‘प्रेम रंगी रंगुनी’ लवकरच रंगभुमीवर

‘प्रेम’ हा विषय प्रत्येकाच्या जवळचा आणि आवडता असतो; ज्या प्रमाणे मोठ्या पडद्यावर ‘प्रेम’ ह्या विषयाला घेऊन त्याचे वेगवेगळे पैलू असलेले अनेक सिनेमे प्रेक्षकांना पाहायला मिळताय; तसच काहीस चित्र रंगभूमीवर दिसताये; येत्या काळात विविध रूपांतील प्रेमाचे पैलु मराठी नाट्य प्रेमींना पाहायला मिळणार आहे . आनंद म्हसवेकर लिखित – दिग्दर्शित ‘प्रेम रंगी रंगुनी’ हे नवीन मराठी नाटक रंगभूमीवर येणार आहे. संगीत आणि नाट्याचा सुरेल संगम असलेले हे नाटक येत्या २ मे पासून प्रेक्षेकांच्या भेटीस येणार आहे.
श्रीमती संध्या रोठे ह्याची निर्मिती असलेले ह्या नाटकाचे लेखन आनंद म्हसवेकर ह्यांनी केले असून; सुभाष मालेगावकर ह्यांनी संगीत संयोजन केले आहे. अभिनेता अमोल बावडेकर आणि अभिनेत्री दीप्ती भागवत ह्यांच्या ह्यात मुख्य भूमिका आहेत.
LoveBirds (लव्हबर्डस) Marathi Natak

Rating: ★★★★
Opening Date: 2015 (25 April)
Production House: Anamika and Rasika Production
Producer(s): Dinesh Pednekar and Mukta Barve
Presenter: na
Writer: Girish Joshi
Director: Girish Joshi
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Credit List
Co-producer: na
Director: Girish Joshi
Writer: Girish Joshi
Dialogues: na
Artist: Mukta Barve, Vidyadhar Joshi,Ketaki Saraf, Omkar Goverdhan
Set Design: Pradeep Muley
Lights: Girish Joshi
Costume: Geeta Godbole
Background Music: Narendra Bhide
Make up: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Narendra Bhide
Playback Singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Love Birds': Mukta & Omkar play a married couple. At the very beginning Vishwaas (Omkar) meets with an accident & ends up with partial memory loss.His loving wife Devika (Mukta) nurses him back to health.
The story starts when he returns to his office after many months & sees a bill of Rs. 5 lakhs on his table for love birds purchased by him.
When even his secretary Supriya (Ketaki Saraf) has no idea about this expense he ends up calling the shop owner from whom he had purchased the love birds.
It turns out that the man is in fact a private detective he had hired to spy on his wife. Vishwaas had suspected his wife of having an affair with a man named Abhijeet.We see Abhijeet & their past through a projector & few slides.
The needle of suspicion passes from Devaki to Vishwaas constantly. But even the accusations keep changing. An extra marital affair turns into a murder.But then the murdered person turns out to be alive & the one who was supposed to be alive is actually someone else entirely.
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‘Uney Purey Shahar Ek’ – Display of good teamwork

Aasakta, Pune is a group of enthusiastic artistes from Pune and their first love has always been theatre. They don’t perform on stage, for monetary benefits . Their biggest satisfaction is group effort and instant audience response. Recently, the group performed 2 shows of wonderful Marathi play ‘Uney Purey Shahar Ek’ at Prithvi Theatres, Juhu. Based on Girish karnad’s Kannada Play ‘Benda Kaalu on Toast’ the Marathi adaptation of it, was done by Pradeep Vaiddya , while the play was designed & directed by Mohit Takalkar.
The cast of the film comprised of about 35 versatile artistes, some of them already popular stage, television and film stars. Prominent among them were Radhika Apte, Anita Date, Vibhavari Deshpande, Jyoti Subhash, Ashwini Giri, Sayali Deodhar, Siddharth Menon, Umesh Jagtap ,Sagar Deshmukh and others.
The play shows the contrast in the lifestyle of Rich, the middle class and the lower class. Very realistically, the script of this play goes on to show the attitude of each character in this play. And, you soon notice, what’s in the mind of each character, with the progress of this play. It is actually a performance oriented play, with superb performances coming from all the artistes. You can call it, an excellent team work. Credit also goes to all those back stage artistes, who quickly arranged the sets for every new scene, to make it more impressive.
It is surprising that such plays are not staged at popular Marathi drama theatres in Mumbai and Pune. If they are staged at these places, they will certainly receive good response. Hope to see this team back again on stage. Don’t miss it. It’s sensible, yet hilarious!
Shevgyachya Shenga (शेवग्याच्या शेंगा ) Marathi Natak

