‘Lokmanya-Ek Yugpurush’ is an ideal and timely gift for the new year
 Rating: ★★★ ½
Genres: Drama Censor: U/A Duration: 120 mins Studio/presenter: Neena Raut Films, Emmay Entertainment Producer: Neena Raut Director: Om Raut Writer: Om Raut, Kaustubh Savarkar Lyrics: na Music: Ajit-Sameer Cinematographer (DOP): Prasad Bhende Cast: Subodh Bhave, Sameer Vidwans, Chinmay Mandlekar, Priya Bapat Kamat Movie Review by: Keertikumar Kadam |
Through our school text books, we have learned that Lokmanya Bal Gangadhar Tilak , led India’s freedom struggle . A committed Journalist, Teacher, Social Reformer, Lawyer, and a dynamic freedom fighter; he was all in one.
Presented by Essel Vision and produced under the banner of Neena Raut Films ‘Lokmanya, Ek Yugpurush’ is a latest Marathi movie, which reminds the thoughts of late Bal Gangadhar Tilak. The movie comments on the socio-political situation in India today, with a Voiceover narration in the beginning of the movie, by Nana Patekar in his typical style. The movie starts with a court scene, where Tilak is being tried and then goes into flashback, to unfold the life and times of Lokmanya Tilak.
So, we find Tilak (Subodh Bhave) returning from Bombay after studying law degree , only to start a school for the local people, with the help of his friend, Agarkar (Sameer Vidwans). Both manage to open New English School. The movie has shown two eras, one being the film’s subject era and the other being today’s time. However, both relate to each other. Makarand ( Chinmay Mandlekar) is a young journalist, who gets fascinated by Tilak’s thinking, after reading books on him, but in the process, ignoring his would be wife- Samira (Priya Bapat Kamat). He becomes more and more idealistic, with the thoughts of Tilak- like, “Swarajya mhanje swakiyanche rajya!”
The film has shown the ruthless ways of British officer Rand , to deal ‘plague’, which hit Poona, during his time. Then, the officer being killed by Damodar Hari Chaphekar with the knowledge of Tilak, is also shown skilfully. The film also elaborates on Tilak’s hard hitting writings against the rulers and justifying Britishers’ killings through his newspaper; which lands him in jail and is sentenced to rigorous imprisonment of six years outside the country in Mandalay, Burma. (1908-1914).
Story by Om Raut & Kaustubh Savarkar is well researched. But, highlight of the movie is its screenplay and dialogues . Art direction (Santosh Phutane) and costume department (Mahesh Sherla) have complimented camera work of Prasad Bhende. Interesting lighting and camera angles add beauty to the frames. Music (Ajit-Sameer) is an asset, as the songs escalate the drama in story telling. Background music is noteworthy. Editor (Aashish Mhatre, Apurva Motivale) and the director have worked beautifully hand in glove and it shows in scene cutting.
Director (Om Raut) makes his presence felt from the very first scene onward. He has merged two time-periods in excellent fashion. Only faltering being, movie should have ended on a high note on, ” Swarajya ha maza janmasiddha hakka aahe, aani to mi milavinarch”, the line Tilak is identified with. Subodh Bhave has marvelled as Tilak. He has used his voice to greater effect with modulations depicting different emotions. Sameer Vidwans as Agarkar is very convincing. Chinmay Mandlekar has promisingly portrayed the thought process of today’s youth . He is well supported by Priya Bapat Kamat. There are many more characters played by actors. Thanks to the makers, for a very good New Year’s gift in the form of ‘Lokmanya, Ek Yugpurush’.
‘Bharatiya’ has a strong and timely message for the Government
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Rating: na
Banner: Devisha Films Producer: Abhijit Gholap Director: Girish Mohite Story: Aniruddha Potdar Screenplay: Anirudha Potdar, Sanjay Pawar Music: Ajay – Atul Cast: Subodh Bhave, Makarand Anaspure, Jitendra Joshi, Meeta Savarkar, Kuldeep Pawar, Hrishikesh Joshi, Tejashree Khele Movie Review by: Ulhas Shirke |
At a time, when we understand that our prime Minister is likely to announce free mobile sets to all those living below poverty line in this country; the release of latest Marathi film ‘Bharatiya’ is very timely, for the Government to rethink about their controversial decision. The film is produced by Abhijit Gholap( the maker of ‘Deool’) who won the national award last year. Now, his new film ‘Bharatiya’ sends across a strong message to the Central government, for their apathy to understand the real problems of rural poor, at the grass root level.
