Tag Archives: Sharad Ponkshe

Avinash Narkar, What About Savarkar

‘What About Savarkar’ is a tribute to greatest freedom fighter

What About Savarkar
Rating: ★★★
Genres: Drama
Censor: U
Duration: 125 Min.
Studio/presenter:  Retake Unlimited film Production, Aurous Avatar Entertainment, Rohit Shetty
Producer: Atul Parab, Rohit Shetty
Director(s): Rupesh Katare, Nitin Gawde
Writer: Nitin Gawde
Dialogues: Nitin Gawde
Cast: Shrikant Bhide, Sara Shravan, Avinash Narkar, Sharad Ponkshe, Atul Todankar, Vivek lagu, Prasad Oak

Ten years ago, Mr. Mani Shankar Aiyar, then Petroleum Minister of India, created a controversy, by ordering removal of plaque  at Cellular Jail in Andamans, containing poem penned by Swatantryaveer Vinayak Damodar Savarkar, who spent 11 years in that jail, during India’s freedom struggle. The order of the Minister drew sharp criticism from BJP and Shiv Sena in Maharashtra, who protested strongly, seeking apology from the Minister. In short, it was made a political issue and there was not much public outrage noticed, on the statement made by the Minister.

But, 10 years later, we find the same issue being raised in latest Marathi film ‘What About Savarkar’ produced by Atul Parab & Rohiit Shetty and directed by Rupesh Katare and Nitin Gawde. Though all films are generally work of fiction, ‘What about Savarkar’ makes you think, as to what would happen today , if a politician makes such a remark against the late freedom Fighter? Thanks to the Social media. It  is so active today, that any such remarks made by our politicians, receives spontaneous  reaction from the young generation.

Avinash Narkar, What About SavarkarThe film presents the same topic of a Petroleum Minister (name changed to Ayangar) who makes a remark to insult the late freedom fighter Veer Savarkar. One Abhiman Marathe ( Shrikant Bhide)  working in a multinational company spontaneously reacts, by lodging his strong protest against the Minister’s remarks. He writes in his blog on social net working site, stating  that he would  teach a lesson to the Minister, during his proposed visit to Mumbai, by welcoming him with a garland of foot wears. Watching huge response to his page, with 28,000 likes within a day; the Government decides to arrest him, for this act, which they call anti national act. Abhiman goes underground, to accomplish his mission.

In his mission, Abhiman  gets support from his office colleague Suniti Singh (Sara Shravan), Suryakant Pawar( Atul Todankar)  , an educated brother of a peon from his office, Kranti kamble( Avinash Narkar)  a self styled revolutionary from Alibaug  and his own grandfather Namdev Marathe (Sharad Ponkshe). The Police hunt  him, as Abhiman keeps changing his hideouts from Mumbai to Alibaug, then from Alibaug to Manipur at Suniti’s native town and from there to Amritsar to a well wisher (Gajendra Singh Chouhan) .His final destination then turns Delhi, as the Minister cancels his Mumbai trip and  is all set to give his speech during a book release function. The climax has been shot very cleverly, to show the final public reaction, on this issue; that too in Delhi.

Very cleverly the director has presented this limited story, through an interesting screenplay; taking the audience on a trip to various places. In the process ,he shows  the beauty of these places, especially Alibaug, Manipur and Amritsar. Even the locations in Mumbai have been different, covering the heritage buildings and landmarks of South Mumbai at Fort & Ballard Pier. For that one must thank cinematographer A.K. Sebestian for his excellent camera work. But, the timing of the film, seems to be wrong, as we see BJP ruled Governments at Centre and in the State. Moreover, today we find freedom of speech exercised on social networking sites, to lodge protest against anyone .  Perhaps, the work on this film, might have started two years ago.

But, the film has succeeded in passing the five elements of Savarkar’s  philosophy  cleverly,  through the screenplay. In fact, this film is a tribute to the greatest freedom fighter of India, who served maximum sentence in cellular jail, during India’s freedom movement. There are many facts in history brought to light, through this film. Not many were aware that Hridaynath Mangeshkar lost his job in Aakashvani, because he composed the lyrics of Savarkar.

