Tag Archives: MADHURA VELANKAR

Sayali, Suvrat speak about their roles in ‘Goshta eka Paithanichi’

Sayali Sanjeev
Gosht Eka Paithanichi, Sayali Sanjeev

Much awaited Marathi film ‘Goshta eka Paithanichi’ is all set to release this Friday and therefore there is a lot of curiosity to know what the film is all about ? Lead artistes of this film Sayali Sanjeev and Suvrat Joshi have tried to explain about their characters in this film and how they prepared for these roles.

Actress Sayali Sanjeev in Marathi movie 'Goshta Eka Paithanichi'
Actress Sayali Sanjeev in Marathi movie ‘Goshta Eka Paithanichi’

Sayali who plays a woman stiching blouses and making fall bidding for the sarees says that she always wants to study her characters and prepare for the same before the shooting. And therefore when she was offered this role, she actually joined a stichting class to understand the techniques of stitching so that she could portray her character naturally.

Actor Ssuvrat Joshi in Movie 'Ggoshta Eka Paithanichi'
Actor Ssuvrat Joshi in Movie ‘Ggoshta Eka Paithanichi’

Suvrat who plays a flower vendor in this film, says that he prepared himself by standing next to flower vendors on the street and observed their body language closely. These characters though look simple, are very challenging to portray and that is why both these lead artistes studied them in their own ways. Produced by Akshay Vilas Bardapurkar, Piyush Singh, Golden Resho Films and Planet Marathi and directed by Shantanu Ganesh Rode, this film also stars renowned artistes like Mrunal Kulkarni, Suhita Thatte, Milind Gunaji, Madhura Velankar, Girija Oak, Aditi Dravid in lead roles.

Ha Shekhar Khosla Kon Aahe? (हा शेखर खोसला कोण आहे ? ) Marathi Natak

Ha Shekhar Khosla Kon Aahe Natak Poster
Genres: Suspense Thriller
Rating: na
Opening Date: 2015 (25 December)
Production House: Bhadrakali Productions
Producer(s):  Kavita Machindra Kambli
Presenter: Prasad Kambli
Writer: Madhu Rai
Director: Vijay Kenkre
Official Facebook Page I  Twitter

Producer(s):  Kavita Machindra Kambli
Co-producer(s): na
Director:  Vijay Kenkre
Writer:  Madhu Rai
Dialogues: na
Artist:  Madhura Velankar, Sharvari Lohokare, Vivek Gore, Sushil Inamdar, Lokesh Gupte, Tushar Dalvi
Set Design: Pradeep Mulye
Lights: Sheetal Talpade
Costume: Sudhir Haridas
Background Music: na
Makeup: Sachin Varik
Costume Designer:  Sudhir Haridas
Hair Style: na
Art: na
Lyrics:  na
Music: Rahul Ranade
Playback singers: na
Choreographer : na
Publicity Designs: B. Y Padhye Publicity

‘Ha Shekhar Khosla Kon Aahe?':na

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Ha Shekhar Khosla Kon Aahe Natak Poster

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‘Paulwaat’ – a real ‘state of the art’ film

Paulwaat
Rating: na
Company: Dawn Studios Pvt. Ltd., My Dream Production, Dawn Studios Pvt. Ltd.
Director: Aditya Ingale
Story: Abhiram Bhadkamkar
Music: Narendra Bhide
Lyrics: Vaibhav Joshi
Cast: Jyoti Chandekar, Subhodh Bhave, Kishore Kadam, Madhura Velankar,
Anand Ingale, Hrishikesh Joshi, Seema Deo, Abhiram Bhadamkar, Vijay Kenkre,
Vaibhav Tatvawadi, Rajesh Pathak, Prachiti Suru, Dhiresh Joshi, Astad Kale, Sachin Bankar
Movie Review by: Ulhas Shirke

Someone has rightly said, “Dreams are like stars…you may never touch them, but if you follow them they will lead you to your destiny.” In the case of Anant Deo , a young singer who comes from Sangli to this so called dream city Mumbai to become a singer, also has big dreams in his eyes and is very confident about his talent. But, what he experiences during his struggle period, makes him believe that money speaks. Soon, he realizes that Unless, you invest and market yourself, you cannot become a big singer.