As we all know, some of the villages in India, do not have water, electricity and other amenities essential for living. How can earnings of Rs. 32 a day by a person, be treated as above poverty line? Can a PM himself live in a village and manage his day within this amount? There are no toilets for these people, but, there are mobiles. Why the villages on the borders of two states receive ill treatment ? Are they treated as Indians? What if they revolt against the system ? All such relevant issues are raised by this sensible film.
Directed by Girish Mohite, the film is set on the backdrop of a small village located on the border of Maharashtra and Karnataka. It talks about the neglect by two state Governments towards this village called Adnida. When time comes to prove the property rights of a family, it is observed that the village is neither under the jurisdiction of Maharashtra nor Karnataka. The issue is flared up, as a foreign returned youngster, who is in search of his ancestral rights over a property, raises his voice against the attitude of both the state Governments and central Government towards the village.
A Gypsy who is a fortune teller( Makarand Anaspure) , who wanders along with his Bull from village to village, is familiar with the miserable condition of this village. He predicts that a young man around 30, would come to this village and there will be a change with revolution. Soon, we find Abhay Sarpotdar ( Subodh Bhave) a protagonist in this film, coming to this village to trace the existence of his ancestral house in the village.
He finds that the Village head, Mr. Sarpotdar( Dr. Mohan Agashe) with his family and young daughter Sugandha( Meeta Savarkar) have occupied the big house claiming that it belongs to his ancestors. He claims the rights of the property, since living there for several years. On the suggestion of his daughter, he however allows the young man to stay in their house, till he proves his legal right over the property. Abhay moves from pillar to post with the help of village talathi to acquire the 7/12 ownership document. But, he finds that the village is neither in the jurisdiction of Maharashtra nor Karnataka. Even the respective states politicians refuse to offer any help, realizing that the village does not come under their constituency.
Taking the Head of the village and aspiring opposition politician Lote Patil ( Kuldeep Pawar) into confidence; Abhay plans a move to invite the attention of the Central Government. In the meanwhile, he traces a hidden treasure in the basement of the house, which is under lock and key for ages. Looking at the attitude of Government to give recognition to their village, Abhay goes on to declare Adnida as a separate country and appoints Sr. Sarpotdar as the Caretaker President, till the constitution is drafted. The issue flares up with the Central Government sending para military forces and seals the borders of the village. Media arrives and it becomes an international news, to invite the attention of the UN. Abhay plays his cards well, to bow down the prime Minister’s office for talks with them at their village. How he succeeds in his mission, the film’s climax is an answer.
Director Girish Mohite has handled this sensible script and screenplay of Aniruddha Potdar very well, with the help of humour filled dialogues of Sanjay Pawar, to make this film entertaining besides passing a strong timely message to the Government. In the role of a wandering fortune teller, Makarand Anaspure plays the Narrator. He very well suits in that role. As a protagonist, Subodh Bhave the lead hero has given a remarkable performance. He is simply superb in the climax scene. Meeta Savarkar( playing the Village head’s daughter) has limited scope, but her pairing with the hero goes well. Playing two rival opponents, both Dr. Mohan Agashe and Kuldeep Pawar are very impressive. Jitendra Joshi playing the role of Shripati(Kuldeep Pawar’s son) has timed very well with his comedy scenes with his father and others. Tejashree Khele, playing the daughter of the only Grocery shop owner in the village, plays the typical village girl with ease, displaying her skills well.
The other artistes comprising of Ujwala Jog (as Lote Patil’s wife), Shubhangi Latkar ( as hero’s mother), Sushant Shelar as Politician, Hrishikesh Joshi as Village Talathi, Pradeep Velankar as CM of Maharashtra, Manoj Joshi as Prime Minister , Suhas Shirsat and the producer Abhijit Gholap playing (as PMO’s representative in the last scene) have supported well, displaying good team work. In the post interval session, the film goes almost on a mockery of the existing system and therefore, the incidences like Cell phone jamming, the hero declaring aid from a neighboring country etc. could be taken in a lighter sense. Ajay Atul’s music is good, with one song by Kunal Ganjawala, in post interval session, inviting special attention. Lyrics by Guru Thakur and Sandeep Khare are well written to suit the screenplay. The film is a good attempt to offer wholesome entertainment with a strong timely message.