Actually, the film has tried to show, how the politicians opposed to Savarkar’s  style of functioning, by trying  to suppress him. Most of the characters in this film, are shown, inspired by his ideology.  Good performances by  debutant Shrikant Bhide, Atul Todankar, Avinash Narkar , Sharad Ponkshe ,Sara Shravan and others make this film more appealing.   It was nice to see Sharad Ponkshe  playing the role of  grandfather with a young heart, who is also shown  tech savvy. Savarkar’s  poem Swatantra-te-Bhagavati’ has been used well in the title track of the film. Background music is also impressive. A must see film for all those who believe  in Savarkar’s ideology about ‘Akhand Bharat’ .

Shrikant Bhide makes his debut through ‘What About Savarkar’

Shrikant Bhide in What About Savarkar?Marathi stage has offered many talented artistes to Film industry. Now, Shrikant Bhide, who has been working on stage for past several years and who is a good dancer gets a lifetime role, to play the central character of  Abhiman Marathe in forthcoming  Marathi film ‘What About Savarkar’. The film is all set to release on 17th April 2015.

The character played by Shrikant is inspired by the ideology of great freedom fighter of India, Veer Savarkar. Shrikant, who has also appeared in many short films, gets enough scope to display his potential, through this role of a protagonist , who fights against injustice. In fact, this film represents today’s generation . Directed by Nitin Gawde, the film stars Shrikant  Bhide, along with  Sharad Ponkshe, Vivek Lagu, Avinash Narkar,  Atul Todankar & Sara Shravan.

Sharad Ponkshe, Ashwini Ekbote, marathi natak

Emotion filled ‘Tya Tighanchi Goshta’ touches your heart

Sharad Ponkshe, Ashwini Ekbote, marathi natak

Kumar Sohoni has always dealt with different subjects on human relations. Through all his 51 plays directed so far, he has offered ample talents to Marathi theatre. This time, through his play ‘Tya Tighanchi Goshta’ , he has explored the relationship between a separated couple Dinanath and Suman Daftardar ( Sharad Ponkshe & Ashwini Ekbote) . How it has the effect on their grown up 19 year old daughter Deepti ( Dnyanada Panase) is shown very cleverly by the director. The play is written by well known psychiatrist and writer Dr.Anand Nadkarni, which makes it more interesting subject, as he has very skillfully presented the emotional sides of each one of these three important characters.

Produced by Ashok Narkar and Sharad Bagwe, the play begins with the close bonding shown between mother (who is a college professor) and her daughter, who is studying in the final year, at the same college. The father, an IAS officer, who has separated from his wife and daughter, 15 years ago, is now Municipal Commissioner of the same city, where Mother and daughter are residing. Though Mother and daughter are not connected with Mr. Dinanath Daftardar, they are in touch with his close associates Nana his personal secretary and Mangesh, his old classmate and Journalist friend.

One fine day, Nana visits Ms. Daftardar to invite her for the felicitation function of her husband, who is to be honoured by the chief Minister of state. This is followed by a personal phone call and personal visit of Dinanath Daftardar to meet his wife and grown up daughter. Having heard about her father, through her mother, Deepti is initially reluctant to meet her father; but, later decides to face him, to know the reason from him, for deserting his wife and her. But, it is the mother, being very possessive about her daughter, becomes more worried, thinking that her grown up daughter would change her opinion about her father, after meeting him.

At this stage, the writer and the director are clearly noticed, with their competence to take forward this delicate emotion filled subject, with interesting happenings . In the climax scene, Deepti converses with the audience, seeking their opinion, on what she did, was ‘right’ or ‘wrong’. ‘Tya Tighanchi Goshta’ presents the most relevant subject timely, to convey a strong message to the society. And, it has succeeded in creating a strong impact on all age groups. The story presented through this play, does not take side of any one of the characters, but very cleverly presents their attitude, with passage of time.

