‘Wagherya’ promises fool 2 Entertainment
As the month of April begins, it’s time to fool people and generate entertainment. Traditional Marathi films, which are known to offer entertainment through comedy subjects, have offered many comedians, who have entertained the audience. Now Lalasaheb Shinde and Rajendra Shinde are presenting one such film ‘Wagherya‘ which promises so called Fool 2 entertainment.
Produced by Rahul Shinde , Ketan Madiwale and Written & directed by Sameer Asha Patil , ‘Wagherya‘ film has renowned comedians Kishore Kadam, Bharat Ganeshpure & Hrishikesh Joshi in the star cast of this film, along with other versatile artistes like Suhas Palshikar, Nandkishore Chougule, Leena Bhagwat & Chhaya Kadam. Now, it remains to be seen whether this team will make the audience laugh during this summer vacation.
‘TTMM – Tujha Tu Majha Mi’ – Making youngsters understand the value of marriage
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Movie: TTMM – Tujh Tu Majha Mi
Rating: ★★★ Genres: Drama Censor: U/A Duration: 124 min. Producer(s): Dr. Santosh Uttam Sawane Director: Kuldip Jadhav Cinematography (DOP): Mayur Hardas Story / Screenplay: Tejpal Wagh Music: Pankanj Padghan Cast: : Lalit Prabhakar, Neha Mahajan, Vidyadhar Joshi, Savita Prabhune, Satish Pulekar, Seema Deshmukh, Sagar Karande, Bharat Ganeshpure Movie Review by: Ulhas Shirke |
It seems that now a days modern Marathi film makers have set a new trend of ‘youngsters getting confused, when it actually comes to marriage’. In short, it is all about their mindset in understanding marriage. So, after ‘Chi Va Sou Ka‘ and ‘Muramba‘, we find another Marathi film ‘Tujha Tu Majha Mi’ (TTMM) presenting a young couple, confused about the term ‘marriage’. While Jay (Lalit Prabhakar) a young man from a rich family runs away from his house, because his parents feel that it is right time for their son to marry a girl known to him and his family, Rajashri (Neha Mahajan) a girl from a middle class family also runs away from her house, as her demanding mother wants her to marry a boy, whom she feels is suitable to her daughter, who is already overdue for marriage.
So, the destination for all such youngsters being Goa, both of them coincidentally board the same bus bound for Goa. They occupy seats next to each other only to fight over petty things and finally start liking each other, following the traditional formula of films based on love stories. Only difference is that this couple agree with mutual consent to marry each other, to escape their arrest by a Police Officer ( Bharat Ganeshpure). Being convinced that they are true lovers and treating Rajashri has his sister, the Police Officer being more than generous, offers the couple four day honeymoon package, inclusive of an escort. Both spend good time with each other, only to be traced by their parents. Having come to know about their marriage, Jay’s parents welcome Rajashri to their house. But, the film’s story takes a new twist, to show their separation. Finally, the film concludes with a predictable climax.
Good thing about this film is its music by Pankaj Padghan provided for few songs played in the background. Also, wonderful cinematography by Mayur Hardas adds that extra flavor to this film. But, in the role of editor of this film, he has created some confusion, with sudden shift of scenes, taxing the audience. Also, inclusion of the character of Sagar ( a small time cable operator and an eve teaser) played by Sagar karande fails to convince, as Rajashri is shown cheating him with a promise for marriage first and later agreeing to marry him, after separating from Jay. This certainly does not send a good message. The director has however presented some emotion filled scenes very well, particularly the one with Vidyadhar Joshi and Lalit Prabhakar in the second half of the film.
Nevertheless, the performances by lead pair are good. Neha Mahajan in particular , is very impressive. Good support comes from Vidyadhar Joshi, Savita Prabhune, Satish Pulekar, Seema Deshmukh, Bharat Ganeshpure and others. Among them, Bharat Ganeshpure through his limited role of a Police Officer offers some humour. Kadambari Kadam is seen after a long time in guest appearance.