‘Adgula Madgula’ offers gentle entertainment
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Rating: na
Presentor: Shree Sankalp Film Production Producer: Sharad Shelar Director: Nagesh Bhosale Screenplay, Dialogues: Arvind Jagtap Music: Shailendra Barve Camera: Suresh Survarna Cast: Girija Oak, Subodh Bhave, Nagesh Bhosale, Smita Talwalkar, Uday Tikekar, Sandeep Mehta Movie Review by: Ulhas Shirke |
The true story of Sandra Laing – a black girl born to white parents in South africa sometime in 50s did make a news all over the world. Those days, Sandra was refused admission in schools for being black. Her father fought a battle in court and won the same in Supreme Court, after he proved that she was born to white parents. This story was later made into a book, “When She Was White” by Judith Stone, and a British film ‘Skin’ was made in 2009, starring Sophie Okonedo and Sam Neill.
Now, a new Marathi film ‘Adgula Madgula’ deals with a similar kind of theme (not the complete story of the dark girl) but, just showing a dark child born to a fair Kokanastha Brahmin couple. Shounak Pendse belonging to a rich family living in a huge bunglow, marries a fair girl Anuja , well suited to him. Anuja is working in an ad agency with Mr. Lalit ( Nagesh Bhosale) as her boss. After marriage the happy couple have all sorts of fun and live with a cheerful family comprising of Father,mother, sister and Grandfather.
Girija Oak, Subodh BHave Everything goes well, till Anuja delivers a baby boy who turns out to be black. Suddenly, all people around her behave very strangely with her, except the Grandfather and the housemaid. Even her parents do not allow her to come to their place with the baby, fearing comments from the neighbors and visitors. Initially, Shounak suspects his wife having an affair with her friend and goes in serach of the truth . After being convinced, he later doubts her boss. Then, as suggested by his lawyer friend, he tries to do DNA test of father and son to remove all doubts. In the process, he gets caught and the relationship between the husband and wife is further strained. Finally, the director decides to conclude the film in his own style, leaving the audience guessing, what option does the wife have ?
Does she go to her parents for sometime or leaves the house forever? Only, the Boss knows it.
The film does have a good theme but not enough to entertain the audience for two hours. The screenplay which runs for about 105 minutes, offers gentle entertainment, but keeps on revolving around the same plot in the pre interval stage. The clever director has therefore used the clippings of the Goa honeymoon trip of the couple with two songs knitted into it. It is only post interval, some dramatic scenes take place to keep the audience engaged. The film ends suddenly, with unpredictable end, keeping the audience guessing. ‘Adgula Madgula’ is no doubt a sincere effort from the makers, but it could have been more interesting with insertion of more laughter scenes arising out of misunderstandings.
The kind of theme used looks good for a stage play, due to its limited locations. But, the wonderful cinematography by Suresh Suvarna has certainly brought some life into the film. Shailebdra Barve’s music too is well used in the few songs suited for the occasion. Both Subodh Bhave and Girija Oak have given their best through their respective roles. Their intimate scenes look very natural. Smita Talwalkar has enough scope to play a typical selfish mother-in-law. Uday Tikekar playing a undecided father –in-law and Sandeep Mehta as girl’s confused father have limited scope. However, Nagesh Bhosale as the girl’s boss in office, has maximum three to four scenes, but he impresses through them. The other supporting cast is good, but it was a pleasure to watch Yakub Saeed after a long time in the role of a sensible grandfather lost in his own world of music. He did display his ability at this progressing age.
Larger than life ‘Balgandharva’
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Rating: na
Presenter: Iconic Chandrakant Productions Pvt. Ltd. Producer: Nitin Chandrakant Desai Director: Ravi Jadhav Story: Abhiram Bhadkamkar Music: Kaushal Inamdar Cinematographer: Mahesh Limaye Cast: Subodh Bhave, Suhas Joshi, Madhu Kambikar, Kishor Kadam, Avinash Narkar, Sagar Talashikar, Anand Abhyankar, Vibhavari Deshpande, Prachiti Mhatre… Movie Review by: Ulhas Shirke |
Some films are to be seen, some to be enjoyed, but very few films are to be sensed. Nitin Chandrakant Desai’s Biopic on ‘Balgandharva’ is one such masterpiece which is not only a tribute to the legend but is also an experience to peep into the life of the dedicated artiste of yesteryears. At a time when India was under British rule, sometime in early 19th century no females performed on stage. It was during this period that a talented artiste who was groomed since his childhood by Kirloskar Drama Group, played the roles of females and even entertained the theatre audience with his classical songs in gifted voice. Musical plays were very popular those days and the popularity of actor Narayanrao Rajhans took him to the top.But, as rightly said by Abraham Lincoln, “Avoid popularity if you would have peace.” In the life of Narayanrao, there was not much gain or peace though he touched the height of popularity. He devoted his life only for theatre. Spent lavishly on sets and costumes. Director Ravi Jadhav in his little more than 2 hour long film has tried to show how on his way to success, Narayanrao lost the support of his close associates one by one. In the process, he has depicted his strengths and weaknesses. Not many were aware of his interactions with Lokmanya Bal Gangadhar Tilak, Shahu Maharaj of Kolhapur, The Maharaja of Baroda Sayajirao Gaekwad, Annasaheb Kirloskar , Ram Ganesh Gadkari, Baburao Painter and V. Shantaram. From the beginning till end, the director has tried to include all those important incidences, besides having a glance at all those popular musical plays of which he was a part and the classical songs in each one of them rendered by him.
