Dagdi Chawl(दगडी चाळ)
Release Year: 2nd October 2015
Genres: Drama
Rating: na
Censor: U/A
Duration: na
Producer: Amol Kale, Suresh Sawaant
Director: Chandrakant Kanse
Writer: Ajay Tamhane, Pravin Kamle
Official Facebook Page I Twitter
Cast & Crew
Co-producer: na
Executive producer: na
Production Manager: na
Director: Chandrakant Kanse
Writer: Ajay Tamhane, Pravin Kamle
ScreenPlay: na
Dialogues: na
Lyrics: Kshitij Patwardhan
Music: Amit Raj
Playback Singer: Adarsh Shinde
Cinematographer (DOP): Aniket Khandagale
Editor: na
Starcast: Makarand Deshpande, Ankush Chaudhari, Pooja Sawant, Kamlesh Sawant, Sanjay Khapre, Yatin Karyekar
Art Director: Manohar Patil
Costume: na
Background Music: na
Make up: na
Sound : na
Choreographer: na
DI, VFX: na
Production Designer: na
D.I. Colourist: na
Promos: na
Publicity Designs: na
Distributor : na
Synopsis
‘Dagdi Chawl': “Story starts in era of 1996 and revolves around person called Surya played by Ankush Chaudhari, who leads a peaceful life in one of the chawls of Mumbai. He owns his own work setup and is almost on verge to settle down in life by marrying his beloved. As stated about the era of 1996 where underworld activities were still live on streets of Mumbai. Similarly one such incident happens with Surya which lands him in a situation where he has to come face to face with ‘Daddy’ a.k.a. Arun Gawli played by Makrand Deshpande and his journey in underworld starts, so does his struggle to unassociate himself with the tag of Daagdi Chaawl, which lands him further deep into activities of Daagdi Chaawl in end placing himself against ‘Daddy'”.
Videos
News / Article / Interviews
Movie Still(s)
Poster(s)
Review
Inspiring ‘Double Seat’ shows the way to young dreamers
 Rating: ★★★ ½
Studio/presenter: Essel Vision Producer: Ranjit Gugle, Anish Jog Director: Sameer Vidwans Writer, Screenplay : Kshitij Patwardhan, Sameer Vidwans Music: Hrishikesh, Saurabh, Jasraj Director of Photography: Arjun Sarote Editor: Charu Shree Roy Genres: Drama Censor: U/A Duration: 120 Min. Cast: Ankush Chaudhari, Mukta Barve, VIdyadhar Joshi, Vandana Gupte, Sandeep Pathak, Shubhankar Tawde, aarti wadgabalkar, Pushkar Shrotri; Review by: Ulhas Shirke |
Mumbai chawl life is not new to Marathi films. But, to make the entire film on the backdrop of a chawl, is always challenging. Way back in 1970 filmmaker Raja Thakur first depicted the chawl culture of Mumbai, through his film, ‘Mumbaicha Javai’ starring Arun Sarnaik, Ratnamala, Surekha Kudchi & Sharad Talwalkar. Then, inspired by this film Basu Chatterjee made ‘Piya Ka Ghar,’ starring Anil Dhavan & Jaya Bhaduri ( Now, Bachchan) which was a remake of this Marathi film. Then, in 2003, we saw Mahesh Manjrekar making a Hindi film based on Mumbai chawl culture.
Now, director Sameer Vidwans has presented his Marathi film titled ‘Double Seat’ indicating, how both young husband and wife, who aspire to move to a bigger house from a chawl, work hard to make their dream come true. Actually, the film hits out at the traditional joint family system, of living in One Room Kitchen and making adjustments. But, today, with both husband and wife earning, the days are changing. And, young Maharashtrian couples are willing to work harder, to buy their own house, no matter, it is far away from the city.
