‘Zapatlela 2′ is more of fantasy than a scary film
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Rating: ★★★
Studio: Viacom18 Motion Pictures and Moving Pictures Producer: Adinath Kothare Director: Mahesh Kothare Music: Avdhoot Gupte Cast: Adinath Kothare, Mahesh Kothare, Sonalee Kulkarni, Sai Tamhankar, Makrand Anaspur Movie Review by: Ulhas Shirke |
Known for offering something new through his films, for the past few years, Mahesh kothare has offered more technicalities through his every film, as a director. He has brought a number of innovations, which included first cinemascope film in Marathi through ‘Dhadakebaaz’ followed by Dolby Digital Sound through ‘Chimni Pakhare’ , Computer generated effects through ‘Pachadlela’, Marathi’s first Sci- fi through ‘Zabardast’ and now 3D, Animatronics and state of the art Computer Graphics in the current sequel of his 1993 super hit film ‘Zapatlela’. Therefore, there were high expectations from his new film.
‘Zapatlela 2′ has thus turned out to be more of fantasy than a scary film, as predicted. This time, the stylish actor turned director seemed to have paid more attention on his favourite puppet ‘Tatya Vinchoo’ and the situation arising after his resuscitation in the beginning of the film. In this second part, we find Kubadya Khavis (Abhijit Chavan) visiting a museum in search of this puppet and after finding it, takes it Baba Chamatkar (Raghvendra Kadkol) to revive him, as the puppet lies lifeless for years, after being shot by Police Officer Mahesh Jadhav in the prequel. He succeeds in doing it; and tries to finish Baba Chamatkar but in the process he dies. Baba Chamatkar goes into Coma.
In the meanwhile, Tatya Vinchoo learning about Lakshya’s death, comes to know that he can enter the soul of his son Adi (Adinath Kothare) who lives with his Grandmother (Madhu Kambikar) in Shrirangpur. It’s time for annual fair at Shrirangpur and there are people like Champa Satarkar (Vishakha Subhedar) camping with her Lavani in a tent house and famous ventriloquist Makarand Watvate (Makarand Anaspure) performing his shows. Adi meets Champa Satarkar’s mod daughter Megha (Sonalee Kulkarni) who studies in Fergusson College and is with her mother for vacation. It’s love at first sight for both. On the other side, Makarand falls in love with visiting TV Journalist (Saie Tamhankar). Adi is also attracted to the art of Makarand, as his father once practiced this profession.
In the film, Tatya Vinchoo’s journey towards his target begins with his first interaction with Saie Tamhankar, followed by Makarand Anaspure and finally reaching Adi through the Guard and Sonalee. The director shoots his climax in traditional style at the Giant wheel in the fair. As predicted, we see the end of Tatya Vinchoo, but certainly giving a clue that he would return again. Will there be ‘Zapatlela 3′ ? Let us wait for the announcement.
‘Zapatlela 2′ is a technically sound film, with good use of 3D and special effects, which are attempted for the first time in Marathi; but, the absence of Lakshya Berde is certainly felt. This does not mean that Adinath hasn’t done well. In fact, he has done his level best in that role, in his own style. The otherwise young chocolate Marathi hero, who has given fine performances in films like ‘Dubhang’ and ‘Satarangee Re’ did try to look different with a simple ‘Boy next door’ image; but, frankly speaking, he did not match up with the character he played.
It was felt that to carry forward the humour created by Lakshya, the director should have opted for an actor well versed with comedy. He could have thought of anyone from among ace comedians like Makarand Anaspure, Sanjay Narvekar or even Siddharth Jadhav or Nilesh Sable, if he needed someone young like Adi, to play Lakshya’s son . And the role of Makya could have easily suited Adi, who is shown as the son of late Lakshya (a ventriloquist) in the film.