What makes this movie larger than life is for creating that era of early 19th century on screen, with perfection. Just look at the costumes of every character and the superb art design, supported by suitable sound effects in the background for every important scene. Watch that scene where the businessman Laxmichand Narang a great admirer of Balgandharva, appreciating him after hearing the news that he had even performed the show even on the day of his daughter’s death. Listen to that background sound effect and it gives the feeling that he is really based in Karachi. Watching that outdoor scene when the Moneylender Pathan approaches the team of Balgandharva after the show and you actually sense the sudden arrival of a drizzle.
Marathi theatre is blessed with talented artistes and therefore the film has picked up the right people for the right roles. In the team of Balgandharva’s theatre group, we find promising youngsters like Abhijit Kelkar and Siddharth Chandekar dressed up as females, Vibhavari Deshpande playing that emotion filled role of his distressed wife, Suhas Joshi playing a typical old mother of Balgandharva belonging to that era and Kishore Kadam, Vidyadhar Joshi, Avinash Narkar, Rahul Deshpande and others as his stage associates. Greatness shown by some of the artistes like Manoj Joshi as Seth Laxmichand and Madhav Abhyankar as Pant from Bhor Province is that it did not matter for them how big was their role. Same was the case with Smita Shewale and Vishakha Subhedar . They hardly have one scene but they both were all smiles for being part of this mega film. Surprisingly the producer and art director also played that small but important character of Lokmanya Tilak, as an admirer of Balgandharva.
Three more persons who add luster to the film are Singer Anand Bhate, Music composer kaushal Inamdar and cinematographer Mahesh Limaye.
If one has to find faults, there will be very few; but looking at the sincerity of the producer and director besides the artistes it nullifies them in that effective screenplay of the film.
‘Balgandharva’ is a tribute to the Superstar – Subodh Bhave
In the golden era of Marathi Musical based plays ie. More than 100 years ago, no female artist was coming forward to act in a drama. Therefore, male artistes used to perform female roles. In those good old days, artist Narayanrao Rajhans was acknowledged as an actress of Marathi stage. He was then named as ‘Balgandharva’. Today’s popular Marathi Television and film actor Subodh Bhave was enthused with an idea to produce a film on the life and history of Balgandharva. His dream has come true. The film will be released on 6th May in many theatres all over Maharashtra.
In order to know more about the film, Marathi Movie World spoke to Subodh Bhave after congratulating him on his winning the Zee Gaurav puraskar and Mata Sanman.
Q What prompted you to have a theme on the life of Balgandharva for your film ?
A. After directing a musical drama like ‘Katyar Kaljat Ghusali’, many misconceptions about Musical play were erased from my mind. I had an opportunity to read a book named ‘Gandharva Gatha’. With an intention of making an ordinary man familiar with the caliber and struggle of this Marathi stage artist – Narayanrao from the past century, I approached Mr. Nitin Desai and he appreciated the idea and agreed for the production.
Q. His 80 years of lifespan to be covered only in 2 hours was a big challenge. How you could make it possible?
A. Oh! It was really a difficult task. We have tried to cover only the important events of 50
Subodh Bhave as & in ‘Balgandharva’ years of his career. So basically it’s a trailer. It’s a tribute to the super star. We approachedseniors from earlier generation who were fortunate to enjoy his female roles and ‘Natya Geete’. In absence of such a movie, the present generation would not have any other option except for referring the contemporary literature.
Q. To give justice to your role as Balgandharva., what efforts have you put in ?
A. Well, he was well-known for his female roles. To make myself fit for such a role, I had to undertake special exercises to slim down. I took inspiration from his photograph. I studied the expressions on his face. His standing style , his poses & gestures. I read many reference books. I met his daughter Ms. Khedekar and daughter in law Anuradha. I also spoke to Ms.. Jaimala Shiledar, a well known female singer on Marathi stage.
Q. Who has played the role of Balgandharva’s wife ?
A. Vibhawari Deshapdne has played the role of his wife.
Q. To the best of our knowledge, you are not a professional singer. Have you learnt classical music? Who has given the playback?
