Tag Archives: Dr.Girish Oak

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Mazhi Tapasya ( माझी तपस्या )

Mazhi Tapasya Marathi Film Poster
Release Year: 2016 (22 April)
Genres: Drama
Rating:  na
Censor: U
Duration: 130 min.
Studio/presenter: Vikrant Films
Producer(s): Vikrant Satyanarayan Jaiswal
Executive  Producer: na
Director: Dr.Raj mane
Assistant Director: Dr. Vikrant Satyanarayan Jaiswal
Writer: Prashant Bhelande
ScreenPlay: Dr.Raj Mane
Dialogues: na
Official Facebook Page I  Twitter

Producers: Vikrant Satyanarayan Jaiswal
Co-producer: Satyanarayan Jaiswal
Executive Producer: na
Director: Dr.Raj Mane
Assistant Director:  Dr. Vikrant Satyanarayan Jaiswal
Writer: Prashant Bhelande
ScreenPlay: Dr.Raj Mane
Dialogues: na
Lyrics: Prashant Bhelande
Music: Arvind Hasabnis
Playback Singer:   na
Cinematographer (DOP): Jitu Achrekar
Editor: Adil Vassan
Starcast: Makrand Deshpande, Milind Shinde, Dr.Girish Oak, Namrata Gaikwad, Deepti Bhagwat, Sundar Jog, Chaitra Bhujbal
Art Director: Sudhir Tarkar
Costumes: na
Makeup: na
Sound : na
Background Score: na
Choreographer: na
DI, VFX: na
D.I. Colourist:  na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na

‘Mazhi Tapasya’ : The film ‘Mazhi Tapasya’ is story of a girl(Namrata Gaikwad) who is daughter of Baburao Malhar(Makrand Deshpande). This Character called Baburao Malhar was having a very good friend who was also his neighbour called Ramesh(Milind Shinde). but due to bad circumstances between them.There relation was not in good faith for each other so after that, Ramesh decides to sale her in market.
But a good man(Adv.Prashant Bhelande) decides to keep her at his house and educate her well,gives all facilities in terms of education and due to this that girl becomes ‘Collector’.
This girl called “Tapasya” sees some negative dreams as concern to the childhood so this story is related to her and how she tries to search her childhood,what she had lived in past.

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Mazhi Tapasya Marathi Movie Poster

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Tee Phulrani ( ती फुलराणी ) Marathi Natak

Ti Phulrani Marathi Natak Poster
Genres: Drama
Rating: na
Opening Date: 2016 (17 March)
Production House: Ashtagandh Entertainment
Producer(s):  Dhananjay Chalke
Presenter: Endonis Enterprises
Writer: Rajesh Deshpande
Director: Rajesh Deshpande
Official Facebook Page I  Twitter

Producer(s):  Dhananjay Chalke
Co-producer(s): na
Director: Rajesh Deshpande
Assistant Director: Sahil Povale
Writer: Rajesh Deshpande
Dialogues: na
Artist:  Hemangi Kavi, Dr. Girish Oak, Meenakshi Joshi, Rasika Dhamankar, Nitin Narkar, Pranjal Damle, Vijay Patvardhan, Niranjan Javir, Harish Tandale, Disha Danade, Sunil Jadhav, Anjali Maydeo
Set Design: Sandesh Bendre
Lights: Bhushan Desai
Costume: Mahesh Sherla
Background Music: na
Makeup: Uday Tangadi
Costume Designer:  Mahesh Sherla
Hair Style: na
Art: na
Lyrics:  na
Music: Nishad Golambare
Playback singers: Shrirang Bhave, Anjali Maidev, Devashri Golambare
Choreographer : Sampada Joglekar-Kulkarni
Publicity Designs: na

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Ti Phulrani Marathi Natak Poster

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‘Tee Phulrani’ to return with Hemangi Kavi

Tee Phulrani Marathi Play
Hemnagi Kavi in marathi natak ‘Tee Phulrani’