All in all, ‘TMM – Tujha Tu Majha Mi’ offers light entertainment and is targeted at youngsters. The film does send across a message for youngsters, i.e. to understand the value of marriage. However, it could have been still better, if it was presented with convincing theme.
‘Chi Va Chi Sau Ka’ offers casual entertainment
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Rating: ★★1/2
Genres: Drama Censor: U Duration: 120 min. Studio/presenter: Zee Studios Producer(s): Nikhil Sane Director: Paresh Mokashi Writer: Madhugandha Kulkarni, Paresh Mokashi Cinematographer (DOP): Sudheer Palsane Cast: Lalit Prabhakar, Mrinmayee Godbole, Bharat Ganeshpure, Supriya Pathare, Pradeep Joshi, Purnima Talwalkar, Sunil Abhyankar, Sharmishtha Raut Movie Review by: Ulhas Shirke |
To keep the audience engaged throughout the film, should be the sole motive of an entertaining film. Especially, when the theme of the film is based on comedy, there are big expectations from the director of the film. Paresh Mokashi, who directed the films like ‘Harishchandrachi Factory‘ and ‘Elizabeth Ekadashi‘ has now presented his latest film ‘Chi Va Chi Sau Ka‘, raising expectations from the Marathi film audience. But, the film has turned out to be a casual entertainer.
The film presents the story of two youngsters Savitri( Mrinmayee Godbole) and Satya ( Lalit Prabhakar), who are from different fields. While Satya is an Electronics engineer, who is very much concerned about water conservation, Savitri is a Veterinary doctor, who is very much against anyone harming an insect or an animal. Both of them are brought together by their respective family members, with an arranged marriage. But, Savitri, in spite of knowing Satya through her friend, puts a condition that she would marry Satya, provided she is given a chance live with him on a trial basis for few days, to understand him.
In spite of opposition from parents , Satya accepts this condition and both of them live together in a room, only to create misunderstandings among family members from both the sides. There are fights between them. Then, we also notice Savitri fighting like a kid with her elder sister who is pregnant and younger school going brother. Most of the time in this film has been wasted in unnecessary quarrels between different characters, who sound loud.
Actually, what the film maker wanted to show, he could not present in two hours and thirteen minutes, due to poor screenplay and limited content. Initially, through another couple separating after their court marriage, he clearly hinted that all love marriages are not successful, showing the instant break up of a young couple, who could not stay without each other’s company earlier.
However, in the case of Satya and Savitri, he has tried to show that ‘Live in relationship‘ is the only way to understand each other, no matter how much time it takes? Today, in the name of comedy and entertainment, anything is being offered and some our Bollywood films are the best example. This film has tried nothing different from such films. Now, how the audience would accept this idea, remains a big question.
Performances from the artistes are just fine, but all of them are too loud and quarrelling with each other most of the time, which has taken away the interest from the subject of ‘Chi Va Chi Sau Ka‘ film. Music composed by Narendra Bhide is just fine, but the sound recording and the fine photography by Sudhir Palsane, have turned out to be the plus points of ‘Chi Va Chi Sau Ka‘ film.
‘Nagpur Adhiveshan’ presents routine political satire
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Rating: ★★½
Genres: Drama Censor: A Duration: 120 min. Studio/presenter: Vidharba Pictures Producer(s): Anil Keshavaji Jalamkar Director: Nilesh Raosaheb Jalamkar Music: Amit Tale Writer: Nilesh Raosaheb Jalamkar Cinematographer (DOP): Chandrakant Meher Cast: Makrand Anaspure, Bharat Ganeshpure, Mohan Joshi, Ajinkya Deo, Vinit Bhonde, Sankarshan Karahade, Dipali Jagtap, Chetan Dalvi, Amol Tale, Sneha Chavhan Movie Review by: Ulhas Shirke |
Films on the backdrop of political situation in Maharashtra, are not new to Marathi film lovers. In the past, films like ‘Samna‘, ‘Sarkarnama‘, ‘Made In China‘ invited attention of many film lovers, for presenting the political situation especially in Maharashtra very realistically. However, in the recent past, none of the film makers could present their films on this subject effectively, so as to hold the film goers to their seats from start to finish. Some film makers did attempt political satire, to entertain the audience.
