Category Archives: Review

‘Time Bara Vait’ – That which governs all, is ‘Time’

Aside 19 June, 2015 Ullhas Shirke

Rating: ★★★ ½
Studio/presenter: VRG Motion Pictures
Producer: Vijay Gutte
Co Producers: Bahul Choudhury, Anuarag Shrivastava.
Director: Rahul Bhatankar
Cinematographer: Rajesh Rathore
Genres: Action, Drama
Censor: U/A
Duration: 150 Min.
Cast: Bhushan Pradhan, Anand Ingale, Hrishikesh Joshi, Satish Rajwade, Nidhi Oza, Bhau Kadam, Siddharth Bodake , Sunil Pendharkar, Nupur Dudhwadkar, Rajesh Bhosale

About fifty years ago late B.R. Chopra made a film titled ‘Waqt’, which became a hit film. It spoke about the good and bad times seen by a family of big a businessman, as ‘Time’ plays havoc in their life and only the time, which brings them together.

50 years later , things haven’t changed. Everything is still under the control of ‘Time’. Man cannot rule over time, however rich or clever he may be. Today, a small happening somewhere in a country like USA, can ruin the life of a well to do person living in India. Latest released Marathi film ‘Time Bara Vait’ is based on this concept.

The story of this film, revolves around the life of Rahul (Bhushan Pradhan), a young computer engineer who loses his job, as its owner in USA donates all his proceedings to charity, only because his wife divorces him for a silly reason. Rahul’s girlfriend Priya ( Nidhi Oza) believing in him; stands by him, in this difficult situation, but her father ( Sanjay Mone) tells his daughter to break this relationship. Since, his sister’s marriage is almost fixed, Rahul, borrows money from a local Don – Bhai Raja (Satish Rajwade), who agrees to give him loan , at his friend’s request and guarantee; but sets a deadline for repayment.

Rahul is unable to repay the loan on the last day of repayment. He asks for time. But, Bhai Raja sets a deadline of 5 pm for Rahul, on the same day, to arrange for the entire amount and warns him that if doesn’t pay, he would kill him. It is during this period i.e. from morning till 5 pm, all the important events happen in this film. Besides these three important characters of the film, we witness the entry of many other characters, with whom Rahul interacts, including the obstacle race to catch the thief, who steals his money. At the same time, we witness Priya encountering some strangers, on her way to meet Rahul. The film ends with a curious climax.

In this film, Bhooshan Pradhan has found the most appropriate role of an action hero, which would certainly help him, getting better roles in future. He is at his best. Satish Rajwade has portrayed the local Don, very effectively, more through his body language, than through his dialogues. Nidhi Oza does not find much scope in this film; but she does invite attention, through her slim and fresh looks. Hrishikesh Joshi finds a better role of a Police officer, to generate humour in this action filled film. Good support comes from Vishwajeet Pradhan , Bhau kadam , Sanjay Mone, Anand Ingale, Siddhant Bodake, Rajesh Bhosale, Nupur Dudhvadkar and others.

‘Time Bara Vait’ is a remake of Tamil-Malyalam bilingual film ‘Neram’ released in 2013. But, director Rahul Bhatankar, being an editing expert, has managed to present this film skilfully, selecting the appropriate outdoor and indoor locations. The action scene of Bhooshan chasing the thief, has been shot very well through the expert camera work of Rajesh Rathore. In the entire film, Rajesh Murugesan’s originally composed soundtrack has been recreated .

Music by Sameer & Ajit also goes well, with the film’s screenplay, which runs into 2 hours and five minutes, with wonderful editing work done by director Rahul Bhatankar himself. Though, there is no originality in film’s script ( being a remake) , the director has broken the conventional style of traditional Marathi film makers, while presenting this gripping action packed film, which holds the audience to their seats. All in all, it is a good action filled film .

Review

‘Nagrik’ shows the way to all committed Journalists

Aside 12 June, 2015 Ullhas Shirke

Rating: ★★★★
Studio/presenter: Sacchi Entertainment, Raunak Bandelkar
Producer: Arti Sachin Chavan
Director: Jaypraad Desai
Dialogues: Mahesh Keluskar
Cinematographer: Devendra Golatkar
Genres: Drama
Censor: U/A
Duration: 130 Min.
Cast: Sachin Khedekar, Dr. Shriram Lagoo, Dilip Prabhavalkar, Milind Soman, Devika Daftardar, Sulabha Deshpande, Neena Kulkarni, Viju Khote, Rajesh Sharma

We all know that, these days media houses are controlled by big industrialists. Therefore, more than genuine news coverage, we find them paying more attention on advertisements and protecting the interests of their clients. Even in print media, there is lot of pressure on the genuine reporters, who are prevented from reporting the truth, which exposes politicians and industrialists. In short, media houses have become tools, at the hands of such people.

