Anything for Love and friendship – ‘Duniyadari’ shows the way
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Rating: ★★★ ½
Studio: Video Palace, Dreaming Twenty Four Seven. Producers: Dreaming Twenty Four Seven. Director: Sanjay Jadhav Music: Sameer Saptiskar, Pankaj, Amit Raj Cinematography: Umesh Jadhav Cast: Swapnil Joshi, Ankush Chaudhary, Urmila Kanetkar, Sai Tamhankar, Sandeep Kulkarni, Varsha Usgaonkar, Jitendra Joshi, Sushant Shelar, Uday Tikekar, Uday Sabnis Movie Review by: Ulhas Shirke |
The most valuable gift you can possess is a honest friend. Many a times, some people come into our lives and quickly go; but, some stay for a while and leave footprints on our hearts. Ace Cinematographer turned director Sanjay Jadhav’s latest film ‘Duniyadari’ presents a plot based on such theme, which is inspired from best seller ‘Duniyadari’ by eminent writer Late Shri Suhas Shirwalkar Though primarily set on the backdrop of 1970’s, the happenings in this romantic emotion filled love story, still relates to the youth of today, as screenplay writer Chinmay Mandlekar has made few changes to suit the cinematic form.
So, we find Shreyas Talwalkar (Swapnil Joshi) a young boy in his 20s from Mumbai, caught up in a bad father and mother (Uday Tikekar- Varsha Usgaonkar) relationship. After scoring poor passing marks in graduation, he is sent by his mother to Pune’s S. P. College for his post graduation. He finds his accommodation in college hostel and encounters notorious Digya alias DSP (Ankush Choudhary) and his Katta Gang comprising of Ashkya, Nitys, Sorry, Sunil and Umya, a bunch of hooligans. Digya is in relationship with his long time neighbourhood friend Surekha (Richa Pariyali), who is also part of the gang.
The katta gang members add vibrant colours to the otherwise disturbed life of Shreyas ,who is from a rich family , but deprived of love and friendship. The gang come across a brother and sister duo of Pritam and Shirin (Sushant Shelar and Sai Tamhankar), who are children of a renowned MLA. Pritam who is also student of Post graduate studies, becomes friendly with Shreyas and his other friends, while Shirin who is a medical student, is a frequent visitor to their college. It is actually love at first sight for Shireen, when she first meets Shreyas. The friendship grows. But, in between Digya and his friends suggest Shreyas to become friendly with Police Inspector’s daughter Meenakshi alias Meenu ( Urmila kanitkar Kothare) taking it as a challenge to teach a lesson to her adamant father.
The assembly of these characters is enough for the film to progress with its screenplay with sequence of scenes between Meenu and Shreyas, Shireen and Shreyas, Digya and Sainath alias Sai( Jitendra Joshi) – from a rival gang and local politician’s son. Jealous about the growing friendship between Digya and Shreyas, Akshya breaks away from the group and joins Sai’s group. We also find Sai playing his clever game, proposing Shirin through his political connections. Watching Shreyas coming closer to Meenu, Shirin accepts Sai’s proposal. But, she still tries to be a good friend of Shreyas. Also, with the help of her brother, she brings Meenu closer to Shreyas. Now, in a dilemma, Shreyas declares his love for Meenu , in presence of Shireen; but is not happy. Even Digya finds his beloved getting married to a stranger, at the behest of her parents, who don’t approve Digya.
Many events unfold thereafter, through frequent flashbacks; as the entire story is shown in a series of flashbacks, which is a new style adopted by the director. You also find its link to the story of Shreyas’ mother, who reveals the truth to Shreyas , after his father’s untimely death. It is after that you find a sudden change in attitude of Shreyas, who moves ahead with his changed plan, to take you through a filmy climax .
Director Sanjay Jadhav seems to have paid more attention on presentation of every character from his film, with lot of perfection on their costumes and styles suited to the period of 70s. Watch the bell bottoms of boys, long side locks of Ajinkya, long hair style of Jitendra and costumes of all characters. They are all perfectly styled. What looks unrealistic is the climax, which goes on the lines of Bollywood films of 70s and 80s. Smoking cigarettes by the characters including Shireen-a medical student, has been shown more than required. Her regular visits to S. P. College and that too once in their library looks unnatural. Not much attention has been paid on the make up of the artistes in the older look, except for their grey hair. Even the names of the katta members engraved on the katta, are noticed during the reunion after almost 40-50 years, which is something strange.
But, the fine performances by all the artistes in the film make you overlook these minor errors. ‘Duniyadari’ is a film that mainly revolves around two main characters, Shreyas and Shireen, which is in narrative form from Shireen’s point of view. In the character of Shireen, Sai Tamhankar has found an important role to display her real acting skills. Till now, she was being used more as a glamour girl. Swapnil, was expected to deliver his best and he has played his role with total commitment to his character. His total involvement in the character, can be clearly noticed in this film.
In the role of Digya, Ankush Chaudhary is a perfect choice. He impresses with his tall angry young man looks and actions. Jitendra Joshi presents a rowdy young villain in style, paying more attention on his attire and dialogue delivery. Though Urmila kanitkar kothare finds a limited role, she plays an important character in the film, displaying her emotions clearly. Even Richa Pariyali in her limited role, finds an opportunity in one particular scene, to display her emotions. Sushant Shelar’s Pritam is convincing and so is Ajainkya Joshi’s Ashkya.