Latest released Marathi film ‘Nagpur Adhiveshan- Ek Sahal‘ also presents a light comedy, on the backdrop of Winter session of Maharashtra legislature, held every year in the orange city. Produced by Anil Keshavrao Jalamkar and directed by Nilesh Raosaheb Jalamkar this film presents the effect of this session on the officials of State Government department housed there. The film focuses on all such employees busy in meeting the demands of the visiting elected representatives, through corrupt practices. Through different characters, the film tries to show the attitude of each one of them, engaged in ‘give and take’ business.
The film begins with a leader of the opposition Prataprao ( Ajinkya Deo) planning a cycle march from his village to Nagpur,to show his strength to gain political mileage; but faces opposition from a young protagonist Aju ( Amol Tale) from his village. Somehow, he manages to convince him to accompany him along with his followers. However, on reaching Nagpur, Prataprao plays his political game with the help of his local Political worker Waghmare ( Bharat Ganeshpure ) based in Nagpur , who seeks help of a clerk from Government office Mr. Solanke ( Makarand Anaspure ) and his team.
The film does not pass any strong social message, but has tried to show the excitement amongst the leaders attending the sessions , who are in a picnic mood instead of discussing the problems faced by the people. All these events have been picturised to generate some humour. However, the film’s screenplay fails to pick up till interval. Even after interval, there are not many interesting happenings, giving it a look of a routine political satire. It is only towards the climax, the screenplay presents some hilarious moments. The intention of writer-director has been good while presenting this subject, but he has not been able to make it gripping. In an attempt to offer scope to every important actor in this film, he has lost the track.
In the beginning of the film, you are under the impression that Ajinkya Deo is the hero of this film. Then, the focus is shifted on Amol Tale and soon you find Makarand Anaspure and Bharat Ganeshpure getting the attention. But, there is also time given to young Sankarshan Karhade, who finds his space to romance with Sneha Chavan. Then, there are other artistes like Mohan Joshi, Chetan Dalvi, Satish Phadke, Deepali Jagtap and Vinit Bhonde , who find their share as supporting artistes. All of them have given good performances, with Mohan Joshi attempting something different. The film’s music is not very impressive, as there are two conventional style songs, but the film’s cinematography is good, capturing some outdoor locations of Nagpur skillfully.
All in all, ‘Nagpur Adhiveshan Ek Sahal‘ presents a routine political satire and is a timely release as the winter session of State legislature is going on in Nagpur.
Nagpur Adhiveshan Ek Sahal ( नागपूर अधिवेशन ..एक सहल )
Genres: Drama
Rating: ★★½
Censor: A
Duration: 130 min.