Under such circumstances, a committed journalist has no other way; but to resign from the job and work as a freelancer or starting his own blog, to voice his concern for the society. Latest released film produced by Aarti Sachin Chavan and directed by debutant Jayprad Desai shows the fight of one such committed and fearless journalist Shyam Jagdale ( Sachin Khedekar), who takes on all those involved in playing a dirty game, with the lives of innocent people, for their personal gains.

The film shows how the Politicians and media houses take the people for granted; but forget that one committed journalist can expose them, when time comes. In spite of ill health of his wife ( Devika Daftardar) , Shyam Jagdale resigns from his job from a popular newspaper group of Mumbai, when the editor warns him, not to expose the cruel plans of an industrialist, who regularly issues advertisements to their newspaper.

An ambitious industrialist Vikas Patil( Milind Soman) who is aspiring to enter active politics, with the help of an equally ambitious Tourism Minister Manikrao Bhosale ( Dilip Prabhavalkar) , a Minority leader Ali Miya Mirashi( Madhav Abhyankar) and a selfish big builder and a private TV channel owner Yashpal Chaurasia( Rajesh Sharma) chalk out a plan, to topple the existing chief Minister ( Viju Khote). They succeed in their mission. But, a veteran politician Nana Chitnis ( Dr. Shreeram Lagoo) exposes the plan of Vikas Patil , who is planning a communal violence. And, then begin the plans of the group to lure Shyam Jagdale with big offers, including his entry into politics. But, Shyam turns down all their offers, during their meeting over drinks.

Shyam starts his own blog with the name of ‘Nagrik’, which is widely read by his well wishers. How, Shyam succeeds in his mission, is all that ‘Nagrik’ shows through its gripping screenplay. The film creates a strong impact, through its content, which has hard hitting dialogues uttered by the protagonist Shyam, while interacting with all those big names in Politics. Through the characters of social activist Nilimatai( Neena Kulkarni) fighting for the rights of the workers, the director has tried to show the sincerity of committed leaders, while on the other side through the characters of Rama a former activist , a construction worker arriving from a village to the city along with his wife and two small children, he clearly shows how the rich exploit the poor for their growth. The presence of Dr.Shreeram Lagoo and Sulbha Deshpande in the film, has raised the status of this film to a higher level. Though Jayprad has used all his skills as a director, he seems to have been influenced by the style of Film maker Govind Nihalani, whom he assisted little before, he did his film making course in USA.

Besides excellent performances from all the artistes mentioned above, the film has strong substance, to inspire committed journalists, showing them the way, to live with dignity. The film is also technically well presented, with good photography, excellent sound design and suitable background music. Even two songs are picturized well, not disturbing the continuity of the story. Certainly a worth watch film for all those, who are looking for better and clean administration and non bias journalism.

Review

Period film ‘Sandook’ presents reality of pre independence days

Aside 5 June, 2015 Ullhas Shirke

Rating: ★★★ ½
Studio/presenter: Orangen Entertainment
Producers: Vishwajeet Gaikwad, Mandar Keni
Director: Atul Kale
Writer: Atul Kale, Ashish Raikar and Subodh Khanolkar,
DOP: Ajit Reddy
Editor: Sarvesh Parab
Genres: Comedy, Drama
Censor: U/A
Duration: 126 Min.
Cast: Sumeet Raghvan, Bhargavi Chirmule, Sharad Ponkshe, Rahul Mehendale, Arun Nalawde and Brandon J. Hill

There have been many Marathi period films, set on the backdrop of pre independence era. And, now latest released Marathi film ‘Sandook’ adds to that list. But, ‘Sandook’ directed by Atul kale has a different theme, though it is set on the backdrop of pre independence struggle , sometime during 1940s. The film revolves around a protagonist Wamanrao Ashtaputre ( Sumeet Raghavan) , a simple honest man from a village Sambhalgadh in Maharashtra. Though Wamanrao’s ancestors were actively involved in India’s freedom fight, right from the days of Shivaji Maharaj, he himself works in a post office of the village. Actually, he is scared to actively participate in freedom movement, though some of his friends have joined it.

After witnessing the atrocities of British Raj, when Wamanro expresses his willingness to join the group; his friends refuse to admit him, as Waman is a married man with a nagging wife Rukmini ( Bhargavi Chirule) and school going son Bharat ( DiveshMedge) . As the film progresses, we notice the new strict Police station- in- charge Gen Scott ( Brandon Hill) taking over , only to eliminate all those behind the murder of the previous station in charge. Trouble begins for Wamanrao, when one of his colleagues from Post Office- Bhatkhande( Rahul Mehandale) is killed in an encounter, while he is on a secret mission to kill the Gen.Scott. His another childhood friend Banya( Shantanu Gangane) , who is also the son of a Policeman Dinkarrao( Arun Nalawade) is also wanted in the same conspiracy.

