Tag Archives: Pushkar Shrotri

Tributes paid to Mangesh Padgaonkar on his first death anniversary

Pushkar Shrotri Mangesh Padgaonkar CD Launch
Poet Padmabhooshan Mangesh Padgaonkar video CD released.

There are different ways of paying tributes to a legend on their death anniversary. On the eve of the first death anniversary of legendary poet Padmabhooshan Mangesh Padgaonkar, a video CD was released, which presents a song picturised, based on his popular poem ‘Mee Kuthe Mhanalo Pari Milavi, Fakta Jara Bari Milavi‘. The wordings of this poem had created a controversy recently, when IAS officer and poet Dilip Pandharpatte had also claimed that some of the wordings in the poem were his own. But, the poem, which was posted on social networking sites indicated that it was Late Mangesh Padgaonkar‘s poem.

However, the launch of Video CD went of smoothly, in presence of Mangesh Padgaonkar’s son Dr. Ajit Padgaonkar and daughter Anjali Padgaonkar. Music of the song is composed by Chintamani Sohoni, while Pushkar Shrotri has directed this music video. Many prominent artistes will be seen performing in this video. They are, Yogesh Sohoni, Spruha Joshi, Rishika Nirbhavane, Vallari Londhe, Vinaya Sanglikar, Nayana Hadkar and Mahi Fangal. Rajan Sohoni has done the cinematography of this Video .

Pushkar Shrotri presents Team ‘Ghantaa’ in a humorous way

Pushkar Shrotri Ghantaa Marathi Film
Pushkar Shrotri, Aroh Velankar, Amey Wagh, Anuja Sathe Gokhale and Saksham Kulkarni in Marathi movie ‘Ghantaa’

Known for his humorous way of entertaining the audience, as an anchor Pushkar Shrotri is a popular choice at many events of Marathi entertainment. On Wednesday evening, he played that role, while introducing the lead artistes of forthcoming Marathi film ‘Ghantaa‘ produced by Nitin Vaidya, Ninad Vaidya, Shailesh Kale & Rohit Shetty and directed by Shailesh Kale. The three lead artistes of the film who were targeted on this occasion were Amey Wagh, Saksham Kulkarni & Aroh Velankar. They were later joined by leading lady of the film Anuja Sathe Gokhale.

During this function, those special invitees who toasted the three lead artistes were Mahesh Manjrekar, Amruta Khanvilkar, Amruta Subhash, Jitendra Joshi and Pushkar Shrotri himself. By the way, Pushkar himself is also part of of this film, among other character artistes like Viju Khote, Vijay Kadam, Murli Sharma and others. From the trailer of this film, which was released on this occasion, it was very clear that the film was targeted at youngsters . The film ‘Ghantaa‘ has already started its promotion on social networking sites, with all the three youngsters receiving very good response from audience interaction. Now, it remains to be seen, how they respond to this film, when it is released in theatres on 14th October 2016

Do you want to add/update your profile? To Claim this profile page, please mail your details from your official email on webmaster[at]marathimovieworld.com

Pushkar Shrotri

Actor Pushkar Shrotri Photo
Actor Pushkar Shrotri

Biography / Profile:

Born: 30 April
Occupation: Actor

Pushkar Shrotri is a Marathi, Hindi film & theatre actor. He is  particularly known for the comic roles and perfect timing. In the recently released Marathi movies ‘Rege‘ and ‘Carry On Deshpande‘,Pushkar has changed his style.  Pushkar Shrotri had also directed Marathi movie ‘Haay Kaay Naay Kaay‘.

Pushkar has also acted in a Marathi theatre play ‘Hasva Fasvi‘ in which he has played 6 different character roles.

