‘Sumbaraan’ does remind you about the golden memories
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Rating: 2
Presenter: Shree Ganesh Marketing and Films, Gypsy and Janki Production Production: A4 Creation, Anil Phadtare Story, Screenplay, Dialogues & Direction: Gajendra Ahire Cinematographer: Surya Mishra Music: Rahul Ranade Cast: Makarand Anaspure, Ravindra Mankani, Ravi Kale, Jitendra Joshi, Mukta Barve, Saie Tamhankar, Vrunda Gajendra, Shushrut Mankani, Shilpa Anaspure Movie Review by: Ulhas Shirke |
Known for his in depth knowledge about the village culture and presenting its contrast with new city lifestyle, Gajendra Ahire has in the past offered some sensible films. This time through his new film ‘Sumbaraan- Soneri divsaachya Soneri Athvani’ he shows very effectively the connect between the two places. ‘Sumbaraan’ is a tale of two generations and the changes noticed in their behaviour, with the passage of time. You may call it a touching tale of a village and the people living there.
Veeru (Jitendra Joshi) a struggling Music director is returning along with his elder brother Vasanta (Makarand Anaspure) to his village after a long time to spend their Diwali at their old ancestral house. They are accompanied by Vastanta’s wife (Vrunda Gajendra), Viru’s Friend Sushu (Shushrut Mankani) and his friend Mukta (Saie Tamhankar). On reaching there, though Viru takes it very lightly the arising situations and moreover in his own world, enjoying with his friends. Vasanta decides to sell the property and invites his old friend (Siddharth Jadhav) who is an estate agent.
Vasanta, is not happy in his life, remembering his past in the village and his inability to marry his girl friend – Shaku (Swarali Patil) who is the daughter of Biroba belonging to Dhangar community. Vasanta’s father Deshmukh Patil ( Ravindra Mankani) who is having a relationship with a lady from lower caste ( Ashwini Kalsekar) has no voice in the house, as the Mother (Seema Deshmukh) dominates. Vasanta’s younger brother Viru, during his childhood days, however maintains good relationship with Shaku’s younger sister – Kalli (Aditi Bhagwat).
The director has tried to show how attitude of individual matters. The elder brother is not happy in his life, for having ditched his beloved at a crucial stage in his life, while the younger brother is able to understand the situation better; with his own thinking process. In the case of Kalli, who is educated in city in the later part of her life, returns to her village as Dy. Collector. “Education is the key to progress of the society,’ is all that the director has tried to communicate through her character. Very efficiently he has handled the past memories through flash back from time to time.
Throughout the screenplay, the film sticks to its subject, not deviating from the main track. This results in total commitment to the script, which is based on the human relationship with the change of time. Take the character of Ashwini Kalsekar, who plays the keep of Deshmukh Patil, living in his own house. She is also being addressed as Mother, for obvious reasons, by both the children. When Viru returns to his village after a long time, she inquires about the relationship between two of his friends. And, when he tells her that they are in Live-in-relationship; she tries to find the difference between her relationship with his father and the young duo. Ashwini has played her role very efficiently. When kalli meets Viru after a long time, the director has very cleverly shown her maturity with education. Mukta Barve has played that small but sensible role with perfection in the company of Jitendra Joshi. Makarand is at ease in the role of Vasanta and so does Jitendra Joshi.
Shushrut Mankani and Saie Tamhankar are just show pieces in the film, playing Viru’s friends, with nothing much to do except playing Guitar, dancing or diving into the pond for swimming. Ravindra Mankani and Ravi kale are impressive in their respective roles. Seema Deshmukh and Vrunda Gajendra support well. All other artistes including Siddharth Jadhav perfectly fit into their characters, which are so lively.
Special mention about Dushyant Wagh, who displays his talent in that teenager Vasanta’s role. Rahul Ranade’s music is good . Technically, Sumbaraan is a well presented film, reminding one and all about the golden memories of the village life.
‘Mission Possible’ Review
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Rating: 2.5
Presenter: Percept Picture Production: SSJ Films Story, Director: Pushkar Jog Screenplay:Shirish Latkar Music: Sai-Piyush Camera: Sanjay Khanzode Cast: Pushkar Jog, Manisha Kelkar, Saie Tamhankar, Niranjan Joshi, Astad Kale, Mohan Joshi, Sharad Pokshe, Ganesh Yadaw, Movie Review by: Sandeep Hattangadi |
Pushkar Jog- the youngest actor-director of Marathi film industry, who has already proved his ability with ‘Satya’ , now goes a notch ahead with the musical thriller ‘Mission Possible’ which is written and directed by him besides acting.
