Shri Bai Samarth (श्री बाई समर्थ ) Marathi Natak
Rating: na
Opening Date: 2015 (24 July)
Production House: Ashtavinayak Nirmit
Producers: Sanjyot Prakash Vaidya, Dilip Jadhav
Presenter: S & O Media Pvt Ltd
Writer: Anurag Prapanna, Rajesh Deshpande
Director: Rajesh Deshpande
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Credit List
Co-producer: na
Director: Rajesh Deshpande
Writer: Anurag Prapanna, Rajesh Deshpande
Dialogues: na
Artist : Nirmiti Sawant, Arun Nalavade, Sameer Chougule, Manmit Prem, Vaneeta Kharat
Set Design: Prakash Mayekar, Ajay Pujare
Lights: na
Costume: Asita Narvekar
Background Music: Mayuresh Patgaonkar
Make up: na
Costume Designer: na
Hair Style: na
Art:na
Lyrics:Rajesh Deshpande
Music: na
Playback Singers: na
Choreographer: na
Publicity Designs: na
Synopsis
News / Article / Interviews
Poster(s)
Review
‘दोन स्पेशल’ – बाजारू पत्रकारितेवर घणाणती टीका
हल्लीच प्रदर्शित झालेल्या ‘नागरिक’ या चित्रपटात आजची पत्रकारिता कुठल्या थरापर्यंत जाउ शकते आणि त्यामध्ये एका कर्तव्यनिष्ठ पत्रकाराची काय अवस्था होते, हे पाहिले. पण खूप वर्षांपूर्वी लेखक ह.मो. मराठे यांनी त्यांच्या ‘न्यूज स्टोरी’ या कथेत त्याचे प्रात्यक्षिक दाखविले होते.
संतोष काणेकर आणि जितेंद्र जोशी निर्मित आणि क्षितीज पटवर्धन लिखित व दिग्दर्शित नवीन मराठी नाटक ‘दोन स्पेशल’ याच कथेवर आधारित आहे. पंचवीस वर्षापूर्वीची पुणे शहरातील पत्रकारिता, नाट्यरूपात त्यांनी प्रेक्षकांसमोर प्रभावीपणे उभी केली आहे. एका वर्तमानपत्राच्या कर्तव्यनिष्ठ उपसंपादकाच्या आयुष्यात एका रात्रीत घडणाऱ्या दोन घटनांवर हे नाटक आधारित आहे. त्यातून, लेखकाने रात्रपाळीला असणाऱ्या मिलिंद भागवत( जितेंद्र जोशी) या उप संपादकावर, एका विशेष अपघाताच्या बातमीत एका बड्या बांधकाम कंपनीचे व कंपनीच्या मालकाचे नाव छापून न येण्याकरिता, वर्तमानपत्राच्या विश्वस्तांकडून आणि राजकारण्यांकडून येत असलेला दबाव दाखवून दिला आहे. मात्र, नायक खंबीरपणे आपल्या तत्वांना जपून, या अपघातात मृत्युमुखी पडलेल्या तिघांना न्याय मिळवून देण्यासाठी, कोसळलेल्या इमारतीच्या खराब बांधकामाबाबत पुरावे गोळा करण्यासाठी प्रयत्न करतो.
एवढेच नव्हे तर, मिलिंदची पूर्वीची प्रेयसी स्वाती( गिरीजा ओक ), जी आठ वर्षांपूर्वी त्याच ऑफिसात काम करत होती, तिचे त्याच रात्री तिथे अचानक येणे आणि तिचा त्या व्यावसायिकाशी सध्या असलेला संबंध, हे सर्व चांगल्या रीतीने जुळवून आणले आहे. त्याच रात्री, मिलिंदकडे आदर्श पत्रकार म्हणून पाहणारा आणि पत्रकारितेचा अभ्यास पूर्ण करून, त्याच्या वर्तमानपत्रात नोकरी साठी आलेला तरुण (रोहित हळदीकर ) याचा वापर मिलिंद कसा करून घेतो, हा प्रसंगही चांगला खुलविला आहे. एकंदरीत, रात्री ९ ते १२.१५ या वेळामध्ये एका वर्तमानपत्राच्या कचेरीत काय घडले, याचे हुबेहूब चित्र या नाटकात उभे केले आहे. नाटक जरी सव्वा तीन तासांपेक्षा कमी वेळेचे असले तरी, काहीप्रसंग घड्याळाच्या काट्यासोबतच पुढे सरकतात आणि त्या भयाण रात्रीची जाणीव करून देतात.