Late P.L. Deshpande’s famous Marathi play ‘Tee Phulrani‘ had found a special place in the hearts of Marathi drama lovers, over the years. Many well known actresses like Bhakti Barve, Priya Tendulkar, Sukanya Kulkarni & Amruta Subhash had till now, performed the lead character of Phulrani in this play. Now, the same play has been revived with a new look by writer- director Rajesh Deshpande and he will presenting popular actress Hemangi Kavi in the lead role. Along with her , in the role of Professor will be Dr. Girish Oak. The other artistes of this play will be Meenakshi Joshi, Rasika Dhamankar, Nitin Narkar, Pranjal Damle, Vijay Patvardhan, Niranjan Javir, Harish Tandale, Disha Danade, Sunil Jadhav & Anjali Maydeo,

Though there are some technical changes, according to the changing time, there will not be any change in the original theme,” said Rajesh Deshpande, while speaking about this revival of play. Produced by Dhananjay Chalke for Ashtagandh Entertainment & Presented by Endonis Enterprises, the inaugural show of this play, will be staged soon. Costumes by Mahesh Sherla, make up by Uday Tangadi, light effects Bhushan Desai and music by Nishad Golambari are the other credits.

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Dr.Girish Oak,Actor

Girish Oak Actor

Biography / Profile:

Girish has completed his studies in hometown Nagpur. He took part in many dramas and plays during his college. And thus it developed his interest in theatre. For a while he did practice as doctor…but then what u called job satisfaction he did not have that so he switched his profession. And then Girish came to Mumbai and landed in few plays by doing small roles. Then did theatre from 1977 to 1983.Offcourse, there was struggle during initial stage. But every actor has to do that. The best thing was Girish got full support from his family. After becoming doctor people tend to ask why acting but at that time my family supported him very much so because of that he could get in to this profession.

Filmography:

Movie(s)
Photocopy (2016)
Cappuccino (2014)
Taani (2013)
Bhau Majha Pathi Rakha (2011)
Dnyneshwari Express(2011)
Khel Saat Baaracha (2010)
Asa Mi Kay Gunha Kela (2010)
Balirajach Rajya Yeu De (2009)
Manatlya Manat (2009)
Ticha Chukal Tari Kaay? (2009)
Hello Gandhe sir(2009)
Mi Amruta Boltey (2008)
Baba Lagin (2007)
Maza Navara Tuzi Bayako (2006)
Corporate (2006)
Amhi Asu Ladke (2006)
Munnabhai S S C (2005)
Saatchya Aat Gharat (2004)
Tochi Ek Samarth (2004)
Devki(2001)
Vishwavinayak (1994).
Lavanyavati (1993)
Paisa Paisa Paisa (1993)
Shivrayachi Soon Tararani (1993).
Wat Pahate Punvechi (1992)
Jasa Baap Tashi Pora (1991)

Serial(s)
Pasant Ahe Mulgi (Zee Marathi)
Julun Yeti Reshimgathi  (Zee Marathi)
Fu Bai Fu  (Zee Marathi)
Eka hatachi tali
Paus mrugacha padato
Paramveer
Bandini (Sahyadri)
Manachiye Gunti
Prabhakar
Arre Sansar sansar
Duheri  (Zee Marathi)
Eka shwasacha aantar
Damini  (Sahyadri)
Kimayagar (Zee Marathi)
Avantika  (Zee Marathi)
Ahankar (Hindi)
Daddy Samajha karo (Hindi)
Saheb biwi aani mi  (Zee Marathi)
Zale unhache chandane
Wadal
Nivadung (Sahyadri)
Hya gojirwanya gharat (E TV Marathi)
Adhuri ek kahani  (Zee Marathi)
Ya Sukhanno Ya (Zee Marathi)
Gruhdah (Hindi)
Kukuchaku (Star Pravah
Agnihotra (Star Pravah )
Mana udhan Varyache (Star Pravah )
Puneri Misal(Saam TV Marathi)
Pinjra  (Zee Marathi)
Aaradhana (Star Pravah )

