‘कवडसा’चे प्रभावी मानसशास्त्रीय सादरीकरण

निर्मोही क्रिएशंस प्रस्तुत, माणूस लिखित, पंकज मिठभाकरे दिग्दर्शित कवडसा हे प्रायोगिक मराठी नाटक रंगभुमीवर अवतरतंय. परक्या, लांबच्या माणसांच्या बाबतीत संशय पिशाच्च मानगुटीवर बसलं तर जोर लावून काढता येतं, आपल्या जवळच्या माणसांविषयी संशय मनात फेर धरायला लागला की मग जे होतं ते आपल्याला कवडसा या नाटकात बघायला मिळते.
संशयग्रस्तता मुख्यतः प्रेमीजनात मोठया प्रमाणावर दिसून येते, सर्वात जवळचं सगळं भावविश्व व्यापलेल्या नात्यात किंचितसा सुद्धा दुरावा मनाला सहन होत नाही, आमचं दोघांच जे घट्ट भावविश्व आहे ते फक्त दोघांचच आहे, होतं आणि राहील असा विश्वास प्रेमीजनाच्या मनात निर्माण होतो, दोन घट्ट मैत्रीणींमध्ये देखील एक मैत्रीण जरा इतर मुलींमध्ये मिसळायला लागली की दुस दुसर्या मैत्रीणीला त्रास होतो, जेव्हा आणखी कुणाबरोबर तरी असाच एकजिन्सीपणा पार्टनर ने अनुभवलाय किंवा अनुभवतोय हे कळतं तेव्हा मग संशयाला सुरुवात होते.
प्रवीण चौगुले, किशोरी पाठक, प्रसाद कुलकर्णी आणि अमोल पाठक अभिनीत या नाटकाला दिग्दर्शकाने दिलेल्या मानसशास्त्रीय सादरीकरणामुळे ते अधिक प्रभावी झाले आहे. प्रकाशयोजना संतोष लोखंडे ह्यांनी केली आहे तर संगीत निखिल लांजेकर, वेशभूषा मेघना मिठभाकरे, रंगभूषा- पंकजा पेशवे आणि नेपथ्य प्रवीण चौगुले ह्यांचे आहे.
निर्मात्यांच्या मते, प्रेक्षकांनी या नाटकातून स्वतःकडे, आपल्या मानसिक प्रश्नांकडे आणि मानसिक आजारी व्यक्तींच्या प्रवासाकडे जाणीवपूर्वक पहावे हाच नाटकाचा मुख्य उद्देश.
Popular actress Usha Nadkarni in and as ‘London Chya Aajibai’

Well known actor Ashok Saraf and his chartered accountant brother Subhash Saraf, are all set to revive their Uncle’s Drama Group Kalamandir. As part of this plan, they have decided to launch their play ‘Londonchya Aajibai’, in London itself. Grandma Banarse is a famous character inspired from writer Sarojini Vaidya’s book ‘Kahani London Chya Aajibainchi’. Rajiv Joshi has converted her story into this drama. It is a story of a domestic servant from Choundi village in Vidarbha, who goes to London for household work; but, later starts her own catering business.
The big news is that popular versatile actress Usha Nadkarni has been selected to play this central character in this play. Produced by Smita Saraf, the play will be directed by Santosh Verulkar. The other important character of Meera will be played by Vedangi Kulkarni. Maharashtra Mandal London, have come forward to stage the shows in London. The inaugural shows of this play will therefore be staged in London and Britain, between 31st October to 8th November 2015.
Spirit (स्पिरीट ) Marathi Natak

Rating: na
Opening Date: 2015(23 October)
Production House: Trupti Production
Producer(s): Ashok Dagdu Shigvan
Presenter: na
Writer: Vijay Nikam
Director: Vijay Nikam
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Credit List
Co-producer(s):na
Director: Vijay Nikam
Writer: Vijay Nikam
Dialogues: na
Artist: Rajesh Deshpande ,Madhavi Juvekar, Sandesh Jadhav, Sandesh Upshyam, Mangesh Salavi, Sameer Penkar, Shraddha Mohite, Rasika Vengurlekar, Vikrant Shinde, Sumit Swant, Raju Tambe.
Set Design:Sandesh Bendre
Lights: Shital Talpade
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Parikshit Bhatkhande.
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
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Toss (टॉस) Marathi Natak