Filmography:

Interview(s):

na

Photo(s):

Pushkar Shrotri, Actor
Pushkar Shrotri, Actor

‘Carry On Deshpande’ follows the traditional formula of Comedy

Carry On Deshpande, Marathi Movie
Rating: ★★ ½
Studio/presenter:
Atharv 4 U
Producer: Ganesh Ramdas Hajare
Director: Vijay Patkar
Writer: Hemant Edalabadkar
Lyrics: Mangesh Kangane
Music:
Chinar – Mahesh, Nikhil Thakkar
Cinematographer (DOP): Shabbir Naik
Genres: Comedy
Censor: A
Duration: 130 Min.
Cast: Pushkar Shrotri, Hemlata Bane, Sagar Karande, Sanjay Khapre, Manasi Naik, Seema kadam, Snehal Gore, Jaywant Wadkar, Savita Malpekar, Vijay Kadam, Jayraj Nair

Movie Review by: Ulhas Shirke

At a time when our Marathi cinema is presenting ‘out of the box’  themes  and inviting the attention of the audience all over the world, some Marathi film makers still believe in offering the traditional comedy formula, with the sole intention of entertaining  the audience.  If you look  at Chiranjeevi’s Telugu comedy films, Prashant Damle‘s popular Marathi play Gela Madhav Kunikade,  Makarand Anaspure‘s  film Teen Baika Fajiti Aika’ or recently released Kapil Sharma’s film ‘Kis Kisko Pyaar Karoon’, there was one thing very common.  The comedy of errors, arising out of  a situation, where a  man having two wives and misunderstandings created through the screenplay,  with the progress of the story. So, what’s  new director Vijay Patkar , writer Hemant Edlabadkar and producer Ganesh Hazare have offered through their latest Marathi film ‘Carry On Deshpande’?

The story of ‘Carry on Deshpande’ revolves around Mr. Deshpande (Pushkar Shrotri)  a wealthy  man living in a huge bungalow, with his two wives, Prathama (Seema Kadam) and Dwitiya (Hemlata Bane) . Surprisingly, these two wives have no issues between them; but they are suspicious about their husband flirting with  other girls. So, we see the arrival of a detective (Sagar Karande) , who     tries to help  Mr. Deshpande as well as his two wives.  So, after the arrival of another young woman (Manasi Naik) in the bungalow, we see all such happenings,  we noticed  in many  films of  the past, on this subject. If this is not enough, the story of this film, also find place for two more characters, Sunny, the brother in law of Deshpande, who lives with him  and his niece , who are already in love with each other.

 Manasi Naik, Pushkar Shrotri, Hemlata Bane
‘Carry On Deshpande’ Moviestill – Manasi Naik, Pushkar Shrotri, Hemlata Bane

The film’s length is about one hour forty five minutes; but due to lack of proper presentation of screenplay, even this is felt too long. Only good things  about the film are the performances of Pushkar Shrotri and Sanjay Khapre, who have tried their best to entertain the audience, with their spontaneity , at different situations. The  females namely Seema Kadam, Hemlata bane & Sneha Gore don’t have to do much with the acting, except for looking glamorous; but Manasi Naik certainly invites all the attention, displaying her acting skills, in all those comedy sequences to her share.  She  almost  poses the leading lady of this film.

Talking about the other areas, music of the film is not at all impressive; but, Shabir Naik’s cinematography is good. Though there are very few locations, besides the bungalow, used for shooting, he has tried to capture the expressions of the artistes very well. The film was shown to the media people, without censor certification; but now it is understood that it has been allotted ‘A’ certificate.

Anyway, ‘Carry On Deshpande’ is  just a traditional formula type of comedy  film, which can be enjoyed by those, who love to watch such subjects especially, ‘How a man handles his two wives and a girlfriend’.  Isn’t that an outdated subject now ? There is nothing wrong in presenting a traditional comedy for a change, as one can understand the hard work put in by the makers, in making of such films; but, the screenplay and dialogues should appeal to all, besides good performances.