Film maker Aditya Ingale’s film ‘Paulwaat’ presents this struggle in the life of a young talented singer Anant Deo, played by versatile actor Subodh Bhave. To give a cinematic look to this otherwise simple tale, the director prepares a ground with suitable characters and situations to fill with the music which is the USP of this sensible film. So, when Anant first arrives in Mumbai, his local friend Babya (Hrishikesh Joshi) finds a suitable quiet place for his PG accommodation in an old ancestral house owned by Godu akka (Jyoti Chandekar).

It takes no time for Revati,(Madhura Velankar- Satam) the niece of Mr. Nene(Anand Ingale) – living in the neighbourhood; to become friendly with Anant. An otherwise disturbed Goda akka, who initially tries to teach discipline to Anant, starts liking him later. Watching his struggle, she develops a kind of relationship almost on the lines of Lalita Pawar and Raj Kapoor in Bollywood film ‘Anari’. Watch her walking style and behaviour and you will notice the similarity.

Subodh Bhave
During his struggle period, Anant meets few well wishers, who in appreciation of his talent, try to help him; but his bad luck prevents success coming closer to him. His older friend, philosopher and guide Usmanbahi ( Kishore Kadam) who has seen good time in the past, tries to explain to him as to how, to remain successful, the struggle must continue…” But, when Usmanbhai himself after facing humiliation, decides to leave for his native place selling his old house, Anant too loses hopes, though he continues doing petty jobs in music field, to earn for his living. Revati too suggests him to take up a proper job and then pursue his music side by side; but, Anant takes it the other way. One day, he takes a decision on his own hurting all those, who had come closer to him by that time. Destiny has something else in store for him. Finally, Anant swears that he would do something for all those talented strugglers who come to this city with the hope of becoming singers.

The film captures selfish human nature through certain characters in this materialistic world. Music, which is the USP of this film, finds suitable situations in the screenplay supported by humour filled dialogues to bring in that required change in this otherwise serious tale. Especially, the conversation between Goda Akka and Mr. Nene clearly shows how helpless they both are in their respective lives, yet don’t leave an opportunity to taunt each other. Anant’s outbursts at certain situations, shows the frustration of young people in this dream city. While the character of Revati suggests that a young girl looks for stability, when it’s time to settle down in life with a partner.

The film displays memorable performances from Subodh Bhave and Jyoti Chandekar. In fact, it is the interaction between these two characters, that suggests many things to sensible film lovers. Madhura Velankar- Satam plays happy go lucky but thoughtful Revati with her gifted talent . Anand Ingale plays the middle aged Sane confidently with variety, using a neck collar and suggestive body language to indicate his ageing process. But, it is Kishore Kadam in the role of Usmanbhai, invites all the attention with his perfect Urdu diction. Others in the supporting cast are just fine. Photography is good. Watch that last scene, perhaps shot at Banganga, Walkeshwar, with the light of the lamp reflecting through the water on the faces of the few characters seated on the stairway. Above all, music is just apt for this sensible film, which has about seven songs. “Paulwaat” is a real ‘state of the art’ kind of film. No wonder, it is produced by seven like minded people like Mukta Bhide, Manasi Pethe, Revati Gund, Alka Datar, Vyankatesh Mandke, Ajay Bhide, Anuradha Ekbote and Smita Bhagwatdar, all coming together to offer this sensible creation.

Monsoon ‘Haapus’ tastes Sweet and Sour

Haapus Poster
Rating: na
Presenter: Eros Entertainment, Everest Entertainment
Producers: Sanjay Chhabria, Abheejit Satam
Director: Abhijeet Satam
Camera: Rahul Jadhav
Story & Screenplay: Saurabh bhave & Subodh Khanolkar
Lyrics: Sandeep Khare
Music: Dr. Salili Kulkarni
Cast: Shivaji Satam, Madhura Velankar, Makarand Anaspure, Subodh Bhave, Pushkar Shotri
Movie Review by: Ulhas Shirke

Finally, Sanjay Chhabria and Abhijit Satam’s much awaited ‘Haapus’ has arrived in Maharashtra on the day with wet spell of monsoon spread all over the state. But, the aggressive monsoon decided to take rest, at least in the city of Mumbai; so that people could come out and welcome the king of Konkan, in whose honour the film has been made.