Rating: na
Opening Date: 2015 (16 October)
Production House: Disha Theaters, Malhar Arts
Producer(s): Padmaja Nalawade, Usha Zodage
Presenter: Vasant Valay
Writer: Pravin Shantaram
Director: Sudesh Mhashilkar
Official Facebook Page I Twitter
Cast & Crew
Co-producer(s): na
Director: Sudesh Mhashilkar
Assistant Director: na
Writer: Pravin Shantaram
Dialogues: na
Artist: Vighnesh Joshi, Sunil Godbole, Pooja Ajinkya, Sampada Joglekar-Kulkarni
Set Design: Sunil Devlekar
Lights: Sunil Devlekar
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Parikshit Bhatkhande
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
‘Toss': na
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Review
‘मन की बात…’ लवकरच रंगभुमीवर !
असे म्हटले जाते कि. अति प्रेम हे संशयास कारणीभूत होऊ शकते. नवरा बायकोच्या नात्यात जर पुरेसा संवाद आणि एकमेकांवराचा विश्वास नसेल तर नको त्या संशयामुळे नात्यात अनेक प्रसंगांना सामोरे जावे लागते. आगामी ‘मन की बात’ ह्या नाटकातून संशयी पुरूषाच्या मनातली कुजबुज ऐकण्याची आपल्याला संधी मिळणार आहे. हे नाटक रामायणावर पूर्णपणे आधारीत नसलं तरी नाटकाचं सूत्र मात्र रामायणातल्या अग्निपरीक्षा ह्या घटनेभोवती फिरत रहातं. पुराणकाळापासून आपली पत्नी पवित्र असावी अशी भावना नवऱ्याच्या मनात असतेच…आणि हे नाटक पण ह्याच भावनेवर आधारीत आहे. रामायणात ज्याप्रमाणे कुणाच्यातरी सांगण्यावरून रामाला सीतेची अग्निपरीक्षा घ्यावी वाटली तशीच घटना जर आज पुन्हा घडली तर काय काय होऊ शकेल?? हे आपल्याला नाटकात पहायला मिळतं. हे नाटक आजच्या काळात घडत असल्यामुळे नाटकावर सध्याच्या सोशल मिडीयाचा आणि रिअँलिटी शोज चा प्रभाव आहे. प्रतीक कोल्हे लिखित आणि दिग्दर्शित ह्या नाटकाची निर्मिती संतोष कोल्हे यांच्या लॉजिकल थिंकर्स आणी संवर्धनफौन्डेशन या संस्थांनी केली आहे.
“मन की बात” च्या निमित्ताने प्रतीक कोल्हे पहिल्यादाच लेखक दिग्दर्शक म्हणून पदार्पण करीत आहेत. याआधी त्यांनी हिंदी, मराठी मालिकांचे, चित्रपटाचे दिग्दर्शन केले आहे तसेच काही मराठी मालिकांची निर्मितीही त्यांनी केली आहे.
“मन की बात” या नाटकात प्रमुख भूमिकेत अक्षय शिंपी,केतकी विलास,पूर्णानंद,नम्रता सुळे,जयेश शेवलकर आणि आनंद प्रभू हे कलाकार आहेत. नाटकाचे संगीत ऋत्विक गौतमी शंकर याचे आहे तर नेपथ्य स्वप्नील टकले यांनी केले आहे.नृत्यदिग्दर्शनाची जबाबदारी सिद्धेश दळवी सांभाळत आहेत. हे नाटक परिणामकारक करण्यासाठी दिग्दर्शकाने वेगवेगळ्या खेळांचा आणि नृत्याचा वापर केला आहे ज्यामुळे हे नाटक प्रेक्षकांचं फक्त मनोरंजन करणार नाही तर प्रत्येक प्रेक्षकाच्या मनावर एक वेगळा ठसा उमटवेल. लवकरच हे नाटक रंगभूमीवर दाखल होणार असून निर्मात्यांच्या मते ह्या वेगळ्या सादरीकरणाला प्रेक्षकांचा चांगला प्रतिसाद मिलेले असे सांगितले जातेय.
Selfie (सेल्फी) Marathi Natak