The story of the film begins with events like dance competitions, turf fights, rose days, drugs and rock-n-roll, leaked exam papers, canteen blues and endless coffee sessions of college campus. Yash Kirtikar (Pushkar Jog ) is an enthusiastic collegian who has a dream girl in his mind, but does not reciprocate the girl Saie (Saie Tamhankar), who really loves him. He has his group of friends funnily named Neil, Nitin, and Mukesh (nothing to do with the actors and singers of Bollywood). Tragedy strikes when Yash and Saie open the lid on a drug and exam paper leak syndicate running in the college. Further, Yash, who is really in love with a girl Pearl (his dream girl-Manisha Kelkar) is implicated in her murder during a dance competition and is sentenced to a jail term.
Yash with the help of a ‘Bhai’ (Ganesh Yadav) escapes from the prison and with the help of his friends, tries to reach the real killer.
The story and screenplay of Shirish Latkar does remind us of many Bollywood films in the past with similar sub plots. But, Pushkar does a wonderful job as an actor and director and also goes on to prove that he is a fantastic dancer. He has succeeded in giving enough scope to his young team of actors like Niranjan Namjoshi, Sai Tamhankar, Manisha Kelkar, Shantanu Moghe, Astad Kale, and Amrit. The dance sequences are slickly shot in snazzy music video style. The romantic song shot on the locales of Ladakh is comparable with any good Bollywood film picturisation.
The music and background music by Sai-Piyush is in tune with the youthful vibrancy of the film. The cinematography by Sanjay Khanzode is top-class especially in the musical and chase sequences. The film moves at a fast pace, required for a murder mystery and the editor does a good job. The senior actors like Mohan Joshi, Sharad Ponkshe,Ganesh Yadav, support well.
Basically it is a film by the youth and for the youth.
The highlight of the film is its slick presentation and style, a new benchmark in Marathi cinema.
Sai Tamhankar, Actress
After playing a variety of roles through TV serials like ‘Ya Gojirvanya Gharaat’, ‘Agnishikha’ and ‘Saathi Re’, Saie Tamhankar made her entry into Bollywood playing cameo in films like ‘Black and White’ and ‘Gajani’. But, her role in Subhash Ghai’ marathi film ‘Sanai Choughade’ actually brought her into limelight and her acting career actually took off. In the recent past, she was also seen in films like ‘Be Dune Sade Char’, ‘Picnic’ and ‘Rita’.
At present, Saie has become very popular through her performance in popular TV serial ‘Anubandh’. Marathi Movie World spoke to Saie about her career and experience in this field. Excerpts from an interview:
Q : How did you land into acting field?
A: I would say that my destiny brought me here. When I was doing my 12th, I performed for the first time in a play. Thereafter, I developed interest in acting and started taking part in Inter collegiate competitions. I enjoyed this field and made up my mind to choose this field as my career.
Q: What you have say about your role in TV serial ‘Anubandh’ ?
A: Actually, I liked the script and therefore accepted the role immediately. But, there is a lot of difference between character of Ashwini you see in the serial and myself. In fact, the character of Ashwini resembles a lot with my school time friend . While preparing myself for this role, after reading the script, I could only think of my friend. In Ashwini, you will almost find my friend but not me.
Q: How was your experience doing films like ‘Black and White’ and ‘Gajani’?
A: I really had a very good experience doing these Bollywood films. On the sets of ‘Black and White’ Subhashji saw me and being a Maharashtrian, I was selected for the role of Sai in his forthcoming Marathi film ‘Sanai Choughade’.
Q: During your college life, you have done stage plays. Would you be interested now, to perform on stage ?
A: Actually, after ‘Sanai Choughade’ I had decided not to do any serials, but looking at the script, I agreed to do a serial like ‘Anubandh’. In a similar way, if there is really a play with good script; I may certainly opt for it’s no matter whether it is Marathi or Hindi. But, frankly speaking, I get tensed up only to tour different places along with the drama troupe.
Q: Your new film ‘Mission Possible’ is very much in the news. What you have to say about your involvement with this film ?
A: After a long time, I am playing this neutral type of role. I have really enjoyed doing this film. Pushkar is very hard working. Sanjay Khanzode’s style of working and the teamwork of the unit impressed me a lot. I met many new people here and there were many good things to learn from them on the sets of this film.