Through this film’s story, writer Kshitij Patwardhan and director Sameer Vidwans have tried to generate lots of humour through this emotion filled film. Being the elder son in the family and that too just married, Amit ( Ankush Choudhary) quickly understands the problems faced by his wife Manjiri (Mukta Barve) in their One Room Kitchen house in a chawl located at Lalbaug, Mumbai. So, Amit , who works as a supervisor in a Courier Company earning Rs. 25 thousand a month, takes his wife into confidence, to have their own house, where they can have their privacy. Manjiri, who works as Insurance agent, supports his idea.
After hearing about the bold step taken by her elder son, his Mother (Vandana Gupte) and Amit’s younger brother ( Shubhankar Tawde) also support him, selling some home made products to raise money. Only his stubborn father (Vidyadhar Joshi) , does not approve his idea. The film’s screenplay moves ahead, with lots of hurdles faced by Amit and Manjiri, with Manjiri also becoming pregnant. But, as they say, there is always sunshine, after the darkness. And, so we notice happy ending in ‘Double Seat’, with joint effort of entire family.
However, the end of the film, is not very impressive, except for showing the way. But, there is no solution, as to how the couple is going to travel for their jobs from a far away place, to the city. It would have been better, if the film had shown, some other way, of starting their own business. But, the new latest mobile phones shown in the last scene, only indicates, their prosperity.
The intention of the film, is to inspire today’s youth and see big dreams and work hard, to find their own house, no matter it is small and far away from the city. At the same time, it sends a message to those Maharashtrian people, who keep adjusting themselves, in this expanding and developing city, without themselves becoming part of this development. The film does go against the Joint family system; but if one has to live in this city of Mumbai, one needs to plan better future for their little ones.That’s what the writer had to suggest, through this film.
Looking at the performances, Ankush Choudhary, is at his best. He hardly finds such an opportunity, as he is generally seen in multi starrer films. The director, knowing his stage background well , has tried to exploit his full potential, through this film. Mukta Barve, who is always comfortable playing such roles, has once again proved that she is a talented actress. But, through this film, she has gone one step further, to be part of intimate love scenes. There is also a lip lock kissing scene, shot on this lead pair. But,one should not call it a bold scene. Best performances also come from versatile artistes like Vidyadhar Joshi, Vandana Gupte and other TV and film co stars like Sandeep Pathak, Pushkar Shrotri, Aarti, Shivani, Vikas, Shubhankar and others.
Music of this film goes very well with the story, with good lyrics noticed in two songs. Editing of the film is good with good camera work, especially in all those close up scenes.
‘Double Seat’ is certainly inspiring and shows the way to young dreamers.
‘Classmates’ displays excellent team work
 Rating: ★★★★
Genres: Drama, Romantic, Musical, Suspense Censor: U/A Duration: 130 min Studio/presenter: Video Palace, S.K. Production Films Producer: Suresh Pai Director: Aditya Ajay Sarpotdar Writer: Kshitij Patwardhan, Sameer Vidwans Lyrics: Guru Thaakur, Kshitij Patwardhan, Manndar Cholkar, Satyajeet Ranade Music: Amitraj, Avinash-Vishwajeet, Troy-Arif, Pankaj Padghan Cinematographer (DOP): K.K. Manoj Cast: Ankush Choudhary, Sonalee Kulkarni, Sai Tamhankar, Sushant Shelar, Sachit Patil, Siddharth Chandekar, Suyash Tilak, Pallavi Patil, Sanjay Mone, Kishori Shahane, Ramesh Dev. Movie Review by: Jitendra R More |
Every parting indicates a big loss; but, every reunion is a reminiscence. Based on this philosophy is ‘Classmates’, the latest offering from Aditya Sarpotdar. No matter, this film is an authorised remake of a South film, with the same name, Aditya has used his past seven years experience, to skilfully captain his team of talented performers. Set on the backdrop of a college life during 90s, the film begins with a scene 20 years later, when the classmates of 1995 batch reunite for a purpose, in their college. So, we witness the seven batch mates comprising of Satya (Ankush Chaudhari), Appu(Sai Tamhankar), Aditi (Sonalee Kulkarni), Rohit Bhosale, now a MLA (Sachit Patil), Pratap, now a Police Inspector( Sushant Shelar), Amit(Suyash Tilak), now husband of Appu and Heena ( Pallavi Patil), a Muslim woman and close friend of Aditi; attending the opening ceremony of the Music section in memory of their departed friend.
