Timepass 2 ( टाईमपास २ )
Release Year: 2015
Genres: Romantic
Rating: na
Censor: U/A
Duration: 124 Min.
Producers: Nitin Keni, Nikhil Sane, Meghana Jadhav
Production Manager: Rohan Godambe
Director: Ravi Jadhav
Writer: Ravi Jadhav
ScreenPlay: Kshitij Patwardhan, Priyadarshan jadhav, Ravi Jadhav
Dialogues: Kshitij Patwardhan, Priyadarshan jadhav, Ravi Jadhav
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Cast & Crew
Production Manager: Rohan Godambe
Director: Ravi Jadhav
Writer: Ravi Jadhav
ScreenPlay: Kshitij Patwardhan, Priyadarshan jadhav, Ravi Jadhav
Dialogues: Kshitij Patwardhan, Priyadarshan jadhav, Ravi Jadhav
Lyrics: Mangesh Kangane, Kshitij Patwardhan
Music: Chinar – Mahesh
Playback Singers: Vishal Dadlani, Adarsh Shinde, , Bela Shende, Mahalaxmi Iyer, Shalmali Kholgade, Apeksha Dandekar, Swapnil Bandodkar
Cinematographer (DOP): Vasudeo Rane
Editor: Jaywant Jathar
Starcast: Priyadarshan Jadhav, Priya Bapat, Bhalchandra Kadam, Vaibhav Mangale, Prathamesh Parab, Ketaki Mategaonkar, Sandeep Pathak, Nayan Jadhav, Sameer Khandekar, Chinmay Kelkar, Aarti Wadagbalkar, Kshiti Jog, Urmila Kanitkar, Bhushan Pradhan, Uday Sabnis, Sampada Joglekar, Supriya Pathare, Shashank Kevale.
Art Director: Santosh Phutane
Costumes: Meghana Jadhav
Make up: Rupesh B. Bhatkar
Sound : Rohit Pradhan
Choreographer: Umesh Jadhav
DI, VFX: Ravi Jadhav Films
D.I. Colourist: Yogesh Dixit
Promos: Just Right Studioz
Publicity Designs: Sachin Gurav
Distributor : Essel Vision
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Review
New lead pair of ‘Time Pass’ revealed
‘Time Pass’ is considered amongst the top-line grossers of last year, in Marathi Film world. The odd pairing of, Prathamesh Parab as Dagdu and Ketaki Mategaonkar as Prajakta, was an instant hit with the audience through this film about teenage romance. Towards the end of this film, the director had cleverly hinted about the sequel. Director Ravi Jadhav has kept the promise and is now ready with the sequel, ‘Time Pass 2′. One must appreciate his confidence in the content of the original that he could think of a sequel, before the film was released, as suggested categorically in end-credits.
As Ravi Jadhav has advertising background and expertise, he used it intelligently to create a lot of suspense and curiosity about his latest product, ‘Time Pass 2′ and was successful as a lot of guesswork was going on, as to who will be the next Dagdu and Prajakta. He finally, through social networking site, released a teaser and ended the speculations. The new Dagdu is Priyadarshan Jadhav and new Prajakta is Priya Bapat.
The new pair is equally odd, as the original lead pair and now there’s talk about the on-screen chemistry of Priyadarshan and Priya in the sequel. Time Pass 2 has the backing of EsselVision and will hit the screens on the Maharashtra Day this year.
New Marathi films open campaign on Valentine’s day
Many forthcoming Marathi films have opened their campaign on the occasion of Valentine’s day. Prominent among them are love story based films ‘Time Pass 2′ directed by Ravi Jadhav and ‘Agabai Arrechha 2′ directed by Kedar Shinde. Incidentally, both the films are sequels to their respective originals, with the same name.
Though ‘Time pass-2′ will have the same lead pair, ‘Agabai Arrechha-2′ produced by Bela Shende and Narendra Firodia will be without Sanjay Narvekar. On the new poster of ‘Time Pass 2′ we notice the famous dialogue of the hero, being used as tagline, in the sequel, while the ‘Agabai Arrechha 2′ teaser released on social networking site, shows Sonali Kulkarni playing the lead character, introducing the teenagers and narrating the meaning of love, at that age.
‘Time Pass 2′ will be released on 1st May 2015; but, the release date of ‘Agabai Arrechha 2′ is also likely to be this year.