A. Neither I have taken any formal education in classical music, nor I was fond of Natya Sangeet . But, in the company of my friends -Shaunak , Salil, Bela & Mahesh kale, who are classical singers; I could learn a lot. While doing research for this film, I have totally changed . Now, I like Hindustani Sangeet. In this film, playback singer is Anand Bhate.
Q. Do you think that along with old generation, even youngsters will be attracted towards this movie?
A. There cannot be a single Marathi music lover, who has not heard about Balgandharva. But, most of them did not get opportunity, to see his acting and listen to his voice. Most of the youngsters from present generation are curious to know about his talent and personal life. I am sure, all Marathi music lovers irrespective of age, will watch his movie at least once.
‘Kon Aahe Re Tikde ’- offers good entertainment
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Rating: na
Presenter: Cat n Mouse Entertainment Pvt. Ltd., Abhay Shevade Production: Ambika Pictures, Dipak Bhosale Director: Tanagi Ghadge Story, Screenplay, Dialogues, Lyrics: Arvind Jagtap Music: Chinaar Mahesh Camera: Surendra Sinh Cast: Dr. Mohan Agashe, Subodh Bhave, Sharad Ponkshe, Sunil Godse, Mangesh Saatpute, Smita Tambe, Arun Kadam, Mangesh Desai, Shubhangi Gokhale, Hemangi Kavi, Bharat Ganeshpure… Movie Review by: Sandeep Hattangadi |
Marathi films are known for their comedy content but very few films can be really called total entertainers filled with comedy. However, Cat –N-Mouse Entertainment’s ‘Kon Aahe Re Tikade’ is a zany comedy which can be termed as one in the category of good entertainment.
The story of the film revolves around Shirke family, who still live in the kingly eras of the Maratha history. The chief of the family- Jhunjharrao Shirke (Dr.Mohan Agashe) is one such ‘historical’ monument who is fighting with the authorities and his step brother Balasaheb(Sharad Ponkshe) to regain control of ‘Veergad fort’ which he considers as his family possession. Jhunjararao has already spent a fortune on lawyers and his ancestral property is dwindling and so is their royal lavish lifestyle with only one servant- Kumar (Bharat Ganeshpure) who is paid by the Shirkes with pieces of their land and other princely objects like the royal sword, in return of his services.
Jhunjararao has one son- Malhahrrao(Subodh Bhave), who is an artiste(a painter) and is a happy go lucky person. But, his father has vowed not to arrange his marriage until he gets ‘Veergad’ back.
But, Fate intervenes and Malhararo falls in love with Devaki (Hemangi Kavi) at a marriage ceremony of her brother. They promptly get into bed before marriage and within a month Devaki declares that she is pregnant. What follows thereafter is a roller-coaster of amusement with every character in the film misunderstanding the other. The real pregnant person, however remaining a mystery, which finally turns into a ‘comedy of errors’
Devaki’s father(Mohan Joshi), their maid Savita (Smita Tambe), her politician brother Udayrao (Mangesh Desai) and his wife (Suhas Paranjape) are all part of this drama and most of the comedy part is situation based with funny dialogues .
The film is ably directed by Tanaji Ghadge and is well scripted by Arvind Jagtap. The performances are good from all, with Dr.Mohan Agashe putting in a stellar performance as Jhunjarrao Shirke. The shy but flexible Malharrao Shirke has been portrayed in his own style by Subodh Bhave. Hemangi Kavi looks simple but good and acts well. Mangesh Desai, Mohan Joshi, Smita Tambe,Sharad Ponkshe, Bharat Ganeshpure , Suhas Paranjape, support well. Shubhangi Gokhale as Mrs.Shirke is impressive. Arun Kadam as a watchman and Vijay Patwardan as a doctor, are hilarious cameos.
The title song is sung well by Hrishikesh Kamerkar and composed well by Chinar-Mahesh. The cinematography by Surendra Singh is brightly lit with the interiors of the ‘wada’ and the ‘fort’ captured well. The editing by Rupesh Patole succeeds in the film, to get that required momentum for the film. In all, this film is a good entertainer.
‘Zale Mokale Aakash’ – responsibility unlimited !