Before going underground Banya hands over the small chest, which is the key to the secret storage place of arms and jewellery in a villa, which is taken over by the General, on his arrival. So, in the post interval session, we notice Wamanrao holding the custody of the chest, while the general and Police personnel, keeping a close watch on him. One expected the film to end with an interesting climax; but, it has ended like a typical bollywood style of climax, showing Wamanrao with the help of his few friends, killing the General and his few associates. But, what after that ?

As a director, Atul Kale has tried his level best to present the story of that period, selecting the right locations in Bhor village. Through the screenplay, he has also tried to generate interest with the help of some humour filled scenes, supported by good dialogues. Some of the scenes do tickle your funny bone. But, he could have made it more interesting in the pre interval stage too. The film has taken little longer, while establishing the link of Wamanrao with different people in the village. However, the suspense about the identity of Madhavrao , the leader of the freedom movement, has been well maintained till the concluding part. Good performances by Sumeet Raghavan, Sharad Ponkshe, Ramesh Wani, Arun Nalawade, Shantanu Gangane, Bhargavi Chirmule, Firdaus Mewavala and Rahul Mehendale add to the film’s advantage. Sumeet Raghavan certainly stands tall amongst them, with his stand out performance .

Few songs in this film, on the music of Ajit –Sameer, are just good enough. A lavani song on Tulika , needs a special mention, for its suitable music. But, the back ground music and sound design is impressive, to present the realistic village ambience. Mahesh Kudalkar’s art work, Mahesh Sherla’s costumes, Ajit Reddy’s cinematography, dialogues by Hrishikesh Joshi and editing work by Sarvesh Parab are other plus points of the film. Certainly, a worth watch for the entire family.

Review

‘Siddhant’ makes life easy, using Mathematics principle

Aside 30 May, 2015 Ullhas Shirke

Rating: ★★★ ½
Studio/presenter: Navalakha Arts & Holy basil Productions
Producers: Nilesh Navalakha, Vivek Kajaria, Amit Ahirrao
Director: Vivek Wagh
Writer: Shekhar Dhavalikar
Editor: Mayur Hardas
Genres: Drama
Censor: U/A
Duration: 120 Min.
Cast: Vikram Gokhale, Swati Chitnis, Sarang Sathaye, Kishore Kadam, Ganesh Yadav, Neha Mahajan, Madhavi Soman, Kanchan Jadhav & Archit Deodhar

There is a famous saying “Mathematics may not teach us how to add love or minus hate. But, it gives us every reason to hope that every problem has a solution.” Based on this philosophy, director Vivek Wagh has presented an emotional relationship between Grandfather Appa Thosar ( Vikram Gokhale) and Grandson Vakratunda ( Archit Deodhar) living in a coastal town Dive Aagar, off Alibaug.

While the grandfather Appa is a retired mathematician, his grandson Vakratunda is very weak in understanding Mathematics. Vakratunda has lost his parents in an unfortunate accident, so he lives with his Grandfather besides Uncle Gaja Kaka and Aunty who run a family business of a small packaged food factory. Vakratunda’s elder brother Madhav( Sarang Sathe) has left the house, only to turn a chef on a ship. However, his girlfriend Dr. Asavari ( Neha Mahajan) , who lives in the neighborhood, is in touch with his family, treating Appa, as and when required.

When Madhav returns, after hearing about Appa suffering a shock, after Vakratunda’s inability to learn maths, he takes over to teach Vakratunda, in his own style , allowing him to attend to his hobby of art and craft, making beautiful clay idols. The film is all about facing the challenges in life, with the help of Mathematics. Be it Appa’s ideology, Madhav’s wish to attempt a Greek recipe, to be eligible for job, Gaja Kaka’s way of making his father happy or Vakratunda’s way of learning maths through his hobby of idol making, they are all based on the principles of Mathematics. And, to a great extent, the director has succeeded in proving his point of view, through cinematic presentation of this small and simple story.

The film takes a long time, to pick up with its story, as lot of time has been wasted in unwanted things like involvement of Inamdar Sir and Appa’s repeated efforts to persuade his grandson to learn Maths in his own way. It is only in the post interval session, the film takes a firm grip on its story and concludes with a timely message. The film’s music by Shailendra Barve is most suited to the atmosphere of the picturesque coastal township, with beautiful lyrics. Background music is also equally appealing with superb sound effects used, on many occasions.