‘Time Pass’ offers entertainment with a timely message
Rating: ★★★ ½
Studio: Zee Talkies Producer: Essel Vision, Athansh Communication Writer, Director: Ravi Jadhav Screenplay, Dialogues: Priyadarshan Jadhav, Ravi Jadhav Music: Chinar- Mahesh Lyrics: Guru Thakur Cast: Prathamesh Parab, Ketaki Mategaonkar, Vaibhav Mangle, Bhalchandra (Bhau)Kadam, Urmila Kanetkar- Kothare, Meghana Erande-Joshi Movie Review by: Ulhas Shirke |
Is teenage love affair a real love or a time pass? How many such teenage love affairs have been successful in the long run ? These are few a valid questions, posed by director Ravi Jadhav, who has in the recent past, given three hit Marathi films – ‘Natarang’, ‘Balgandharva’ and ‘Balak Palak’. In fact, his last film ‘Balak Palak’ ( BP) based on the lives of teenagers, was released in the beginning of year 2013 and now ‘Time Pass’ almost opens the new year 2014 account of Marathi films, with a neat and clean presentation of teen age love. Just two years ago, we saw a film ‘Shala’ also on teenage love; but it was more one sided. ‘Time Pass’ goes one step further, to show how love happens from both sides, without thinking much about the future prospect.
‘Time Pass’ begins with happening of love between a girl Prajakta, who has just joined college and a 10th class failed boy Dagadu, who delivers newspaper at Prajakta’s place. Prajakta’s father who works as a clerk in Central Government office, is a very strict person and keeps close watch on Prajakta’s activities after college hours. He sends his daughter for Classical Singing classes to Spruha (Urmila Kanitkar-Kothare). Prajakta who is impressed by Dagadu’s open nature and his way of living a free life, starts liking him. She even begins dating with him, only to be caught by her father one day. Besides being scolded by her parents, she is kept under strict vigilance. Prajakta is also advised by her singing teacher to give a full stop to her affair, after she comes to know about her affair.
The film ends with a valuable message, clearly indicating that good education is very important to bridge the gap between “Have’s and ‘Have nots” about teenage love lasting till marriage time. More than this simple story, it is the screenplay of this film, written by Ravi Jadhav and Priyadarshan Jadhav, that makes the film more interesting in the first half. Even some of the situations in the film, like interaction of the young boy and girl in a Library, at a roadside hotel, during the wedding preparations at the marriage of Dagadu’s friend’s sister and one near the temple; are well captured to show the progress of their love.
There is a good humour filled scene, involving Dagadu and Prajakta’s father during the small birthday party of Prajakta’s brother, where Dagadu is invited by Prajakta’s brother. Similarly, the climax scene at Prajakta’s place with Dagadu being cross examined by Prajakta’s relatives, has been well presented. The film concludes giving a clear hint of ‘Time Pass 2′ displaying the words ‘to be continued’ instead of ‘The End’.
Besides presenting the humour filled teenage love story of two youngsters, very effectively, the film does leave some questions unanswered. Such as, why Prajakta’s father had continued to oppose the love between his son Vallabh with Spruha, even after both of them completing their education? If he was so much opposed to Spruha, why did he send his teenaged daughter to her place, for tuitions? How is a 10th failed student like Dagadu allowed inside the college premises ,wearing shorts and that too his friends passing comments at girls, in the college premises? In the film, there is nothing very special done by the character of Dagadu – a boy with typical poor class looks, to impress a good looking girl like Prajakta from a well to do family, except for his acting skills and guts to express his love.
His only plus points shown in the film are that he earns something for his family by delivering newspapers, attempting a road show to raise funds, by driving a bicycle for three days non stop, to repay the rickshaw loan of his father and most importantly, not crossing his limits in love. The film hints at happening of this story sometime during 80s and hence the events taking place are somewhat convincing. The film does slow down a bit in post interval session. However, the good music offered by film is refreshing, with all meaningful songs. Even the lyrics of the item song rendered in the voice of Reshma Sonavane ( ‘Vaat baghtoy rickshawala’ fame) seemed to be perfectly matching with the situation. Above all, the excellent camera work brings visual delight.
In the role of Dagadu Shantaram Parab, young Prathamesh Parab has proved that acting is all that important to effectively present an ordinary looking young boy. Perhaps he got inspiration from Dhanush’s character in ‘Ranjhana’. He has also paid more attention on his dialect to portray a perfect young boy from slums. With his simplicity displayed through this character, he has certainly invited sympathy of the audience. He is simply superb! In the role of Prajakta , Ketaki Mategaonkar is almost typecast, as we have seen her play a similar type of role in ‘Shala’. Only difference is that, this time, she tries to hide her love from her parents and feels free to reciprocate her love to her young friend. She finds two good scenes to express her emotions, as compared to Prathamesh, who has better scope.