‘Mission Possible’ Rocks with new style Music
The rocking & trendy music of ‘Mission Possible’, a Marathi film is set to revolutionise Marathi Cinema. distributed by Percept Picture Company, the film’s music was launched in a star studded grand event recently at Grand Imperial Andheri Mumbai. Among the guest were Saie Tamhankar, Pushkar Jog, Manisha Kelkar, Swapnil Bandodkar, Resham Tipnis, Sanjay Jadhav, Chitrashi Rawat, Kranti Redkar, Kadambari Kadam, Umesh Jadhav, Aditya Sarpoddar, Ganesh Yadav & Nanubhai. The event began with dance performance by Pushkar Jog on the music of the title song.
Salim-Suleiman launched the music of this Marathi Film. Composed by young talents Sai & Piyush duo, the music is fresh with new sounds, rocking music & youthful songs, which is sure to be a hit with the masses.
Besides the film the Music also has many firsts to its credits. For the first time the film has a song entirely in English. The composers have used new sounds which have never before been used in Marathi films. “Marathi films traditionally have good music. Our aim was to introduce fresh music with universal appeal, music that not only catches-on with Marathi youths but also be liked by people, regardless of the language or culture they belong to.” Said Piyush.
“The Film has music that would be liked by everybody. From the title song which is a rock genre & sure to encourage you to wear your dancing shoes, to soul stirring ‘Swapna Sha’….the film has an all encompassing music”. added Sai.
Directed by Pushkar Jog, “Mission Possible” a big budget, film, treads a new path in Marathi Cinema by offering a complete entertainer with action, emotions, style, trendy music, dance, romance & glamour all rolled into one, backed by a intriguing murder mystery. Something that’s not commonly seen in Marathi Cinema. The film attempts to enthuse the youth to watch Marathi Cinema by slick production values, modern sets, exotic locales & dose of glamour. “Swapna Sha…” sung by Swapnil Bandodkar is the first Marathi song to be shot in scenic Ladakh.
Percept Pictures to release ‘Mission Possible’
Marathi Cinema has a good news! Percept Pictures, India’s premiere and the only fully integrated entertainment company, has taken on the distribution rights of forthcoming Marathi film ‘Mission Possible’ .
Directed by Pushkar Jog, ‘Mission Possible’ is obviously a big budget film by Marathi movie standards today. The film walks a new path by offering a complete entertainer with action, emotions, style, voguish music, dance & romance all rolled into one, backed by an intriguing murder mystery. Something that’s not commonly seen in Marathi Cinema. The film attempts to enthuse the youth to watch Marathi Cinema with slick production values, modern sets, exotic locations with a touch of glamour. The highlight of the film is a song “Swapna Sha……” sung by Swapnil Bandodkar, which is the first Marathi song shot in scenic Ladakh.
Percept Pictures has been a leader in acquiring & distributing films with fresh & distinctive content. Known for identifying the right film for the right audience with focus on multiplexes, their previous releases Page 3, Malamaal Weekly etc. speak about their success . The company also carried out the release of ‘Khuda Ke Liye’, a historic event, being the first Pakistani film to be released in India over last four decades. Animated & Children films catering exclusively to the kids like ‘Hanuman’, ‘My friend Ganesha’, ‘Makdee’ etc. have been their offerings for children. They are the one to bring fascinating Hollywood blockbusters such as Hancock, The Mummy, Spider Man 3 etc. to the Indian audience
“Mission Possible” being a trend setter, would be promoted on a large scale. The star cast of the Film will be visiting various cities across the state such as Pune, Nagpur, Mumbai, Aurangabad, Sangli etc; 15 to 20 days prior release. So, look out for the stars of this film in your city.
The reason for Percept Pictures to present “Mission Possible” is simple. This is what the company feels, “It is very different from the kind of Marathi films that we see nowadays. Moreover, the film has a fresh & youthful treatment. We are confident that this film would not only be well appreciated by the masses but also be a trend setter taking the Marathi Film Industry altogether to a new high.” Percept Pictures plans to market and distribute this film as the biggest Marathi language film till date. “The release of this film will simultaneously cover all the belts of Maharashtra, Goa and Marathwada in Nizam circuit. The marketing reach will be across all mediums starting with TV, Radio, Outdoor (Hoardings, OOH screens, Bus shelters and Bus panels – all across Maharashtra), Internet and Press,” says Yusuf Shaikh, Head of Acquistion & Distribution, and Percept Pictures.