If you are a associate with this Movie / Production house, please share the details of this movie on webmaster[at]marathimovieworld.com

Carry On Deshpande (कॅरी ऑन देशपांडे )

Carry On Deshpande, Marathi MovieStudio/presenter: Atharv 4 U Recreations Media Pvt Ltd
Rating:fullfullhalf
Release Year: 2015 (11 December)
Genres: Comedy
Censor: A
Duration: 130 min.
Producer: Ganesh Ramdas Hajare
Executive  Producer: Shyam Sonalkar
Director: Vijay Patkar
Writer: Hemant Edalabadkar
ScreenPlay: Hemant Edalabadkar
Dialogues: na
Official Facebook Page I  Twitter

Producer: Ganesh Ramdas Hajare
Executive Producer: Shyam Sonalkar
Director:  Vijay Patkar
Assistant Director: na
Writer: Hemant Edalabadkar
ScreenPlay: Hemant Edalabadkar
Dialogues: na
Lyrics: Mangesh Kangane
Music: Chinar- Mahesh, Nikhil Thakkar
Playback Singers: Shalmalee Kholgade, Hrishikesh Kamerkar, Savaniee Ravindra, Kirti Killedar
Cinematographer (DOP): Shabbir Naik
Editor: Satish Patil
Starcast: Pushkar Shrotri, Hemlata Bane, Sagar Karande, Sanjay Khapre, Manasi Naik, Seema kadam, Snehal Gore, Jaywant Wadkar, Savita Malpekar, Vijay Kadam, Jayraj Nair
Art Director: Ujvala Jagtap
Costumes: na
Makeup: na
Sound : na
Background Score: na
Choreographer: na
DI, VFX: na
D.I. Colourist: Yogesh Dixit
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: Ganesh Gargote
Distributor : na

‘Carry On Deshpande’ : na

na

na

na

 

 Carry On Deshpande, Marathi Movie

na
Mukta Barve, Ankush Chaudhari, Pictures

Inspiring ‘Double Seat’ shows the way to young dreamers

Double Seat, Marathi Movie
Rating: ★★★ ½
Studio/presenter: Essel Vision
Producer: Ranjit Gugle, Anish Jog
Director: Sameer Vidwans
Writer, Screenplay : Kshitij Patwardhan, Sameer Vidwans
Music: Hrishikesh, Saurabh, Jasraj
Director of Photography:  Arjun Sarote
Editor: Charu Shree Roy
Genres: Drama
Censor: U/A
Duration: 120 Min.
Cast:   Ankush Chaudhari, Mukta Barve, VIdyadhar Joshi, Vandana Gupte, Sandeep Pathak, Shubhankar Tawde, aarti wadgabalkar, Pushkar Shrotri;
Review by: Ulhas Shirke

Mumbai chawl life is not new to Marathi films. But, to make the entire film on the backdrop of a chawl, is always challenging. Way back in 1970 filmmaker Raja Thakur first depicted the chawl culture of Mumbai, through his film, ‘Mumbaicha Javai’ starring Arun Sarnaik, Ratnamala, Surekha Kudchi & Sharad Talwalkar. Then, inspired by this film Basu Chatterjee made ‘Piya Ka Ghar,’ starring Anil Dhavan & Jaya Bhaduri ( Now, Bachchan) which was a remake of this Marathi film. Then, in 2003, we saw Mahesh Manjrekar making a Hindi film based on Mumbai chawl culture.

Now, director Sameer Vidwans has presented his Marathi film titled ‘Double Seat’ indicating, how both young husband and wife, who aspire to move to a bigger house from a chawl, work hard to make their dream come true. Actually, the film hits out at the traditional joint family system, of living in One Room Kitchen and making adjustments. But, today, with both husband and wife earning, the days are changing. And, young Maharashtrian couples are willing to work harder, to buy their own house, no matter, it is far away from the city.