Studio/presenter: Vidharba Pictures
Producer(s): Anil Keshavaji Jalamkar
Executive Producer: na
Director: Nilesh Raosaheb Jalamkar
Writer: Nilesh Raosaheb Jalamkar
ScreenPlay: Nilesh Raosaheb Jalamkar
Dialogues: Nilesh Raosaheb Jalamkar
Official Facebook Page I Twitter
Cast & Crew
Executive Producer: na
Co-producer: Yayati Naik
Director: Nilesh Raosaheb Jalamkar
Assistant Director: na
Writer: Nilesh Raosaheb Jalamkar
ScreenPlay: Nilesh Raosaheb Jalamkar
Dialogues: Nilesh Raosaheb Jalamkar
Lyrics: Anand Khelkar, Nilesh Jalamkar, Amol Tale
Music: Amit Tale
Playback Singer: Prasenjit Kosambi, Bela Shende, Hrishikesh Ranade, Sharad Taur
Cinematographer (DOP): Chandrakant Meher
Editor: Dinesh Mengade
Starcast: Makrand Anaspure, Bharat Ganeshpure, Mohan Joshi, Ajinkya Deo, Vinit Bhonde, Sankarshan Karahade, Dipali Jagtap, Chetan Dalvi, Amol Tale, Sneha Chavhan
Costumes: Sandeep Joshi
Makeup: Nishikant Ujawane
Sound : Dinesh Uchil, Shantanu Akerkar
Background Score: Amey Nare, Sajan Patel
Choreographer: Rahim Shaikh, Sudhir Kambale
DI, VFX: na
D.I. Colourist: Vishwas Sathe
Promos: 24 Pyramid
Music Label: na
Publicity Designs: na
P.R.O.: Ganesh Gargote
Distributor : na
Synopsis
‘Nagpur Adhiveshan Ek Sahal ‘ : na
Videos
News / Article / Interview
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Movie Still(s)
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Poster(s)
Review
‘Jalsa’ offers an average comedy
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Rating: ★★½
Genres: Comedy Drama Censor: U Duration: 130 min. Studio/presenter: Studio 9 Entertainment Producer(s): Ashutosh S. Raaj Director: Ashutosh S. Raaj Music: Samir Saptiskar, Vivek Sanap Writer: Ashutosh S. Raaj Cinematographer (DOP): Vijay Mishra Cast: Bharat Ganeshpure, Sagar Karande, Abhijeet Chavan, Arun Kadam, Nikhil Wairagar, Ashutosh S Raaj, Girija Joshi, Manasi Naik Movie Review by: Ulhas Shirke |
Now days, we find many new directors attempting to offer something to Marathi cinema, in the name of comedy. However, in the new film ‘Jalsa’ we find the director Ashutosh S Raaj playing multiple roles as a film maker, an actor and also a writer, to offer this so called traditional comedy through his film.
Actually, ‘Jalsa‘ is the story of two youngsters Amar Patil ( Ashutosh S Raaj) and Prem Patil ( Nikhil Wairagkar) who are passionate about directing a film. Amar who is from a well to do family, becomes so desperate that he borrows money from people in their neighborhood and when he cannot repay the same, his father ( Mohan Joshi) drives him out of his house. Amar along with Prem then finds shelter in the house of his maternal uncle Bhaiyyasaheb ( Bharat Ganeshpure) in a village , where both of them find an opportunity to stage a play based on the old classic drama ‘Ekach Pyala‘ with local artistes, their two girlfriends ( Girija Joshi & Shital Ahirrao) and their Uncle, who is also an actor expert in performing the female roles .
The film’s screenplay literally drags in the first half, with most of the time wasted in showing all the important male characters consuming hard drinks and uttering all the non sense, by taking the audience for granted. Especially, the character played by Arun Kadam is shown drinking almost in all the long scenes to his share. The characters played by Sagar Karande, Abhijeet Chavan, Mohan Joshi have been wasted in this film. More scope has been given to TV comedian Bharat Ganeshpure, but his character hasn’t been developed properly, in the company of too many artistes, including the two youngsters played by director Ashutosh S Raaj himself , Nilhil Wairagkar, their two girlfriends Girija and Shital with their love stories etc. The much talked about ‘Bai Vadyavar…‘ song picturised on Manasi Naik has turned out to be the title song of the film shown at the beginning part of this film.
The director has been able to present only the last 15- 20 minutes of the film with some real comedy drama. Otherwise, the rest of the film fails to appeal, for presenting not so interesting plot and a poor screenplay. The film ‘Jalsa‘ may appeal only to some of the village folks, who are fond of local based entertaining plays. But, for real sensible Marathi film lovers, this film is a big disappointment. However, good art design by Vaibhav Shirolar and sound design by Manoj Mochemadkar and Sandeep Madkholkar are the only technical plus points of the film. Music by Samir Saptiskar for the two songs in this film is just fine. In short, ‘Jalsa‘ offers just an average comedy.
Jalsa ( जलसा )
Genres: Drama
Rating: ★★½
Censor: U
Duration: 130 min.