They are all welcomed by the lady principal (Kishori Shahane Viz), mother of late Ani (Siddharth Chandekar). As they are about to meet late in the evening, after the function, an unfortunate accident takes place in respect of one of their classmates. This being a biggest twist in the story, the film progresses with the investigation of the accident and at the same time, taking the viewers into flashback, to show the happenings twenty years ago, while they were in the college. So, we witness the acts of ragging, which prevailed those days, the rivalry between two groups, with the entry of politically backed youth wings, dance n music and of course the love affairs. In short, it is all in one contribution of action, saga, friendship, music and revenge.
Best thing about the film, is its well written screenplay by Sameer Vidwans and Kshitij Patwardhan and suitable dialogues by Kshitij, to meet the requirement of the realistic college lifestyle, during that period. But, above all the director Aditya Sarpotdar shows his presence through many important scenes. Watch the scene, where ace swimmer Sachit Patil folding his call letter from foreign university for admission, to support one of the tilting legs of the side table in his house.
This clearly displayed the gravity of the situation, where his father who is in deep trouble in Politics, requiring the support of his son and the son offering the same, through this act. Very cleverly, he has managed to unfold the mystery, in the screenplay. Though he gave a Marathi feel to this film, the two songs have a south Indian flavour. Even otherwise, barring two songs, the music is not very impressive. Perhaps, too many cooks couldn’t match well, with each other. But, the background score is simply fabulous. Good support comes from impressive camera work and sound design.
In the acting department, three actors have shown maturity in their acting, while portraying their respective characters. They are Ankush Choudhary , Sachit Patil and Siddharth Chandekar. All three of them stole the show, displaying diversity . The director has exploited their full potential. Among the females, Sonalee Kukarni has also shown lot of improvisation, in the role of Aditi. Sai Tamhankar suits well in the role of possessive Appu, but her performance is more dependent on the dialogues offered to her. Sushant Shelar and SuyashTilak are convincing, but Pallavi has been wasted in the role of Heena. Not much scope was given to this promising new find actress, who was picked up from the talent hunt programme of 9X Jhakas. Veterans like Kishori Shanane, Ramesh Deo and Sanajy Mone offer good support. But, the ultimate winner is Aditya Sarpotdar. He really stands tall, for his effective presentation style, in this story based and suspense filled film.
‘Duniyadari’ is about Dil, Dosti n Prestine Love story
Once addicted, you can’t restrict three things. i.e. Dil, Dosti n Duniyadari. Forthcoming Marathi film “Duniyadari” is an Eastman Color Love Story, which promises to sprinkle the colors of friendship n love from 19th July , across Maharashtra. It’s a much talked about film in Marathi Entertainment Industry.
Suitably tagged as an Eastman Color Love Story, ‘Duniyadari’ is set on the backdrop of 70’s and has relevance to youth of current generation. The film is inspired by a beautiful phase put across by eminent Marathi novelist late Shri Suhas Shirvalkar.
After the completion of the film shooting, Producer & Director Sanjay Jadhav came out with a fantastic concept of making 11 artists from Marathi Film Industry sing a song for this film. The catchy lyrics… Zindagi Zindagi… Doston Ki Duniyadari Mein Haseen Meri Zindagi…happened to be so good, that immediately Sanjay Jadhav came out with the novel idea of getting this friendship song sung by as many artist singers as he could. Above all they sang without any remuneration as they had strong liking to the feel of the song & enjoyed singing it.
Highlight of this film is that it is for the first time that a title song has been sung by 11 leading artists namely: Sachin Pilgaonkar, Mahesh Manjrekar, Sumit Raghavan, Sunil Barve, Prasad Oak, Kedar shinde, Pandharinath Kambli, Siddhartha Jadhav, Vaibhav Mangle, Ankush Chaudhari and Swapnil Joshi, who have rendered their voice for recording this song of ‘Duniyadari’.