Both Sharad Ponkshe and Ashwini Ekbote, have portrayed their characters with complete understanding of the situation, at every stage in this play. They have proved that they are versatile artistes. They find good support from the character artistes Jayant Ghate and Vivek Joshi. But, the girl who steals the show, is young Dnyanada Panase. She seems to be a perfect choice of the director. And, she has proved his selection right. In fact, she has given a brilliant performance in the role of Deepti. Watch her reaction and body language, in every important scene, be it with mother or father; which goes on to say a lot about her gifted talent. She is so flawless. Good background music and suitable light and set designing, are the other plus points of this play. Certainly a worth watch, for the entire family.

Rating:fullfullfullfull

Sharad & Chinmay dominate Marathi stage

Sharad Ponkshe, Chinmay Mandlekar

Don’t ask how some of our Marathi stage actors manage two plays at a time. Two of our leading Marathi actors are at present managing two Marathi plays each; that too in the lead role. Sharad Ponkshe is already in great form with his new play ‘Tya Tighanchi Goshta’. At the same time, he is also staging his favourite play ‘Mee Nathuram Godse Boltoy!’. If you find him doing one play today, the next day, you find him in another play.

 

The same is the case with Writer-actor Chinmay Mandlekar. His latest play ‘Samudra’ has picked up well, with regular shows now. At the same time, we find him doing his favourite play ‘Mr. & Mrs’ In fact, he is managing two different plays on the same day; i.e. one at 4.0 pm and the other at 8.30 pm. at other venue. Isn’t that something worth appreciating ?

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Sharad Ponkshe

Sharad Ponkshe

Biography / Profile:

Sharad Ponkshe who began his acting career as a stage artiste with one act plays while he was studying in Abhinav Kala Mandir school in Bhayender off Mumbai , was very serious about this profession. But, those days acting was not seen as a well paying profession. One needed a job to support self and family. So, like many others, after finishing his 12th followed by a three year specialized Government diploma, he took up a job with BEST. As an employee of BEST, he participated in various competitions and did his first professional play ‘Varun Sagle Sarkhe’ in the year 1989. In 1988 he made his debut in a Marathi film ‘De Taali’ while he was a little known actor.He got his first major break in a TV serial through Adhikari Brothers ‘Damini’ in 1997

Filmography:

Chhand Priticha (Upcoming)
Bho Bho (2016)
Well Done Bhalya (2016)
Vighnaharta Mahaganapati (2016)
Vrundavan (2016)
What About Savarkar (2015)
Balkadu (2015)
Ashach Eka Betavar (2013)
Dekho Zaraa (2013)
Dharmantar (2013)
Swaraaj…The Independence (2013)
Surajya (2014)
Taptapadi (2014)
Kurukshetra (2013)
Mokala Shwaas (2012)
Fakta Saatvi Pass (2012)
Tukaram (2012)
High Command (2012)
Gola Berij (2012)
Uday (2012)
Bokad (2012)
Tuch Khari Gharachi Laxmi (2011)
Hip Hip Hurray (2011)
Aarambh (2011)
Sai Darshan… Ek Anubhav (2010)
Jetaa (2010)
Mission Possible (2010)
Paash (2010)
Mulga (2010)
Kon Aahe Re Tikade (2010)
Krantiveer Rajguru (2010)
Zale Mokale Aakash (2010)
Achanak (2008)
Dhudgus (2008)
Hota Asa Kadhi Kadhi (2008)
Bandh Premache (2007)
Vasudev Balwant Phadke (2007)
Raasta Roko (2006)
Gadhavach Lagn (2006)
Ramdev Aale Re Baba (1990)

Serial(s)
Kanyadaan
Radha Hi Bawri
Durva
Damini
Agnihotra
Vaadalwaat
Mothi Tyachi Sawali
Ek Wada Zhapatlela
Abhalmaya.
Umbhartha
Zoka
Valan
Dhakka
Kalyani
Akkash Peltana
Indradhanushya
Adhunik Kunti
Hey Bandh Reshmache
Mahashweta
Ladha
Chakraview
Gharkul
Apli Manase
Arath
Akash Jhep
Manabhiman
Ujwal Prabhat
Vahinisaheb