Mukta Barve, Double Seat, Movie StillThrough this film’s story, writer Kshitij Patwardhan and director Sameer Vidwans have tried to generate lots of humour through this emotion filled film. Being the elder son in the family and that too just married, Amit ( Ankush Choudhary) quickly understands the problems faced by his wife Manjiri (Mukta Barve) in their One Room Kitchen house in a chawl located at Lalbaug, Mumbai. So, Amit , who works as a supervisor in a Courier Company earning Rs. 25 thousand a month, takes his wife into confidence, to have their own house, where they can have their privacy. Manjiri, who works as Insurance agent, supports his idea.

After hearing about the bold step taken by her elder son, his Mother (Vandana Gupte) and Amit’s younger brother ( Shubhankar Tawde) also support him, selling some home made products to raise money. Only his stubborn father (Vidyadhar Joshi) , does not approve his idea. The film’s screenplay moves ahead, with lots of hurdles faced by Amit and Manjiri, with Manjiri also becoming pregnant. But, as they say, there is always sunshine, after the darkness. And, so we notice happy ending in ‘Double Seat’, with joint effort of entire family.

However, the end of the film, is not very impressive, except for showing the way. But, there is no solution, as to how the couple is going to travel for their jobs from a far away place, to the city. It would have been better, if the film had shown, some other way, of starting their own business. But, the new latest mobile phones shown in the last scene, only indicates, their prosperity.

The intention of the film, is to inspire today’s youth and see big dreams and work hard, to find their own house, no matter it is small and far away from the city. At the same time, it sends a message to those Maharashtrian people, who keep adjusting themselves, in this expanding and developing city, without themselves becoming part of this development. The film does go against the Joint family system; but if one has to live in this city of Mumbai, one needs to plan better future for their little ones.That’s what the writer had to suggest, through this film.

Looking at the performances, Ankush Choudhary, is at his best. He hardly finds such an opportunity, as he is generally seen in multi starrer films. The director, knowing his stage background well , has tried to exploit his full potential, through this film. Mukta Barve, who is always comfortable playing such roles, has once again proved that she is a talented actress. But, through this film, she has gone one step further, to be part of intimate love scenes. There is also a lip lock kissing scene, shot on this lead pair. But,one should not call it a bold scene. Best performances also come from versatile artistes like Vidyadhar Joshi, Vandana Gupte and other TV and film co stars like Sandeep Pathak, Pushkar Shrotri, Aarti, Shivani, Vikas, Shubhankar and others.

Music of this film goes very well with the story, with good lyrics noticed in two songs. Editing of the film is good with good camera work, especially in all those close up scenes.

‘Double Seat’ is certainly inspiring and shows the way to young dreamers.

If you are a associate with this Movie / Production house, please share the details of this movie on webmaster[at]marathimovieworld.com

A Paying Ghost ( अ पेईंग घोस्ट )

A Paying Ghost Marathi Film
Studio/presenter: Lade Bros Films Pvt. Ltd., Dr. Ambarish Darak
Release Year: 2015 (29 May)
Genres: Comedy, Love story, Drama
Rating:  2.5 / 5
Censor: U
Duration: 130 min.
Producers: Jayant Lade
Co producer Rohan Shinde-Naik, Balasaheb Yelpale
Executive  Producer: Jayant Lade
Director: Sushrut Bhagwat
Writer: Vasant Purushottam Kale
Story Development Sharvani-Sushrut
ScreenPlay: Sanjay D. Mone
Dialogues: Sanjay D. Mone
Official Facebook Page I  Twitter