Rating: na
Opening Date: 2015 (10 April)
Production House: Shri Chintamani Production
Producer: Lata Narvekar
Presenter: na
Writer: Gajendra Ahire
Director: Gajendra Ahire
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Credit List
Co-producer: na
Director: Gajendra Ahire
Writer: Gajendra Ahire
Dialogues: na
Artist: Swati Chitnis, Sanjay Mone, Kadambari Kadam, Nikhil Raut, Seema Parkar & Atisha Naik Set Design: na
Lights:Shital Talpade
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: Gajendra Ahire
Music: Narendra Bhide
Playback singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Shevgyachya Shenga': na
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Karti Kaljat Ghusli (कार्टी काळजात घुसली ) Marathi Natak

Presenter: na
Opening Date: 2015 (18 April)
Genres: Drama
Rating: na
Censor: U
Producer(s): Gauri Prashant Damle
Director: Mangesh Kadam
Writer: Vasant Sabnis
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Cast & Crew
Co-producer(s): na
Director: Mangesh Kadam
Assistant Director: na
Writer: Vasant Sabnis
Dialogues: na
Artist: Prashant Damle, Tejashri Pradhan, Nita Pendse, Parag Dange
Set Design: Pradip Patil
Lights: na
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Ashok Patki
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
‘Karti Kaljat Ghusli': na
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Review
Lagin Ghaai (लगीन घाई) Marathi Natak

Rating: na
Opening Date: 2015 (05 April)
Production House: Suyog Nirmit
Producer: Gopal Algeri
Presenter : na
Writer: Advait Dadarkar
Director: Advait Dadarkar
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Credit List
Co-producer: na
Director: Advait Dadarkar
Writer: Advait Dadarkar
Dialogues: na
Artist : Ashok Saraf, Aditi Deshpande, Omkar Raut, Niyati Ghate
Set Design: Sashank Tere
Lights: Sheetal Talpade
Costume: na
Background Music: na
Make up: na
Costume Designer: Pranoti Joshi
Hair Style: na
Art: na
Lyrics: na
Music: Abhijeet Pendharkar
Playback Singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Lagin Ghaai ‘: na
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Suyog offers new Marathi play ‘Laginghaai’ on 5th April

Gopal Algeri of ‘Suyog’ group is all set to present his brand new Marathi comedy play ‘Laginghaai’ on 5th April 2015. Written by Adwait Dadarkar , this is the second successful play by the writer-director for Suyog, after achieving success through ‘Goshta tashi Gamtichi’. But, this new play ‘Laginghaai’ has an interesting team of artistes, comprising of Aditi Deshpande, Omkar Raut, Niyati Ghate & King of Comedy Ashok Saraf.
Set on the backdrop of ‘marriage’ the play presents one such humour filled theme, where the widower father and his son are having affairs and are getting ready to marry; but are in an awkward position to share their marriage plans. Father is feeling odd, because he is marrying at old age , while son is trying to hide his affair, as he wants to marry a woman who is elder to him. This being a pure comedy, writer director Advait Dadarkar is confident about its success. The play has music by Abhijit Pendharkar, who makes his entry with Suyog group. Another highlight of this play is that Bollywood art director Shashank Tere has designed the sets of this play.
World Theatre Day, let us salute all those great personalities, who contributed to this field.