Apart from directing & acting in the film, story & lyrics of the film have been penned by the multi talented Pushkar himself, who is also singing his own songs in the Film.
The strong storyline is supported by excellent performances by the entire cast comprising of talented Manisha Kelkar & Saii Tamhankar, who play the lead heroines supported by noted actors like Sharad Phonkse, Niranjan Namjoshi, Astaad Kale, Shantanu Moghe, debutant Amit Kalyankar & Mohan Joshi with Ganesh Yadav in a guest appearance. The Music is directed by the Saii- Piyush duo & the cinematographer(DOP) is Sanjay Khanzode.
‘sanai chaughade’ REVIEW
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Rating: na
Presenter: Mukta Arts Ltd. Producer: Dipti Talpade Story, Director: Rajeev Patil Camera: Pushpank Gawde Music: Avadoot Gupte Cast: Sai Tamhankar, Shilpa Tulaskar, Tushar Dalvi, Santosh Juvekar, Subodh Bhave, Sushant Shela, Meghna Erande & Bharti Aacharekar, Special Appearance – Shreyas Talpade Movie Review by: Ulhas Shirke |
In the era of 21st century globalization is unrepeatable part of our life. Especially in the metro cities, many of us prefers shopping malls even for vegetables than ‘mandai.’ Naturally our marriage system, relations and even social structure is changed a lot because of influence of global culture. ‘Sanai-Choughade’ is the bold (not visually, but mentally) covers all these aspects and provokes audiences to think about the success.
The story moves around Sai (Sai Tamhankar). Her elder niece Urmila (Shilpa Tulaskar) and Jijaji Shrikant (Tushar Dalvi) promises her mother on death bed that they will follow responsibility of her marriage. Sai starts living with Urmila and Shrikant after her mom’s death. Urmila and Shrikant, who had gone through love marriage, are completely unaware with ‘typical Maharashtrian arrange marriage system.’ After taking many good and bad experiences, they came to know about latest marriage bureau handled by Rahul Borgavkar (Subodh Bhave)- ‘Kande –Pohe.’ The modern marriage bureau believes on logical match making than traditional one. They organises a nice trip to a hill station. The thought behind it is all of them will get a chance to get familiar with feelings, nature and Sanai Choughade understanding of partner. Sai and Aditya (Santosh Juvekar) fall in love with each other. Just before finalisation of their marriage, Sai revealed her past. She was in love with Shryas Talpade and had given birth to his child. Shreyas was ready to marry Sai and accept the child but unfortunately he became pawn of destiny and died in an Accident. Now do Aditya accept her past? What was reaction of other people who represents society? Do Shrikant and Urmila accept her mistake? What steps Rahul Borgavkar takes to keep his motto ‘Nothing is Impossible.’ The story developes swiftly and gives answer to all these question. Thanks to director Rajiv Patil and script writer- Sanjay Pawar for handling such a sensitive issue efficiently and giving different but certainly nice experience to audiences.
Sai Tamhankar and Subodh Bhave played lead characters in the movie and both had done well. Especially Subodh Bhave catches maximum attention through amazing facial expressions. Twice or thrice Sai’s inexperience can be noticed but in her debut movie she is much promising. Santosh Juvekar, Tushar Dalvi and Shilpa Tulaskar strongly supported Subodh and Sai. Chinmay Mandlekar has also played done really nice job even in the small role. His body language and dialog delivery is simply amazing.
Versatile Avdhoot Gupte has given good music. Especially the song ‘Kande-Pohe’ sung by Sunidhi Chauhan has appropriately used in whole movie. Camera, lights and especially cinematography are good but certainly far behind ‘Mukta Arts’ standard.
A credit must be given to Rajiv Patil for handling two different stories- ‘light comedy of Mulgi Dakhavne’(I swear I couldn’t find appropriate English word) and problems of pre-marital pregnancy. Audiences do not realize any jerk or it does not sound odd, when story moves from light comedy to serious issue.
Marathi cinema is getting globalize and producers are showing courage to handle sensitive issues. Dipti Talpade’s this movie is nice example of it. But the really nice thing is she never tried to show something ‘extra ordinary.’ She has successfully shown how serious topics can even be handled through perfect commercial film. And as even a common man can also enjoy this movie, seriousness of the issue can be delivered to higher no. of people. And that’s real success of ‘Sanai-Choughade.’