Studio/presenter: Studio 9 Entertainment
Producer(s): Ashutosh S. Raaj
Executive Producer: Nikhil Wairagar
Director: Ashutosh S. Raaj
Writer: Ashutosh S. Raaj
ScreenPlay: na
Dialogues: na
Official Facebook Page I Twitter
Cast & Crew
Executive Producer: Nikhil Wairagar
Director: Ashutosh S. Raaj
Assistant Director: na
Writer: Ashutosh S. Raaj
ScreenPlay: na
Dialogues: na
Lyrics: Ashutosh Raaj, Vivek Sanap
Music: Samir Saptiskar, Vivek Sanap
Playback Singer:Anand Shinde, Adarsh Shinde, Madhura Datar
Cinematographer (DOP): Vijay Mishra
Editor: Sherwin Bernard
Starcast: Bharat Ganeshpure, Sagar Karande, Abhijeet Chavan, Arun Kadam, Nikhil Wairagar, Ashutosh S Raaj, Girija Joshi, Manasi Naik
Costumes: Prachi M Dedhiaa, Mukta Dandgawal
Makeup: Vinod Sarode
Sound : Manoj Mochemadkar, Sandeep Madkholkar
Background Score: Aditya Bedekar
Choreographer: Rajesh Bidve, Sonia Parchure
DI, VFX: Prime Focus Ltd
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: Amey Amberkar
Distributor : na
Synopsis
‘Jalsa’ : Marathi movie ‘Jalsa‘ is the story of two youngsters Amar and Prem who are extremely passionate about theatre and wish to revive an old classic drama. As the film unfolds, the viewers shall witness how Amar and Prem’s respective families oppose this dream of their’s.
Videos
News / Article / Interview
‘Bai Vadyavar Ya’ song from ‘Jalsa’ will be a tribute to Nilu Phule
New Marathi film ‘Jalsa’ launched with muhurat
Movie Still(s)
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Poster(s)
Review
“प्रत्येक गोष्टीची ठराविक वेळ असते” – भारत गणेशपुरे
आपल्या विशिष्ठ अश्या वऱ्हाडी अंदाजात प्रेक्षकांना लोटपोट हसवतात हसवता, मर्मावर आघात करून त्यांच्या डोळ्यातून पाणी सुद्धा काढणारा, महाराष्ट्रातील प्रेक्षकांच्या मनात घर करणारा अभिनेता म्हणजे भारत गणेशपुरे. ‘एक डाव धोबीपछाड’, ‘निशाणी डावा अंगठा’ या मराठी चित्रपटांसह अनेक हिंदी चित्रपट,मालिका, नाटके, जाहिराती, या माध्यमांद्वारे त्यांच्या अभिनयाची चुणूक बघायला मिळालीय. आता पर्यंत जवळपास २५ हून अधिक मराठी चित्रपटांमध्येत्यांनी काम केले आहे. नुकताच प्रदर्शित झालेला ‘बरड’ ह्या सिनेमात त्यांनी महत्वाची भूमिका केली आहे त्या निमित्ते त्यांच्याशी केलेल्या गप्पा:
प्र: आज दूरदर्शनद्वारा तुम्ही महाराष्ट्राच्या काना कोपऱ्यात पोहोचलात. तुमचे काम लोकांना आवडतेय. तुमच्या आज पर्यंतच्या प्रवासाबद्दल थोडं सांगा.
उ: माझा प्रवास अतिशय ग्राउंड लेव्हल वरून झालाय. अमरावतीला मी थिएटर करायचो. १९९८ ला मी मुंबईत आलो. नाटक, मालिका, चित्रपटांशी निगडीत,मिळेल ते काम केले. मग ते मेक-अप असेल किंवा आर्ट डिपार्टमेंटचे असो, ते मी करायचो. काम करता करता, मी त्यांच्याकडे रोल मागायचो. पहिला ब्रेकमिळवायला खूप कष्ट घ्यावे लागले. पण नंतर काम मिळाल्यावर, लोकांना वाटलं कि मी चांगला ऍक्टर आहे. हळू हळू काम मिळणे सोपे होत गेले आणि एक एक करता करता, मी दूरदर्शनच्या मालिकांमधून पण झळकलो. मग माझं काम लोकांना आवडत गेलं. आणि मला दिग्दर्शकाचे फोन यायला सुरवात झाली. शेवटी एवढच की, काम छोटे असो की मोठे. तुम्ही ते काम इमानदारीत करणे महत्वाचे आहे. प्रामाणिक प्रयत्नांना यश नक्की मिळते.