The music for this song ‘Zindagi Zindagi’… song has been composed by ‘SAY band’ and lyrics penned by Sachin Pathak alias ‘Yo’ of the same SAY band. A perfect blend of Marathi and Hindi words have been mixed well in the lyrical composition of this song. The music will be released by Nanubhai Jaisi of “Video Palace”. The film’s star cast comprises of Ankush Chaudhari, Swapnil Joshi, Sai Tamhankar, Jitendra Joshi, Urmila Kanetkar, Richa Pariyalli, Varsha Usgaonkar, Uday Tikekar, Sushant Shelar & Uday Sabnis. It’s a dream project of Sanjay Jadhav under banner Dreaming Twenty Four Seven and is presented by ZEE Talkies n Video Palace,with distribution by ESSEL VISION PVT LTD.
‘Sanshaykallol’ follows the same old track of comedy
 |
Rating: ★★ ½
Banner: Shree Swami Samarth Pictures Director: Vishal Inamdar Writer: Vishal Inamdar, Rajesh Kolan, Vijay Patvardhan, Sanjay Mone Cinematography: Suresh Deshmane Cast: Ankush Chaudhari, Pushkar Shotri, Gauri Nigudkar, Mrunmayee Deshpande, Kshiti Jog, Reema Lagoo, Sulekha Talvalkar, Sanjay Khapre, Shrirang Deshmukh, Rajesh Kolan Movie Review by: Ulhas Shirke |
Today, new Marathi film makers have been attempting something different through presentation of new subjects. The year 2013 seemed to be the year of path breaking films, with the release of few such films during the first quarter. But, come April and the regular Marathi Movie audience have become target of the same old formula of comedy. The best example is latest released Marathi film ‘Sanshaykallol’. Posing it as a Super Comedy, the film after its release has turned out to be just another average comedy film.
‘Sanshaykallol’ has a very limited plot, where Jaisinha( Ankush Chaudhari) a fashion photographer and his wife Asha (Gauri Nigudkar) who runs a readymade clothes boutique; keep on doubting each other. They have installed hidden cameras in each other’s office . Asha keeps close watch on the activities of her husband, while Jaisinh does the same by monitoring his wife’s movements in her boutique.
All goes well, till a TV actress Sharavani( Mrunmayee Deshpande) a girl friend of Dhananjay ( Pushkar Shrotri) walks in Jaisinh’s studio and faints in his studio, after completing a tiring shoot. While Jaisinh takes her to nearby clinic, her locket( presented by Dhananjay) drops in his studio. And that leads to misunderstanding. Asha, who watches her husband lifting Shravani on closed circuit camera, becomes more furious; as she finds the locket near his studio. When Asha is seen handling the locket by Jaisinh on close circuit camera; he locates the same locket later in her office drawer. After noticing the photo of Dhananjay in it; he becomes more suspicious.
Dhananjay too becomes suspicious about Shravani, when he finds a medical prescription of a maternity Home, from her Purse. This drama drags on for almost little more than two hours; with addition of few more faces entering into the team like Asha’s brother Mithun( Omkar Govardhan) having an affair with Chaitra( Kshitee Jog), who manages Asha’s boutique. Vishakha( Sulekha Talwalkar) a friend of Asha, who is a lawyer. Karthiki( Pooja Sawant) a customer at Asha’s boutique and her boyfriend Vrushabh ( Abhijit Satam) also join them. Then you also have Siddharth ( Siddharth Chandekar) co star of Sharavani in TV serial, Bhujangrao an informer cum Auto Rickshawala ( Sanjay Khapre), an understanding mother of Dhananjay ( Reema Lagoo) and Djhananjay’s producer friend –Makarand( Vijay Patwardhan); which forms a very big team besides other supporting cast.