In this film, Sandeep Kulkarni surprises with his special appearance. He hardly has 2- 3 scenes; but he creates an impact through them. In the supporting cast, Varsha Usgaonkar, Uday Tikekar and others offer good backing. Music by Sameer Satoskar, Pankaj and Amit Raj is good for a change. Director Sanjay Jadhav has paid complete attention on direction, as he has handed over the responsibility of cinematography to Prasad Bhende in this film, who has done a good job. No wonder, there is sincere effort put in by entire team in presenting this strong script backed film.
Amusing ‘TIME PLEASE – Gosht Lagnanantarchi’ is targeted at young couples
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Rating: ★★★
Studio: Everest Entertainment Producers: Anish Jog, Saurabh Gadgil Director: Sameer Vidwans Music: Hrishikesh Kamerkar Cast: Umesh Kamat, Siddharth Jadhav, Priya Bapat-Kamat, Saie Tamhankar Movie Review by: Ulhas Shirke |
Trust in a relationship is everything. Whether it is a friendly relationship or a marriage. Without respect, love is lost. Without caring, love is boring. Without honesty, love is unhappy. Without trust, love is unstable. And life becomes miserable for those who pass through such a strained relationship. Based on this theme, director Sameer Vidwans and script writer Kshitij Patwardhan first presented a Marathi play ‘Nava Gadee Nave Rajya’, which became a hit. The play still draws a good crowd at auditoriums.
Now, the makers of this play have presented a film ‘Time Please! Love story Lagnanantarchi’ by making suitable changes in the script, to suit the cinematic form. So, we find the same lead stars and real life couple Umesh kamat and Priya Bapat, playing the screen couple- Hrishikesh and Amruta in this film, in the company of Siddharth Jadhav as Himmatrao and Saie Tamhankar as Radhika. In the original play the supporting roles were played by Hemant Dhome and Prajakta Datar respectively.
It may be recalled that though the play had its own limitations, the fine performances of the four artistes, their perfect timing and their spontaneous body language created a hilarious comedy. The play reached popularity heights and perhaps that was the reason for giving it a cinematic look. There is no doubt that the director and script writer have taken cinematic liberties to re write the script and add some more scenes to make the film more interesting; i.e. inclusion of songs, one of them being an item number pictured on Siddharth Jadhav and other artistes, during a Bollywood theme party in a unique style.
The film begins well with introduction of the lead characters Hrishikesh and Amruta and creating an atmosphere conducive for the entry of Himmatrao and Radhika, one after the other. But, the re entry of Radhika in the life of Hrishikesh causes more disturbance to Amruta; than return of Siddharth as a good old friend in the life of Amruta, for Hrishikesh. Being much younger to Hrishikesh ( Six year’s difference) causes more misunderstandings between the couple; with Amruta seriously thinking about separation. When their relationship is on the verge of a break, both Himmatrao and Radhika come to their rescue, calling for an happy end.
In the film, an unexpected arrival of Himmatrao in the house of the young couple and that too staying for few days, with his kiddish behaviour and closeness with the lady of the house, does create humour ;but, a peculiar scene, when Hrishikesh brings Radhika to his own house, knowing that his wife is away, doesn’t go well. In this scene, he consoles her, after listening to her story and later gives her a Mubnnabhai style Jhappi. Radhika takes this as a hint and walks into his bedroom, when Hrishikesh pushes her back . Then he tries to persuade her to leave, when she is once again into the arms of Hrishikesh. It is at this moment, Amruta walks in by opening the door. Seeing them in such a position, she leaves the house, preparing for a divorce. This looks like a typical filmy scene of misunderstandings.
Actually, there are few flaws in the film, related to unsuitable sequencing of the happenings. But, the timely Dialogues match well with the humour, at appropriate places. All the four artistes in the film have given wonderful performances. Music by Hrishikesh kamerkar is apt at two situations, with one male item number on Siddharth. Even the title song is good. Photography by Abhijit Abdhe is superb. His skilful camera work has captured the close ups and outdoor scenes very well. The last scene at the lighthouse is well taken.
Both Umesh and Priya have worked very hard on their emotional outbursts, besides displaying their happy moments together very naturally. Siddharth Jadhav has proved that his choice was not wrong for the role offered to him. He plays the happy go lucky Himmatrao in his style. In the role of Radhika, Sai Tamhankar is simply superb ! It seems that the film makers have spotted the real talent within her and Radhika is the best suited role for her.
But, why they should show her smoking all the time? Are the film makers not aware of the dangers of smoking among females ? It does pass a wrong message, at a time when Government has imposed anti-tobacco film before the start of such films. Others in the character roles, like Seema Deshmukh, Madhav Abhaynakar and Vandana Gupte have offered good support. This 2 hours 12 minute long film is amusing; but could have been still better, if more convincing outdoor sequences were added into the screenplay, taking the cinematic liberties. The film is timely and does pass a valid message to the young married couples; about the importance of ‘trust’ in each other. It also shows the limitations on involvement of old friends into an individual’s personal life, especially after marriage; unless both the partners know them well.
‘Majhi Shala’ – a stimulating film with a social message
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Rating: ★★★ ½
Studio: Passion World Producers: Kiran Deshpande, Ashish Deshpande, Mohan Damle, Sanjeev Langarkande Director:Shantanu Anant Music:Sachin – Deepak Cinematography: Vinayak Jadhav Cast: Arun Nalawad, Alka Kubal, Aaksah Waghmode, Jayant Savarkar, Devendra Dodke, Deepjyoti, Ashok Pawade, Baban Joshi, Sanchit Yadav & Poornima Vawhal Movie Review by: Ulhas Shirke |
Swami Vivekanand once said, “Take up one idea. Make that one idea your life – think of it, dream of it, live on that idea. Let the brain, muscles, nerves, every part of your body, be full of that idea, and just leave every other idea alone. This is the way to success.” Based on this philosophy, new Marathi film ‘Majhi Shala’ has been set on the backdrop of a small village in Khed, Ratnagiri. Ram, a 10 year old son of a farmer in a village, is passionate about taking education and walks miles to take lessons from a village teacher, who teaches poor children from surrounding villages.