प्र: ‘बरड’ चित्रपटातील तुमच्या भुमिकेबद्दल थोडक्यात सांगा ?
उ : ‘बरड’ म्हणजे अशी जमीन, जिथे काहीच पिकत नाही. फक्त दगड असलेली जमीन. फारफार तर पाऊस पडला तर गवत उगवतं . अश्या जमिनीला काही भाव नसतो. ह्याची जमीन त्याला आणि त्याची जमीन ह्याला, असा जमिनीचा व्यवहार करणाऱ्या दलालाची व्यक्तिरेखा मी ह्या सिनेमात साकारलीय.
प्र: प्रेक्षकांनी हा सिनेमा का बघावा? सिनेमा बद्दल थोडं सांगा.
उ: मुळात जमिनीतील व्यवहारांबद्दलची जागरूकता आहे. चित्रपट दाखवलेली जमीन विक्रीची फसवणून हि जी समस्या आहे ती शहर आणि ग्रामीण अशा दोन्ही ठिकाणी पाहायला मिळते. अफवांवर विश्वास ठेऊन कशी फसवणूक होते आणि मग संपूर्ण कुंटुंब कसे उध्वस्त होऊ शकते, ह्यावर हा सिनेमा आहे. फसवणुकीच वातावरण सगळीकडे निर्माण झालय, त्यासाठीच हा चित्रपट लोकांनी बघावा. आणि एखादी अफवा माणसाच्या आयुष्यात किती वाईट नुकसान करू शकते. ह्याचे चित्रण ह्या सिनेमात केलय.
प्र: हल्ली संपूर्णपणे केवळ मनोरंजन, धांगडधिंगाणा असलेले सिनेमे, हे जास्त प्रमाणात प्रेक्षकांच्या आवडीस उतरत आहेत. ‘बरड’ सारखा वास्तववादी सिनेमा पाहणारा प्रेक्षक कमी होताना दिसतो, तुम्हाला काय वाटतं ?
उ: हा सिनेमा वास्तववादी आहे. पण त्याची हाताळणी वेगळ्या प्रकारे केली गेली आहे . चित्रपटाची पटकथा प्रभावी आणि फास्ट आहे. चित्रपट रेंगाळत नाही. शिवाय, फिल्म मध्ये मनोरंजनाचा भाग माझ्या वाटेला आहे. लोक हल्ली कॉंमेडी फिल्म जास्त बघतात. पण त्या बरोबरीस असं अंतर्मुख करणारे सिनेमे सुद्धा पाहायला हवे.
प्र: तुम्हाला नाही वाटत, की तुम्हाला उशिरा यश मिळाले ?
उ: तसं नाही म्हणता येणार. आल्या आल्या यश नको मिळायला. कारण, अनुभव हा कामांतूनच येतो. प्रत्येक गोष्टीची ठराविक वेळ असते. तसं खूप प्रोसेस मधुम काम केल्यानंतर, मिळालेल्या प्रसिद्धीची ही एक वेगळी मज्जा असते. त्यामुळे असे नाही म्हणता येणार की खूप उशिरा यश मिळाले.
प्र: यशाचे श्रेय कोणाला देणार ?
उ: अर्थातच प्रेक्षकांना, खरं सांगायचे तर मी शाळा, कॉलेज किंवा इतर कुठूनही अभिनय शिकून आलेलो नाहीये पण जनतेला, प्रेक्षकांना माझा अभिनय, माझी विनोदाची शैली आवडली आणि त्यांनी मला मोठं केलेय. त्यामुळे त्यांचेच आभार.