नाटकाचा पूर्वार्ध थोडा रखडला आहे, पण उत्तरार्धात मात्र नाटकाने चांगलाच जोर पकडला आहे. आपले वडील हॉस्पिटलमध्ये असून सुद्धा, रात्री ड्युटीवर येऊन, आपले कर्तव्य पार पाडणारा हाडाचा पत्रकार जितेंद्र जोशी याने उत्तमरीत्या साकारला आहे. त्याला उत्तम साथ लाभली आहे ती गिरीजा ओक गोडबोले हिची. द्विधा मनस्थितीत सापडलेल्या, एका स्त्रीची व्यक्तिरेखा तिने उत्कृष्टरीत्या साकारली आहे. लेखक दिग्दर्शक क्षितीज पटवर्धन यांनी नेपथ्यकार प्रदीप मुळे याच्या सहाय्याने २५ वर्षांपूर्वीचे वर्तमानपत्राचे ऑफिस हुबेहूब उभे केले आहे. त्यात टेलीप्रिंटर चा वापर, त्याचा होणारा आवाज, जुन्या प्रकारच्या टेलिफोनचा वापर आणि अनमोल भावे याच्या सहाय्याने केलेले ध्वनी संयोजन विशेष आहे. नाटकाचा क्लायम्याक्स ही उत्तमरीत्या सादर केला आहे.
नाटकामधील एक प्रसंग मात्र खटकतो. तो म्हणजे, रात्रपाळीला आलेल्या कर्तव्यानिष्ठ मिलिंदचे, वर्तमानपत्राची पहिली कोपी निघण्याआधी, ड्युटीवर असताना, आपल्या पूर्व प्रेयसी सोबत बाहेर होटेलमध्ये जावून बेजबाबदारपणे सिगारेट व बियर पिणे व तेथे तिच्यासमोर जगातील सर्व बहिणींना उद्धेशून शिवी हासडणे. त्यापेक्षा, दोघांनी मधल्या ब्रेक मध्ये होटेल मध्ये जावून दोन स्पेशल चहा मागवणे, जास्त योग्य वाटले असते. वास्तविक, बियर आणि सिगरेट पिऊन असा अपशब्द उच्चारणे, पंचवीस वर्षांपूर्वीच्या पुण्यातील एका सुसंकृत पत्रकाराच्या तोंडी शोभत नाही. याचा प्रत्यय प्रबोधनकार ठाकरे सभागृहात प्रयोगाच्या वेळी पाठच्या रांगेत झालेल्या चूक.. चूक.. आणि कुजबूजीवरून आला . तसेही आजकालचे मराठी नाटककार( उदा. ‘मि आणि मिसेस’) , प्रेक्षकांना गृहीत धरून चालले आहेत, असे वाटते. हाच अपशब्द मराठी किंवा हिंदी चित्रपटात सेन्सोर च्या कात्रीत सापडतो, मग नाटकांच्या संवादांना सेन्सोर नाही का? खर म्हणजे, असा शब्द एवढ्या चांगल्या विषयाच्या नाटकात वापरण्याची गरजच नव्हती. पुढील प्रयोगात हा शब्दप्रयोग आवर्जून टाळावा. त्यामुळे नाटकाचा दर्जाही उंचावेल.
नाटकातील याच प्रसंगानंतर घडणाऱ्या सीन मध्ये दिग्दर्शकाने जरूर लक्ष्य घालावे. मिलिंद आणि स्वाती हॉटेलात जातात तेंव्हा स्वाती च्या हातात पर्स असते. पण बाहेर आल्यावर जेंव्हा मिलिंद स्वातीला रिक्षा मिळेपर्यंत त्याच्या कचेरीखाली रिक्षा मिळेपर्यंत थांबतो, तेंव्हा ती त्याचे ज्याकेट परत करते आणि रिक्षात बसून घरी जाते. मात्र त्यावेळेस तिच्याकडे पर्स नसते. उलट ती परत येते, तेंव्हा घराची चावी विसरल्याचे सांगते.