When Ram completes his education, he starts educating children from his own small village. Even after his marriage, his wish is to start a full fledged school in the village. Ram spends from his own pocket to promote education in village and attract children to his school. He makes all his efforts, with the help of his wife Savitri, who does laborious jobs; to meet the family expenses. They offer good education to their own son with the hope that he would also join the mission to spread importance of education in the village. However, the son, watching the financial condition of his parents, prefers to take up a job of a teacher in Mumbai. The desire to escape normal life and do something different for the society, keeps Ram’s mind, body and spirit totally involved, to accomplish his mission in life.
It is Ram’s strong wish that keeps him going; and finally we see his dream come true. But, an unfortunate incidence takes place little before interval. However, that does not deter the strong wish of Ram. The film sends a strong message to the society, emphasizing the importance of education in rural parts of India. We have been hearing of Government schemes; but, is the education reaching to the grass root level ? This is what the film has tried to voice through its script. It also throws light on corruption at Panchayat level, raising its ugly head, due to illiteracy in villages.
The film looks like a documentary at the initial stage; but, little before interval writer- director Shantanu Anant Tambe brings a twist into the screenplay, challenging the science and medical field; besides the administration. At the stroke of interval, you get the feeling that the film is over; as the director’s name appears on the screen, instead of the word ‘interval’. But, soon you realise that the dream of the school teacher is yet to be fulfilled. The post interval session is unpredictable, which goes in believing the unbelievable things; only to see the happy end.
This low budget Marathi film is well presented. But, showing Arun Nalawade and Alka Kubal as newly wed couple in the flashback looks little odd. That is the only drawback of the film. The director could have opted for a young couple instead; as there were not many scenes . There is no doubt about their performances; as both Arun Nalawade and Alka Kubal Athlye have given their best like versatile artistes, through all their emotion filled scenes. In the role of Ram during his childhood, child actor Akash Waghmode has performed well. In the supporting cast, there are equally good performances coming from Jayant Sawarkar, Ashok Pawde, Deepjyoti, Baban Joshi, Sanchit Yadav, Purnima Vaval
Some of the dialogues in the film are hard hitting at neglect of education in rural areas by the Government. MLA of the area is shown more keen on investing in a beer bar in Mumbai, rather than offering financial help to his village school. This is evident from some of the other scenes shown in the film. Background music by Sachin Deepak is well suited to the screenplay. Sound effects are used well with the village backdrop. Cinematography by Vinayak Jadhav has captured the night scenes very well. The director has shown his commitment to the presentation of his own subject. And the artistes have responded well through their notable performances. ‘Majhi Shala’ has thus turned out to be a stimulating film, with a social message.
‘Premsutra’ plays a new game of love
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Rating: ★★★
Studio: Kshitij Entertainment, Kathakaar Producer: Rajaram Parmar Director: Tejas Vijay Deoskar Music: Susmit Limaye Cinematography: Pushpank Gawade Cast: Sandeep Kulkarni, Pallavi Subhash, Shruti Marathe, Lokesh Gupte, Shishir Sharma, Ila Bhate, Pradeep Athawale, Prasad Pandit, Subha Khote Movie Review by: Ulhas Shirke |
“Pure love is readiness to give everything, without expecting anything in return.” Sanjay Vijay Deoskar’s new film ‘Premsutra’ revolves around one such theme, which goes on to define love, in its own style. It revolves around a 35 year old Mine Engineer Anand alias Andy Joshi( Sandeep Kulkarni) from Mumbai , who is a bachelor and on a job assignment in picturesque Goa. Andy, is not serious about marriage and is more focussed on his career. He becomes friendly with a young local Christian girl Saniya( Pallavi Subhash) . Initially, it is a good friendship, which moves into bed, with mutual consent . And soon, Saniya gets pregnant.
Saniya does not expect much from Andy in return; but, does keep him informed that she would deliver the child; even if he doesn’t marry her. This scene takes place at a time, when his office colleague Sujit ( Lokesh Gupte) and his Boss’( Shishir Sharma) daughter Malvika( Shruti Marathe) are around. Malvika is for a surprise, as she is deeply in love with Andy and wants to marry him at any cost. But, Sujit who is after Malvika; doesn’t get any response. Back in Mumbai, when Malvika tries to come closer to Andy, he tries to keep her away. Now, desperate to teach Andy a lesson, Malvika marries Sujit; who is just looking for that opportunity to rise above in his career.
But, the Boss has different plans in his mind. In the post interval session, we find all that which we see happen in high society and big corporate houses. It is a real test of Andy, when he gets a tempting offer, with a trap. But, all goes well at the end. With this little less than 2 hour long film; director Sanjay Deoskar has offered a simple, but well presented subject.Having already seen two films during this year, on this topic of Prem( love); this film plays a new game of love.
Through the character of Andy, Sandeep Kulkarni has tried to depict the conscience in a typical upright person, with his fine performance in a romantic role ; while Lokesh Guopte through Sujit;’s role , has tried to show the attitude of a selfish person, with complete understanding. His character aspires to become richer, marrying Malvika for his double gain. In the role of Sania, Pallavi Subhash perfectly fits into the character of a young Goan girl, who is willing to take risk in her life, to find her real love. The model turned film actress simply looks stunning, in almost all the scenes and has performed with ease. Shruti Marathe does a fine job to present Malvika- a young female from high society, who feels that money can buy everything . Though she looks pretty in close up scenes, she is found overweight in all those different costumes she displays, in comparison to slim and fit Pallavi.