Very wisely the director has used other characters, including his own character of Mahesh Jadhav ,which was shown as turning Police Chief now, after a gap of 20 years. As a director, he has given enough scope to Sonalee, to exploit her glamour through all those scenes to her share. Makarand’s character should have been developed more, considering its importance in the film. Saie Tamhankar’s character in the film is just namesake, to create a girlfriend for Makarand. In one sequence, she just remains an observer, watching Makrand perform his tricks during the show. Madhu Kambikar as Grandmother, Vishakha Subhedar as Champa Satarkar, Vijay Chavan as Hawaldar promoted as Inspector and Deepak Shirke as the Guard on duty at Makarand’s tent, have performed well.
Production designer Nitin Desai has created fine sets suited to different situations and the superb cinematography of Suresh Deshmane makes the film more presentable besides the 3D effect. Avadhoot Gupte’s music is just fine on the lyrics of Guru Thakur.The sound effects have been used well. The work Umesh Jadhav & Phulwa Khamkar as choreographers is clearly noticed, in the Lavani performance by Sonalee. So are the Visual Effects by Enrik Kriyado. The hard work put in by Ramdas Padhye and his son in making of ‘Tatya Vinchoo’ is also to be appreciated.
The film cannot be compared with its prequel; but, is a clean family entertainer for its fantasy part, if viewed in 3D format. Don’t try to find logic in some of the sequences involving the Puppet. After all, it’s the first Marathi film in 3D form and to be appreciated for the effort. The kids would love it, as it is not so scary, as expected. It is certainly better than Bollywood’s ‘Yamla Pagla Deewana -2′ released simultaneously, on the same day.
Devious ‘Pune52′ is a path breaking Marathi film
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Rating: 2.5
Banner: IME Motion Pictures, Arbhaat Nirmitee Producers: Abhay Gadgil, Shrirang Godbole, Girish Kulkarni, Umesh Kulkarni Director: Nikhil Mahajan Music: Atif Afzal Cinematography: Jeremy Reagen Cast: Girish Kulkarni, Sonali Kulkarni Sr., Saie Tamhankar, Bharti Achrekar, Kiran Karmarkar, Shrikant Yadav, GP Deshpande, Swanand Kirkire Movie Review by: Ulhas Shirke |
Sir Arthur Conan Doyle created his fictional detective in the form of Sherlock Holmes. Now, Australia returned film maker Nikhil Mahajan has dared to create his Amar Apte as private detective in latest Marathi film ‘Pune 52’ in his own style. Moreover, as claimed in the credits, that the film is based on a true story, this film is expected to draw attention.
Set on the backdrop of early 90s, it is the story of a private detective Amar Apte (Girish Kulkarni) from Pune, who operates from his old house, in an adjacent room with a separate entrance. Amar sneaks into the personal lives of others, especially those adulterous wives, as part of his assignment. During one such assignment, he clicks a builder (Kiran Karmarkar)in his private acts ; who sends police to his house to recover the amount from his wife, for interfering into his personal life.
In comes, Neha, who introduces herself as the same Builder’s wife and hires Amar on an assignment. She even pays him advance. However, Amar, who is disturbed by his demanding wife Prachi (Sonali Kulkarni Sr.) gets trapped into Neha’s seductive nature. This has given ample scope to the film maker to show some hot intimate scenes between Amar and Neha. But, for filming these intimate scenes between Girish Kulkarni and Sai Tamhankar , the film has received ‘A’ certification. Obviously, this has invited the attention of Marathi audience; since not many youngsters below 18, are otherwise keen on watching Marathi films. Not a bad idea!
The pre- interval session of the film is bit slow, as the plot of the film doesn’t become clear till interval. It is only in post –interval stage , the film generates interest among the audience. It is a sincere effort by the director to incorporate twists and turns; which only the true film lovers are able to understand. Other wise, watching this film in a theatre, would also invite lewd remarks from a section of audience, on certain scenes; as witnessed by this critic in Movie Time- Hub, on the first day. The film is technically well made, with perfect sound effects & suitable background music by Atif Afzal. Wonderful cinematography by Jeremy Reagen from New Zealand, makes this film more appealing. Watch some of the scenes shot in dark and those in close up. It’s a remarkable work.