Frankly speaking, the screenplay of this film fails to hold on the audience to their seats, for want of new interesting happenings. The dialogues too are not very effective; to create spontaneous laughter. We have seen such plots in many past films. Much was expected from director Vishal Inamdar; but, he hasn’t offered anything different in the screenplay. What appeals to the audience is the neat and clean photography by Suresh Deshmane and also good background music by kaushal Inamdar. Among the artistes, the chemistry between Pushkar Shrotri and Mrunmayee Deshpande works well . Both of them find suitable roles to their share. Mrunmayee, in particular, finds a better scope to display her emotions, in as many as five important scenes, including one with Reema Lagoo. She is so natural, throughout the film.
In the role of Asha, Gauri Nigudkar does make comeback into Marathi; with her perfect timing for comedy; but, there isn’t much scope for her to display her acting skills. But, Sanyogita Bahve’s designer costumes are well suited to Gauri, Mrunmayee and Kshitee, throughout the film. Ankush Chaudhary has become a typecast in the role of Jaisinh, after watching his similar kind of roles in films like ‘Jhakaas’,’Bluffmaster’ and ‘No Entry’ in the recent past. However, Kshitee Jog and Sanjay Khapre, support well. Pooja Sawant has limited scope in her guest appearance; but she invites attention with her presence on screen through those four scenes. Other members of the big team of artistes offer good support to this conventional Marathi film, which follows the same old comedy track.
‘Ashach Eka Betavar’ takes you on a mystery filled journey
 |
Rating: na
Banner: Srushti Films Producers: Leena Bala Nandgaonkar, Divakar Sawant, Javed Pathan Director: Sanju Hinge Music: Milind Joshi Cinematography: Raju K. G. Cast: Sanjay Narvekar, Ankush Chaudhari, Madhura Velankar-Satam, Sai Tamhankar, Sanjay Mone, Yatin Karyekar, Mangesh Desai, Sharad Ponkshe, Kamalesh Sawant, Punam Jadhav, Sharad Gadgil, Shreya Kadam, Dinesh Salvi, Vaishnavi Naik, Suresh Dol, Ram Budke, Archana Tendulkar, Sangeeta Sane, Hrishikesh Shastri, Sumit Mane, Vedang Patkar Movie Review by: Ulhas Shirke |
So many films have been made in the past, which were inspired by Agatha Christie’s best selling world famous novel- ‘And Then There Were None’, which had sold over 100 million copies. A film was also made with the same name, which was an adaptation of the novel. But, when a stage play was attempted in UK, with the name ‘Ten Little Niggers’; few changes were made in the script. The stage play continued in USA, thereafter, with the title ‘Ten Little Indians’.
In 1965, Raja Nawathe directed a Hindi film ‘Gumnam’, which was also inspired by this English stage play and not the original novel, as in the original novel, all the guests in the bungalow get killed and the man behind the killings, finally ends his life. Now, we find a new Marathi film, also inspired by the English play ‘Ten Little Indians’, which was also based on Agatha Christie’s creation. So, we find eight strangers coming together on an island to find their accommodation in a bungalow, surrounded by dense forest. They are welcomed by a Butler ( Sanjay Narvekar) and his wife ( Poonam Jadhav) who attend to them.
Ankush Choudhari, Ashach Eka BetawarDuring their first dinner itself, a recorded message accuses each one of them of the crimes committed by them. They all question the butler, asking him about the man behind the scene. When all of them are convinced that like them, even the Butler has been invited to serve them; they start suspecting each other. As the mystery remains, two of them are found murdered, one after the other, little before interval. Before that, the director takes time to narrate in brief the lifestyle of Mumbai through the voice of Nana Patekar, since all these people belong to Mumbai. He also takes you quickly into the flashback, showing the background of six of the guests, while they are travelling in an imported motor boat, on their way to the island.
At the stroke of interval, there are six guests left, besides the Butler and his wife. Aakash( Ankush Choudhary) and Ameeta (Madhura Velankar ) being treated as lead pair, come closer during this period; while the bar dancer Shabana( Sai Tamhankar) becomes the favourite of DD (Yatin karyekar). A doctor (Sanjay Mone) and a professional criminal ( Kamlesh Sawant) are looked upon as suspects, in this mysterious drama. As the screenplay progresses, you find at least two twists in the screenplay of this film; only to surprise you in the climax about the man behind the killings.