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Rating: na
Presenter: Rajendra Anant Producer: Suvarna Rajendra Ex. Producer: Dyanesh Dhoke Director: Rajendra Anant, Yogesh Mahajan, Story: Rajesh Anant Music: Nirmal Kumar Camera: Mangesh Sawant Cast: Subodh Bhave, Pallavi Vaidya Movie Review by: Ulhas Shirke |
Marathi films are moving in the right direction. The script of the film is finding more importance in the present day films. The latest released film ‘Zale Mokale Aakash’ falls under this category, being realistic about what could happen in the life of a couple, when they adopt a three month old girl child. Samir (Subodh Bhave) and Neha (Pallavi Vaidya) play a married couple who adopt a girl child, as Neha insists upon the same. Initially reluctant to such an idea, Samir later agrees for the same. But, when the couple come to know that their child is a special child, both are disturbed. Neha accepts the reality but Samir hates the child for her abnormal behaviour. He even takes a drastic step, but realizes his mistake soon.
When both husband and wife shower upon love on their 7 year old daughter- Bahuli, a sudden twist comes into the story. The real mother of the child comes on the scene. She claims the right over the child and then begins a court battle. Finally, the girl’s custody is given to Samir and Neha. ‘Zale Mokale Aakash’ tries to explain several things through the screenplay. Cinema, is as it is a medium to educate people, and this film not only encourages girl child adoption but also gives hope to those parents who are having children with such a syndrome. It cautions those who first adopt a child and later after having their own child may neglect the adopted one. It also warns people, especially the would be father and mother to desist from excessive use of drugs, smoking and alcohol; as the same could lead to formation of physical or mental disability in the child to be born.
A simple tale very effectively communicated, the film does not go off track, as it sticks to its theme from start till end. The emotions of every character have been highlighted well , wherever the situation demands. The sequence where Samir faces his wife back home, after feeling the guilt; has been picturised well. In another sequence, where Bahuli wins the heart of Samir and Neha watching the same, has been captured well. There is less of drama and more of pragmatic approach to every important scene in the film.
Produced by Suvarna Rajendra and directed by Rajendra Anant and Yogesh Mahajan, ‘Zale Mokale Aakash’ is an effort to create awareness in the society about child adoption and the possible aftereffects. And that is the plus point of the film. Good photography by Mangest Sawant and perfect editing makes the film more realistic. One fails to understand as to why some of the Marathi films use heavy make up for artistes in close up shots. In at least two scenes the heavy make up used on Pallavi Vaidya is clearly visible and that too for the home scenes during night time. This exposes the lack of attention by the production team. Otherwise, the film is a good effort to present such a realistic subject in a cinematic form.
Both Subodh Bhave and Pallavi Vaidya make a good pair and have given their best through their respective performances. The girl child is okay in that difficult role. It was a pleasure to watch two big stars Sharad Ponkshe and Ramesh Bhatkar playing the roles of film producer and an advocate respectively. Music of the film is average. There are only two songs and one background song in the film, out of which one of them is fine but the picturisation of the duet looks outdated, reminding us about the style of 60s and 70s era.
‘Zale Mokale Aakash’ in spite of few lapses and with some predictable sequences, still holds good as a sensible film for the manner in which the subject of the film has been dealt.
‘TYA RATRI PAUS HOTA’ REVIEW
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Rating: ★★ ½
Presenter: Shemaroo Entertainments, Gipsy & Janaki Productions Production: Shree Ganesh Marketing and Films Story- Screenplay – Director: Gajendra Ahire Music: Narendra Bhide Cinematography: Chandrashekhar Iyyer Cast: Amruta Subhash, Subodh Bhave, Sayaji Shinde, Sonali Kulkarni, Sandip Mehata, Milind Shinde Movie Review by: Namrata Thosar |
Socio-political criticism has remained no more a new thing. Many political satires and feminist issues were introduced in different films. What makes Gajendra Ahire always outstanding is the rich permutation –combination of story, plot, dialogue and direction present in his mind at a time. His treatment to traditional issues gives them novelty. This time, his ‘Tya Ratri Paus Hota’ gives us the treat of socio-political thriller.
Two travelers moving towards different destinations but sharing the same past-this theme has gained a new life in the hands of the director Gajendra Ahire. The movie starts with raining. It is a time of election fever. A journalist named Avinash (Subodh Bhave) raises a question before the politician of the area (Sayaji Shinde). Avinash is now kidnapped and sent to the guesthouse where he meets Raavee(Amruta Subhash). They recognize each other and the glimpses of their past are flowed. The interest should be maintained in experiencing the thrill in the movie, rather than telling the further story.
The artistry of the director lies in his successful creation of a breathtaking suspense. The recurring references to violin, to a train passing from a bridge, to the rain, to the ‘Sahebrao’ and to the murders he has committed-darken the suspense and underline the theme of past.