Play(s)
Tee Phulrani
To mi navech
Beimaan
Tarun turka mhatare arka
One room kitchen
Aamachya ya gharat
Deepstambh
Aakashmithi
Rangayatri
Love Birds
Shadyantra
Kusum manohar lele
Abhinetri
Khalanayak
Sunder mi honar
Satavya mulichi satavi mulagi
Jyacha tyacha prashna
Shree tashi Sau
Dehabhaan
Doctor tumhi Suddha
Tuze aahe tujpashi
Raghupati raghav rajaram
Grandfather
Shuddha Beejapoti
U Turn
Sukhanshi Bhandato Aamhi
Maze aakash vegale

Award(s):

Interview(s):

INTERVIEWS. Dr. GIRISH OAK

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Devki ( देवकी )

Devki Marathi Film Poster
Release Year: 2001 (10 December)
Genres: Drama
Rating:  na
Censor: U
Duration: 139 min.
Studio/presenter: Reflections Entertainment Network
Producer(s): Mayur Shaha, Noshir Mistri, Hozef Darukhanawala
Executive  Producer: na
Director: Milind Ukey
Writer: Suhas Shirvalkar
ScreenPlay: Abhiram Bhadkamkar
Dialogues: Abhiram Bhadkamkar
Official Facebook Page I  Twitter

Producer(s):  Mayur Shaha, Noshir Mistri, Hozef Darukhanawala
Executive Producer: na
Director: Milind Ukey
Assistant Director: Sumeet Kumar
Writer: Suhas Shirvalkar
ScreenPlay: Abhiram Bhadkamkar
Dialogues: Abhiram Bhadkamkar
Lyrics: Jagdish Khebudkar, Raghunath Matkari
Music: Lalit Sen, Sanjeev Kohli
Playback Singer: Ravindra Sathe, Devaki Pandit, Arun Ingle, Vaishali Samant
Cinematographer (DOP):  Sameer Athalye
Editor: Jafar Sultan
Starcast: Alka Kubal Athalye, Dr. Girish Oak, Milind Gawali, Sudhir Joshi, Preeti Kopikar, Abhiram Bhadkamkar, Smita Jaykar, Shilpa Tulaskar, Anurag Waralikar, Vihang Bhanage
Art Director: Vishwanath Mistri
Costumes: Pratibha Joshi, Bhagyashree Jadhav
Makeup: Manoj Limbachiya
Sound : Manish Pingle
Background Score: na
Choreographer:   Deepali Vichare, Mahesh Balraj
DI, VFX: na
D.I. Colourist:  na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na

‘Devki’ : na

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Devki Marathi Film Poster

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INTERVIEWS. Dr. GIRISH OAK

dr.girish-oak-interview-image
Girish has completed his studies in hometown Nagpur. He took part in many dramas and plays during his college. And thus it developed his interest in theatre. For a while he did practice as doctor…but then what u called job satisfaction he did not have that so he switched his profession. And then Girish came to Mumbai and landed in few plays by doing small roles. Then did theatre from 1977 to 1983.Offcourse, there was struggle during initial stage. But every actor has to do that. The best thing was Girish got full support from his family. After becoming doctor people tend to ask why acting but at that time my family supported him very much so because of that he could get in to this profession.
After theatre how did you landed in serials and films?
It’s an automatic process, to tend to go towards serials and cinemas. People start knowing you and then director and producer approaches you. But in all this I have done theatre more than serials and films…as such around 48 plays and 20 to 25 serials.
What is your experience in this your career of 25 years?
Very satisfied….during initial stage I felt to go back and start to practice medical again but then I actually took the risk of continuing but today I am more than happy with my decision. The movie ‘Dipastambh’ actually bought stability in my career can say it was turning point of my life. Since then I somewhat got established as an actor. but ya for sure I don’t repent my decision, I don’t practice now but just try to keep me update by reading books on the subject and also sometimes referring someone to any doctor.

What you want to say about tremendous response you are getting for your play ‘U Turn’?
It gives me immense pleasure and the best thing is theatre audience is coming back over that it is coming because of the play in which I am acting this gives more happiness. Its being houseful most of the times and even translated in gujrathi for gujrathi theatre.