Restricting the important characters in the form of close relatives of Andy and Saniya, the director has also very cleverly shown the lifestyle of Goa, in comparison to conservative Mumbai culture. Shubha Khote represents a perfect Goan grandmother cum advisor of Sania, while Shishir Sharma plays a shrewd Company chief and selfish father of a demanding daughter.
The chemistry of Sandeep and Pallvi works well with in this film. Their happy moments have been picturised well on the backdrop of picturesque Goa. Shubha Khote has a limited role; but she does make her presence felt. Others in the supporting cast like Ila Bhate, Pradeep Athavale,Prasad Pandit and others have offered good support in their small roles.
Music by Susmit Limaye plays an important role in the film with songs suited to the situations; besides good photography and perfect sound effects. ‘Premsutra’ has therefore turned out to be a clean romantic musical film; for a change.
‘Chandi’ fails to create the original humour in cinematic form
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Rating: ★★ ½
Studio: Prabhakar Films Producer: Dnyaneshwar Govekar Director:Sameer Naik, Dnyaneshwar Govekar Music:Pravin Kuwar Cinematography: Sameer Athalye Cast: Ramesh Deo, Dipak Shirke, Vaibhav Mangale, Santosh Pawar, Bhalchandra Kadam, Ganesh Divekar, Sanjeevani Jadhav, Vikas Samudre, Kishori Ambiye, Kishor Nandalaskar, Ashish Rane, Chetan Dalvi, Prabhakar More… Movie Review by: Ulhas Shirke |
Last year, a Marathi film ‘Golaberij’ based on P. L. Deshpande’s popular characters from his stories was released. The film was directed by Kshitij Zarapkar. In that film, the short story of ‘Mhais’ was also there. But, since the makers of ‘Chandi’ who had exclusively acquired the rights of the story of ‘Mhais’, issued legal notice to the makers of ‘Golaberij'; which forced them to delete that particular episode from the film. But, those who attended the press show of ‘Golaberij’ had the privilege of watching that part, which was very well presented.
Now, a year later, we find this much talked about film ‘Chandi’ based on the story of ‘Mhais’ by eminent writer late P. L. Deshpande; being officially released on 14th June 2013, all over Maharashtra. A big hype was created about this film, inviting dignitaries like Shivshahir Babasaheb Purandare & Ms. Vijaya Rajadhyaksha, who showed their physical presence at the Premiere show held at Sun City, Vile Parle on 12th January, which was the death anniversary of P. L. Even MNS Chief Raj Thackeray attended this show, as a special invitee.
Frankly speaking, the original short story of ‘Mhais’ is based on an incident of a buffalo being knocked down by a State transport Bus, on its way to Mumbai from a village in Konkan. This results in a big show, as the real owner of the buffalo not allowing the Bus to proceed further, till police party arrives for investigation. The situation goes on to show the reactions of the stranded bus passengers and their arguments with villagers, coming in support of the owner of the buffalo.
To present this film in cinematic format, the director duo Sameer Naik & Dnyaneshwar Govekar have taken the liberties to add some more characters, which were not in the original story and hence clearly deviating from the original story. The film begins well with the three characters from a village ‘Savarde’, off Chiplun, on Mumbai Goa highway . So, we find Gaja Khot (Bhau kadam) and Sane (Pradeep Patwardhan) trying to overpower the buffalo owned by Dharma Mandavkar (Prabhakar More), which goes out of control.
In the meantime, we watch the scene at another village, where a senior citizen and well known personality from the village Bapusaheb More( Ramesh Deo) getting ready to proceed to Mumbai, to begin his indefinite fast, over his demand of reviving the Marathi schools in villages. He hires a ST Bus and looks for support from other villagers.
Taking advantage of this situation, different people from the village, take a free ride on the bus to Mumbai to attend to their personal work . So, we find a big team of characters led by Bapusaheb More, followed by chatterbox Dattu( Vaibhav Mangale), his flirt young sister Keshar ( Rupali Bhosale) and a forced character of Gampu, played by Santosh Pawar, to create a place for hero in this film. Writer Anil Pawar has thus taken unnecessary liberties to show the affair of Gampu, besides Keshar also being crazy after him. Finally, the big troupe leave by bus, till it comes to a halt, after knocking down Dharma’s buffalo on the road off. Savarde.
It is at this stage, the original short story of ‘Mhais’ , gets too loud and is stretched too long with unnecessary sequences. The progress of happenings thereafter, clearly indicate that the director duo were running short of ideas to create spontaneous laughter among the audience. You just can’t compare the pleasure of reading the original story with that of watching its cinematic form for little more than two hours, with unnecessary additions. Moreover, the use of mobile phone in the film, brought the film’s story into the present days and that lost the originality.
The only surprise given in the climax is the creation of the original owner of the buffalo, in the form of P.L. Deshpande. Thanks to the special effects team. ‘Chandi’ offers good performances from 86 year old evergreen actor Ramesh Deo. His enthusiasm is to be highly appreciated. Vaibhav Mangale, Bhau kadam, Prabhakar More, Pradeep Patrwardhan, Sanjivani Jadhav, kishori Ambiye & Rupali Bhosale are at their best along with a big team of artistes; but they have not been able to make use of more dialogues over and above the few original jokes of P.L.