असो, हे दोन प्रसंग सोडले तर, नाटकाचे धारदार संवाद विषयाला धरून आहेत आणि सादरीकरणही अति उत्तम झाले आहे. सर्व नाट्यरसिकांनी आणि खास करून सर्व पत्रकारांनी आवर्जून पाहावे असे हे नाटक.
Gajendra Ahire impresses with his play ‘Shevgyachya Shenga’
Gajendra Ahire began his career as a playwright 20 years ago, with Marathi play ‘Aaicha Ghar Unhacha’ which brought the ‘best actress’ award for Neena Kulkarni, for her role in this play. Later, he was associated with three more Marathi plays as a writer. Today, Gajendra Ahire is a reputed writer director of Marathi films, having made about 40 Marathi films, during the past 12 years. But, through his latest Marathi play, ‘Shevgyachya Shenga’ Gajendra has made a comeback to Marathi theatre. And, he has certainly impressed as a writer & director, through this play.
‘Shevgyachya Shenga’ produced by Lata Narvekar, presents a sensible story revolving around different characters, representing three generations. Each one of them, have something to convey, sometimes emotionally; but through humour filled dialogues, which is the biggest plus point of this drama. The only drawback noticed was, frequent breaks, each lasting about 10 to 15 seconds ,taken to change the set arrangements. There is no doubt that they were the demand of the script, with shift from one scene to other; however, this has not been the practice on Marathi stage, in the recent times. But, the beautiful set designs by Nitin Nerurkar and wonderful lighting used by Shital Talpade makes you ignore the breaks.
As the play begins, we find two senior citizens , Ms. Sathe ( Swati Chitnis) and Mr. Sudhir Sasane ( Sanjay Mone) both living a lonely life in the same colony. Ms. Sathe lives in a huge bungalow with a young beautiful paying guest Vinaya ( Kadambari kadam)who hails from Kolkata. While, Mr. Sasane lives on the third floor of an adjacent building. Initially, not getting along well with each other, both of them (having lost their respective spouses), later become good friends. There is another middle aged lady, Aarti Tai( Atisha Naik) living in their neighborhood, who has her own story of separation from her husband. But, she shares all her thoughts with young Vinaya, who is close to her.
Vinaya who is MBA and looking for a job, is more keen on pursuing a career in Photography. She has a boyfriend Rahul (Nikhil Raut), who is very ambitious of starting his own business. As the drama progresses with humour filled happenings in the lives of all these important characters, we find the arrival of Ms. Sathe’s only son living in US, to take his mother along with him to US. Almost at the same time, we see Mr. Sasane’s only married daughter coming from Delhi, to meet her father. It is at this stage, we see lots of happenings in their lives, with few twists and turns; towards the climax.
Gajendra Ahire, as a writer has tried to make every scene interesting, with humor filled dialogues. Most of them have come to the share of versatile actor Sanjay Mone, who with his extraordinary skills, made very good use of delivering them in his different style. Young actors can learn a lot, from this actor, about the body language and his style of delivering the dialogues, suited to character’s requirement. No wonder, he is also a good director himself. Good support comes from veteran actress Swati Chitnis, who has proved, that she has still lot to offer in acting. Aatisha Naik has a totally different role and she seemed to have enjoyed, playing that character, with her total involvement.
Among the youngsters, both kadambari kadam and Nikhil Raut were at their best and perfectly suited in their respective characters. Kadambari finds additional responsibility of playing a narrator, in between, during shift of scenes, at important stages. Nikhil Raut has been used in double role or rather double part, playing two different characters, those of Rahul the boyfriend of of Vinaya and Ranjan the US returned son of Ms. Sathe. Another actress Seema Parkar, has also been cleverly used by director Gajendra Ahire, to play three different characters, namely, the vegetable vendor, Mr. Sasane’s daughter and Rahul’s business consultant. What is important, that all together, they made a very good team, with perfect co ordination, with each other. All in all, writer director Gajendra Ahire has highly impressed through his skillful presentation, to make this play a worth watch for all age groups.