Play(s)
He Ram .. Nathuram
Mee Nathuram Godse Boltoy
Tya Tighanchi Gosht
Ek Diwas Matha Kade
Gandh Nishigandhacha
Sarwaswi Tuzhich
Natasamrat
Barister
As Zhalach Kasa
Tichi Kahani
Kabirache Kay Karayche
Mi Nathuram Godse Boltoy
Ramle Me
Sukhani Nanda
Zhale Mokle Abhal
Gandhi Ambedkar
Warun Sagle Sarkhe
Athang
Tu Fakt Ho Mhan
Kala ya laglya jiva
Var Bhetu Naka
Umbartha
Bayko Cha Khoon Kasa Karava
Lahan pan dega deva
Tichi kahani
Beiman
Bharat bhagy vidhata
Nandi
Eka kshanat

Award(s):

Interview(s):

Biggest award is ‘appreciation from audience’ – Sharad Ponkshe

‘Balkadu’ inspires ‘Marathi Manoos’, to fight injustice

Balkadu Movie Poster
Rating: ★★★
Genres: Drama
Censor: U/A
Duration: 124 Min.
Studio/presenter: Maratha Entertainment, Sanjay Raut
Producers: Swapna Patkar
Director: Atul Kale
Screenplay: Ganesh Pandit, Ambar Hadap
Director of Photography:  Ajit Reddy
Editor: Ashish Mhatre, Apurva Motiwale
Cast: Umesh Kamat, Neha Pendse, Prasad Oak, Anand Ingale, Tiku Talsania, Bhau Kadam , Sharad Ponkshe, Pushkar Shrotri
Movie Review by: Keertikumar Kadam

Balkadu marathi Film

Presented by Sanjay Raut and produced under the banner Royal Maratha Entertainment the new released Marathi film Balkadu‘ is produced by Swapna Patkar and directed by Atul Kale. This film is inspired from one of the most charismatic socio-political persona of recent times, late Balasaheb Thackeray.

Balkadu’s story is about a simple and straightforward Balkrishna Patil, a young history teacher in a school, possessing special ability to hear voices of great historical figures like Nehru, Shastri, Savarkar, Subhash Chandra Bose and Balasaheb Thackeray. Balakrishna, who originally resided in a Lalbaugh chawl, had to shift his residence to Nalasopara during his childhood. After many years, he meets his close childhood friend Sai Bawdekar (Neha Pendse).

When he shares his thoughts with Sai, she understands him and supports him, in his every action. besides She helps him to do a part time job as a dubbing artist in Marathi, in her history channel, where she works as EP. After seeking help from a psychologist, the voices Balakrishna hears, vanish but one voice clings onto him, i.e. Balasaheb’s voice. How a simpleton, who turns into an angry young man, for betterment of local people, is the story of the film.

In the film, Director has tried to do a sincere job, he has smartly used Balasaheb’s voice-over, to create the impact in certain scenes. Balasaheb’s interactive dialogues with the lead actor, are well crafted and make an interesting watch. The ‘cartoon’ aspect is also creatively used. There is a lot to be desired in screenplay department (Ganesh Pandit, Ambar Hadap) which seems disjointed. In fact, it starts with a promise of a good screenplay, but goes wayward towards the latter half. It has become unnecessarily lengthy and preachy towards the end. Aman Vidhate’s art direction is satisfactory and so is music (Ajit-Samir), though the ‘Powada’ is very good. Avadhoot Gupte’s song is very well used in background. The costumes are satisfactory, but Neha Pendse‘s costumes are more impressive and stand out.

The saving grace of Balkadu are the dialogues and performances. Especially, the Dialogues are fabulous . They have the required punch and comic punches, which are smartly interlaced. Umesh Kamat has come out of his comfort zone and has essayed the lead role with conviction. He scores points in wittiness and subtle timing. Neha Pendse does what was expected of her and looks ravishingly stunning, on screen. Prasad Oak carries a negative shade reasonably well. Rest of the cast, Anand Ingale, Tiku Talsania, Bhau Kadam , Sharad Ponkshe, Pushkar Shrotri lend good support. Supriya Pathare as mother, steals the show with her comic timing used in simple situations.