In the role of Prajakta’s father Vaibhav Mangale has done a very good job. He has been able to generate lots of humour filled scenes, besides turning strict and emotional through few important scenes. Meghana Erande Joshi, who plays Prajakta’s mother in this film, has done well. In the role of Spruha, Urmila Kanitkar-Kothare is impressive, though she finds only two good scenes to display her acting skills. Otherwise, she is just represented as a music teacher. In the role of Prajakta’s elder brother, Bhooshan Pradhan almost plays a guest appearance, as he has nothing much to perform, except for lifting weights in Gym and displaying his biceps. Even, Bhalchandra Kadam has limited role, with only one good scene to express his emotions. The other youngsters in supporting roles offer good back up in this teenage love story. Dialogues are well written with nothing vulgar noticed. ‘Time Pass’ is an entertaining film with a timely message.
Larger than life ‘Balgandharva’
Rating: na
Presenter: Iconic Chandrakant Productions Pvt. Ltd. Producer: Nitin Chandrakant Desai Director: Ravi Jadhav Story: Abhiram Bhadkamkar Music: Kaushal Inamdar Cinematographer: Mahesh Limaye Cast: Subodh Bhave, Suhas Joshi, Madhu Kambikar, Kishor Kadam, Avinash Narkar, Sagar Talashikar, Anand Abhyankar, Vibhavari Deshpande, Prachiti Mhatre… Movie Review by: Ulhas Shirke |
Some films are to be seen, some to be enjoyed, but very few films are to be sensed. Nitin Chandrakant Desai’s Biopic on ‘Balgandharva’ is one such masterpiece which is not only a tribute to the legend but is also an experience to peep into the life of the dedicated artiste of yesteryears. At a time when India was under British rule, sometime in early 19th century no females performed on stage. It was during this period that a talented artiste who was groomed since his childhood by Kirloskar Drama Group, played the roles of females and even entertained the theatre audience with his classical songs in gifted voice. Musical plays were very popular those days and the popularity of actor Narayanrao Rajhans took him to the top.But, as rightly said by Abraham Lincoln, “Avoid popularity if you would have peace.” In the life of Narayanrao, there was not much gain or peace though he touched the height of popularity. He devoted his life only for theatre. Spent lavishly on sets and costumes. Director Ravi Jadhav in his little more than 2 hour long film has tried to show how on his way to success, Narayanrao lost the support of his close associates one by one. In the process, he has depicted his strengths and weaknesses. Not many were aware of his interactions with Lokmanya Bal Gangadhar Tilak, Shahu Maharaj of Kolhapur, The Maharaja of Baroda Sayajirao Gaekwad, Annasaheb Kirloskar , Ram Ganesh Gadkari, Baburao Painter and V. Shantaram. From the beginning till end, the director has tried to include all those important incidences, besides having a glance at all those popular musical plays of which he was a part and the classical songs in each one of them rendered by him.
What makes this movie larger than life is for creating that era of early 19th century on screen, with perfection. Just look at the costumes of every character and the superb art design, supported by suitable sound effects in the background for every important scene. Watch that scene where the businessman Laxmichand Narang a great admirer of Balgandharva, appreciating him after hearing the news that he had even performed the show even on the day of his daughter’s death. Listen to that background sound effect and it gives the feeling that he is really based in Karachi. Watching that outdoor scene when the Moneylender Pathan approaches the team of Balgandharva after the show and you actually sense the sudden arrival of a drizzle.
Marathi theatre is blessed with talented artistes and therefore the film has picked up the right people for the right roles. In the team of Balgandharva’s theatre group, we find promising youngsters like Abhijit Kelkar and Siddharth Chandekar dressed up as females, Vibhavari Deshpande playing that emotion filled role of his distressed wife, Suhas Joshi playing a typical old mother of Balgandharva belonging to that era and Kishore Kadam, Vidyadhar Joshi, Avinash Narkar, Rahul Deshpande and others as his stage associates. Greatness shown by some of the artistes like Manoj Joshi as Seth Laxmichand and Madhav Abhyankar as Pant from Bhor Province is that it did not matter for them how big was their role. Same was the case with Smita Shewale and Vishakha Subhedar . They hardly have one scene but they both were all smiles for being part of this mega film. Surprisingly the producer and art director also played that small but important character of Lokmanya Tilak, as an admirer of Balgandharva.
