Star Pravanh to Premiere ‘Agadbam’
To entertain you on coming Sunday evening at 7 pm i.e. 13th November, Star Pravah will present premiere of recently released film ‘Agadbam’. The film is is a comedy with the story revolving around an obese girl Najuka (Trupti Bhoir) whose father has fixed her marriage to his friend’s son, Raiba (Makarand Anaspure).
Surprisingly, Raiba who sees Najuka only after the marriage rituals, refuses to accept her. She longs for his love but at the same time manages to win the heart of her mother- in- law (Usha Nadkarni). Trupti Bhoir’s RK Entertainment provides family entertainment through this film.
‘Agadbam’ is the kind of film that speaks about the change that Marathi film industry
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Rating: na
Presenter: R. K. Entertaiment Producer: Trupti Bhoir Direction: Satish Motiling Story: Abhijeet Joshi Camera: Satish Motling Music: Ajeet And Sameer Cast: Makrand Anaspure, Trupti Bhoir, Usha Nadkarni, Chitra Navathe, Vikas Samudre, Narayan Jadhav, Tejaswee Patil, Mahesh Kokate, Mangesh Satpute Movie Review by: Namita Majgankar |
At a time when obesity is on the rise in our country, Trupti Bhoir comes up with a unique theme through her latest film ‘Agadbam’. Aptly titled, the film talks about the strange happenings in the life of an obese girl Najuka weighing 250 kgs with a huge structure. Najuka’s father has fixed her marriage while she was a child to his friend’s son and it’s a commitment given to a priest in the temple of Lord Lingoba.
When the communication is reached between the two parties after so many years reminding each other about the promise, the stage is set to get Najuka married to late Devkule’s son Raiba, who is not allowed to see the bride, as per the tradition. Raiba, who is otherwise desperate to get married, agrees to marry Najuka with this condition. But, when he finds Najuka in her real shape, he starts hating her. Though Najuka wins the heart of her Mother-in-law and Grand Mother-in-law; with her good nature; she fails to win over her husband.
The film’s screenplay makes you a part of their family friends developing sympathy towards Najuka. When Najuka leaves her husband’s place; Raiba realizes his mistake as he is made to understand by people around him, explaining the meaning of a good ideal wife. Finally everything ends well with a happy note.
‘Agadbam’ is the kind of film that speaks about the change that Marathi film industry has brought in technical areas. Watch the Prosthetic make-up of Trupti Bhoir in that role of Najuka and you will be stunned. The usage of VFX and DI makes the film perfect in presentation. Cinematographer and director Satish Motling has used his expertise to present the film, keeping in mind the plus points of Najuka’s character. Makarand Anaspure, Trupti Bhoir, Usha Nadkarni
Trupti has dared to present herself in that get-up throughout the film, except for two songs in dream sequence , where she appears normal.
Dialogues of the film have been written by Mangesh Kulkarni, keeping in mind the mixture of village and city lifestyle. Few dialogues to impress upon the financing institution like IDBI bank were uncalled for, but they have been used to make their media partners happy. The screenplay of the film is otherwise well presented, with good editing work. You will never feel bored throughout the film. Makarand Anaspure as Raiba and Usha Nadkarni as his mother fit in perfectly into their respective roles. Trupti has played her character perfectly, to derive sympathy from the audience. She has paid more attention on her body language, especially her walking style and her voice. Music of the film is good, with two meaningful songs and one dhamaal song inviting the attention.
In all, ‘Agadbam’ is a well presented entertaining film, with a message. The film is sure to invite the attention of viewers, even other than Maharashtrians; for its novel theme. It will not be surprising, if the film maker receives offers for a remake in other languages.
“I have really come through hard times” – Satish Motling
The pre-release campaign of ‘Agadbam’ has also brought into limelight one such person, who has almost risen from rags to riches. Satish Motling, director of ‘Agadbam’ was perhaps inspired by the hard work put in by all time greats like Abraham Lincoln, Jim Carrey, Dhirubhai Ambani and actor Chiranjivi, who had some mission in their life. But, if you ask Satish, what’s his ultimate desire? He says, “I would like to reach a stage, where people from this industry should find me somewhere in line with the directors like Madhur Bhandarkar and Mahesh Manjrekar.”
If you peep into his past life, during his childhood he lived a life like a typical Mumbaikar with a good family backing. But, destiny had something else in mind.
He lost his father, when he was in 7th standard. The family had to vacate the Government quarters and Satish was literally on the roads. “We couldn’t even manage to get any funds from father’s office; as he in turn had helped someone by drawing huge loan amount in his name. So, the dues payable to him were adjusted against the recovery” he tells in a soaked voice.
As a school going kid, Satish took the responsibility of not only supporting himself for his education but also his family, by doing odd jobs. He washed the cars in his area early in the morning, even sold newspapers and what not. But, even in that condition, he had a dream in his eyes and that was to become a good cinematographer. He was ready to work hard to achieve it. Those days, Dimple Films was considered to be lucky for those who made the beginning of their profession through them.