Girish Kulkarni finds a totally different kind of role through this film and he has given justice to his charater. Sonali Kulkarni finds a suitable role of his wife, who has cleverly shown quick change of behaviour in her character, as per the requirement of the script. Sai Tamhankar is at her best. She perfectly fits into the role of Neha. It was nice to see Kiran Karmarkar playing that intricate character of a builder, with ease. Bharati Achrekar plays a convincing mother in law of Amar Apte. Though there is a mention about Amar’s father-in-law, his appearance has been cleverly avoided.
To say something about the complex screenplay, few sluggish scenes should have been edited to make the film more interesting in the first part of the film. Otherwise, the film has turned out to be a devious path breaking film in Marathi. The English sub titles are expected to turn in favour of the film.
‘No Entry’ entertains; but, lacks Marathi touch
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Rating: 2.5
Banner: Underground Films Pvt. Ltd. Producer: Premnath Rajagopalan, Nikhil Saini. Director: Ankush Choudhary Lyrics: Guru Thakur Music: Nakash – Sargam Cast: Bharat Jadhav, Kranti Redkar, Ankush Choudhary, Saie Tamhankar, Aniket Vishwasrao, Manava Naik, Sai Lokur, Paddy (Pandharinath Kamble) Movie Review by: Ulhas Shirke |
Well, we are all aware that new Marathi film ‘No Entry Pudhe Dhoka Aahey’ is a remake of popular Hindi comedy ‘No Entry’. But, while making this film in Marathi, the entire film has been copied scene to scene, instead of offering it a Marathi touch. As a result, it has failed to hold the audience for entire 163 minute show on the screen. Nevertheless, being a sit- com, the film has succeeded in offering the expected entertainment through good performances coming from all the seven important artistes in the film.
The original film had succeeded in creating laughter, because the theme was new to the audience. Moreover, in Maharashtra most of the Marathi film goers watch Hindi films. Even if they haven’t watched this original film in theatres, they must have surely watched it on their TV screens and that too in repeat runs. All that was expected was a Marathi touch to this theme; but, it has gone the Bollywood way, even to the extent of retaining the names of all the characters. If they could change the name of MLA, why couldn’t they find suitable names for seven important characters ?
When we see some of the remakes of South films in Hindi, these original films are not watched by majority of the cine goers from places other than south region. And hence, such films whether action or comedy, turn out to be successful in North India including Maharashtra. But, same is not the case, with remake of Hindi film in Marathi. It may be kept in mind that about 50 % of the Hindi film’s business is from Maharashtra.
Now, the million dollar question still remains to be answered is, whether a remake of popular Hindi comedy film and that too with predictable sequences, will be accepted in Marathi ? Let, the people of Maharashtra decide the fate of this film. The opening day, witnessed very poor response at a multiplex in the suburbs. Now, the weekend collections will decide the success of this film.
Looking at the efforts put in, it may be mentioned that the film has been shot with the high quality standard observed in big budget Hindi cinema,, with good camera work by Arwind Soni and perfect music by Nakash-Sargam. The selection of locations are good, including picturesque Goa. Even the titles of the film have been presented well. But, there seemed to be some budgeting on costumes of the artistes and the dancers in the song sequences. In the case of Sai Tamhankar, who played an important character of Bobby, there wasn’t much issue of costumes, as the film has been focused on her. She is the centre of attraction in this film. And, she has lived up to the expectations of the film maker. One can say that she has offered more than what Bipasha could offer in the original, as far as glamour is concerned.
Looking at the performances of others, both Bharat Jadhav as Kishan and Kranti Redkar as Kajal match well in their respective roles, with their perfect timing for comedy. Aniket Vishwasrao as Shekhar gets a kind of role, which has tested his strengths in comedy sequences. And he has done extremely well. Manwa Naik playing Sanjana also supports well as his partner. Both Ankush Choudhary (Prem) and Sai Lokur (his wife Pooja) have limited scope, especially after interval, but they too have done well. Paddy kamble is just fine as Bobby’s bodyguard. Anant Jog is good as fun loving MLA. Viju Khote does well in the small role, he has to his share.