‘Haapus’ which truly stands to its name, does sincerely speak about the exploitation of the poor mango growers from Konkan over the years by the money minded traders. But, keeping in mind the commercial success of the film, the film adds few sub plots to create that required humour and apprehension in the screenplay. The film is mainly filled with emotions of different characters and their reactions to every situation.
Anna Gurav (Shivaji Satam) the head of the family of one of the mango growers of a village in Konkan, is also a victim of this exploitation. He has no regrets, but tries to hide a past happening from his children. Like many others, happy with the price they get for their crop every year; he too is a contented person. One day Anna’s own son Ajit (Subodh Bhave) , who does his own research to grow a better crop, turns protagonist and decides to sell the product directly into market, without involving a middle man. He tries to persuade other crop growers, but the shrewd trader Chajed (Vidyadhar Joshi) blocks his plans, by playing the divide and rule policy. In the meanwhile, a school master from Marathwada – Digamber Kale( Makarand Anaspure) walks into the village on his new assignment and finds temporary shelter in Gurav’s house. He comes to the rescue of Ajit and the entire family of Gurav, including the auto rickshaw driver Subhya (Pushkar Shroti) who is in love with one of the twin daughters of Anna, support him in his mission against the trader.
Madhura Velankar Satam In Haapus
Director Abhijit Satam, who makes his debut as a director through this film, has handled the plot with sincerity, trying his best to show how difficult it is to break the traditional middle man business. With ‘United we stand’ policy of the family he shows sensible audience the way of direct marketing. ‘Haapus’ does take the help of humour with the director taking the advantage of the double role of Amruta-Ankita (played by Madhura, his wife) and offering some comedy scenes in ‘Seeta aur Geeta’ style. In fact, he concentrates on the main plot post interval, after entertaining the audience with a social family gathering.

Good thing about ‘Haapus’ is that there is no vulgarity in the screenplay as the film limits every character within a framework, not allowing anyone to overact or over react and offering enough space to one and all. Only unrealistic and predictable part in the film is the hospital scene in the climax, which has been influenced by some recent Bollywood films. In fact, every happening that takes place in the hospital, looks unnatural. Watch, when Pushkar Shroti walks into the hospital to inquire about Grandma’s health. It only creates laughter for no reason, among audience. But, the superb performances by all the artistes and the pace with which the screenplay moves, does help to surpass such scenes. Sunil Barve and Milind Pathak make special appearances at the right places to offer help to Gurav family during their time of crisis.

The picturesque Konkan has been shot well by Rahul Jadhav with his expert camera work. The director has also been more careful for the indoor scenes, to make them more realistic and hence has chosen the real locations in Kudal. The scenes of actual market place in Vashi have been captured well. Music of the film is just fine, with the title song more impressive than other two songs.

Shivaji Satam has given his best performance through this film in that tailor made role of Anna Gurav. Both Subodh Bhave and Makarand Anaspure are perfect choice in their respective roles. Madhura Velankar gets a chance to prove her ability as an actress offering variety. Sulbha Deshpande looks a perfect Grandma and gets due recognition. Mansi Maggikar (Anna Gurav’s wife) and Mrunal Deshpand e (Ajit’s wife) do not have much to their share, but they have done well. Swarsha Jadhav as the youngest member of Gurav family is good; but it is Pushkar Shroti, who outshines other co stars. Except for Shivaji Satam, there isn’t anyone else in the film, who could compete with him for using that typical Konkani dialect throughout the film. Prashant Damle, plays the Narrator with his voice over, to explain the situation at the beginning and end . In all, ‘Haapus’ is a package of straightforward family entertainer.

Marathi Movie Canvas Review

Canvas Marathi Movie Poster
Rating: na
Presenter: Swadeshi Entertainment
Producers: Sameer Gaikwad,
Director: Shivdarshan – Amit
Story, Screenplay: Shivdarshan – Amit
Cast: Sameer Dharmadhikari, Madhura Velankar, Abhijit Satam, Vijay Kenkre
Movie Review by: Saurabh Karnik

Amazing crockery, crystal bowls, exclusive dishes… but salty fruit salad… or spicy Puran-Poli! What would be your reaction over this kind of dinner? Exactly same reaction came to my mind after watching Canvas. Excellent music, impressive camera, extra ordinary editing, sound story…. But faulty presentation doesn’t make the movie as impactful as it could be.