The film belongs to two main characters played by Vikram Gokhale and Archit Deodhar; but, good support comes from versatile artistes Swati Chitnis, Ganesh Yadav, Madhavi Soman, Kishore kadam and others. Sarang Sathe and Neha Mahajan match well, to represent the young generation and their ideology. This is the second film of Neha Mahajan with a prominent role, after ‘Coffee Aani Barach Kahee’ and she has done well. Barring few lengthy scenes in the first half, which also reduces pace of the film; overall it is a good presentation, on a different subject. Vivek Wagh does a good job on his debut, combining humor with emotions well, through many important scenes.

Review

‘Aga Bai Arechha-2′ combines superstition with humor

Aside 23 May, 2015 Ullhas Shirke

Rating: ★★★
Genres: Drama, Comedy
Censor: U/A
Duration: 120 Min.
Studio/presenter: Anushka Motion Pictures & Entertainments, Kedaar Shinde Productions
Producer: Narendra Firodia
Director: Kedar Shinde
Writer: Dilip Prabhavalkar, Kedar Shinde, Omkar Datt
Screenplay: Omkar Datt
Cast: Sonali Kulkarni, Surabhi Hande, Bharat Jadhav, Dharam Gohil,Prasad Oak, Madhav Deochakke

Sometimes, superstition does help a filmmaker to create the required humor, to entertain the audience . Kedar Shinde’s latest released film ‘Aga Bai Arechha -2′ is inspired by actor-writer Dilip Prabhavalkar’s one such story, which is based on superstition. Set on the backdrop of Goa, the film presents a story of a woman Shubhangi Kudalkar (Sonali Kulkarni) , who experiences strange happenings in her life, whenever she falls in love with a boy.

The film begins with a writer Vikram ( Dharam Gohil) approaching Shubhangi, to share her strange experiences in life, to enable him to write a book. As Shubhangi narrates her every love affair, the audience is taken into flashback .This goes on till interval. And, we notice lots of humor generated through the screenplay of the film.

Director Kedar Shinde has very skillfully used all these men in the life of Shubhangi . More than Prasad Oak’s character of Pralhad Kismise, offering a popular branded toffee, the characters played by Madhav Devchakke, a cricketer and Bharat Jadhav, an insect lover, offer good entertainment. The episode of the cricketer, meeting his beloved, played by Surabhi Hande (shown as college going Shubhangi) reminds us about the controversy on Virat Kohli meeting his girlfriend Anushka during the break.

However, the film fails to impress much, in the post interval session, with not many interesting happenings noticed. Though the director has tried to give a twist in the climax, it has a predictable end. There was enough scope for the director to make the post interval session more interesting. But, he has taken a long time, dragging the love story of Vikram and Shubhangi .

Needless to mention that all the artistes have played their roles with total commitment, though the story revolves around the central character played by Sonali Kulkarni. Sonali is sure to find her nomination for best actress award for the year 2015. She really looks gorgeous in most of the scenes with her slim and fit appearance. But, her thick make up gets clearly noticed, in few scenes, especially when she is shown infuriated. Siddharth Jadhav is in a guest appearance, playing an actor himself, performing at a marriage event.

Kedar Shinde, who has always given scope to well known music directors, this time offers another promising music director Nishaad, who certainly displays variety. All in all, ‘Aga Bai Arechha-2′ is an entertaining film, which has cleverly combined superstition with humor. Nothing extraordinary; but, still a worth watch.

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Review

‘Time Pass 2′ offers emotion filled entertainment

Aside 1 May, 2015 Ullhas Shirke

Rating: ★★★
Genres: Romantic, Comedy
Censor: U/A
Duration: 122 Min.
Studio/presenter: Essel Vision, Athaansh Communications
Producers: Nitin Keni, Nikhil Sane, Meghana Jadhav
Director: Ravi Jadhav
Writer: Ravi Jadhav
Screenplay: Kshitij Patwardhan, Priyadarshan jadhav, Ravi Jadhav
Cast: Priyadarshan Jadhav, Priya Bapat, Bhalchandra Kadam, Vaibhav Mangale, Prathamesh Parab, Ketaki Mategaonkar, Sandeep Pathak, Nayan Jadhav, Sameer Khandekar, Chinmay Kelkar, Aarti Wadagbalkar, Kshiti Jog, Urmila Kanitkar, Bhushan Pradhan, Uday Sabnis, Sampada
Joglekar

In the first part of ‘Time Pass’’ we saw the love story taking place between Dagadu( Prathamesh Parab) and Prajakta ( Ketaki Mategaonkar) during their adolescence . But, due to timely intervention of Prajakta’s father Madhusudan Lele ( Vaibhav Mangale) and useful advice given by Prajakta’s teacher, we noticed a ‘break up’ in their relationship, in the film’s climax. But, director Ravi Jadhav had clearly hinted that their love story would continue.