You find a big crowd of characters. But, Only Rupali Bhosale finds an author created role, which is most suited to her. Music of this film is just ordinary; but, Sameer Athlye’s cinematography is good. The film just needed that proper attention on its screenplay, which failed to capture the audience. If you compare ‘Chandi’ with ‘Golaberij’, the former was a better presented film with realistic characters. Even that sequence of ‘Mhais’ in that film looked more realistic. ‘Chandi’ has thus turned out to be an average comedy film.
‘Thoda Tujha Thoda Majha’ is a timely film on generation gap
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Rating: ★★★ ½
Studio: A. K. Films Producer, Director: Anil Kakade Writers: Anil Kakade, Deepak Bhagwat,Raj Kuber, Natasha Poonawalla Editor: Vijay Kochikar Cinematographer: Ishwar Bidri Cast: Vikram Gokhale, Ajinkya Deo, Sulabha Deshpande, Varsha Usgaonkar, Nikhil Kakade, Swarda Thigale, Natasha Poonawalla, Dr. Vilas Ujawane, Pushkar Jog, Ashok Samarth, Siddharth Jagtap,Neeta Donde,Siddhesh Ghag, Nikunj Hiwarkar,Anand Burad, Radhika Gadgil,Ranjit Randive.. Movie Review by: Ulhas Shirke |
Family is the most important thing in this world. And in Maharashtra, there is a lot of importance for family bond. No matter, today there is a generation gap existing in almost every family; but, the traditional culture in Maharashtra has always kept such families together. Today, we see our new generation following the westernised culture. But, in spite of that today’s wise parents don’t put many restrictions on their children’s movement during late night hours , realizing the pressure of studies and competition they are required to face. However, many a times, it is the bad company of their children, that poses serious problems. New Marathi film ‘Thoda Tujha Thoda Majha’ takes up this most timely sensitive subject, to present a sensible film, involving all the three generations.
Set on the backdrop of Pune city, the film opens up with a raid on a Rave party of youngsters. In that group is a young boy Sameer Sawant( Nikhil Kakade) from a well to do family and only son of his parents Ramesh & Malati Sawant ( Ajinkya Deo and Varsha Usgaonkar) . When Sameer’s father seeks the help of his influential friend and goes to the Police station, to rescue his son, he faces humiliation. It is not only the ACP at the Police station( Ashok Samarth) , who makes him realize his duty as a parent; but also a TV news reporter exposes him. While the boy is released on bail; with the report of the blood samples awaited, the father who feels cheated by his pampered son, drives him out of the house.
Luckily for the boy, his grandparents, who are on a visit to their place, take him along with them, to their native place. The Boy finds a big change in his own self and returns back to Pune, to give a big surprise to his parents on their 25th Wedding Anniversary. But, around this time, the parents receive another news. And that’s the turning point of this film in the climax.
It’s not that films on such subjects haven’t been dealt by Marathi cinema. In the past Smita Talwalkar had presented one such sensible film ‘7 Chya aat Gharat’ , to show how too much of liberty could land youngsters into trouble. ‘Thoda Tujha Thoda Majha’ shows both the sides very well. While showing the concern of parents, it has also shown the point of view of youngsters. Through this film, the film maker has tried to show that it is the proper communication between the youngsters and their parents, could avoid many problems. At the same time, he has also shown how a bad company could land such youngsters from well to do family into trouble.
The youngsters selected in this film are most appropriate choice and look like real final year college students, with their body language and other activities. It is only the young hero of this film, falls short in acting in their company, especially while delivering some of the dialogues . But, at some important situations, while interacting with parents, he seems okay. The sincere effort put in by the film maker in presenting such a timely subject with a message, is to be highly appreciated. In the role of grand parents, both Vikram Gokhale and Sulbha Deshpande have played their parts with perfect understanding, trying to find quick solutions on differences between parents and their only child.
In the role of Sameer’s father, Ajinkya Deo is a perfect choice. He has been able to deliver, what was expected from him, at different situations. Varsha Usgaonkar, who plays a wise mother, looks still beautiful and fit, setting an ideal example before today’s young actresses. In the role of Sameer’s girlfriend, Model turned TV actress Sukhada Thigale (‘Majhe Mann Tujhe Jhale’ fame) does a satisfying debut, though she doesn’t find much scope in this film. Pushkar Jog does a cameo in style, indicating that today’s youngsters pay more attention to their work, rather than formal clothes. Music by Tabi Parik is just fine; but Ishwar Bidri’s photography is something very special. He has captured the beauty of Konkan very nicely. Ashok Samarth plays the aggressive ACP in his typical style, while Dr. Vilas Ujavane plays his part with ease. All others in supporting cast have done a good job.
‘Thoda Tujha Thoda Majha’ is a worth watch for entire family. It has something very important to convey, which is so relevant to parents and their young children.
‘Zapatlela 2′ is more of fantasy than a scary film
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Rating: ★★★
Studio: Viacom18 Motion Pictures and Moving Pictures Producer: Adinath Kothare Director: Mahesh Kothare Music: Avdhoot Gupte Cast: Adinath Kothare, Mahesh Kothare, Sonalee Kulkarni, Sai Tamhankar, Makrand Anaspur Movie Review by: Ulhas Shirke |
Known for offering something new through his films, for the past few years, Mahesh kothare has offered more technicalities through his every film, as a director. He has brought a number of innovations, which included first cinemascope film in Marathi through ‘Dhadakebaaz’ followed by Dolby Digital Sound through ‘Chimni Pakhare’ , Computer generated effects through ‘Pachadlela’, Marathi’s first Sci- fi through ‘Zabardast’ and now 3D, Animatronics and state of the art Computer Graphics in the current sequel of his 1993 super hit film ‘Zapatlela’. Therefore, there were high expectations from his new film.