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Now your play ‘To Mi Navhech’ is coming on the stage…how does it feels to do the play like this done by legendary Prabhakar Panshikar?
Yeeaah…it feels great. I mean it is more than a dream role…seriously never thought that I would land up doing this play ever in my career…It is really fantastic. When I was very new to this industry I had nearly done 200 shows, a very small role by playing character called Aginhotre in the same play but frankly never thought that in this 25years of my career I would do this play. It is really big achievement. Prabhakar Panshikar said to me that you will definitely make it possible. Seriously
expectation are very high and need to be very perfect in every task while doing this Girish Oak
play. It is really very challenging and tricky but very interesting. So as for now I am just concentrating on my practice. Hope to turn out very well.

Ya sir, It will surely. Our best wishes are with you…Now we will turn to serials. Your character from serial Agnihotra is very famous. Tell me something about that?
Its very tedious…I mean the character is written very well by the writer Mr.Paranjpai but this character is very strict and always angry on very high on principle and ya rude too; so sometimes I really find it difficult as it is very opposite to what I am in personal life.

Besides these what are your upcoming projects?
I have completed a very good movie with Bharat Jadhav named ‘Hello Gandesir’. But ya very interesting with a very different subject. Sandeep Despande is the director of this movie. About serials I am already have very busy schedules. Currently I am doing Agnihotra and kukuchku on Star Pravah then Hya Gojirwanya Gharat on etv and Ardhangini. I must say that I am very lucky enough to have telecast serials of different genres at the same time on television.

‘Hello- Gandhe Sir!’ – A Bharat Jadhav Vehicle

Hello Gandhe Sir Poster
Rating: na
Presenter: Prabhakar Films
Producer: Dyaneshwar Govekar
Director: Sandip-Samip
Story: Anil Pawar
Music: Pravin Kunwar
Camera: Sameer Athale
Cast: Bharat Jadhav, Dr. Girish Oak, Suhas Palshikar, Mangala Kenkre, Siya Patil, Nayan Jadhav, Vijay Kenkre, Ravindra Berde, Vinay Yedekar…
Movie Review by: Sandeep Hattangadi

Bharat Jadhav is a very saleable name on the marquee today and some of his films are only written for him. Writer Anil Pawar has written ‘Hello-Gandhe Sir’ keeping only Bharat in mind and he delivers in a style.

Gangya (Bharat Jadhav) is a ‘tapori’ kind of guy who wants to enjoy life on his own terms after being physically and mentally abused by an ambitious hawaldar father (Suhas Palshikar) who wants his son to be a Collector, but he turns out to be an academic failure. Fate leads Gangya to a college where he is appointed as a dance teacher but the principal (Dr.Girish Oak) is a strict disciplinarian who hates art forms like acting, dancing, etc. and believes that bookish learning is the only education for the young.

But, Gangya rebels against him and his ideas and in this fight loses his life. He comes back as a ghost and transforms Gandhe Sir into a caring, compassionate, fun loving person. The film in its first half seems to be inspired by films like ‘Sound Of Music’ and ‘Dead Poets Society’ and the latter half resembles the Salman Khan hit ‘Hello Brother’ and the Ashok Saraf’s hit ‘Ek Daav Bhootacha’.

Bharat Jadhav Hello Gandhe Sir
Anyway, the film does entertain and the director duo Sandip Deshpande-Samir Naik make a good debut. The performance by Bharat Jadhav is one of his best in recent times. Dr.Girish Oak is a good choice. Vijay Chavan as ‘mama’ and Ganesh Divekar also produce laughters. Mangala Kenkre, Sia Patil, Nayan Jadhav, Vijay Kenkre, Ravindra Berde and guest actor Vinay Yedekar lend good support.
The cinematography by Sameer Athalye is a bit erratic with brightly lit scenes first and dull scenes later on. But the final product has good technical values. The music score by Pradeep Kunvar is tuneful and the lyrics by Samruddhi Pawar are good. The editing is a bit jerky. The choreography deserves a special mention.