As predicted, this film is a musical sitcom with good performances. But, it has certainly failed to offer the Marathi feel to the characters.
Dhagedore (धागेदोरे)
Genres: Drama
Rating: na
Censor: U
Duration: 130 min.
Studio/presenter: Shri Mahakali Creations
Producers: Pankaj Challani, Abhijit Apte
Executive Producer: na
Director: Akshay Yashwant Dutt
Writer: Shrinivas Bhange
ScreenPlay: Shrinivas Bhange
Dialogues: Shrinivas Bhange
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Cast & Crew
Executive Producer: na
Director: Akshay Yashwant Dutt
Assistant Director: na
Writer: Shrinivas Bhange
ScreenPlay: Shrinivas Bhange
Dialogues: Shrinivas Bhange
Lyrics: Sandeep Khare
Music: Salil Kulkarni
Playback Singer: Anjali Kulkarni, Salil Kulkarni, Shankar Mahadevan
Cinematographer (DOP): Ramesh Shelke
Editor: Bhakti Mayalu
Starcast: Umesh Kamat, Sai Tamhankar, Bhargavi Chirmule, Vinay Apte, Uday Tikekar, Uma Sardeshmukh, Sanjay Mone, Dhananjay Gole,
Costumes: Soniya Lele
Makeup: Mahesh Barate
Sound : na
Background Score: Avinash Vishwajeet
Choreographer: na
DI, VFX: na
D.I. Colourist: na
Promos: na
Music Label: na
Publicity Designs: na
P.R.O.: na
Distributor : na
Synopsis
‘Dhagedore’ : na
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News / Article / Interview
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Review
‘Zhakaas’ situation based comedy
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Rating: na
Presenter: Zee Talkies Producer: 20-20 Entertainment Director: Ankush Chaudhary Story: Deepak Naidu Music: Abhijeet Kavthalkar Camera: Sanjay Jadhav Cast: Ankush Chaudhary, Amruta Khanvilkar, Pooja Sawant, Sai Tamhankar, Jitendra Joshi, Pushkar Shrotri, Sanjal Khapre, Vikas Samudre and Atul Parchure Movie Review by: Ulhas Shirke |
Situation based comedy is back again into Marathi films. Zee Talkies, who presented their last film ‘Mast Chalalay Aamcha’ in this fashion, are back again with another production in the name of ‘Zhakaas’ directed by Ankush Choudhary, who besides acting has also penned the dialogues of this film along with Nitin Dixit. In the beginning of the film, the director does not hide anything from the viewers and gives a clear hint that the three different characters Subhanya, Sandy and Suhas are played by one person ( Ankush Choudhary) in different get ups. You may call him an imposter or Bluff master; but, he flirts with three different girls Manjula ( Amruta Khanvilkar) , Neha (Saie Tamhankar) and Ashwini( Pooja Sawant) at different times.
That reminds us of Prashant Damle plays or TV serials on a similar subjects, but in this film Ankush Choudhary’s character is not married playing double parts but a bachelor 3 in 1 , as indicated through the script. Whenever the hero is in trouble and about to be caught, he seeks help from his loyal friend ( Jitendra Joshi) . All the three girls have their well wishers ( Pushakar Shrotri, Sanjay Khapre and Vikas Samudre) around them, who are deeply in love with them and do not approve their love for Subhnya alias Sandy alias Suhas. They play all their gimmicks to keep the girls away from this Bluff master. But, our hero plays his trick to fool all the three men at a time, posing himself as CBI officer, on a mission.