“For a beginner like me, I had no other option but to join them in whatever capacity they accepted me. I joined them as a helper and without any hesitation, did all odd jobs there too. As we all know, a helper has no fixed duties. Those days, I lived in the slums, just opposite the tower where I live today. But, my enthusiasm and dedication to work enabled me to move step by step closer to my ultimate goal.” says Satish.
After working as assistant, finally he began his independent work with Bhojpuri and Bengali films. Even did ad films one of which was the famous Manchester United ad, which was done by him on three consecutive occasions. In Marathi, he made his entry with ‘Isshya’ and ‘Agadbam’ is his 13th film as a Cinematographer. But, in ‘Agadbam’ you will see more of Satish as a director. To put it in Satish’s own words, “Cameraman is the captain of the ship.” But, what happens when he is the director too ?
His answer to this question is: Watch ‘Agadbam’.
“I always wanted to try something different in Marathi….” -Trupti Bhoir
Trupti Bhoir is not a new name to the Marathi film industry. As an actress she has already made a mark, be it on stage, television or films. Young and ambitious Trupti who hails from Mumbai, was a part of theatre before entering the mainstream cinema. Her journey began with stage followed by TV serials and films. While in college, she took part in drama competitions and also learned classical dance. This came to her advantage, while venturing into this field.”
Trupti has already bagged state-level awards for best acting, during her college days. Super hit Drama ‘Sahi Re Sahi’ was her first break in professional Marathi theatre. Three years since then Trupti has been a part of this industry and she has done films like ‘Ishya’, ‘Ovalte Bhauraya’, ‘Tujhya Majhya Sansarala……’ , and ‘Paulkhuna’, while her television serials include the famous ‘Vadalvaat’ and ‘Char Diwas Sasuche’.
About her decision to turn towards production of films at such a young age, she reacts, “Even a clapper boy working on the sets, dreams to be a producer someday.”
Trupti Bhoir
As someone has rightly said, “The thing always happens that you really believe in and the belief in a thing makes it happen.” “I always believed in such a thing and after watching something unusual in the presentation of many good films, I got inspired to make something different in the Marathi film industry, so as to deviate from the current trend.”
“I always felt that whatever I present through my Marathi film, others should also appreciate it and try to remake it . More so, Marathi viewers also need variety and if that is not given to them, then how will the Marathi film industry survive?” she questions . She did produce her first film ‘Tujhya Majhya Sansarala Ani Kai Hava’ , which was a family story related to every household. But, later she felt the guilt that she offered nothing different from the traditional Marathi film. However, after coming across the script of ‘Agadbam’, she made up her mind to make this film.
Trupti spoke leisurely to marathimovieworld, just a week before her much awaited film’s release, narrating her experiences. Excerpts from an interview:
Q: Your film ‘Agadbam’ has crossed your original budget of 5 Crore. Aren’t you worried about your returns ?
A: When I took a decision to make this film, many people suggested me to make this film in Hindi, for the variety offered and to get good returns. But, I was more keen to offer this subject in Marathi only. I always felt that Marathi film industry was capable of producing technically perfect and financially backed film. That’s the reason, I am paying more attention on marketing of my film now, though the budget has exceeded. It has certainly crossed 6 Crores and nearing 7 Crores now. I have worked very hard to offer something different and I am confident that people would respond well with a good turn out at the theatres.
Q: Were you ambitious from the childhood to enter this field?
A; Yes, I was always ambitious and very much wanted to be a part of this field. Accordingly, I had prepared my self in that direction, learning dance first. I was very much fond of dancing. But, my mother always reminded me about my priorities and hence had to complete my studies first. With the experience that I gained through drama competitions while in college; the gates of this profession opened doors for me.
Q: How challenging was it, to perform this huge character of Najuka, weighing 250kgs.?
A: The technique of prosthetic make-up has come to India, with actors like Kamal Hasan and Anil Kapoor having tried it before in their films; but to remain in that make-up and work for hours was real challenging for a woman like me. I had to not only carry that extra weight, but also dance and fight in few scenes. On one particular occasion, I remained in that make up for 26 hours, which is a record. More so, I was using this make up done by our own industry person, rather than seeking help of experts from abroad. But, I had confidence in Mr. Pemgirikar and his team. Finally, we have overcome all challenges.
Q: Was this a start to finish shooting schedule?
A; Yes, it was a start to finish shooting, which took 17 days, including shooting of four songs. But, we had planned it properly. Thanks to our director Mr. Satish Motling, for coordinating so well.
Q: You have also used VFX in this film?
A: Yes, it was the demand of the film. Most of our expenditure has gone on that. But, we wanted this film to be technically perfect, besides the use of prosthetic make-up.
Q: How are you marketing this film ?
A: Right from Govinda festival, I started marketing this film, which was then in post production stage. At Dombivali, I was dressed up in the same make up and entertained the crowd from the stage, performing dance. During the Ganapati festivals, I toured Ganapati temples and community celebrations across the state, to seek blessings of people, besides Lord. People from these places appreciated my efforts to dress up with that make up of Najuka’s character and wished me luck for this movie. The show will go on till the release of the film.