The movie is based upon murder mystery. Shrikant Dharmadhikari (Shrirang Deshmukh) – a well educated person is killed brutally by some unknown person. But his murder becames a part of serial killing when 2 other persons also get killed in the same manner. ACP Aditya Kulkarni (Samir Dharmadhikari) – an investing officer finds a canvas near every dead body and he finds a clue in the picture ported on the canvas. The film rolls on to show how Aditya solves the murder mystery and catches the killer.

The movie has decent star cast like Samir Dharmadhikari, Madhura Velankar, Vijay Kenkre and everybody has played their role quite well. Especially, Samir’s role in a Marathi movie after so many days, is welcome. Akshay Pendse’s short role definitely catches audience attention and gets appreciation. Vijay Kenkre’s on screen performance after a long time , is another attraction of the movie.

canvas

Marathi movies are getting technically strong day by day and Canvas is no exception to it. Shivdarshan Sable has provided extra ordinary background music to maintain mysterious environment in the movie.
Cinematography, camera and lights are also remarkable and worth studying for newcomers and critics.

But unfortunately overall impression of the movie is not that striking because of slow pace of the movie and casual dialogues, that really failed to make the movie remarkable. Shivdarshan-Amit, who have handled story, screenplay and direction have done a decent job in their first attempt. But unfortunately, the viewers are not bothered about it. They look for a simple good movie and Canvas has failed to fulfill their expectations. Dialogues are used very casually and do not suit to the situation. Many a times serious dialogues during a particular situation make the audiences laugh. Director has taken too much of time to establish the murders and reveal the suspense, which is unnecessary and distracting. Movie continues for almost next half an hour even after revealing the suspense. The same movie would have been more impressive, if it had been cut short to ¾th time.
It is a welcome change that Shivdarshan-Amit are daring to make movies over different topics. It is a good trend for Marathi film industry. A bit more professional approach would have made a a big difference. Canvas is otherwise an impressive film at their first attempt and need to be appreciated by Marathi film lovers in order to encourage new filmmakers. Then only thing we expect is a better deal for such striking Marathi movies, with a different touch.

‘Canvas’ offers a thriller filled with suspense.

canvas

After the success of ‘Dombivali Fast’ producers Sameer Gaikwad and Ramakant Gaikwad are now getting ready with their new suspense filled thriller ‘Canvas’. Made under the banner of ‘Swadeshi Entertainment’, ‘Canvas’ will be officially released in Mumbai and Pune on 30th October 2009. On Tuesday 20th October the makers of ‘Canvas’ officially announced the release date of their film in the presence of the entire film unit, at Kohinoor Hotel , Prabhadevi, Mumbai.

The function began with a promo followed by questions posed by Smita Gawankar the host of the show, to the main artistes and directors of the film. Though Abhijit Satam was willing to talk about the plot, his co-artiste Madhura Velankar suggested him not to reveal much about the film. “ We want you all to come and enjoy the film and suspense in the theatres,” she appealed to the audience mainly comprising of media persons present there. Producer Sameer stated that he liked the script presented to him by director duo- Shivadarshan Sable and Amit Surve and later decided to go ahead with the project.

All the artistes who spoke on the occasion seemed to be very confident about the success of the film. When asked whether the film’s script writers was inspired by popular TV serial ‘CID’ and the hit action film ‘Bindhast’, the writer- director duo stated that it was not so. Every film and popular serial is having its own success formula. Our film is not inspired by any of them. We have offered something different.” One of the lead actors Sameer Dharmadhikari was not present but all others shared their views about the film.

The film has dealt with a theme of a serial killer who begins with a brutal murder of a respectable citizen followed by series of unsolved murders creating panic in the city. The murderer is an extremely intelligent person, who leaves no proof behind, except for a ‘Canvas’ that is found near the corpse. ‘Canvas’ is the story of a duty bound Police officer, his wife Dr. Anjali. The makers are confident that the film will hold the audience to their seats from start to finish.

The film’s star cast comprises of Sameer Dharmadhikari, Madhura Velankar, Vijay Kenkre, Abhijit satam, Sunil Deo, Pratap Phad, Sulekha Talwalkar, Shrirang Deshmukh & Aklshay Pendse. With cinematography by Raja Phadtare, the background music of the suspense filled thriller is provided by Rohan Pradhan & Shivadarshan.