Renowned Marathi writer Ratnakar Matkari passes away
Renowned Marathi writer Ratnakar Matkari is no more. He passed away yesterday night at Seven Hills Hospital, Mumbai, where he was admitted after being detected +ve for corona. He was 81. With his sad demise, Marathi entertainment industry has lost a legend who had contributed a lot to Marathi literature.
Born on 17 November 1938 in Mumbai, writer Ratnakar Matkari completed his education in Mumbai with a degree in economics from Mumbai University in 1958. He worked at the Bank of India for the next twenty years. Since 1978, he completely devoted his time exclusively to writing and production/direction of movies and plays.
Matkari’s first work, the one-act play ‘Wedi Manase (वेडी माणसे)’, was presented in 1955 on All India Radio in Mumbai, when he was only 17 . Besides writing plays, Mr. Matkari also worked as a columnist for newspapers and magazines during the 1970s. Matkari’s 98 works so far, include 70 plays, 18 books of his short stories, 3 novels, a book of poems for children, and 14 plays and three collections of plays for children. His popular works include, Dubhang (दुभंग) , Aranyak (आरण्यक), Ashwamedh (अश्वमेध), Indira, Sate Lote (साटेलोटे), Khol Khol Pani (खोल खोल पाणी), Char Diwas Premache (चार दिवस प्रेमाचे). Matkari’s popular plays for children include, Albatya Galbatya (अलबत्या गलबत्या), Nimma Shimma Rakshas (निम्माशिम्मा राक्षस) and Achat Gawachi Aphat Mavashi (अचाटगावची अफाट मावशी).
He was a writer for Marathi film ‘Bhai- Vyakti Ki Valli’ and ‘Investment’ a National award winning Marathi film which was also directed by him.
Aaranyak ( आरण्यक )
- Genres: Comedy Drama
- Rating: na
- Opening Date: 2018 (18 October)
- Production House: Adwait Theaters
- Producer(s): Rahul Bhandare
- Presenter: Zee Marathi
- Writer: Ratnakar Matkari
- Director: Ratnakar Matkari
- Official Facebook Page I Twitter
Credit List
- Producer(s): Rahul Bhandare
- Co-producer(s): na
- Director: Ratanakar Matkari
- Writer: Ratnakar Matkari
- Dialogues: na
- Artist: Dilip Prabhavalkar, Ravi Patwardhan, Pratibha Matkari, Nakul Ghanekar, Atul Mahajan, Vikram Gaikwad, Meenal Paranjape
- Set Design: Shashank Vaidya
- Lights: na
- Costume: na
- Background Music: na
- Makeup: na
- Costume Designer: na
- Hair Style: na
- Art: na
- Lyrics: na
- Music: Kaushal Inamdar
- Playback singers: na
- Choreographer: na
- Publicity Designs: na
Synopsis
News / Article / Interviews
na
Poster(s)
Review
Indira (इंदिरा) Marathi Natak
Rating: na
Opening Date: 2015 (28 May)
Production House: Rasika-Mahadwar.
Producer(s): Dinesh Pednekar,Adv.Milan Topkar,Pratibha Matkari, Mukta Barve.
Presenter: Anamika
Director: Ratnakar Matkari
Writer: Ratnakar Matkari
Official Facebook Page I Twitter
Credit List
Co-producer(s): na
Director: Ratnakar Matkari
Writer: Ratnakar Matkari
Dialogues: na
Artist: Supriya Vinod, Vikram Gaikwad, Nakul Ganekar, Atual Mahajan, Leena Pandit, Suyash Purohit, Jitendra Agarkar, Minali Kale, Purva Nilima Subhash, Bhushan Gamare, Satish Aagashe .
Set Design: Ajit Dandekar.
Lights: Shashank Vaidya.
Costume: na
Background Music: na
Makeup: Vikram Gaikwad.
Costume Designer: Shivdas Ghodake.
Hair Style:na
Art: na
Lyrics: na
Music: Prikshit Bhatkhande
Playback singers: na
Choreographer : na
Publicity Designs: na
Synopsis
‘Indira': na
News / Article / Interviews
Poster(s)
Review
Timely ‘Investment’ is a thought provoking film
Rating: ★★★★
Studio: Indu Enterprise Producer: Mahadwar Story & Director: Ratnakar Matkari Associate Director: Ganesh Matkari Editor: Sagar Vanjari Cast: Tushar Dalvi, Supriya Vinod, Sulabha Deshpande, Sanjay Mone, Sandeep Pathak, Praharsh Maik, Milind Phatak Movie Review by: Ulhas Shirke |
‘Investment’ written and directed by Ratnakar Matkari, has already won National award before its official release. The film also received critical acclaim at various international film festival, during the past few months. Now, its timely release has brought to the notice of the audience not only a socially relevant and hard-hitting subject; but a timely and thought provoking film.
Actually, ‘Investment’ is an extraordinary film, presenting the story of a typical Upwardly working couple Aashish ( Tushar Dalvi) and Prachi ( Supriya Vinod) and their twelve-year old son, Sohel(Parharsh Naik), who is being pampered with more than required care. The mother has a dream of raising her son to be a successful Politician of the Future, a field, which she believes, is promising, due to its lucrative opportunities of growth, power and finance. But, Sohel who turns a spoilt & self-centered brat, wants to follow his father’s footsteps. Only success formula he believes in is, “Achieve, what you wish”.
One day, he sends a love note to his classmate Deepa Gangan, who hails from a totally different social strata. As a result, her father (Sandeep Pathak) informs Ashish and Prachi to keep their son at bay. Prachi takes it as an insult; but Aashish’s old mother (Sulbha Deshpande) who keeps visiting their house; smells some trouble. Very next day, Deepa goes missing and Sohel who is approached by Deepa’s father, tells that he is unaware of her whereabouts. But, when Deepa’s dead body is found by the police; the suspicion points towards Sohel.
It is at this point, the film takes a break for interval, to generate more interest among the audience. In the post interval session, the issues of morality of different characters come to the fore, with the declaration of the actual crime. The film makes a clever statement on the materialistic point of view, with which today’s generation is ignoring moral values. The outcome of the case, signifies the selfish attitude, besides lack of regret of the educated young middle-class. Such disregard for moral values, concludes with a terrible climax of the film. But, that one last scene goes on to say everything; leaving it to the sensible audience to understand the effects of wrong court judgements.
There is no doubt about the strong impact created by the story of this film written by Ratnakar Matkari; but, as a director that too on debut, he has done a very good job. Through the film’s gripping screenplay, he has not only tried to generate curiosity at every moment; but has also sent a strong social message, through the contrast characters of Grand mother and the Mother of the child. The father does have some conscience; as seen through some cleverly shot scenes, but he too turns materialistic, at important situations.
Through the characters of influential criminal lawyer (Sanjay Mone) ,the school principal, class teacher and Police Inspector, the director has lot to convey, about the corrupt existing system. At the same time, through the characters of Sandeep Pathak, Bhagyashree Pane, Milind Pathak and Soham Kolvankar, he has presented the helpless voice of common man fighting for justice.
Except for the terrible climax, which leaves to the audience to decide the fate of such juvenile criminals; the film does send a clear message ‘As you sow, so shall you reap’. There are no songs in this film and therefore you focus on the series of events; which generate a lot of interest at every stage of the screenplay. Cinematography by Amol Gole and clever editing by Sagar Vanjari are other plus points of the film; besides superb realistic performances from all the artistes. A must see film for all..