Producer(s): Jayant Lade
Executive Producer: Jayant Lade
Director: Sushrut Bhagwat
Assistant Director: Ranjan Bidkar
Writer: Vasant Purushottam Kale
Story Development Sharvani-Sushrut
ScreenPlay: Sanjay D. Mone
Dialogues: Sanjay D. Mone
Lyrics: Vaibhav Joshi
Music: Narendra Bhide
Playback Singer:  na
Cinematographer (DOP): Prasad Bhende
Editor: Rajesh Rao
Starcast: Umesh Kamat, Spruha Joshi, Pushkar Shrotri, Sharvani Pillaai, Anita Daate, Atul Parchure, Sameer Chougule, Sanavi Naik, Abha Bodas, Samrudhi Salvi, Mrunal Jadhav, Siddhi Kolekar, Khoshaboo Kulkarni, Uma Sardeshmukh, Umesh Damale, Shrirang Deshmukh, Kanchan Pagare, Bhushan Telang, Pornima Ahire, Girish Joshi, Mangesh Diwanji, Ajay Tillu, Siddheshwar Zadbuke, Mahesh Manjarekar
Art Director: Shamim Khopkar
Costumes: Reshma Joshi (Gawaksha), Aijaz Sheikh, Kalyani Deshpande
Makeup: na
Sound : Tushar Pandit
Background Score: Narendra Bhide
Choreographer: Dipali Vichare, Subhash Nakashe
DI, VFX: Om, Kamal
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: Sachin Suresh Gurav
P.R.O.: Prem Jhangiani, Pradnya Shetty
Distributor : na

‘A Paying Ghost’ : A Paying Ghost (PG) is a story based on a famous novel “Badali” authored by Vasant Purushottam Kale (V.P Kale). The story narrates the interaction between a common innocent man and a homeless ghost family. A horror film is not always about just horror. It can be also be about humour. PG brings you with streaks of fun and laughter and It also brings experience into the magical world of the Ghosts.

na

na

A Paying Ghost Marathi Film

na

Hasva Fasvi ( हसवा फसवी ) Marathi Natak

Hasava Fasvi Marathi Play
Genres: Comedy, Drama
Rating: na
Opening Date: 2013 (27 October)
Production House: Jigisha and Ashtavinayak Nirmit
Producer(s): Dilip Jadhav, Shripad Padmakar
Presenter: na
Writer: Dilip Prabhavalkar
Director: Chandrakant Kulkarni
Official Facebook Page I  Twitter

Producer(s):  Dilip Jadhav, Shripad Padmakar
Co-producer(s): na
Director: Chandrakant Kulkarni
Assistant Director: na
Writer:  Dilip Prabhavalkar
Dialogues: na
Artist:  Pushkar Shrotri, Satish Joshi, Vaikhari Pathak
Set Design: Pradip Mulye
Lights: na
Costume: na
Background Music: na
Makeup: na
Costume Designer:  na
Hair Style: na
Art: na
Lyrics:  na
Music: Ajit Parab
Playback singers: na
Choreographer : na
Publicity Designs: na

‘Hasva Fasvi': na

na

Hasava Fasvi Marathi Play

na

‘Balkadu’ inspires ‘Marathi Manoos’, to fight injustice

Balkadu Movie Poster
Rating: ★★★
Genres: Drama
Censor: U/A
Duration: 124 Min.
Studio/presenter: Maratha Entertainment, Sanjay Raut
Producers: Swapna Patkar
Director: Atul Kale
Screenplay: Ganesh Pandit, Ambar Hadap
Director of Photography:  Ajit Reddy
Editor: Ashish Mhatre, Apurva Motiwale
Cast: Umesh Kamat, Neha Pendse, Prasad Oak, Anand Ingale, Tiku Talsania, Bhau Kadam , Sharad Ponkshe, Pushkar Shrotri
Movie Review by: Keertikumar Kadam

Balkadu marathi Film

Presented by Sanjay Raut and produced under the banner Royal Maratha Entertainment the new released Marathi film Balkadu‘ is produced by Swapna Patkar and directed by Atul Kale. This film is inspired from one of the most charismatic socio-political persona of recent times, late Balasaheb Thackeray.

Balkadu’s story is about a simple and straightforward Balkrishna Patil, a young history teacher in a school, possessing special ability to hear voices of great historical figures like Nehru, Shastri, Savarkar, Subhash Chandra Bose and Balasaheb Thackeray. Balakrishna, who originally resided in a Lalbaugh chawl, had to shift his residence to Nalasopara during his childhood. After many years, he meets his close childhood friend Sai Bawdekar (Neha Pendse).