Indira (इंदिरा) Marathi Natak
Rating: na
Opening Date: 2015 (28 May)
Production House: Rasika-Mahadwar.
Producer(s): Dinesh Pednekar,Adv.Milan Topkar,Pratibha Matkari, Mukta Barve.
Presenter: Anamika
Director: Ratnakar Matkari
Writer: Ratnakar Matkari
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Credit List
Co-producer(s): na
Director: Ratnakar Matkari
Writer: Ratnakar Matkari
Dialogues: na
Artist: Supriya Vinod, Vikram Gaikwad, Nakul Ganekar, Atual Mahajan, Leena Pandit, Suyash Purohit, Jitendra Agarkar, Minali Kale, Purva Nilima Subhash, Bhushan Gamare, Satish Aagashe .
Set Design: Ajit Dandekar.
Lights: Shashank Vaidya.
Costume: na
Background Music: na
Makeup: Vikram Gaikwad.
Costume Designer: Shivdas Ghodake.
Hair Style:na
Art: na
Lyrics: na
Music: Prikshit Bhatkhande
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
‘Indira': na
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‘प्रेम रंगी रंगुनी’ लवकरच रंगभुमीवर
‘प्रेम’ हा विषय प्रत्येकाच्या जवळचा आणि आवडता असतो; ज्या प्रमाणे मोठ्या पडद्यावर ‘प्रेम’ ह्या विषयाला घेऊन त्याचे वेगवेगळे पैलू असलेले अनेक सिनेमे प्रेक्षकांना पाहायला मिळताय; तसच काहीस चित्र रंगभूमीवर दिसताये; येत्या काळात विविध रूपांतील प्रेमाचे पैलु मराठी नाट्य प्रेमींना पाहायला मिळणार आहे . आनंद म्हसवेकर लिखित – दिग्दर्शित ‘प्रेम रंगी रंगुनी’ हे नवीन मराठी नाटक रंगभूमीवर येणार आहे. संगीत आणि नाट्याचा सुरेल संगम असलेले हे नाटक येत्या २ मे पासून प्रेक्षेकांच्या भेटीस येणार आहे.
श्रीमती संध्या रोठे ह्याची निर्मिती असलेले ह्या नाटकाचे लेखन आनंद म्हसवेकर ह्यांनी केले असून; सुभाष मालेगावकर ह्यांनी संगीत संयोजन केले आहे. अभिनेता अमोल बावडेकर आणि अभिनेत्री दीप्ती भागवत ह्यांच्या ह्यात मुख्य भूमिका आहेत.
LoveBirds (लव्हबर्डस) Marathi Natak
Rating: ★★★★
Opening Date: 2015 (25 April)
Production House: Anamika and Rasika Production
Producer(s): Dinesh Pednekar and Mukta Barve
Presenter: na
Writer: Girish Joshi
Director: Girish Joshi
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Credit List
Co-producer: na
Director: Girish Joshi
Writer: Girish Joshi
Dialogues: na
Artist: Mukta Barve, Vidyadhar Joshi,Ketaki Saraf, Omkar Goverdhan
Set Design: Pradeep Muley
Lights: Girish Joshi
Costume: Geeta Godbole
Background Music: Narendra Bhide
Make up: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Narendra Bhide
Playback Singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Love Birds': Mukta & Omkar play a married couple. At the very beginning Vishwaas (Omkar) meets with an accident & ends up with partial memory loss.His loving wife Devika (Mukta) nurses him back to health.
The story starts when he returns to his office after many months & sees a bill of Rs. 5 lakhs on his table for love birds purchased by him.
When even his secretary Supriya (Ketaki Saraf) has no idea about this expense he ends up calling the shop owner from whom he had purchased the love birds.
It turns out that the man is in fact a private detective he had hired to spy on his wife. Vishwaas had suspected his wife of having an affair with a man named Abhijeet.We see Abhijeet & their past through a projector & few slides.
The needle of suspicion passes from Devaki to Vishwaas constantly. But even the accusations keep changing. An extra marital affair turns into a murder.But then the murdered person turns out to be alive & the one who was supposed to be alive is actually someone else entirely.