Now, in Part 2 of ‘Time Pass’, we notice director Ravi Jadhav setting a stage for their reunion after 12 years. But, this time, you will not see the same actors playing their characters, as the grown up Dagadu is played by actor – director Priyadarshan Jadhav, who had assisted Ravi Jadhav in ‘Time Pass’, while Prajakta is played by Priya Bapat – Kamat.

In the opening scene of this second part , we notice Dagadu turning a politician and social worker of his area, inaugurating an Ambulance service; while Prajakta, far away in Konkan, still dreaming about her reunion with Dagadu. It is only when Dagadu’s inner voice ( In the form of Prathamesh Parab)reminds him about his ‘past love’, Dagadu prepares to go to Konkan, along with his three friends with funny names, in search of Prajakta. He does meet her on his way, but both don’t recognize each other.

The actual love story between grown up Dagadu and Prajakta takes off, only post interval; as Dagadu first plans to impress Prajakta’s father, posing himself as Navin, a scientist from BARC. He even succeeds to a certain extent. But, Prajakta visits Mumbai, around that time, under the pretext of preparing for her music exams. And, finally, both of them meet in Mumbai, when Prajakta comes to know, his real identity. The film’s screenplay then proceeds further, with some more dramatic happenings, coming in the way of their reunion. Finally, it’s happy end in a predictable climax.

‘Time Pass-2′ has wasted a lot of time in the pre interval stage, before it takes actual grip on the continuation of Dagadu- Prajakta love story. In this second part, the director has paid more attention, giving emotional touch to this love story, besides showing the caring attitude of the protective father. This time, he has also added some action scenes, to show Dagadu a real Super hero. To add some humor, the characters of a photographer from the village, in love with Prajakta and Dagadu’s three friends have been added in a traditional style. But, one fails to understand, why a director of repute Viju Mane, agreed to play a bad man, in a casting couch episode?

‘Time Pass-2′ has good music, but not as superior as Part 1. Even the much talked about item number ‘Pichkari..’, performed by Sonalee Kulkarni, fails to appeal much, as the attention of the audience is more focused on Priya Bapat, who dances as a Junior artiste in that sequence. Barring few such shortfalls, ‘Time Pass-2′ still manages to appeal, because of the fine performances of all the artistes. But, among all of them, Vaibhav Mangle stands tall, with his outstanding performance. Prathamesh Parab , Ketaki Mategaonkar, Bhau Kadam, Bhushan Pradhan , Urmila Kanetkar Kothare and others, are just namesake in this film. All in all, ‘Time Pass 2′ offers emotion filled entertainment. But, don’t watch this film, with an intention of comparing it with Part 1. Don’t forget that it is a pure ‘Time Pass’ film.

Review

Timely and entertaining ‘Aatli Batli Phutli’

Aside 24 April, 2015 Ullhas Shirke

Rating: ★★★
Genres: Drama, Childrens Film
Censor: U/A
Duration: 122 Min.
Studio/presenter: Running Reel Productions
Producer: Supriya Chavan
Director: Amol Padave
Writer: Vikram Chavan
Screenplay: Amol Padave
Cast: Sharau Sonavane, Viraj Rane, Aditya Kawale, Anay Patil, Shreyali Vahane, Purva Shah, Jeevan Karalkar, Vibhav Borkar, Samiha Sabnis, Smita Talwalkar, Sampada Jogalikar-Kulkarni, Shekhar, Shekhar Phadke

Very few film makers in Marathi, offer something for the children, especially in the age group of 10 to 12 years. It is the most important age of children, to understand what is good and bad for them, in this world. In last year’s film ‘Elizabeth Ekadashi’, we have seen, what this age group children did, to help their close friends. Now, in the latest released Marathi film ‘Aatli Batli Phutli’ produced by Supriya Chavan and directed by Amol Padave, we see a group of six close friends, in the age group of 10-12 years, living in the same housing society. They try to help a girl of their age, from the trouble faced by her, from her selfish aunty and uncle.

The story of this film written by Vikram Chavan revolves around these six children, who go to the same school, travelling together in a school van operated by a filmy buff Dadu( Shekhar Phadke), who is a great admirer of Madhuri Dixit. When these little children come to know about the sad story of Asha , the new girl in their society, who is made to do all the housework, they try to help her, with the help of Dadu and one well wisher aunty living in their society.

‘Aatli Batli Phutli’ has many important sequences, which are emotion filled, as well as filled with humour. Through the character of the school principal (late Smita Talwalkar), the director has tried to present a helpful and kind hearted lady, while through the characters of Dadu and the society watchman, he has tried to create light humour. Through the character of a college going girl, he has shown, how today’s collegians are addicted to continuous talking on mobile phones. Through different parents, we notice the variable attitude of the parents. At the same time, through the character of Shivani karadkar, he has shown, a cruel person.