प्र: ‘बरड’ व्यतिरिक्त इतर कुठले सिनेमे आगामी काळात प्रदर्शित होणार आहेत?
उ: येत्या ऑगस्ट महिन्यात ‘वाघेर्या’ नावाचा एक वेगळा चित्रपट प्रदर्शित होणार आहे. समीर आशा पाटील ने त्यांचे दिग्दर्शन केले आहे. कॉमेडी फिल्म आहे. पण, त्यातील माझी व्यक्तिरेखा नक्कीच प्रेक्षकांच्या लक्षात राहील अशी आहे. ऋषिकेश जोशी, सुहास पळशीकर, किशोर चौघुले, किशोर कदम ह्यांच्या बरोबर अभिनयाची भट्टी चांगलीच जमलीये. शिवाय काही चित्रपटांवर काम चालु आहे. जे कदाचित वर्षा अखेर आपल्याला पाहायला मिळतील.
New Marathi film ‘Barad’ to release on 10th June
Today, Marathi films are evolving more around the personified topics . Betraying friends- families for money is a common sight these days. Politics is draining away the trust from its voters. ‘Barad‘ is one such film, which is set on the backdrop of all such social elements of a small village Alkud, where money hopes are destructing the prosperity and humanity.
Barad means barren land. Many villages have such infertile lands. The film ‘Barad‘ floats around a rumor which destroys the villagers as well as the village. Presented by Atharva Movie’s Devendra Kapadia & produced by Kumar Gandhi the film is directed by Tanaji Mahadeo Ghadge. Cinematography by Kamal Chaupal and Surendra Singh & music by Sandeep Wadekar are other credits. The theme song of this film is presented by Rohan & Rohan. The film stars Suhas Palshikar, Shahaji Kale, Rajan Patil, Bharat Ganeshpure, Nandkishor Chaugule, Sanjay Kulkarni, Rohit Chavan, Dhananjay Jamdar, Ajay Apkire, Geeta Shinde, Namrata Kudalkar and others.
Barad ( बरड )
Genres: Drama
Rating: ★★
Censor: U
Duration: 130 min.
Studio/presenter: Atharva Movies, Image SRK productions
Producer(s): Deven Kapadnis
Executive Producer: Shankar Dhuri
Director: Tanaji Mahadeo Ghadge
Writer: Deven Kapadnis
ScreenPlay: Deven Kapadnis
Dialogues: Deven Kapadnis
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Cast & Crew
Co-producer: Kumar Gandhi
Executive Producer: Shankar Dhuri
Director: Tanaji Mahadeo Ghadge
Assistant Director: na
Writer: Deven Kapadnis
ScreenPlay: Deven Kapadnis
Dialogues: Deven Kapadnis
Lyrics: na
Music: Sandeep Wadekar
Playback Singer: Sandeep Wadekar
Cinematographer (DOP): Surendra Sigh, Kamal Chaupal
Editor: Tanaji Mahadeo Ghadge
Starcast: Suhas Palshikar, Rajan Patil, Shahaji Kale, Bharat Ganeshpure, Sanjay Kulkarni, Nandkishor Chaughule, Dhananjay Jamdar, Rohit Chavan, Shrikant Badve
Costumes: na
Makeup: Amrut Jadhav
Sound : Abhijeet Shriram Deo
Background Score: Prakash Nair
Choreographer: Mahesh Patil
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: Sunil Gujar
P.R.O.: Ram Kondilkar
Distributor : na
Synopsis
‘Barad’ : ‘Barad’ a barren land of fertile dreams Alkud (M) is a typical small village in a Maharashtra with an agrarian economy and a simple life, like any other village. The urban way of living fascinates, but the economy doesn’t allow. The story starts with a survey conducted by a government agency at Bardi, the barren land adjacent to the village. Anna, a village veteran, is called for, as a witness to the survey. Anna enquires about the survey. The information by the officer contains some crucial words in English. Anna and Appa try to conclude a meaning…….. guessing remains their only access to what this survey is all about.
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New Marathi film ‘Barad’ to release on 10th June
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