Till interval, viewers having left their brains at home to watch such a situation based comedy are happy with the plot. But, in the post interval session they find the film moving in Priyadarshan style, without much of hold . Some of the scenes have been well captured; but for that one should thank Cinematographer Sanjay Jadhav and the team involved in expert editing and special effects. Finally, you find the film concluding the way the actor- director felt right. There is no explanation, as to why the hero of the film played this act. We can just assume it that it was just for fun.
Whether the plot convinces the viewers or it taxes them, ‘Zhakaas’ has succeeded in inviting a sizable crowd to multiplexes with half filled halls on this weekend.
It has also succeeded in creating that laughter among the audience through many scenes; but it has failed to hold the audience to their seats, with non stop laughter; the way ‘Mast Chalalay Aamcha’ managed it. The manner in which the three girls have been presented in different get ups is to be appreciated. While the character of Neha played by Saie Tamhankar is shown as an independent girl doing photography, Pooja Sawant plays an ad agency owner wearing Indian style of dresses with matured looks. However, it is Amruta kahnvilkar in that typical village type but glamorous looks, invites all the attention. Her perfect accent suited to that character of Manjula has brought liveliness in every scene that she appears.
Ankush Choudhary, the tall and handsome hero of Marathi films, suits in that character but he has not used any extra ordinary skills in presenting three different roles, except for changing his get ups. But, all the four men in supporting roles namely Pushkar Shrotri, Sanjay Khapre, Vikas Samudre and Jitendra Joshi have played their respective roles with total sincerity and they matched well with their perfect timing to create those humour filled scenes . Even Atul Parchure is good in that small but effective role of an inspector. The characters of a Liftman and the Policeman blowing whistle, have been used well. The film does not have much scope for music and hence the work of Abhijeet Kavthalkar could not be noticed much in the film, except for the title music. The way the film has concluded, it gives an impression that this bluff master is going to return soon. Looking at the strengths and few weaknesses of this film, it has turned out to be a fun filled average family entertainer, mainly because of the fine performances by the artistes.
‘Sumbaraan’ does remind you about the golden memories
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Rating: 2
Presenter: Shree Ganesh Marketing and Films, Gypsy and Janki Production Production: A4 Creation, Anil Phadtare Story, Screenplay, Dialogues & Direction: Gajendra Ahire Cinematographer: Surya Mishra Music: Rahul Ranade Cast: Makarand Anaspure, Ravindra Mankani, Ravi Kale, Jitendra Joshi, Mukta Barve, Saie Tamhankar, Vrunda Gajendra, Shushrut Mankani, Shilpa Anaspure Movie Review by: Ulhas Shirke |
Known for his in depth knowledge about the village culture and presenting its contrast with new city lifestyle, Gajendra Ahire has in the past offered some sensible films. This time through his new film ‘Sumbaraan- Soneri divsaachya Soneri Athvani’ he shows very effectively the connect between the two places. ‘Sumbaraan’ is a tale of two generations and the changes noticed in their behaviour, with the passage of time. You may call it a touching tale of a village and the people living there.
Veeru (Jitendra Joshi) a struggling Music director is returning along with his elder brother Vasanta (Makarand Anaspure) to his village after a long time to spend their Diwali at their old ancestral house. They are accompanied by Vastanta’s wife (Vrunda Gajendra), Viru’s Friend Sushu (Shushrut Mankani) and his friend Mukta (Saie Tamhankar). On reaching there, though Viru takes it very lightly the arising situations and moreover in his own world, enjoying with his friends. Vasanta decides to sell the property and invites his old friend (Siddharth Jadhav) who is an estate agent.
Vasanta, is not happy in his life, remembering his past in the village and his inability to marry his girl friend – Shaku (Swarali Patil) who is the daughter of Biroba belonging to Dhangar community. Vasanta’s father Deshmukh Patil ( Ravindra Mankani) who is having a relationship with a lady from lower caste ( Ashwini Kalsekar) has no voice in the house, as the Mother (Seema Deshmukh) dominates. Vasanta’s younger brother Viru, during his childhood days, however maintains good relationship with Shaku’s younger sister – Kalli (Aditi Bhagwat).