To extract the best out of the children in this film, the director has found all talented artistes like Sharayu Sonawane, Viraj Rane, Aditya kawale, Poorva Shah, Jivan Karalkar, Anay Patil, Shreyali Vahane; who are well supported by Samhita Sabnis, Vaibhav Borkar, Swapnil Jadhav( ‘Aik’ fame) , Sachin Deshpande, Sampada Joglekar and others.

There are few errors noticed in the film; but looking at the sincere effort of the film maker to offer something for the children, during vacation, they can be overlooked. Cinematographer Aniket K. Has cleverly captured all the close up scenes well, to display the emotions on the faces of the little ones. Music and background music are appealing and go well with the script. In the songs, we notice the voices of Avadhoot Gupte and Swapnil Bandodkar. By the way, Madhuri Dixit hasn’t performed in Marathi films, but her presence is felt in the film, through the photos displayed by the school van operator, in his van. The film is a tribute to Late Smita Talwalkar.Perhaps, her last film, before her sad demise.

All in all, ‘Aatli Batli Phutli’ is an entertaining film with a social message for the little children and their parents. For those, who would want to know the meaning of this phrase (‘Aatli Batli Phutli’, it is- Breaking News!) It is a timely film, released during the vacation time of the children. A must see, for all children.

Review

‘What About Savarkar’ is a tribute to greatest freedom fighter

Aside 17 April, 2015 Ullhas Shirke

Rating: ★★★
Genres: Drama
Censor: U
Duration: 125 Min.
Studio/presenter: Retake Unlimited film Production, Aurous Avatar Entertainment, Rohit Shetty
Producer: Atul Parab, Rohit Shetty
Director(s): Rupesh Katare, Nitin Gawde
Writer: Nitin Gawde
Dialogues: Nitin Gawde
Cast: Shrikant Bhide, Sara Shravan, Avinash Narkar, Sharad Ponkshe, Atul Todankar, Vivek lagu, Prasad Oak

Ten years ago, Mr. Mani Shankar Aiyar, then Petroleum Minister of India, created a controversy, by ordering removal of plaque at Cellular Jail in Andamans, containing poem penned by Swatantryaveer Vinayak Damodar Savarkar, who spent 11 years in that jail, during India’s freedom struggle. The order of the Minister drew sharp criticism from BJP and Shiv Sena in Maharashtra, who protested strongly, seeking apology from the Minister. In short, it was made a political issue and there was not much public outrage noticed, on the statement made by the Minister.

But, 10 years later, we find the same issue being raised in latest Marathi film ‘What About Savarkar’ produced by Atul Parab & Rohiit Shetty and directed by Rupesh Katare and Nitin Gawde. Though all films are generally work of fiction, ‘What about Savarkar’ makes you think, as to what would happen today , if a politician makes such a remark against the late freedom Fighter? Thanks to the Social media. It is so active today, that any such remarks made by our politicians, receives spontaneous reaction from the young generation.

The film presents the same topic of a Petroleum Minister (name changed to Ayangar) who makes a remark to insult the late freedom fighter Veer Savarkar. One Abhiman Marathe ( Shrikant Bhide) working in a multinational company spontaneously reacts, by lodging his strong protest against the Minister’s remarks. He writes in his blog on social net working site, stating that he would teach a lesson to the Minister, during his proposed visit to Mumbai, by welcoming him with a garland of foot wears. Watching huge response to his page, with 28,000 likes within a day; the Government decides to arrest him, for this act, which they call anti national act. Abhiman goes underground, to accomplish his mission.

In his mission, Abhiman gets support from his office colleague Suniti Singh (Sara Shravan), Suryakant Pawar( Atul Todankar) , an educated brother of a peon from his office, Kranti kamble( Avinash Narkar) a self styled revolutionary from Alibaug and his own grandfather Namdev Marathe (Sharad Ponkshe). The Police hunt him, as Abhiman keeps changing his hideouts from Mumbai to Alibaug, then from Alibaug to Manipur at Suniti’s native town and from there to Amritsar to a well wisher (Gajendra Singh Chouhan) .His final destination then turns Delhi, as the Minister cancels his Mumbai trip and is all set to give his speech during a book release function. The climax has been shot very cleverly, to show the final public reaction, on this issue; that too in Delhi.