Chintan Mokashi’s screenplay possesses the required strength, to create the desired impact in this captivating murder mystery, which is new to Marathi cinema. His dialogues with Sanjay Pawar also create the combined effect of fear and humour, according to the changing situation. The character of Sanjay Narvekar has been cleverly used to nullify the continuous effect of terror. Director Sanju Hinge has done a brilliant job in generating anxiety after each murder sequence, for which he deserves compliments.
The background music and sound effects have been well paced in this film to generate curiosity at every stage, especially after interval. The film has only three songs composed by Milind Joshi, out of which two songs in Hindi are picturised on Shabana, during pre interval stage .The third one is played in the background, immediately after interval. Editing work by Kshitij Pavaskar and Abhijit Girulkar is good, compared to the Hindi version ‘Gumnam’ based on the adaptation of same play. The cinematography by Raju K.G. is very effective to create that desired impact, at every moment in the film.
Among the artistes, Ankush Choudhary, Madhura Velankar, Sai Tamhankar , Yatin karyekar, Sanjay Mone and Sanjay Narvekar find better scope to display their acting skills, at different situations. Kamlesh Sawant finds some scope in three scenes; but talented actors like Sharad Ponkshe and Mangesh Desai are treated like guest artistes in this film. The same is the case with Ponam Jadhav .
The plot in the film is gripping, though it has some resemblance to 1965 Bollywood film ‘Gumnam’; which is also inspired by Agatha Christie’s creation. The reason for the assembly of guests is different. By the way, the Bikini scene of Sai hasn’t been there in ‘Gumnam’, as the Bollywood actress Helen was shown in Mini skirt at the beach. One good thing is that, the makers of this film have admitted that they were inspired by Agatha Christie’s work. Now, how you give treatment to this subject in cinematic format, is all that important and makers of ‘Ashach Eka Betavar’ have succeeded in offering their best to Marathi film lovers. It’s a well presented murder mystery. Finally, what Agatha Christie had said, has a point here. “Every murderer is probably somebody’s old friend.”
‘Target’ designed for youth audience
 |
Rating: na
Producer: Jagdish Unecha, Rakesh Unech Presenter: J. K. Movies Director: Vivek Gore,. Rajesh Kolam Camera: Sandeep Patil Choreographer: Umesh Jadhav Music: Abhijeet Kawthalkar, Jeetendra Kulkarni Cast: Sanjay Narvekar, Ankush Chaudhari, Siddharth Jadhav, Swapnil Joshi, Kranti Deddkar,Tejaswini Pandit, Smita Gondkar, Vinay Apate, Sanjay More Movie Review by: Sandeep |
J. K. Movies new marathi film ‘Target’ is an action filled political thriller with a dose of youth angst. The story is about five idle friends Sanjubhai (Sanjay Narvekar) who thinks he is a ‘bhai’, Anky(Ankush Chowdhary) a builder’s son, who is a skirt chaser, Swapnil(Swapnil Joshi) -politician Vishwasrao’s (Vinay Apte’s) son, who is disillusioned with his father, the Home Minister of the state finding no time for his family,Sattar( Siddharth Jadhav)- a meat shop owner’s son with a penchant for the handycam and Paddy (Bhushan Kadu) -a pizza delivery boy.
These boys become friends with three girls played by Kranti Redkar, Tejaswini Pandit and Smita Gondkar after a lot of minor tiffs. Once, they attend a rave party in a farmhouse in a jungle, where a cop (Vivekanand Gore) tries to arrest Swapnil for drugs possession but then all the friends run helter shelter in the jungle and then they see a child sacrifice being performed in the jungle and then chance upon another boy who is kidnapped.
They rescue him but the bad guys are after them and whether they survive in the jungle and get the villains into jail and solve the ‘sacrifice’ mystery is the plot of the film.
The film moves at a brisk speed once the characters are established and the adventures captured in the jungle are really thrilling. Director duo Vivekanand Gore and Rajesh Kolan give the film a kind of ‘LOST’ series look and those umpteen teen campus drive-in movies that were a rage in the US in the 80’S. The political angle is a much repeated track.