‘Balkadu’ is a must watch for Balasaheb’s followers scattered all over Maharashtra. Others may like it watch it, for good performances.

 

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FILMOGRAPHY. SHARAD PONKSHE

Sharad Ponkshe

Marathi Movies as Actor:
Dharmantar (upcoming)
Ramdev Ala Re Baba (upcoming)
Sandook (upcoming)
Taptapadi (2014)
Tukaram (2012)
Kurukshetra (2013)
Mokla Shwas ()
Ashach Eka Betavar ()
Surajya (2014)
Angarki (2013)
High Command (2012)
Jara Japun Kara (2012)
Satya (2012)
Jai Shankar (2013)
Jai Maharashtra (2013)
Ardhangini (2013)
Daivache Khel ()
Tulas Ali Gharala ()
De Tali ()
Satvapariksha ()
Kon Aahe re Tikade()
Sangharsh (2011)
Mulga ()
Thamb Laxmi Kunku Lavate ()
Fera ()
Dosh Kunacha ()
Janmadata ()
Hota Asa Kadhi Kadhi ()
Mission Possible ()
Golaberij ()
Sukh Yeti Ghara ()
Saubhagyavati Bhav ()
Aarambh ()
Dhoodgus ()
Bandh Premach (2007)
Adi Maya Adi Shakti ()
Kikade Maharaj ()
Aaichi Punyayi ()
Bhaubij ()
Tuch Khari Gharachi Laxmi (2011)
Sai Darshan ()
Savita Bano ()
10 December (2012)
Mahima Omkaracha (2012)
Bokad (2012)
Platform (2011)
Jeta ()
Lapun Chapun ()
Kalam 302 ()
Kashyala Udhyachi Baat (2010)
Hip Hip Hurray (2010)
Jhale Mokale Akash (2010)
Dyaneshwari express (2011)
Fakt Sataavi Pass (2011)
Achanak (2008)
Vasudev Balwant Phadke (2008)
Gadhavach Lagna (2007)
Yash (2007)
Aayushya Mhanje ()
22 June ()
Aadharsthambh ()
Amba Mata ()
Rahile Dur Ghar Maze ()
Vitthal Vitthal ()
Durge Durgat Bhari ()
Raja Pandharicha ()
Oti Krushnamaichi ()
Saubhagyache Lene ()
Hirwa Chuda ()
Khandobachya Navan ()
Bhulvala ()
Aarambh ()
Parivartan ()
Chadi Lage Cham Cham ()
Majhe Maher Pandharpur ()
Ani Saral Dushkal ()
Swapna ()
Jangli Kabutar ()
Paash ()

Marathi Play as Actor:
Eka Shanat
Beimaan
Mee Natthuram Godse Bolatoy

Marathi Serials as Actor:
Ase He Kanyadaan
Unch Maza Zhoka
Kunku
Malvani Days
Kasturi
Agnihotra
Ek Chal Songatichi

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Mokala Shwaas (मोकळा श्वास )

Mokala Shwaas Marathi Film
Release Year: 2012 (7 December)
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Studio/presenter: Manasi Movies
Producer(s): Bhausaheb Bhoir, Rajesh Kumar Sakala
Executive  Producer: na
Director: Kanchan Adhikari
Writer: Kanchan Adhikari
ScreenPlay: Lekha Trailokya
Dialogues: Kanchan Adhikari
Official Facebook Page I  Twitter

Producers: Janardan Vishnu Kulkarni, Prasanna Babasaheb Tanwade
Executive Producer: na
Director: Kanchan Adhikari
Assistant Director: na
Writer: Kanchan Adhikari
ScreenPlay: Lekha Trailokya
Dialogues: Kanchan Adhikari
Lyrics: Kishor Kadam(Saumitra)
Music: Milind Ingale
Playback Singer:  na
Cinematographer (DOP):  Shekhar Anna Ayyar
Editor: Aanand Divan
Starcast: Sharad Pokshe, Prateeksha Lonkar, Mohan Joshi, Sushant Shelar, Mrunmayee Deshpande, Neha Gadre, Aishwarya Tupe, Joti Subhash
Art Director: na
Costumes: Kanchan Adhikari
Makeup: Ramesh Dalvi
Sound : Ayub Sheikh
Background Score: na
Choreographer: na
DI, VFX: na
D.I. Colourist:  na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor:  na