Very cleverly the director has presented this limited story, through an interesting screenplay; taking the audience on a trip to various places. In the process ,he shows the beauty of these places, especially Alibaug, Manipur and Amritsar. Even the locations in Mumbai have been different, covering the heritage buildings and landmarks of South Mumbai at Fort & Ballard Pier. For that one must thank cinematographer A.K. Sebestian for his excellent camera work. But, the timing of the film, seems to be wrong, as we see BJP ruled Governments at Centre and in the State. Moreover, today we find freedom of speech exercised on social networking sites, to lodge protest against anyone . Perhaps, the work on this film, might have started two years ago.

But, the film has succeeded in passing the five elements of Savarkar’s philosophy cleverly, through the screenplay. In fact, this film is a tribute to the greatest freedom fighter of India, who served maximum sentence in cellular jail, during India’s freedom movement. There are many facts in history brought to light, through this film. Not many were aware that Hridaynath Mangeshkar lost his job in Aakashvani, because he composed the lyrics of Savarkar.

Actually, the film has tried to show, how the politicians opposed to Savarkar’s style of functioning, by trying to suppress him. Most of the characters in this film, are shown, inspired by his ideology. Good performances by debutant Shrikant Bhide, Atul Todankar, Avinash Narkar , Sharad Ponkshe ,Sara Shravan and others make this film more appealing. It was nice to see Sharad Ponkshe playing the role of grandfather with a young heart, who is also shown tech savvy. Savarkar’s poem Swatantra-te-Bhagavati’ has been used well in the title track of the film. Background music is also impressive. A must see film for all those who believe in Savarkar’s ideology about ‘Akhand Bharat’ .

Review

Urmila’s fine performance makes ‘Kaakan’ appealing

Aside 10 April, 2015 Ullhas Shirke

Rating: ★★★
Genres: Romantic
Censor: U
Duration: 122 Min.
Studio/presenter: Mangorange Productions, Krishnaraaj Films
Producer: Hridaya Banerjee
Director: Kranti Redkar
Writer: Kranti Redkar
Dialogues: Kranti Redkar, Omkar Datt
Cast: Urmila Kanetkar-Kothare, Jitendra Joshi, Madhavi Juvekar, Ashok Shinde, Ashutosh Gaikwad, Aakash Banerjee

Urmila Kanitkar Kothare is one such actress, whose real potential is noticed, if she is offered a good emotion filled role. We have already noticed her skills, through an award winning film ‘Mala Aai Vhaychay‘ and popular TV serial ‘Asambhav’, few years ago. Now, she finds a lifetime role, in Kranti Redkar’s film ‘Kaakan‘ And, Urmila has portrayed the lead character of Sudhamati, by pouring her heart into this role. Making her entry in the 24th minute of the film, she holds the attention of the audience till the last scene, so much has been the impact of her role. And the credit goes to Kranti Redkar, who has made her selection for this role, while making her debut as a director, through this film.

Set on the backdrop of a village in Sindhudurg district of Konkan, the film narrates a tragic and intense love story of Kishu (Jitendra Joshi) and Sudhamati (Urmila kanitkar Kothare). The film begins with a little 12 year old boy Gopi (Ashutosh Gaikwad), noticing a lonely and sick old man, near the sea shore of his village. Initially, mistaking him to be lunatic, he tries to tease him along with his friends. But, when he is saved by old Kishu, from drowning, he shows sympathy towards him. Gopi finds out Kishu’s past and discovers that his beloved Sudhamati got married to a businessman Mr. Kamat from Mumbai.

Gopi goes out of his way, to make Kishu happy and runs away from his house, in search of Sudhamati in Mumbai. Things aren’t easy for him. But, he meets a hard working young boy Wasim (Aakash Banerjee) , who has his own story. Wasim who is a helper at a tea stall, offers shelter to Gopi and also helps him to locate the address of Sudhamati. It is the meeting between Gopi and Sudhamati, that brings Sudhamati back to her village, after almost 32 years, for a yearly festival. The climax of the film is very touchy, but predictable.

Kranti Redkar on her debut as a director, has made a good attempt. But, there are few lapses in the film’s screenplay, which are clearly noticed. How can a poor Kishu, who cannot even pay Rs. 5 to a visiting Doctor, can afford to prepare a thick designer Gold bangle for his beloved? Don’t exactly know the reason, to show Sudhamati with her tanned skin after 32 years, when she was shown fair enough, in her early 20s ? Also, the second half of the film has been stretched a little longer, than the first half.

To say something about the direction, Kranti Redkar has expertly narrated the story, with the present happenings, using flashback to show the love story of a girl from rich family and boy from poor family. She has also tried to show the after effect of a train blast by the terrorists, through the character of Wasim, a hard working tea boy, working at a tea stall.