The director has tried to show how attitude of individual matters. The elder brother is not happy in his life, for having ditched his beloved at a crucial stage in his life, while the younger brother is able to understand the situation better; with his own thinking process. In the case of Kalli, who is educated in city in the later part of her life, returns to her village as Dy. Collector. “Education is the key to progress of the society,’ is all that the director has tried to communicate through her character. Very efficiently he has handled the past memories through flash back from time to time.
Throughout the screenplay, the film sticks to its subject, not deviating from the main track. This results in total commitment to the script, which is based on the human relationship with the change of time. Take the character of Ashwini Kalsekar, who plays the keep of Deshmukh Patil, living in his own house. She is also being addressed as Mother, for obvious reasons, by both the children. When Viru returns to his village after a long time, she inquires about the relationship between two of his friends. And, when he tells her that they are in Live-in-relationship; she tries to find the difference between her relationship with his father and the young duo. Ashwini has played her role very efficiently. When kalli meets Viru after a long time, the director has very cleverly shown her maturity with education. Mukta Barve has played that small but sensible role with perfection in the company of Jitendra Joshi. Makarand is at ease in the role of Vasanta and so does Jitendra Joshi.
Shushrut Mankani and Saie Tamhankar are just show pieces in the film, playing Viru’s friends, with nothing much to do except playing Guitar, dancing or diving into the pond for swimming. Ravindra Mankani and Ravi kale are impressive in their respective roles. Seema Deshmukh and Vrunda Gajendra support well. All other artistes including Siddharth Jadhav perfectly fit into their characters, which are so lively.
Special mention about Dushyant Wagh, who displays his talent in that teenager Vasanta’s role. Rahul Ranade’s music is good . Technically, Sumbaraan is a well presented film, reminding one and all about the golden memories of the village life.
‘Mission Possible’ Review
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Rating: 2.5
Presenter: Percept Picture Production: SSJ Films Story, Director: Pushkar Jog Screenplay:Shirish Latkar Music: Sai-Piyush Camera: Sanjay Khanzode Cast: Pushkar Jog, Manisha Kelkar, Saie Tamhankar, Niranjan Joshi, Astad Kale, Mohan Joshi, Sharad Pokshe, Ganesh Yadaw, Movie Review by: Sandeep Hattangadi |
Pushkar Jog- the youngest actor-director of Marathi film industry, who has already proved his ability with ‘Satya’ , now goes a notch ahead with the musical thriller ‘Mission Possible’ which is written and directed by him besides acting.
The story of the film begins with events like dance competitions, turf fights, rose days, drugs and rock-n-roll, leaked exam papers, canteen blues and endless coffee sessions of college campus. Yash Kirtikar (Pushkar Jog ) is an enthusiastic collegian who has a dream girl in his mind, but does not reciprocate the girl Saie (Saie Tamhankar), who really loves him. He has his group of friends funnily named Neil, Nitin, and Mukesh (nothing to do with the actors and singers of Bollywood). Tragedy strikes when Yash and Saie open the lid on a drug and exam paper leak syndicate running in the college. Further, Yash, who is really in love with a girl Pearl (his dream girl-Manisha Kelkar) is implicated in her murder during a dance competition and is sentenced to a jail term.
Yash with the help of a ‘Bhai’ (Ganesh Yadav) escapes from the prison and with the help of his friends, tries to reach the real killer.
The story and screenplay of Shirish Latkar does remind us of many Bollywood films in the past with similar sub plots. But, Pushkar does a wonderful job as an actor and director and also goes on to prove that he is a fantastic dancer. He has succeeded in giving enough scope to his young team of actors like Niranjan Namjoshi, Sai Tamhankar, Manisha Kelkar, Shantanu Moghe, Astad Kale, and Amrit. The dance sequences are slickly shot in snazzy music video style. The romantic song shot on the locales of Ladakh is comparable with any good Bollywood film picturisation.