Since 1961, March 27th is being celebrated as a World Theatre Day. Every year a message, is delivered across five continents, by a prominent international theatre personality. This year, it was by Krzysztof Warlikowski from Polland.
During the olden days, in our country there existed Sanskrit theatre. Hundreds of such plays were written, during ancient times. But, when we started getting ruled by outsiders, the theatre took a backseat. However, during the freedom struggle, our very own village theatre came in handy, to deliver the messages of our freedom fighters to the masses. Marathi theatre too did its bit during this period.
Today, Marathi theatre is considered as one of topmost theatres, in the country, as it has always handled social issues strongly; without compromising on entertainment values. Personalities like, Dinanath Mangeshkar, Bal Gandarva, Prabhakar Panshikar, Dr. Shriram Lagoo, Pu La Deshpande, Vikram Gokhale, Satish Dubhashi, Nilu Phule, Ashok Saraf, Dilip Prabhavalkar, among so many others, come to our mind. And, their contribution to marathi theatre, is considered extensively high. Marathi dramas, like Sangeet Manapaman, Ekach Pyala, Ghashiram Kotwal, Ti Phularani, are a few among plenty others, which have entertained marathi theatre viewers.
Today, majority of marathi audience do support Marathi dramas in a big way, in spite of the invasion of television, rising ticket prices etc. Also majority of the artistes are using theatre, as a training ground ; before moving to television serials and films.
On World Theatre Day, let us salute all those great personalities, who contributed to this field.
Emotion filled ‘Tya Tighanchi Goshta’ touches your heart

Kumar Sohoni has always dealt with different subjects on human relations. Through all his 51 plays directed so far, he has offered ample talents to Marathi theatre. This time, through his play ‘Tya Tighanchi Goshta’ , he has explored the relationship between a separated couple Dinanath and Suman Daftardar ( Sharad Ponkshe & Ashwini Ekbote) . How it has the effect on their grown up 19 year old daughter Deepti ( Dnyanada Panase) is shown very cleverly by the director. The play is written by well known psychiatrist and writer Dr.Anand Nadkarni, which makes it more interesting subject, as he has very skillfully presented the emotional sides of each one of these three important characters.
Produced by Ashok Narkar and Sharad Bagwe, the play begins with the close bonding shown between mother (who is a college professor) and her daughter, who is studying in the final year, at the same college. The father, an IAS officer, who has separated from his wife and daughter, 15 years ago, is now Municipal Commissioner of the same city, where Mother and daughter are residing. Though Mother and daughter are not connected with Mr. Dinanath Daftardar, they are in touch with his close associates Nana his personal secretary and Mangesh, his old classmate and Journalist friend.
One fine day, Nana visits Ms. Daftardar to invite her for the felicitation function of her husband, who is to be honoured by the chief Minister of state. This is followed by a personal phone call and personal visit of Dinanath Daftardar to meet his wife and grown up daughter. Having heard about her father, through her mother, Deepti is initially reluctant to meet her father; but, later decides to face him, to know the reason from him, for deserting his wife and her. But, it is the mother, being very possessive about her daughter, becomes more worried, thinking that her grown up daughter would change her opinion about her father, after meeting him.
At this stage, the writer and the director are clearly noticed, with their competence to take forward this delicate emotion filled subject, with interesting happenings . In the climax scene, Deepti converses with the audience, seeking their opinion, on what she did, was ‘right’ or ‘wrong’. ‘Tya Tighanchi Goshta’ presents the most relevant subject timely, to convey a strong message to the society. And, it has succeeded in creating a strong impact on all age groups. The story presented through this play, does not take side of any one of the characters, but very cleverly presents their attitude, with passage of time.
Both Sharad Ponkshe and Ashwini Ekbote, have portrayed their characters with complete understanding of the situation, at every stage in this play. They have proved that they are versatile artistes. They find good support from the character artistes Jayant Ghate and Vivek Joshi. But, the girl who steals the show, is young Dnyanada Panase. She seems to be a perfect choice of the director. And, she has proved his selection right. In fact, she has given a brilliant performance in the role of Deepti. Watch her reaction and body language, in every important scene, be it with mother or father; which goes on to say a lot about her gifted talent. She is so flawless. Good background music and suitable light and set designing, are the other plus points of this play. Certainly a worth watch, for the entire family.
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Hasva Fasvi ( हसवा फसवी ) Marathi Natak

Rating: na
Opening Date: 2013 (27 October)
Production House: Jigisha and Ashtavinayak Nirmit
Producer(s): Dilip Jadhav, Shripad Padmakar
Presenter: na
Writer: Dilip Prabhavalkar
Director: Chandrakant Kulkarni
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Credit List
Co-producer(s): na
Director: Chandrakant Kulkarni
Assistant Director: na
Writer: Dilip Prabhavalkar
Dialogues: na
Artist: Pushkar Shrotri, Satish Joshi, Vaikhari Pathak
Set Design: Pradip Mulye
Lights: na
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Ajit Parab
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
‘Hasva Fasvi': na
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