Wonderful performance by Urmila kanitkar Kothare makes ‘Kaakan’ appealing. Very cleverly, she has used the Malavani accent, to suit her character, when she is shown young. She certainly deserves an award for the same. Urmila gets good support from Child actor Ashutosh Gaikwad, who has proved his acting ability through this film. Watch her scene with him, when he comes to meet her in her office in Mumbai. Jitendra Joshi doesn’t have much scope in the film, as most of the time, he is shown in isolation, without any dialogues and with his face covered by long hair and beard.

Excellent camera work ,meaningful lyrics and fine music are the plus points of this film. Good support comes from character artistes Madhavi Juvekar and Ashok Shinde. If you love to watch tragic love stories and good performances, ‘Kaakan‘ is just your choice.

Review

‘Coffee Aani Barach Kahi’ offers refreshing flavor

Aside 3 April, 2015 Ullhas Shirke

Rating: ★★★★
Genres: Romantic
Censor: U
Duration: 120 Min.
Studio/presenter: Everest Entertainment, Ravi Jadhav Films, A White Swan Production
Producer: Prakash Kunte, A Motionspace entertainment
Director: Prakash Kunte
Writer: Aditi Moghe
Dialogues: Aditya Bedekar
Cast: Vaibhav Tatwawadi, Prarthana Behere, Bhooshan Pradhan, Neha Mahajan, Suyash Tilak, Dilip Prabhawalkar, Vidhyadhar Joshi, Ashiwni Ekbote, Sandesh Kulkarni, Suhas Joshi, Ila Bhate

True love never needs the expression of words. But, in certain cases, ‘love‘ does not materialize into ‘marriage’, unless it is expressed both ways. Prakash Kunte’s latest Marathi film ‘Coffee Aani Barach Kahi‘ presented by Everest Entertainment and Ravi Jadhav , has one such refreshing love story to offer, with a different flavor blended with love. Set on the backdrop of Pune city, the hub of IT industry, the film’s love story revolves around beautiful Jaai (Prarthana Behere) and smart and handsome Nishad (Vaibhav Tatwawadi) working in the same office.

Actually, Nishad in the team leader of his department and Jaai, who is a new recruit, joins his team. Soon, they start liking each other. But, both of them are unable to express their love to each other. While Jaai has understanding parents (Vidyadhar Joshi & Ashwini Ekbote) and a naughty but smart thinking younger sister Aabha ( Neha Mahajan), Vaibhav lives with his father ( Avinash Narkar) who is lonely, but always supportive.

Time comes, when Jaai’s parents think seriously about her marriage. They ask Jaai, whether she is already in relationship with anyone. Confused about her love, Jaai denies any such relationship; which encourages her father to invite his old family friend to their house along with their only son Anish ( Bhooshan Pradhan) . He suggests Jaai to check whether Anish would be a suitable match for her. Jaai, who doesn’t believe in arranged marriage , does confess to Anish, about her ideas of love and marriage. While she narrates all the recent happenings to Anish, the director goes on to show all her interactions with Nishad, Aabha and her parents.

At the same time, the director shows Nishad’s interactions with his close friend (Suyash Tilak), Abhyankar , the Coffee shop owner( Sandesh Kulkarni) and his dear father. He also shows, how Nishad tactfully avoids a girl suggested by his friend’s mother. Later, he shows the same girl, meeting Nishad in coffee shop with her ‘would be’ found through arranged marriage. In one more scene, he shows an old couple celebrating their Golden Jubilee marriage anniversary, in the same coffee shop, where Nishad is a silent observer.

Though some of the sequences are bit confusing; the creativity of the director is to be highly appreciated, while presenting this delightful love story. Generally, all love stories, need good music. But, in this film, the director has paid more attention on beautiful background music, to create an ambiance, required for this story . Coffee shops being the favourite spots of the young generation, the director has selected one such garden coffee house, to add that special flavor to this well presented love story. The costumes of Prarthana and Neha are just apt, to indicate their family’s higher middle class status.

‘Coffee Aani Barach Kahi’ scores on account of its neat and clean appearance, with natural brilliant performances by four youngsters namely Vaibhav Tatwawadi, Prarthana Behere, Bhooshan Pradhan and Neha Mahajan. They have received good support from character artistes Suyash Tilak, Anita Date, Anuja Sathe, Vidyadhar Joshi, Ashwini Ekbote, Ila Bhate, Avinash Narkar, Sandesh Kulkarni, Dilip Prabhavalkar and Suhas Joshi. Well suited dialogues help add that special flavor to this coffee, which is simply fabulous. Good photography by Arjun Sorte is another plus point of the film.

Most of the youngsters will correlate themselves with different characters in this film. Those understanding and liberal Parents would also connect well with the characters played by Vidyadhar Joshi, Ashwini Ekbote , Avinash Narkar and Ila Bhate. In short, this ‘Coffee’ offers a refreshing flavor, which will surely be appreciated by all Marathi film lovers.

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