Every character stands in its individual light and as a human being. The same action is shown and justified from several point of views. Sayaji Shinde’s shrewd and cunning politician would serve as a landmark in the film industry. Amruta Subhash has marvelously portrayed a subtle blending of the world of a little girl with her soaked up life forcing her to get mature before time. Milind Shinde’s role of insane assistance to Sayaji Shinde’s cunning activities and the silver lining to it of his affection towards Amruta Subhash is heart touching. The accomplishment of master star cast Subodh Bhave, Sonali Kulkarni, Sandip Mehta has put the graph of action in the ascending order. Still, the use of limited setting, the termination of suspense before the interval fails to help the ongoing action.
The songs are also written by Gajendra Ahire. Their rich meaning is preserved by Narendra Bhide’s soft and subtle music and given voice by Asha Bhosale, Roopkumar Rathode, Milind Shinde, Ravindra Sathe, Nandesh Umap and Amruta Subhash. Throughout the movie, we feel like actually sitting in the rain. The effective music whether it is drizzling, rains with thunderbolts, with lashes or the heavy downpour; it adds meaning to the every incident and emotions of the character. Still, the effect could be further enhanced.
The shades of feminisms are effectively articulated, though there are only two female characters. It may be the courageous, independent social figure of Sonali kulkarni in the beginning or a craving mother and wife for her happy family life in her or the drug-addicted girl-Amruta Subhash-who is governed by her own morality. The last speech by Sayaji Shinde comments on the contemporary politics as well as the mal practices for dictatorship beyond time and space. In this way the movie puts the socio-political reality under its atistis microscope.
The Marathi main stream film industry is jam packed with comedy films. But even in the era of commercialization, few directors are making the efforts of going with good scripts, social message and ethical values. Their main object is to provoke the society rather than making profit. Gajendra Ahire’s ‘Tyaa raatriPaus hota’ keeps the same essence alive and stands out strongly in the trend of so called comedy movies.
Subodh Bhave, Actor
We have seen him on stage, on television and on big screen as well. His serious roles in movies such as ‘Kshan’, ‘Sakhi’, ‘Mann Pakharu Pakharu’ were appreciated by us. He is a household name with his negative role Bhushan in Zee Marathi’s daily soap ‘Kalat Nakalat’. Recently you have seen him Shreyas Talpade’s ‘Sanai Chaughade’.
Yes, we are talking about the owner of a distinguished matchmaking organization in ‘Sanai Chaughade’ – Rahul Borgaonkar alias our own Subodh Bhave… MMW brings a homely discussion with Subodh to all the netizens.
Q: Tell us about yourself, theatre, television, movies…how this journey started as an actor?
I was a very simple guy in my school days, wasn’t much interested in acting. I used to participate in dance, plays and school activities only because my friends and family used to appreciate it. But mainly I spent more time on the ground, playing different sports. I was in sixth, when I joined ‘Natya Sanskar Kala Academy’ during summer break, that too just because my parents wanted me to join it. I learnt many things in the academy related to dramatics, right from acting, direction, art direction and many other things. I acted – directed many one act plays during my college days which gave me a confidence. I started with a play called ‘Chandrapurchya Jangalaat’, which not only gave me few awards but critics’ recognition as well. This play taught me many things. I was totally associated with theatre and drama after that and did many one act plays. My role in another play called ‘Asach ek divas’ gave me the first award in my life. It was a real boost for me to enter the world of glamour. I did many plays, TV serials and movies since then. ‘Sattesathi Saare Kahi’ was my first movie.
Q: Theatre, anchoring, television, movies….you have done everything. What’s your favourite?
Acting is my life, I can’t stay away from it. I enjoy everything, whether its a theatre, anchoring, TV serial or a movie. I am totally passionate about all this. Moreover, I am a professional and get paid for my talent. So it is my duty to give more than 100%. (Smile)
Q: Whom do you consider as idol when it comes to acting?
Its difficult to name one person. I have worked with so many talented actors and there is something to learn from everyone of them. I try to learn from every single individual. (Smile) Actually there are so many teachers around me, if I don’t learn myself from them, then thats my loss.
Q: Most of your films like ‘Kavadase’, ‘Amhi Asu Ladake’, ‘Me Tujhicha Re’, revolve around a serious theme. Don’t you feel that you will get typecasted in similar roles?
Yes, at certain point of time I felt exactly same. I was really afraid that I will get typecasted in serious roles as you have mentioned. But then came ‘Sanai Choughade’ and things changed. It helped me to break away from the ‘serious guy’ image. I have a dream that people should remember me as an actor who did varied and challenging roles.
Q: How’s your experience of ‘Sanai Choughade’ with Shreyes !