The music and background music by Sai-Piyush is in tune with the youthful vibrancy of the film. The cinematography by Sanjay Khanzode is top-class especially in the musical and chase sequences. The film moves at a fast pace, required for a murder mystery and the editor does a good job. The senior actors like Mohan Joshi, Sharad Ponkshe,Ganesh Yadav, support well.
Basically it is a film by the youth and for the youth.
The highlight of the film is its slick presentation and style, a new benchmark in Marathi cinema.
Sai Tamhankar, Actress
After playing a variety of roles through TV serials like ‘Ya Gojirvanya Gharaat’, ‘Agnishikha’ and ‘Saathi Re’, Saie Tamhankar made her entry into Bollywood playing cameo in films like ‘Black and White’ and ‘Gajani’. But, her role in Subhash Ghai’ marathi film ‘Sanai Choughade’ actually brought her into limelight and her acting career actually took off. In the recent past, she was also seen in films like ‘Be Dune Sade Char’, ‘Picnic’ and ‘Rita’.
At present, Saie has become very popular through her performance in popular TV serial ‘Anubandh’. Marathi Movie World spoke to Saie about her career and experience in this field. Excerpts from an interview:
Q : How did you land into acting field?
A: I would say that my destiny brought me here. When I was doing my 12th, I performed for the first time in a play. Thereafter, I developed interest in acting and started taking part in Inter collegiate competitions. I enjoyed this field and made up my mind to choose this field as my career.
Q: What you have say about your role in TV serial ‘Anubandh’ ?
A: Actually, I liked the script and therefore accepted the role immediately. But, there is a lot of difference between character of Ashwini you see in the serial and myself. In fact, the character of Ashwini resembles a lot with my school time friend . While preparing myself for this role, after reading the script, I could only think of my friend. In Ashwini, you will almost find my friend but not me.
Q: How was your experience doing films like ‘Black and White’ and ‘Gajani’?
A: I really had a very good experience doing these Bollywood films. On the sets of ‘Black and White’ Subhashji saw me and being a Maharashtrian, I was selected for the role of Sai in his forthcoming Marathi film ‘Sanai Choughade’.
Q: During your college life, you have done stage plays. Would you be interested now, to perform on stage ?
A: Actually, after ‘Sanai Choughade’ I had decided not to do any serials, but looking at the script, I agreed to do a serial like ‘Anubandh’. In a similar way, if there is really a play with good script; I may certainly opt for it’s no matter whether it is Marathi or Hindi. But, frankly speaking, I get tensed up only to tour different places along with the drama troupe.
Q: Your new film ‘Mission Possible’ is very much in the news. What you have to say about your involvement with this film ?
A: After a long time, I am playing this neutral type of role. I have really enjoyed doing this film. Pushkar is very hard working. Sanjay Khanzode’s style of working and the teamwork of the unit impressed me a lot. I met many new people here and there were many good things to learn from them on the sets of this film.
‘Mission Possible’ Rocks with new style Music
The rocking & trendy music of ‘Mission Possible’, a Marathi film is set to revolutionise Marathi Cinema. distributed by Percept Picture Company, the film’s music was launched in a star studded grand event recently at Grand Imperial Andheri Mumbai. Among the guest were Saie Tamhankar, Pushkar Jog, Manisha Kelkar, Swapnil Bandodkar, Resham Tipnis, Sanjay Jadhav, Chitrashi Rawat, Kranti Redkar, Kadambari Kadam, Umesh Jadhav, Aditya Sarpoddar, Ganesh Yadav & Nanubhai. The event began with dance performance by Pushkar Jog on the music of the title song.
Salim-Suleiman launched the music of this Marathi Film. Composed by young talents Sai & Piyush duo, the music is fresh with new sounds, rocking music & youthful songs, which is sure to be a hit with the masses.
Besides the film the Music also has many firsts to its credits. For the first time the film has a song entirely in English. The composers have used new sounds which have never before been used in Marathi films. “Marathi films traditionally have good music. Our aim was to introduce fresh music with universal appeal, music that not only catches-on with Marathi youths but also be liked by people, regardless of the language or culture they belong to.” Said Piyush.