The performances by the artistes are good, especially Kranti Redkar and Sanjay Narvekar. Swapnil Joshi plays a serious type of role with conviction. The cinematography by Sandeep Patil is slick, especially the jungle sequences. Cameos by Vinay Apte and Sanjay Mone are impressive. The item number by Manasi Naik was unnecessary.The music by Jeetendra Kulkarni and Abhijeet Kavthalkar is not up-to the mark.
The editor Sarvesh Parab could have used more pace in the first half. In all, the film will appeal to the youth and is good for a lazy evening hangout, when you need the air-conditioned ambience of a multiplex.
‘Ringa Ringa’ nearing completion
Nishad Audio Visual Pvt Ltd are almost on the verge of completion of the shooting of their new film ‘Ringa Ringa’, which is an action packed thriller. After the success of ‘Chekmate‘ and ‘Bokya Satbande‘, producer Kanchan Satpute has paid more attention on making this film more entertaining suited to today’s audience. She has made a right choice in Sanjay Jadhav, who will be directing this film based on his own script. Sanjay, a talented cinematographer, who has recently won V. Shantaram Award for best Cinematography for ‘Jogwa’.
‘Ringa Ringa’ has been shot on the backdrop of picturesque Goa, where the film’s script revolves around a character Rangrao, with criminal background who turns a politician. The film picturises the ups and downs in his journey to politics. With Ajinkya deo playing a totally different role in this film, the other popular star cast comprise of Sonali Kulkarni, Bharat Jadhav, Ankush Choudhary, Santosh Juvekar, Sanjay Mone, Udhay Sabnis, Jayant Savarkar, Kamlesh Sawant and Aditi Govitrikar. Art direction by Mahesh Salgaonkar, Sound by Mandar Kulkarni, Choreography by Umesh Jadhav & Rajesh Bidwe, Editing by Amit Pawar, Screenplay-dialogues by Amol Shetge, co-producers Shvababa Naik and Suresh Pai , Lyrics by Guru Thakur and music by Ajay-Atul are the other credits of the film. The film will be ready for release during next two months time.
‘ULADHAAL’ REVIEW
 |
Rating: ★★1/2
Producer: Vishwas Films Director: Aditya Sarpotdar Script, Screenplay, Dialogues: Rajesh Kolan,Vijay Patwardhan, Aditya Sarpotdar Camera: Sanjay Nair Music: Ajay-Atul Cast: Makarand Anaspure, Bharat Jadhav, Ankush Chaudhari, Siddharth Jadhav, Lokesh Gupte, Subodh Bhave, Madhura Movie Review by: Jitendra More |
Have you ever watched a Marathi movie with a perfect blend of all the genres of cinema? Well, veteran actors and directors concerned with the future of the industry do not have to worry anymore when there are directors like Aditya Sarpotdar coming up with debut movies like Ulaadhal.
The plot might look simple on paper but the way in which Sarpotdar connects the actors with the storyline is something that shapes up the movie.
Sayajirao’s (Makarand Anaspure) 250-year-old dhaal (shield), which has been safeguarded by generations is stolen by Guru (Subodh Bhave). Guru is helped by Sayajirao’s men after they are promised a share in the money that would come after selling off the dhaal. Guru, however, has other plans. He kills Sayajirao’s men but Baban (Lokesh Gupte) manages to save himself. He chases Guru, who is on his way to Goa to sell the dhaal.
When Sayajirao finds out the betrayal by his men, he determines to kill those who have been disloyal to him.
In Goa, Baban hires small thieves Vickey (Ankush Chaudhary), Bharat Jadhav and their partners in crime, Neha and Preeti (Aditi Sarangdhar and Madhura Velankar) to steal the dhal from Guru. While Sayajirao and his men get hold of Baban, Vickey and his partners fight out their nerves against the brutal Guru. Unable to find Baban, they decide to sell the dhal themselves. They ask Sikandar (Siddharth Jadhav), a dealer in selling stolen items to find a prospect buyer for the dhal. Sikandar ends up narrowing down on Guru. This is where the entire Ulaadhal or commotion begins.