It’s a really different experience. As I said, it helped me to break away with my serious image. But it does not mean that all the 22 movies that I did before ‘Sanai….’ do not mean anything to me. It’s only because of those films that I can appreciate the importance of ‘Sanai..’ I really feel grateful to Shreyas for this film. Even after making it big in Hindi films , he produced his first film in marathi. He brought the youth back to marathi movies. Although it is a commercial movie, ‘Sanai..’ handled a serious social issue.
Q: How did you feel when you got Zee Marathi’s Best Marathi Actor Award last year for ‘Man Pakharu Pakharu’ ?
Last year has been really amazing for me. ‘Lakshmikant Berde’, ‘Ashok Saraf’ and ‘Sachin Pilgaonkar’ is the terrific trio of Marathi movies. It’s very sad thing that ‘Lakshmikant Berde’ is not with us now. I have grown up watching these guys. I got chance to work with Sachin in ‘Man Pakhru Pakhru’ and with Ashok Saraf in ‘Sakhi’. Such an opportunities is an award in itself . I don’t think that there can be any award that is more important than that.
Q: Marathi cinema is regaining back it’s glory. Many big producers from other industries are interested in Marathi films now. How do you feel about it?
It’s a great time for Marathi cinema. People are really taking Marathi films seriously. Most of the producers in Marathi industry were non Marathi and this hold true today too! But the corporate world is also taking notice of marathi cinema. Companies like Reliance, Mukta Arts and Influx are producing Marathi movies. Marathi movies are reaching to the every corner of the world. The credit for this definitely goes to all the people who have contributed to the Marathi cinema.
Q: What are your upcoming movies? Also share with us the characters that you play in them.
My next film ‘Uladhaal’ will be releasing in September. It is produced by Ajay Sarpotdar. My other films are Tanaji Gadgil’s ‘Ekada Kaay Jhala’, Gajendra Ahire’s ‘Tya Ratri Khup Paus Hota’ and ‘KshanoKshani’. Ali Asgar’s ‘Man Pakhru Pakhru’ and Ashok Saraf’s ‘Dhobi Pachchaad’. I have played different characters in all of these films and viewers will definitely find them interesting.
Carrying on the tradition of entertaining the audience by tickling their funny bone is the movie ‘Ek Daav dhobi Pachad’
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Rating: ★★
Presenter: Zee Talkies Producer: Shree Mangesh Films Director: Satish Rajwade Story: Girish Joshi Camera: Suresh Deshamane Cast: Ashok Saraf, Subodh Bhave, Prasad Oak, Kishori Shahane-veej, Movie Review by: Jitendra More |
Comedy has been an inevitable element of Marathi Cinema since centuries. Carrying on the tradition of entertaining the audience by tickling their funny bone is the movie ‘Ek Daav dhobi Pachad’
Produced by Ashok Saraf and presented by Zee Talkies, the movie revolves around the life of Dada Dandke (Ashok Saraf), a crook whose business involves controlling and opening new beer bars and casinos. The so-called gunda of the village, he is fondly called as dada by his associates. Dada is notoriously known for capturing polling booths and doing vasooli from people. However, a transformation comes about in his life when he meets his long lost love, Hema (Asawari Joshi-Saraf). Dada puts a marriage proposal which Hema rejects saying that he is not the same person she had met years back. She comments on his language, clothes and way of living.
Unable to face the rejection, Dada decides to change himself and win Hema’s heart again. His attempts to improve make him appoint a Marathi teacher for his language, a fashion designer to stitch international and help all the loved ones in trouble. His journey to be a good man in Hema’s eyes, keeps his enemies wonder that he is planning to come up a new plan this time.
Saraf, as an authoritarian father and a man of honour suits the role well. However, his unreasonable comedy does not go with his image. Again keeping the image of a good actor intact is Subodh Bhave as the Marathi
teacher. Seeing Bhave into a sober role after the brutal role in Uladhaal is amazing and Bhave has made the transformation well. Pushkar Shrotri as Babya, the right hand man of Dada seems to be wasted and so are the acting talents of Prasad Oak (Trimbak Joshi), an accountant madly in love and Madhura Velankar (Saylee) as his lady love. Mukta Barve as Dada’s daughter in her role as Sulochana gets on the nerves of the audience.
With such a huge star cast, directed by Satish Rajwade has not been able to give justice to even one character. However, even after losing the plot of the movie, he comes out good in the end. Music by the two greats Ajay-Atul suits the theme of the movie, however, the audience would have expected a few more songs to keep with the mood of the movie. Nivedita Joshi-Saraf makes a good screen presence even after so many years.
A good movie overall but certainly not reaching the heights set by movies that have brought about a metamorphosis of Marathi movie industry.