“The Film has music that would be liked by everybody. From the title song which is a rock genre & sure to encourage you to wear your dancing shoes, to soul stirring ‘Swapna Sha’….the film has an all encompassing music”. added Sai.
Directed by Pushkar Jog, “Mission Possible” a big budget, film, treads a new path in Marathi Cinema by offering a complete entertainer with action, emotions, style, trendy music, dance, romance & glamour all rolled into one, backed by a intriguing murder mystery. Something that’s not commonly seen in Marathi Cinema. The film attempts to enthuse the youth to watch Marathi Cinema by slick production values, modern sets, exotic locales & dose of glamour. “Swapna Sha…” sung by Swapnil Bandodkar is the first Marathi song to be shot in scenic Ladakh.
Percept Pictures to release ‘Mission Possible’
Marathi Cinema has a good news! Percept Pictures, India’s premiere and the only fully integrated entertainment company, has taken on the distribution rights of forthcoming Marathi film ‘Mission Possible’ .
Directed by Pushkar Jog, ‘Mission Possible’ is obviously a big budget film by Marathi movie standards today. The film walks a new path by offering a complete entertainer with action, emotions, style, voguish music, dance & romance all rolled into one, backed by an intriguing murder mystery. Something that’s not commonly seen in Marathi Cinema. The film attempts to enthuse the youth to watch Marathi Cinema with slick production values, modern sets, exotic locations with a touch of glamour. The highlight of the film is a song “Swapna Sha……” sung by Swapnil Bandodkar, which is the first Marathi song shot in scenic Ladakh.
Percept Pictures has been a leader in acquiring & distributing films with fresh & distinctive content. Known for identifying the right film for the right audience with focus on multiplexes, their previous releases Page 3, Malamaal Weekly etc. speak about their success . The company also carried out the release of ‘Khuda Ke Liye’, a historic event, being the first Pakistani film to be released in India over last four decades. Animated & Children films catering exclusively to the kids like ‘Hanuman’, ‘My friend Ganesha’, ‘Makdee’ etc. have been their offerings for children. They are the one to bring fascinating Hollywood blockbusters such as Hancock, The Mummy, Spider Man 3 etc. to the Indian audience
“Mission Possible” being a trend setter, would be promoted on a large scale. The star cast of the Film will be visiting various cities across the state such as Pune, Nagpur, Mumbai, Aurangabad, Sangli etc; 15 to 20 days prior release. So, look out for the stars of this film in your city.
The reason for Percept Pictures to present “Mission Possible” is simple. This is what the company feels, “It is very different from the kind of Marathi films that we see nowadays. Moreover, the film has a fresh & youthful treatment. We are confident that this film would not only be well appreciated by the masses but also be a trend setter taking the Marathi Film Industry altogether to a new high.” Percept Pictures plans to market and distribute this film as the biggest Marathi language film till date. “The release of this film will simultaneously cover all the belts of Maharashtra, Goa and Marathwada in Nizam circuit. The marketing reach will be across all mediums starting with TV, Radio, Outdoor (Hoardings, OOH screens, Bus shelters and Bus panels – all across Maharashtra), Internet and Press,” says Yusuf Shaikh, Head of Acquistion & Distribution, and Percept Pictures.
Apart from directing & acting in the film, story & lyrics of the film have been penned by the multi talented Pushkar himself, who is also singing his own songs in the Film.
The strong storyline is supported by excellent performances by the entire cast comprising of talented Manisha Kelkar & Saii Tamhankar, who play the lead heroines supported by noted actors like Sharad Phonkse, Niranjan Namjoshi, Astaad Kale, Shantanu Moghe, debutant Amit Kalyankar & Mohan Joshi with Ganesh Yadav in a guest appearance. The Music is directed by the Saii- Piyush duo & the cinematographer(DOP) is Sanjay Khanzode.