Three more persons who add luster to the film are Singer Anand Bhate, Music composer kaushal Inamdar and cinematographer Mahesh Limaye.
If one has to find faults, there will be very few; but looking at the sincerity of the producer and director besides the artistes it nullifies them in that effective screenplay of the film.
‘Natarang’- A Classic Tale !
Rating: 4/5
Presenter: Zee Talkies Production: Zee Talkies, Athaansh Communications Director: Ravi Jadhav Story: Dr. Anand Yadav Screenplay: Ravi Jadhav Dialogues, Lyrics: Guru Thakur Music: Ajay – Atul Cast: Atul Kulkarni, Sonali Kulkarni, Kishor Kadam, Vibhavari Deshpande, Kishor Choughule… Movie Review by: Sandeep Hatangadi |
Debutant ad-filmmaker Ravi Jadhav’s ‘Natarang’ is a film that has raised the bar for quality Marathi films. The film adapted for screen from Dr. Anand Yadav’s classic novel, is a bench mark in Marathi films made on rural backdrop.
The story of ‘Nararang’ is about Guna Kagalkar (Atul Kulkarni) a village wrestler with bulging muscles who is a farm worker by profession and lives happily with his wife(Vibhavari Deshpande) and children along with his old father (Yakoob Sayeed).
It’s difficult for Guna to make two ends meet, especially because of his passion for ‘Tamasha’ a Maharashtrian dance form with ‘Lavnis’ (seductive songs).
Guna’s ultimate dream is to play a king’s role in ‘Tamasha’and so he gathers a team of unemployed friends in the village and starts his own ‘Tamasha’ troupe and a veteran ‘Tamasha’ artiste (Kishor Kadam) helps them find the ‘dancer’(Sonalee) for their troupe. But, soon Guna is in a soup to find a ‘Nachya’ or the so called clown, who brings on the laughter in the ‘Tamasha’.
Finally, the manly muscular Guna has to play ‘Nachya’ himself, much to his chagrin; but he does so for the sake of his troupe and gets a complete makeover by becoming thin and shaving his moustache off. Guna’s troupe becomes the talk of the town but he has to lose his wife and children for his ‘Tamasha’. Interspersed in this narrative is local politics besides the competition between various ‘Tamasha’ troupes, gay artistes, etc.
But the film grabs your attention right from start to end because of Atul Kulkarni’s powerful performance, especially the scenes where he has to pose girlie in a wrestler’s body. The rest of the cast is also impressive , especially Vibhavari Deshpande, Kishor Kadam, Sandesh Jadhav, Milind Shinde, Priya Berde, etc . Sonalee looks good and dances well. Amruta Khanvilkar’s cameo is also impressive.
The music by Ajay-Atul is already a hit with the masses especially the ‘Apsara’ song and other folk numbers with good lyrics by Guru Thakur. The dialogues by Guru Thakur are well-written. The cinematography by Mahesh Limaye is slick with lots of night scenes and back lighting with soft focus lens capturing the village landscapes beautifully.
Zee Talkies deserve kudos to back a project like ‘Natarang’ and actor Atul Kulkarni who in true Robert De Niro style, had to build a strong physique by extensive workout and diet and then losing it all for the role. The film is a must-see for Atul’s performance and Ravi Jadhav’s good debut (his flashback style is very impressive).
‘Natarang’ is a film that comes once in a while. See it ASAP!
‘Zee Talkies’ ‘Natarang’ to be screened at MAMI.
It is a great news for ‘Zee Talkies’, as their most awaited film ‘Natarang’ will be screened at this year’s MAMI- International Film Festival. The 11th edition of the Mumbai Film Festival (MFF)begins today with 200 films from 56 countries, who have found their entry in this international film festival. This year five Marathi films will be screened at MAMI, and ‘Natarang’ is one of them.
‘Natarang’ is the story of GUNA, a farm worker from backward community, who is an amateur wrestler who dreams of playing the King in the traditional Marathi folk art- Tamasha. Atul Kulkarni -the national award winning actor, is portraying Guna in ‘Natarang’. This film is directed by debutant director Ravi Jadhav and music of this film is composed by Ajay- Atul, the top most musician duo from Marathi film industry.