When he shares his thoughts with Sai, she understands him and supports him, in his every action. besides She helps him to do a part time job as a dubbing artist in Marathi, in her history channel, where she works as EP. After seeking help from a psychologist, the voices Balakrishna hears, vanish but one voice clings onto him, i.e. Balasaheb’s voice. How a simpleton, who turns into an angry young man, for betterment of local people, is the story of the film.

In the film, Director has tried to do a sincere job, he has smartly used Balasaheb’s voice-over, to create the impact in certain scenes. Balasaheb’s interactive dialogues with the lead actor, are well crafted and make an interesting watch. The ‘cartoon’ aspect is also creatively used. There is a lot to be desired in screenplay department (Ganesh Pandit, Ambar Hadap) which seems disjointed. In fact, it starts with a promise of a good screenplay, but goes wayward towards the latter half. It has become unnecessarily lengthy and preachy towards the end. Aman Vidhate’s art direction is satisfactory and so is music (Ajit-Samir), though the ‘Powada’ is very good. Avadhoot Gupte’s song is very well used in background. The costumes are satisfactory, but Neha Pendse‘s costumes are more impressive and stand out.

The saving grace of Balkadu are the dialogues and performances. Especially, the Dialogues are fabulous . They have the required punch and comic punches, which are smartly interlaced. Umesh Kamat has come out of his comfort zone and has essayed the lead role with conviction. He scores points in wittiness and subtle timing. Neha Pendse does what was expected of her and looks ravishingly stunning, on screen. Prasad Oak carries a negative shade reasonably well. Rest of the cast, Anand Ingale, Tiku Talsania, Bhau Kadam , Sharad Ponkshe, Pushkar Shrotri lend good support. Supriya Pathare as mother, steals the show with her comic timing used in simple situations.

‘Balkadu’ is a must watch for Balasaheb’s followers scattered all over Maharashtra. Others may like it watch it, for good performances.

 

If you are a associate with this Movie / Production house, please share the details of this movie on webmaster[at]marathimovieworld.com

Rege (रेगे )

Rege Marathi Film Poster
Release Year: 2014 (15 August)
Genres: Thriller, Drama
Rating: ★★★
Censor: U
Duration: 130 min.
Studio/presenter: Ravi Jadhav, ARD Entertainment
Producer(s): Abhijit Panse Reels, The Artbeat Innovations
Executive  Producer:  Ratnakant Jagtap
Director: Abhijit Panse
Writer: Abhijit Panse
ScreenPlay: Abhijit Panse
Dialogues: Pravin Tarde, Abhijit Panse
Official Facebook Page I  Twitter

Producer(s): Abhijit Panse Reels, The Artbeat Innovations
Executive Producer: Ratnakant Jagtap
Director: Abhijit Panse
Associate Director: Ravindra Karmarkar, Shivkumar Parthasarathy
Writer: Abhijit Panse
ScreenPlay: Abhijit Panse
Dialogues: Pravin Tarde, Abhijit Panse
Lyrics: na
Music: Avdhoot Gupte
Playback Singer: na
Cinematographer (DOP): Mahesh Limaye
Editor: Dinesh Poojari
Starcast: Aroh Welankar, Santosh Juvekar, Pushkar Shotri, Mahesh Manjrekar, Pravin Tarde, Anant Jog, Uday Sabnis, Ramesh Pardeshi, Viju Mane
Art Director: Santosh Phutane
Costumes: na
Makeup: Vikram Gaikwad, Santosh Gayke
Sound : na
Background Score: na
Choreographer: Umesh Jadhav
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na

‘Rege’ : The Marathi movie ‘Rege’, is about how vulnerable today’s youngsters are, how they get attracted to the glamor of underworld and eventually get trapped in it. High-profile cops trying to reach the top by eliminating the anti social elements, in turn, working against their own colleagues and system.

na

na

na

Rege Marathi Film Poster