‘Mokala Shwaas’ :na

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na

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Mokala Shwaas Marathi Film

‘Platform’ addresses issue on Girl child abuse

Platform Marathi Movie
Rating: na
Producers: Veena Lokur And Arif Vadgama
Director, Story, Dialogues: Veena Lokur
Screenplay: Veena Lokur, Shamal Chavan
Lyrics: Ashwini Shende
Music: Nilesh Moharir
Editor: Rajesh Rao
Cinematographer: Suresh Deshmane
Cast : Mohan Joshi, Sharad Ponkshe, Astad Kale, Prashant Patil, Shubhani Joshi &
Sai Lokur
Movie Review by: Ulhas Shirke

After achieving success through her first Marathi production ‘Mission Champion’, Film maker Veena Lokur from Belgaum has now offered one more sensible film ‘Platform'; which speaks about the Girl child abuse in India. Veena Lokur, who also makes her debut as a director through this film, has gone beyond the subject of Female foeticide to show the reality in our society, where girl child is still considered as a burden by the parents; especially in the weaker section of the society.

Through this film, Veena Lokur has launched her daughter Sai, who plays an important central role of Shivani Deshmukh, from a well to do family. Shivani, who is a final year college student, is about to find a campus recruitment and is returning home after attending a workshop; when she witness a horrifying act of parents, who just drop their two daughters into her compartment and run away, as the train leaves a platform after the halt.

Shivani (Sai Lokur) who takes the lead to hand over the girls to the Police, when she reaches her destination. But, she is deserted by all her friends. It is only her best friend Aditya (Astaad kale), who supports her and the two little girls ( aged 4 and 5 yrs) are taken to the Police station. But, at the Police station they experience the reality about the law, besides the child abuse. However, Aditya’s father (Sharad Ponkshe) being a lawyer, suggests them a way out. It looks like all roads are closed for Sai , as the parents of the missing girls cannot be traced. Shivani takes up the custoday of the two girls, much against the wish of her parents (Mohan Joshi and Veena Lokur).
Platform

When, Aditya also notices Shivani going out of the way to help the girls and getting emotionally involved in them, he too loses interest in her and leaves for US to take up a job.
He however, keeps in touch with Shivani over phone like a good friend. Shivani separates from her parents and adopts the girls. She takes good care of them, by offering good education for next 11 years. When the girls attain teenage, a particular incident in their life takes them to their past. Shivani has to reveal the true happenning. This is almost towards the climax of the film, when director Veena Lokur concludes her story with an appropriate end.

The film has a strong subject to convey, but to show the actual happening on the platform, her screenplay takes its own time. It is only little before interval, the film actually takes the momentum. To fill up the gaps in the first session, the director has taken help of music, with the inclusion of two songs. Lyricist Ashwini Shende’s fine wordings have received the composition from talented music director Nilesh Moharir.

Cinematographer Suresh Deshmane’s wonderful work is clearly visible, especially in the outdoors. His execution with different camera angles has made the job of director much easier. Being a debutant, Veena Lokur has done her best.

Newcomer Sai Lokur, who also makes her debut as an actress, looks more confident and appealing. She has performed the role of a protagonist with sincerity. Astaad kale, who also plays the leading man for the first time, is at ease and perfectly fits into that role of Aditya. Mohan Joshi and Sharad Ponkshe in the role of parents have nothing much to offer, but they have played their respective roles well. Veena Lokur is just fine in the role of sai’s mother in the film and so are the other characters of the film. The two child artistes and the grown up girls have performed their parts well. The film has already won the State Government award as one of the best films this year. But, to be eligible for international awards, it requires editing, especially in the three songs, except one background and few unwanted scenes in the first session. However, ‘Platform’ does succeed in passing a social message at the most appropriate time. This being a sincere effort from the lady film maker, it is to be appreciated.