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‘Uney Purey Shahar Ek’ – Display of good teamwork
Aasakta, Pune is a group of enthusiastic artistes from Pune and their first love has always been theatre. They don’t perform on stage, for monetary benefits . Their biggest satisfaction is group effort and instant audience response. Recently, the group performed 2 shows of wonderful Marathi play ‘Uney Purey Shahar Ek’ at Prithvi Theatres, Juhu. Based on Girish karnad’s Kannada Play ‘Benda Kaalu on Toast’ the Marathi adaptation of it, was done by Pradeep Vaiddya , while the play was designed & directed by Mohit Takalkar.
The cast of the film comprised of about 35 versatile artistes, some of them already popular stage, television and film stars. Prominent among them were Radhika Apte, Anita Date, Vibhavari Deshpande, Jyoti Subhash, Ashwini Giri, Sayali Deodhar, Siddharth Menon, Umesh Jagtap ,Sagar Deshmukh and others.
The play shows the contrast in the lifestyle of Rich, the middle class and the lower class. Very realistically, the script of this play goes on to show the attitude of each character in this play. And, you soon notice, what’s in the mind of each character, with the progress of this play. It is actually a performance oriented play, with superb performances coming from all the artistes. You can call it, an excellent team work. Credit also goes to all those back stage artistes, who quickly arranged the sets for every new scene, to make it more impressive.
It is surprising that such plays are not staged at popular Marathi drama theatres in Mumbai and Pune. If they are staged at these places, they will certainly receive good response. Hope to see this team back again on stage. Don’t miss it. It’s sensible, yet hilarious!
Shevgyachya Shenga (शेवग्याच्या शेंगा ) Marathi Natak
Rating: na
Opening Date: 2015 (10 April)
Production House: Shri Chintamani Production
Producer: Lata Narvekar
Presenter: na
Writer: Gajendra Ahire
Director: Gajendra Ahire
Official Facebook Page I Twitter
Credit List
Co-producer: na
Director: Gajendra Ahire
Writer: Gajendra Ahire
Dialogues: na
Artist: Swati Chitnis, Sanjay Mone, Kadambari Kadam, Nikhil Raut, Seema Parkar & Atisha Naik Set Design: na
Lights:Shital Talpade
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: Gajendra Ahire
Music: Narendra Bhide
Playback singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Shevgyachya Shenga': na
News / Article / Interviews
Poster(s)
Review
Karti Kaljat Ghusli (कार्टी काळजात घुसली ) Marathi Natak
Presenter: na
Opening Date: 2015 (18 April)
Genres: Drama
Rating: na
Censor: U
Producer(s): Gauri Prashant Damle
Director: Mangesh Kadam
Writer: Vasant Sabnis
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Cast & Crew
Co-producer(s): na
Director: Mangesh Kadam
Assistant Director: na
Writer: Vasant Sabnis
Dialogues: na
Artist: Prashant Damle, Tejashri Pradhan, Nita Pendse, Parag Dange
Set Design: Pradip Patil
Lights: na
Costume: na
Background Music: na
Makeup: na
Costume Designer: na
Hair Style: na
Art: na
Lyrics: na
Music: Ashok Patki
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
‘Karti Kaljat Ghusli': na
Videos
News / Article / Interviews
Image(s)
Poster(s)
Review
Lagin Ghaai (लगीन घाई) Marathi Natak
Rating: na
Opening Date: 2015 (05 April)
Production House: Suyog Nirmit
Producer: Gopal Algeri
Presenter : na
Writer: Advait Dadarkar
Director: Advait Dadarkar
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Credit List
Co-producer: na
Director: Advait Dadarkar
Writer: Advait Dadarkar
Dialogues: na
Artist : Ashok Saraf, Aditi Deshpande, Omkar Raut, Niyati Ghate
Set Design: Sashank Tere
Lights: Sheetal Talpade
Costume: na
Background Music: na
Make up: na
Costume Designer: Pranoti Joshi
Hair Style: na
Art: na
Lyrics: na
Music: Abhijeet Pendharkar
Playback Singers: na
Choreographer: na
Publicity Designs: na
Synopsis
‘Lagin Ghaai ‘: na