok Rajwade) who is elder to him and they share a unique bond between them. They share their happiness and sorrows besides dreams , ambitions and family problems like their elder’s behavior, while swimming at a nearby well.

This well (Vihir), is a silent spectator to this unique growing up angst and takes an ugly turn when Nachiket drowns in it. This loss of his cousin and an early experience with death makes Sameer distraught and confused about life in general.
He can’t adjust to his new city life without his much loved brother and turns a wanderer, who goes from place to place without any real reason. Ultimately, he comes to terms with his personal tragedy.

Vihir

This bitter-sweet tale is something very different from the regular fare dished out. The direction by ‘Valu’ fame Umesh Kulkarni is very sensitive and gives an autobiographical touch. His symbolic representation of the ‘well’ is very impressive. The performances by the two boys(Mandar and Alok) especially Mandar, is exemplary. His adolescent search for meaning of ‘life portrayal’ is superb.
Girish Kulkarni (who has written the story of this film) is impressive as their jolly uncle. Veteran artistes like Dr.Mohan Agashe, Jyoti Subhash, Sulbha Deshpande, lend good support. Amruta Subhash, Veena Jamkar and Renuka Daptardar are effective.

Music by Mangesh Dhakade is tuneful. The cinematography by Sudhir Palsane has already won awards for his excellent visuals of the countryside and the illuminated city.

The editor Niraj Voralia could have cut particular sequences like the boy traveling in the train and few other which are time consuming. This AB Corporation venture, certainly succeeds in keeping their banner’s reputation intact. Let’s hope they continue to support Marathi films in the future too.

Go watch it and enjoy a ‘different’ film!