Rating: na
Opening Date: 2015 (07 October)
Production House: Aseem Entetainment
Producers: na
Presenter : Ajit Bhure, Hemant Takle
Writer: Shilpa Navalkar
Director: Ajit Bhure
Official Facebook Page I Twitter
Credit List
Co-producer: Dhananjay Ketkar
Director: Ajit Bhure
Writer: Shilpa Navalkar
Dialogues: na
Artist : Sukanya Kulkarni, Rujuta Deshmukh, Poorva Gokhale, Shilpa Navalkar, Sonali Pandit
Set Design: Pradip Mulye
Lights: na
Costume: na
Background Music: na
Make up: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: na
Playback Singers: na
Choreographer: na
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Synopsis
‘Selfie ‘: na
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Don Special (दोन स्पेशल ) Marathi Natak

Rating: na
Opening Date: 20 June 2015
Production House: Atharva Production.
Producers: Santosh Bharat Kanekar, Jeetendra Joshi
Presenter : Atharva,Mishri Theaters
Writer: Kshitij Patwardhan
Director: Kshitij Patwardhan
Official Facebook Page I Twitter
Credit List
Co-producer: na
Director: Kshitij Patwardhan
Writer: Kshitij Patwardhan
Dialogues: na
Artist : Girija Oak Godbole, Rohit Haldikar, Jitendra Joshi
Set Design: na
Lights: Pradeep Mulye
Costume: Geeta Godbole
Background Music: na
Make up: na
Costume Designer: Diya Mehta
Hair Style: na
Art: na
Lyrics: na
Music: na
Playback Singers: na
Choreographer: na
Publicity Designs: Sachin Gurav
Synopsis
‘Don Special’: Set in December 1989, this play takes place in a newspaper office in Pune between 9.30 pm to midnight.
It underlines a dramatic event in the life of Milind Bhagwat, the night shift’s chief sub editor.
While giving news about an accident that has happened at the city’s cultural centre, he finds himself in the middle of the most dramatic conflict of his life. Enduring values on one side and eternal love on the other,what does he do?
Based on a story by HM Marathe.
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‘Ke Dil Abhi Bhara Nahi’ – Sensible subject seasoned with humor