‘Zapatlela 2′ has thus turned out to be more of fantasy than a scary film, as predicted. This time, the stylish actor turned director seemed to have paid more attention on his favourite puppet ‘Tatya Vinchoo’ and the situation arising after his resuscitation in the beginning of the film. In this second part, we find Kubadya Khavis (Abhijit Chavan) visiting a museum in search of this puppet and after finding it, takes it Baba Chamatkar (Raghvendra Kadkol) to revive him, as the puppet lies lifeless for years, after being shot by Police Officer Mahesh Jadhav in the prequel. He succeeds in doing it; and tries to finish Baba Chamatkar but in the process he dies. Baba Chamatkar goes into Coma.
In the meanwhile, Tatya Vinchoo learning about Lakshya’s death, comes to know that he can enter the soul of his son Adi (Adinath Kothare) who lives with his Grandmother (Madhu Kambikar) in Shrirangpur. It’s time for annual fair at Shrirangpur and there are people like Champa Satarkar (Vishakha Subhedar) camping with her Lavani in a tent house and famous ventriloquist Makarand Watvate (Makarand Anaspure) performing his shows. Adi meets Champa Satarkar’s mod daughter Megha (Sonalee Kulkarni) who studies in Fergusson College and is with her mother for vacation. It’s love at first sight for both. On the other side, Makarand falls in love with visiting TV Journalist (Saie Tamhankar). Adi is also attracted to the art of Makarand, as his father once practiced this profession.
In the film, Tatya Vinchoo’s journey towards his target begins with his first interaction with Saie Tamhankar, followed by Makarand Anaspure and finally reaching Adi through the Guard and Sonalee. The director shoots his climax in traditional style at the Giant wheel in the fair. As predicted, we see the end of Tatya Vinchoo, but certainly giving a clue that he would return again. Will there be ‘Zapatlela 3′ ? Let us wait for the announcement.
‘Zapatlela 2′ is a technically sound film, with good use of 3D and special effects, which are attempted for the first time in Marathi; but, the absence of Lakshya Berde is certainly felt. This does not mean that Adinath hasn’t done well. In fact, he has done his level best in that role, in his own style. The otherwise young chocolate Marathi hero, who has given fine performances in films like ‘Dubhang’ and ‘Satarangee Re’ did try to look different with a simple ‘Boy next door’ image; but, frankly speaking, he did not match up with the character he played.
It was felt that to carry forward the humour created by Lakshya, the director should have opted for an actor well versed with comedy. He could have thought of anyone from among ace comedians like Makarand Anaspure, Sanjay Narvekar or even Siddharth Jadhav or Nilesh Sable, if he needed someone young like Adi, to play Lakshya’s son . And the role of Makya could have easily suited Adi, who is shown as the son of late Lakshya (a ventriloquist) in the film.
Very wisely the director has used other characters, including his own character of Mahesh Jadhav ,which was shown as turning Police Chief now, after a gap of 20 years. As a director, he has given enough scope to Sonalee, to exploit her glamour through all those scenes to her share. Makarand’s character should have been developed more, considering its importance in the film. Saie Tamhankar’s character in the film is just namesake, to create a girlfriend for Makarand. In one sequence, she just remains an observer, watching Makrand perform his tricks during the show. Madhu Kambikar as Grandmother, Vishakha Subhedar as Champa Satarkar, Vijay Chavan as Hawaldar promoted as Inspector and Deepak Shirke as the Guard on duty at Makarand’s tent, have performed well.
Production designer Nitin Desai has created fine sets suited to different situations and the superb cinematography of Suresh Deshmane makes the film more presentable besides the 3D effect. Avadhoot Gupte’s music is just fine on the lyrics of Guru Thakur.The sound effects have been used well. The work Umesh Jadhav & Phulwa Khamkar as choreographers is clearly noticed, in the Lavani performance by Sonalee. So are the Visual Effects by Enrik Kriyado. The hard work put in by Ramdas Padhye and his son in making of ‘Tatya Vinchoo’ is also to be appreciated.
The film cannot be compared with its prequel; but, is a clean family entertainer for its fantasy part, if viewed in 3D format. Don’t try to find logic in some of the sequences involving the Puppet. After all, it’s the first Marathi film in 3D form and to be appreciated for the effort. The kids would love it, as it is not so scary, as expected. It is certainly better than Bollywood’s ‘Yamla Pagla Deewana -2′ released simultaneously, on the same day.
‘Sanshaykallol’ follows the same old track of comedy
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Rating: ★★ ½
Banner: Shree Swami Samarth Pictures Director: Vishal Inamdar Writer: Vishal Inamdar, Rajesh Kolan, Vijay Patvardhan, Sanjay Mone Cinematography: Suresh Deshmane Cast: Ankush Chaudhari, Pushkar Shotri, Gauri Nigudkar, Mrunmayee Deshpande, Kshiti Jog, Reema Lagoo, Sulekha Talvalkar, Sanjay Khapre, Shrirang Deshmukh, Rajesh Kolan Movie Review by: Ulhas Shirke |
Today, new Marathi film makers have been attempting something different through presentation of new subjects. The year 2013 seemed to be the year of path breaking films, with the release of few such films during the first quarter. But, come April and the regular Marathi Movie audience have become target of the same old formula of comedy. The best example is latest released Marathi film ‘Sanshaykallol’. Posing it as a Super Comedy, the film after its release has turned out to be just another average comedy film.