The elements of a commercial cinema like the designer clothes and exotic locations of Goa and Mauritius take the movie a step ahead of the everyday movies. Scriptwriter Rajesh Kolan has maintained the seriousness, humour, and thrill that keep the logical element of the movie in place.
The lead actors Makarand Anaspure, Subodh Bhave, Bharat Jadhav and Ankush Chaudhary have given strong performances. Anaspure has moved nicely from his usual comic roles to a serious man-of-honour, who is proud of his family heritage and is ready to give his life to save the dhal. Bharat Jadhav and Siddharth Jadhav, as a Hydrabadi Kabadiwala add to the comedy element in the story. The appearances of Mahesh Manjrekar as an ‘item number’ and Nirmal Pandey as Tony are unnecessary but add to the glamour. What scores is the music by Ajay- Atul, the lyrics that have a fusion of Marathi, Hindi, and English words and the direction of Sarpotdar. All kudos to the Ulaadhal team.
latest marathi film review: CHECKMATE
 |
Rating: na
Company: Nishad Audio Visuals Producer: Kanchan Satpute & Chandrashekhar Mahamuni Story, Screenplay, Cinematography & Direction: Sanjay Jadhav Dialogues: Vivek Apte Music: Sunil Kaushik Cast: Ankush Chaudhari, Swapnil Joshi, Sanjay Narvekar, Rahul Mehandale, Vinay Apte, Anand Abhyankar and Sonali khare Movie Review by: Saurabh Karnik |
Amazing cinematography. Awesome editing. Stunning special effects. Hey, I am not stating here specialties of Hollywood, nor I am talking about any latest Bollywood movie! These are major characteristics of our own Marathi movie ‘Checkmate’. Thanks to Sanjay Jadhav and his all team, who gifted such a beautiful movie to audiences.
It is a challenge for any writer to describe the story on paper. The story develops in front of audiences through various small pieces, which are the part of a puzzle. When all the pieces fix at appropriate position, puzzle gets solved and audiences understand complete story with a sudden shock. The story moves around three young guys who were cheated through fake financial scheme. Unfortunately all of them lost all their precious money that they had collected by cheated somebody. Now they come together and make a plan to recover their money.
So the story is all about implementation of the plan and troubles that had been faced while implementation. Everyone treat himself, as the master of the game and thus everyone became just a pawn for other character. But actual master of the game comes forward only at the end of the movie. Of course the remaining story has to be seen on screen itself and I promise all the readers that it is just a thrilling experience to watch it on a big screen. Sanjay Jadhav- one of the best cameraman in the industry has taken a huge risk in his directorial debut to come up with such kind of risky story. One small mistake in presentation could have been destroyed the whole film. But he trusted his own abilities and as a result Marathi Film Industry got such a wonderful movie.
Ankush Chaudhari, Swapnil Joshi, Sanjay Narvekar, Rahul Mehandale, Vinay Apte, Anand Abhyankar and Sonali khare are the main star-cast of the movie. None of them our new to us, and everybody has acted impressively. But Swpanil Joshi is the real surprising package for viewers. We have seen him in many hindi and Marathi serials, but none of those gave him a chance to show his real skills. This was his first opportunity had made no mistake. His ‘bolbacchangiri’, facial expressions and even dialog delivery is extremely good. Ankush, Vinay and Sanjay are as good as expected. Sonali doesn’t have much scope in the film.
As I stated earlier, technical side is the real strength of the movie. Sanjay Jadhav himself handled camera, cinematography, and direction and he did every job perfectly. Sunil Kaushik’s background music adds good essence in the story.
Marthi Film Industry had never faced shortage of good stories or actors. It was the technical part, where it was lacking. With this movie we can surely say that the industry has came over this aspect also. We can surely consider it as a new beginning and if others will also follow Sanjay, golden days of Marathi Film Industry are not long away.