Suyog Drama Production company is now 30 years old. Having started with the hit Marathi play ‘Moruchi Mavshi’, this group founded by Mr. Sudhir Bhat & Mr. Gopal Algeri, has till now produced about 85 plays, including some remarkable plays like ‘Vyakti Ani Valli’ , ‘Sundar mi Honar’, ‘Lekure Udanda Zali’, ‘Gandhi Viruddha Gandhi’, ‘Ti Fularani’ , ‘Eka Lagnachi Goshta’ , ‘Shree Tashi Sau’, ‘Nakalat Sare Ghadale’ besides many more popular plays. Now, Suyog’ have presented their latest play ‘Ke Dil Abhi Bhara Nahin’, with veteran artistes like Vikram Gokhale, Reema Lagoo & Jayant Savarkar.
The story of this play revolves around an elderly couple, Arun Nagarkar ( Vikram Gokhale) and his wife Vandu( Reema Lagoo) who have completed 35 years of their married life. While Arun is still busy managing his business, his wife, plays the role of a typical housewife. Their son has just migrated to Singapore, along with his wife and little son, on a job assignment. But, their daughter ( Bageshree Joshirao ), who is married and living in the same city, keeps on visiting her parents regularly , to make them happy.
One day, Arun tells his daughter that he wants to surprise his wife, by announcing retirement from his business, so as to give full time to his wife. But, as he is about to disclose his plan , his wife gives him a shock, by telling him that she has already completed a course of Professional Priest, to keep herself busy, by Offering her service to others, by performing religious ceremonies. It is from this point onwards, the play turns into a humor filled emotional drama, presenting the common misunderstandings between husband and wife. The entry of another senior citizen Sudhir Medhekar, living in the neighborhood, adds spice into this well orchestrated plot.
Both Vikram Gokhale and Reema Lagoo have displayed maturity of acting through their notable performances. Vikram Gokhale’s s apt body language and Reem’s subdued style of dialogue delivery, are learning lessons for the budding actors. Good support also comes Jayant Savarkar, in those two important scenes in this play. Bageshree Joshirao has limited scope in this play, but she has played her part with ease. The play is a treat for all age groups, especially for those, who enjoy decent humor. The play is a treat for all age groups, especially for those, who enjoy decent humor. It also carries message for all married couples, saying that, husbands should give time to their wives, even while working. And, not wait till retirement. Even wives should disclose their grievances to the husbands, then and there, which would help clearing all misunderstandings between them. Impressive Set design, with proper lighting and suitable background music, makes this play more presentable.
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Ke Dil Bhara Nahi (के दिल अभी भरा नही) Marathi Natak
Presenter : Suyog
Opening Date: 2015 (03 September)
Genres: Drama
Rating: ★★★ ½
Censor: U
Producer: Gopal Algeri
Director: Mangesh Kadam
Writer: Shekhar Dhavlikar
Official Facebook Page I Twitter
Cast & Crew
Co-producer: na
Director: Mangesh Kadam
Writer: Shekhar Dhavlikar
Dialogues: na
Artist : Reema Lagoo, Vikram Gokhle, Bageshri Joshirao, Jayant Savarkar
Set Design: na
Lights: na
Costume: na
Background Music: na
Make up: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: na
Playback Singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Ke Dil Bhara Nahi ‘: The story of this play revolves around an elderly couple, Arun Nagarkar ( Vikram Gokhale) and his wife Vandu( Reema Lagoo) who have completed 35 years of their married life. While Arun is still busy managing his business, his wife, plays the role of a typical housewife. Their son has just migrated to Singapore, along with his wife and little son, on a job assignment. But, their daughter ( Bageshree Joshirao ), who is married and living in the same city, keeps on visiting her parents regularly , to make them happy.
One day, Arun tells his daughter that he wants to surprise his wife, by announcing retirement from his business, so as to give full time to his wife. But, as he is about to disclose his plan , his wife gives him a shock, by telling him that she has already completed a course of Professional Priest, to keep herself busy, by Offering her service to others, by performing religious ceremonies. It is from this point onwards, the play turns into a humor filled emotional drama, presenting the common misunderstandings between husband and wife. The entry of another senior citizen Sudhir Medhekar, living in the neighborhood, adds spice into this well orchestrated plot.
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‘Graceful’ Aditi makes her point, on ex marital relationship
Marathi plays on ex marital relationship, are not new to Marathi drama lovers. In the recent past, we saw a play ‘Aamhi Sou Kumud Prabhakar Apte’ with Pratiksha Lonkar and Aishwarya Narkar playing the first and second wife respectively, of Late Prabhakar Apte. It presented each other’s point of view, for their identity as Ms. Kumud Prabhakar Apte.

Now, director Rajan Tamhane presents the same subject, once again, in a different way, through his latest play ‘Graceful’. Written by Mahesh Ghatpande and produced by Anuradha Wagh, this latest Marathi play portrays two women, in the life of a celebrity script writer. First one is his middle aged married wife ( Asha Shelar) and the other is a young graceful TV actress( Aditi Sarandhar) , with whom he is in ‘live in relationship’. ‘Graceful’ presents these two women characters, throughout the play, who try to prove their love and affection towards the writer. While his wife tries to argue, stating that she being his official wife, commands all the respect, while his actress girlfriend, also claims that she is also the wife of the writer, and receives all the love and affection from him.
The play not only presents the argument between the two women; but, also has few moments, to surprise the audience. In this play, the character of writer exists only through his voice in the background. As the story had limited content, there was enough scope for the director to use audio visual display, to show some flashback moments, as noticed now days in many popular plays. But, that was not noticed in this play.
There was enough scope to show the character of celebrity writer to appear in the last scene; but once again, that did not happen. Therefore, in the entire play you only find these two women, proving their point, to defend themselves . Nevertheless, both Aditi Sarangdhar and Asha Shelar ( Janhavi’s mother in popular TV serial ‘Honar Suun Mi Hya Gharchi) have displayed their potential as versatile actresses, through their impulsiveness, in different scenes, throughout the play.
Wonderful set design by Pradeep Muley , costumes designed by Geeta Godbole add luster, to this emotion filled play. It is a sincere effort by both the actresses, to make this women oriented play , presentable.