‘Sanshaykallol’ has a very limited plot, where Jaisinha( Ankush Chaudhari) a fashion photographer and his wife Asha (Gauri Nigudkar) who runs a readymade clothes boutique; keep on doubting each other. They have installed hidden cameras in each other’s office . Asha keeps close watch on the activities of her husband, while Jaisinh does the same by monitoring his wife’s movements in her boutique.
All goes well, till a TV actress Sharavani( Mrunmayee Deshpande) a girl friend of Dhananjay ( Pushkar Shrotri) walks in Jaisinh’s studio and faints in his studio, after completing a tiring shoot. While Jaisinh takes her to nearby clinic, her locket( presented by Dhananjay) drops in his studio. And that leads to misunderstanding. Asha, who watches her husband lifting Shravani on closed circuit camera, becomes more furious; as she finds the locket near his studio. When Asha is seen handling the locket by Jaisinh on close circuit camera; he locates the same locket later in her office drawer. After noticing the photo of Dhananjay in it; he becomes more suspicious.
Dhananjay too becomes suspicious about Shravani, when he finds a medical prescription of a maternity Home, from her Purse. This drama drags on for almost little more than two hours; with addition of few more faces entering into the team like Asha’s brother Mithun( Omkar Govardhan) having an affair with Chaitra( Kshitee Jog), who manages Asha’s boutique. Vishakha( Sulekha Talwalkar) a friend of Asha, who is a lawyer. Karthiki( Pooja Sawant) a customer at Asha’s boutique and her boyfriend Vrushabh ( Abhijit Satam) also join them. Then you also have Siddharth ( Siddharth Chandekar) co star of Sharavani in TV serial, Bhujangrao an informer cum Auto Rickshawala ( Sanjay Khapre), an understanding mother of Dhananjay ( Reema Lagoo) and Djhananjay’s producer friend –Makarand( Vijay Patwardhan); which forms a very big team besides other supporting cast.
Frankly speaking, the screenplay of this film fails to hold on the audience to their seats, for want of new interesting happenings. The dialogues too are not very effective; to create spontaneous laughter. We have seen such plots in many past films. Much was expected from director Vishal Inamdar; but, he hasn’t offered anything different in the screenplay. What appeals to the audience is the neat and clean photography by Suresh Deshmane and also good background music by kaushal Inamdar. Among the artistes, the chemistry between Pushkar Shrotri and Mrunmayee Deshpande works well . Both of them find suitable roles to their share. Mrunmayee, in particular, finds a better scope to display her emotions, in as many as five important scenes, including one with Reema Lagoo. She is so natural, throughout the film.
In the role of Asha, Gauri Nigudkar does make comeback into Marathi; with her perfect timing for comedy; but, there isn’t much scope for her to display her acting skills. But, Sanyogita Bahve’s designer costumes are well suited to Gauri, Mrunmayee and Kshitee, throughout the film. Ankush Chaudhary has become a typecast in the role of Jaisinh, after watching his similar kind of roles in films like ‘Jhakaas’,’Bluffmaster’ and ‘No Entry’ in the recent past. However, Kshitee Jog and Sanjay Khapre, support well. Pooja Sawant has limited scope in her guest appearance; but she invites attention with her presence on screen through those four scenes. Other members of the big team of artistes offer good support to this conventional Marathi film, which follows the same old comedy track.
‘Ekulti Ek’ turns too emotional
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Rating: ★★★
Screenplay: Khitij Zarapkar Producer: Sachin Pilgaonkar Director: Sachin Pilgaonkar Music: Jitendra Kulkarni Cast: Sachin Pilgaonkar, Shriya Pilgaonkar, Ashok Saraf, Koshori Shahane, Sidharth Memon, Nirmiti Sawant. Movie Review by: Ulhas Shirke |
Every film maker has his own style of presenting the film, especially when it is his own story. Actor- Producer-Director Sachin Pilgaonkar must have written this story to present his daughter Shriya in her debut film. Making it as his family affair, besides his good friends around, his new film ‘Ekulti Ek’ is also being offered on the day of golden day of completion of 50 years, for winning his first award as a child artiste.
For the past few days, Sachin was campaigning for this film, by becoming part of almost all popular Marathi Television programmes, raising expectations of the film lovers. But, the film has turned out to be more of a serious emotional drama between father and his daughter, rather than entertaining the audience, which his previous films did. Though there is good exchange of dialogues between father and daughter, contrary to the expectation, the screenplay of the film is not very impressive. The story of the film with limited contents, revolves around a popular singer Arun Deshpande, played by Sachin himself. Suffering from Insomnia, in spite of the name and fame; one fine day, he comes across his grown up daughter Swara (Shriya Pilgaonkar) , who visits him after 18 years, since he deserted her mother, when she was just 4 years old. The father pursues his singing career, but, is not willing for changing his singing style to suit the taste of new generation. It is at this time, his daughter arrives to remind him about the desired change in his attitude.
Knowing well about her father’s ego problems, the daughter tries her best to change him, with the help of his secretary Mehta( Ashok Saraf) and her boyfriend. In the meanwhile, Arun Deshpande encounters his wife Nandini( Supriya Pilgaonkar), who happens to be the person interviewing him for a Radio Channel. The discussion becomes too personal and Arun leaves the Radion station in a disturbed state of mind. Back home, he however, tries to help his daughter, to find a role in films; as per her wish. But now, the daughter has plans to marry her boyfriend. She says Good bye to her father, to return to her mother, who is preparing for her wedding. The film concludes with happy ending, as predicted. Only surprise given at the end is revealing the daughter’s real profession.
Only good part of the film are the dialogues and performances by the artistes. Both Sachin and his daughter Shriya have performed very well. Shriya in particular has worked very hard, to present herself in all the scenes. But, it is Supriya Pilgaonkar in those limited scenes to her share, invites all the attention. She is simply superb, in the Radio interview session. Surprisingly, humour finds very limited space in this film. It is only the presence of Ashok Saraf in few scenes, helps to generate spontaneous laughter. Only other humour filled scene is the Police station scene.
Kishori Shahane Vij has limited scope in the film, playing as Sachin’s close friend in the music industry. Siddharth Menon is just fine. Swapnil Joshi and Nirmiti Sawant have just one scene each for them in guest appearance. Same is the case with Vinay Yedekar. Music by Jitendra Kulkarni has limited scope in the film. Sonu Nigam’s promotional title song appears after the end of the film, when people walk out of the cinema hall. But, the cinematography by Rahul Jadhav is fine.
As a director, Sachin Pilgaonkar has made a sincere effort to present his story and has given more importance to father and daughter conflict. However, he has avoided the scenes leading to husband and wife separation. He has also avoided the scenes between mother and daughter, except for the one at the end. This clearly indicated that the director wanted to give more prominence to his daughter, to exploit her potential. But, in the process, these scenes have been stretched too long, making this film little more than two hours in length. There is nothing very special about this film, except for fine performances, suitable background music and fine photography.
‘Kokanastha’ is a just a remake of ‘Viruddh’
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Rating: ★★ ½
Studio: Great Maratha Entertainment, Star Pravah Producer: Aniruddha Deshpande, Medha Manjrekar Director: Mahesh Waman Manjrekar Music: Akshay Hariharan Cast: Sachin Khedekar, Upendra Limaye, Jitendra Joshi, Sonali Kulkarni, Rohan Talawarkar, Vidhyadhar Joshi, Vaidehi Parshurami Movie Review by: Ulhas Shirke |
Mahesh Manjrekar’s new film ‘Kokanastha’ had created a controversy among section of people, when the poster of this film carried the lead hero dressed up as a RSS volunteer. Even the tagline of the film ‘Taath kana Hach Banaa’ (An erect spine defines your character) had raised the hopes of the audience, expecting the film to be another dose of inspiration for Marathi manoos.
Though the shrewd film maker had defended himself, stating that he was going by the script; he has almost fooled all his critics and supporters. After watching this film, it has come to notice that the get up of the protagonist as a typical RSS volunteer, is just limited to the concluding scene, a little before the climax of the film.. In fact, ‘Kokanastha’ is just a remake of 2005 Hindi film ‘Viruddh’ produced by Nitin Manmohan and directed by Mahesh Manjrekar himself, on his own story.
We are already watching Sachin Khedekar in the role of a programme host of TV show ‘Kaun Hoil Marathi Karodpati’ a reality TV show run on the lines of KBC hosted by Amitabh Bachchan. In ‘Kokanastha’, he plays the character played by the superstar, by only changing his surname from Vidyadhar Patwardhan to Ramachandra Gokhale, a retired man living with his wife also a retired professor (played by Sonali Kulkarni). As per the original story, their only son Rohan ( played by Rohan Talwalkar) returns home from Switzerland after studying his Hotel management there. He comes with his girl friend turned wife (Vaidehi Parshurami) giving a surprise to his parents.
Rohan gets involved into a fight between the Home Minister’s son and his dancer girlfriend. When Rohan is on his way to the party of his friend at a hotel, he witnesses this Politician’s son killing his girlfriend point blank. He tries to stop him; but his bodyguards beat him up and the Minister’s son shoots him. Being a Home Minister’s son; the Police initially refuse to lodge FIR. But, Ramachandra succeeds in making a strong case against the Minister’s son. In the court, it is proved that Minister’s son was away in Nashik at the time of this incidence and the only witness who is a close friend of Rohan turning hostile, during cross examination.
As per the original script, the film goes on to show the nexus between both the lawyers and also shows the Police department’s apathy in investigating the case and falsely implicating Rohan’s wife in a drug trafficking case along with her late husband; obviously due to the political pressure from Home Minister. Finally, we see Marathi’s Amitabh Bachchan fighting his lone battle, to teach a lesson to the Minister , settling the scores.
‘Kokanastha’ has therefore turned out to be a predictable film, having seen the Hindi version. Even otherwise, audience from Maharashtra don’t miss Big B’s films. And, ‘Viruddh’ was released just 8 years ago. But, for those, who haven’t seen the original film, this film is a worth watch. Ajit Reddy’s cinematography is good and so is the superb sound effects. The use of VFX has certainly helped the film, in some of the sequences. Both Sachin khedekar and Sonali kulkarni have played their roles with complete understanding of the situation. But, it was unnecessary to show a song picturised on them in the pre interval session. Even during the post interval session, when the film takes a firm grip on court proceeding, the couple is shown in unwanted discussion, while at home.
Newcomer Rohan Talwalkar gives a satisfying performance. It was a good choice to select him for the role played by John Abraham in ‘Viruddh’, as his character did not require a big name. Vaidehi Parshurami (who made her debut through ‘Ved lavi Jeeva), suits well in the role of Rohan’s wife. In the supporting cast, Upendra Limaye does a good job as a Motor garage owner – Pagare, in the neighbourhood. As a protagonist from Dalit family, he has very cleverly shown his aggression against injustice, while helping Mr. Gokhale. In the original film, this role was performed by Sanjay Dutt. But, Upendra has played this character in his own style successfully. However, the talented artistes like Vaibhav Mangale and Bhalachandra kadam are just name sake in this film.
‘Kokanastha’ is a well presented film; but, after all it’s a remake of a Hindi film made by the same director, which is slightly disappointing!